Taihao Golden Chapter

I have read the latest chapter. Being able to see it here means that I still like this book. However, no work is perfect, and there is always something I want to say while reading. I finally couldn't express my displeasure: First of all, I would like to comment on the character creation. I won't comment too much on the protagonist here. I would like to remind the author that the book is written for modern people, not ancient people or monks, so it is best to raise the moral bottom line of the protagonist a little higher. Of course, if it is too high, he will be reprimanded as a "holy mother", but at least some readers will not like the protagonist who kills people and sets fires without sufficient reasons. It is recommended that the supporting characters should be more fleshed out. Many distinctive characters that feel like they could be developed are basically not developed, making the supporting characters in the whole story very empty. It's good, after all, the supporting characters are just tools. You don't feel bad if you die. The controversy will be much less, and you don't need to consider that readers are really interested in sending razors to the author. However, I feel that the disadvantages are even greater. The insufficient portrayal of supporting characters makes the work low-end, and it is difficult to call it a masterpiece. And if you want to make the image of the supporting characters fuller, you need a lot of rich description skills. This needs to be improved by the author himself, and book reviews cannot teach him. What is worth taking a warning is that the character creation of Wang Wanyi was very problematic in the past. As one of the key characters in the advancement of the plot, the costume design of this sister basically does not match the character's behavior. The extensive use of positive descriptions does not fully describe the characters of these sisters, and there is no side description. The most scenes are actually sleeping with the male protagonist! ? Is this how you create your character? This is a key plot role! ? (I've been putting up with this for a long time, and I'm not happy if I don't complain) Then let's briefly talk about the plot and its progression. Is the author updating too quickly? I feel that the chapters after they are released do not have the same feeling as they were written after thinking about them before they were released, or that they are not considered enough. There is limited echo between the front and back, and the flow of writing is not smooth. The expression of "developing cool points" in the fairy tales in this book seems to be more about "fighting skills" and "capturing treasures" rather than the relatively traditional improvement of realm. This is a characteristic, but you can consider combining the two to optimize the reader experience (laughing) And it is worth noting that character creation and plot advancement are complementary to each other. Blindly advancing the plot will bring about empty characters, which is almost an inevitable consequence, and empty characters will make readers feel impatient, and then rush the plot to advance. So I can always see readers complaining about the slow progress of the article in the chapter descriptions. But is the reason for the feeling that the progress of the article is too slow arises from pushing the progress of the article too eagerly? I think this is an issue that needs to be considered. But in any case, this book can still be regarded as a standard online novel about cultivating immortality, and it is a good choice to use to kill one's own free time. In such an Internet environment where the novel about cultivating immortality is criticized as "low-level novice literature", it is not easy for someone to write such a novel about cultivating immortality, and it has such a high intention when it is put on the shelf. I hope the author will not forget his original intention and keep writing.

You're driving people away, right? You deliberately keep Wang Wanyi to be disgusting, right? Is this how you use the idea of ​​suppressing the desire to advance?

I like this sentence very much. If goodness is not protected by a sword, it is the food of evil.

I like this sentence very much. If goodness is not protected by a sword, it is the food of evil.

It is a novel about mortals cultivating immortals with a traditional fairy tale flavor, and pays homage to classic settings and routines such as "The Battle of the Road" and "Ask the Mirror". The protagonist, who was born into a small family of cultivators of immortality, only has four spiritual roots, but he was found to have an evil bone constitution, so he was able to join the cultivator sect through the back door. Although there are no system plug-ins, my heart towards the Tao is still firm and I practice very hard. At this time, I suddenly came into contact with the Taihao Golden Seal of the Heavenly Book from outside the world. No one in the world recognized it, but only found its font to be beautiful. However, the protagonist knew that this was an ancient bronze inscription because he traveled through the nine-year compulsory education system, and analyzed half of the Disha Sword Sutra as his biggest barrier to establishing a foothold in the world of immortality. Later, he also obtained the Tao of Transformation of Embryo Transformation from the Taihao Golden Chapter, which directly pointed to immortality. This book is quite regular and stable, with no major poisonous points or major bright spots. At the same time, the pace is fast and the characterization is insufficient. It should be aimed at senior fans of fairy tales.

Yesterday I was recommending this book in a certain book circle, but in the blink of an eye you wrote that thing, and most of the goodwill was gone. You are an online writer with teenage fans. No one cares about what you talk about in private, but you should pay attention to your words and deeds in your books.

The author must stick to his own writing style! ! ! Come on✧٩(ˊωˋ*)و✧

Update well, work hard to make money, and your girlfriend will have it

After playing Searching for Immortality these past few days, and then reading the Cultivation of Immortality novels, I have really mixed feelings. Now in the transformation stage, I watch the immortal friends I once made die one by one. Sometimes I see them sending messages asking for the longevity elixir after missing them for decades, and then I see that they have lost contact. Finally, I saw that a friend was asking for longevity elixirs recently, so I hurriedly practiced elixirs and sent them to him. However, decades later, when he woke up from seclusion, he still lost contact. Most of the dozens of friends on my communication list have lost contact, my master has passed away long ago, and my Taoist companion is running out of time, but there is nothing I can do. I used to be very enthusiastic about eradicating monsters, exploring maps, making friends with immortals, collecting all kinds of heavenly materials and earthly treasures, practicing elixirs and treasures, and found several Taoist companions who were dual cultivators. I was very happy. Now I no longer have the enthusiasm I once had. I am just cultivating mechanically, hoping to become an immortal soon. My human emotions have become indifferent. This is the price of cultivating an immortal.

Although this is the path of seeking the Tao, and normally anyone who blocks the Tao will be killed, this is not the bald tiger in my impression. The bald tiger in my impression is one that makes an exchange openly and honestly (no one can understand it anyway). When the Tao is really blocked in the future, he draws his sword and fights, and then openly hacks him to death. The master comes to hunt him down, and then hacks his master to death. Instead of seeking the way of holiness and committing murder and robbery without any antagonism.

The protagonists are like two people before and after the foundation is established, especially the holy virtue. I am so happy when I see the author's definition of it. Isn't this just being and standing at the same time🤣

Ancient seal script is not something that can be understood by learning seal script calligraphy or archeology. It can only be understood through the nine-year compulsory education, let alone the nine-year compulsory education. Even if you graduate from university and are not majoring in it, you will not be able to understand it. There must be a calligraphy club in the university, but most of them are To practice regular script, I joined the calligraphy club in college. Our club president specializes in regular script. Seal script is really unpopular. Some traditional Chinese characters are very different from simplified Chinese characters. You won't even associate the two characters with "fiber". The traditional Chinese character for "tracker" is "fiber", but the modern simplified character "tracker" and "slim" for "slim" are both the same character, with different pronunciations. In ancient times, the two were separated. Can you guess what this character is at first glance? In addition, the difference between regular script and seal script is so big that relying on racial talent is useless. I have attached a picture of seal script to see who can figure it out

The killing of Li Heng was a complete failure. It wasn't that he couldn't be killed, but his character was obviously broken. There was no transformation at all, it was just like a different person. Secondly, Tiangang ranks first in mediating creation, and has developed a pure alchemy method, which feels like it is completely out of place.

Abandoned, the author wrote the book without considering the readers. He was completely self-satisfied. The person who killed Li did not collapse. He completely misunderstood the word saint. People still want to become saints when they have no bottom line. After reading the comments, many people talked about the dispute between orthodoxy and what is the dispute between orthodoxy. This is the dispute between Buddhism and Taoism. Which one does not preach? You can only practice by yourself, which is called orthodoxy. When you die, the Tao will be cut off.

Are you the one who masturbated and don't want to update?

In fact, after reading the first dozen chapters, I thought it was okay, but when I saw him flying on a sword again, I couldn't help it. Flying with a sword, sword escape! What's important is speed. Can it be faster in the scene of flying on a sword? It's embarrassing to think about it! It's better to use special flying magic weapons to fly, such as shuttles, flying boats and so on. In addition, the swords of the Sword Immortal are their darlings. Who would step on their own sword? It's because the games and TV series about Sword and Fairy in the early years were so high that people have this impression. The Biography of the Shushan Swordsman all says "a wrap of sword light", no matter how he understood it, it is obviously much more reasonable in the imagination of the Shushan Swordsman. Not really, mainly because I read several Xianxia novels with this kind of description, and I couldn't hold it in, and I felt unhappy if I didn't spit it out.

Go to hell and pretend to be pitiful. Give me 007.

I have to say that writing a novel in the style of a classical fairy tale using the setting of a spiritual underworld and cultivating immortality is really too dramatic. It feels really uncomfortable for me not to complain about this. When I first read it, I felt that the style was a bit like Taiho and Dao Dao Zhan, but I didn't turn two pages and suddenly it gave me a spiritual root. Although it was a little uncomfortable, I still persisted. However, the drama became more and more dramatic later on, and I really couldn't watch it anymore. If the author could remove the setting of spiritual roots from this novel, he would definitely go a step further.

The plot has become nonsense again. You have to kill people to grab the Book of Heaven. The problem is that this is just a copy. What's the use of killing the buyer?

The full title of the book: "Traveling to another world and accidentally obtaining the Taihao Gold Medal, and working hard to cultivate to become a golden elixir, but still an oppressed son-in-law"?

When I see the skills practiced by the protagonist, I think of the 9999 mirrors around me to reflect the weather. Of course, the protagonist has to take off his clothes when practicing. Then below is the formation that purifies, absorbs and supplies the breath of the earth. Of course, there are also mechanisms to control the intensity of the supply.

The author's writing is good, but he has weaknesses. He is not good at writing details, the dialogue between the characters, the unfolding of the storyline, and the development of emotions. All of these are covered in one stroke, but these are very important and can be said to be the soul of the book; without these, he can only write grand and exciting fights. I hope the author can improve and write better books.

What is Chapter 195 about? Are you trying to make the protagonist have a flaw and make him look like a hero? But what is your so-called golden seal? Only you have figured it out until now. Even those golden elixir masters have not studied it for their whole life. Why on earth do you just intercept the treasure and kill people? With one obsession, he doesn't care about anything, he doesn't care about his new identity, he doesn't care about the master behind him, how can you say you have a good impression of this person? You are so awesome and obsessed, are you going to kill the three elders before you? After all, they have also seen this ghost gold medal. What kind of holy virtues are you cultivating? If you say that the man refused after negotiation, then forget it. Why can't you buy it and go out and kill him?

In the early stage of this book, the traditional underworld cultivating immortality is very interesting, but until the merits appear, the author's explanation is vague and confusing. I think the emergence of merits is a mistake. The mistake is that the merits are not the protagonist's discovery of merits, but the merits have always existed, and the protagonist just discovered them late. So the question is, why should the protagonist build the foundation? One layer of the Purple Mansion that backfires on Wang Wanyi. It would be wrong to say that the protagonist's merits and luck are astronomical. If the protagonist's life is so desperate, the Taihao Golden Medal can be picked up by looking up and down. However, the protagonist's strength is obtained by swordsmanship and bloody battles. Therefore, the protagonist's foundation-building merits are less than Wang Wanyi's Purple Mansion merits. The settings conflict before and after, and it is really embarrassing to contradict oneself!

If he was a salty fish in the past, he could definitely be rewarded with women's clothing, but now it's no longer possible. He's already a burly man and no longer has a pretty face.

In order to kill people and seize treasures, you would understand it if you were a demon cultivator. . . If you cultivate merits and virtues in the past, you will kill people here. Your Taoist mind is not stable.

I saw the latest chapter. I personally don't like the plot. The description sounds like a Taoist demon. Wang Wanyi has fallen in love with the protagonist's Daoji and has become a demon. She said before that she has promised to be a Taoist, so he only uses the protagonist. The elder asked him to read a book and the protagonist asked him to play chess. But she chose the shortcut. This wave sets a trap for the protagonist, preparing to erode his moral foundation and create a path for self-reliance. Guess the later plot and fail. Give the protagonist an opportunity and a body. There is no problem with the plot and the concept. But I personally don't like such a woman. In this case, this book will be put on the bookshelf first.

Changing Zhang Lie's name to Zhu Peng and Shi Yinghu, and inserting it into the plot, there is no sense of dissonance. The author has been writing books for ten years, and the protagonists are all printed from the same mold, without any improvement. The author should recharge his batteries! !

Chapter 195: Abandoning the Book, the protagonist has a flexible bottom line, abandon it early and worry less.

I'm a little confused. Doesn't this book have the setting of seizing someone else's body? It means that people like Master Xiao, whose golden elixir is about to expire, have no idea of ​​seizing someone else's body? Wouldn't it be more cost-effective to seize the body than to go through all the trouble to find life-extending medicine? Is it because the risk of seizing a house is too disproportionate or is there no setting for seizing a house? I have read some novels about cultivating immortals that have plots of seizing one's body. As for the idea of ​​seizing the body of a cultivator, I actually don't have a very good impression of it, especially when the protagonist is tempted to seize the body, it feels very disgusting.