Women Cultivators Like Us Must Stand Strong

I have been reading books for more than ten years, and this is the best book on immortality that I have read in the past two years! Even my favorite heroine of all time. The heroine is resolute and resolute, and she also has a process of growth. The most important thing is that the growth process does not look aggrieved. The heroine has always been a top student, and she is not a fake top student. She is very hard-working, and allows you to understand and empathize with her hard work, which makes people like it very much. After decades of training in the world of cultivation, the heroine is bold and careful. She does things neatly and without being sloppy. She is thoughtful but not scheming. She is principled but flexible in doing things. I really like Xu Chunniang! ! If anyone has never seen a strong female person, Chun Niang is a typical female strong person. She is really too strong, from mental strength to ability. Many works with female protagonists tend to fall into stereotypes. They always portray the female protagonist as relatively talented and capable, but her mind is always immature and her character is weak. She has to go through back and forth in order to grow up, and many of them are still weak after they grow up! It's annoying, but the male protagonists in the male videos are not like this. They are all decisive from the beginning without any psychological pressure. I really don't like this subconscious idea that men are naturally stronger than women, but Xu Chunniang doesn't have it. She is determined by nature, and her determination is unobtrusive. She has her own principles, which makes people like her. In short, when you see Chun Niang, you will know that a woman who has already cultivated to immortality has climbed up from the bottom, and now a woman who has the ability to move mountains and fill seas should really be like this. Moreover, the author's writing style is good, the logic is clear, and the plot is compact. I really like it. Come on, author.

This book really doesn't seem to have a gold finger, but I don't know how much it is actually open. For example, if you go up to the Holy Mountain and cross the tower, no one can get here for thousands of years or hundreds of years. In a cultivation world and a sect, more than a dozen people will enter the secret realm every time after a competition. If you cross the tower, you can enter by giving a spiritual stone. Is it like this for thousands of years? More than 200 chapters, the heroine went to the competition on behalf of the sect. In the first level, Little World dug out more than 100 stones through induction. The heroine knew that Little World had the virtue of not spitting out bones when eating, but she still put things in it so generously. After eating, Little World did not let the heroine put any farts. Because of this, the sect ranked last in the competition. Even if she had a few pieces, she would not be laughed at by others. Is this how the heroine brings glory to the sect? He also said I would earn it back later, good guy! She doesn't know how to practice weapons, or how to practice elixirs, or how to make talismans. She only knows how to make simple contracts with beasts, so she can only win them back in the ring. How dare she say that she can win them back? If I were one of the people inside, I would have to laugh at her. As a result, no matter how hard I tried to practice weapons and alchemy, I couldn't cheat or give cheats. It didn't make sense to suddenly become proficient. So I gave him a golden finger on the beast! ! That's right, it's that little tiger ~ The golden finger given is really outrageous I really can't stand it anymore. The protagonist pretends to be working hard to practice, to challenge, to break through, and to win glory for the sect. However, in the end, he still opens the golden finger. Rare and rare treasures jump in front of the heroine, including a treasure-hunting mouse and an elixir worth 10,000 spiritual stones. Either a limited-time grandpa gives equipment and cheats, or a once-in-a-century golden platform. To bring honor to the sect, others saw the joke in the first level, and later on I had to rely on foreign objects for help (yes, I just think pets are foreign objects, and the little tiger was unconvinced at the beginning. Later, when he self-guided the strategy, it was really awesome. I thought there would be some life-or-death dependence before I opened my heart, but don't talk about tsundere attributes.) It's so funny that I've read so many cultivation novels. This is really pretending and independent.

This book is really both beautiful and ugly. First, Little Walnut, and then the heroine goes on a mission to watch the puppet inheritance. It feels like feeding chocolate and shi at the same time

Some people ask for a male protagonist to be inserted, but the author should definitely ignore it! Don't intersperse the male protagonist!

I couldn't stand it after reading more than 200 chapters. From the foreshadowing to the climax, there were no ups and downs, and the route was old-fashioned. From the first chapter to more than 200 chapters, the heroine builds a foundation. There are small bumps and big tribulations. The heroine's opportunities are very great, and the way to obtain them is very simple. To sum it up in one word: "Have an idea" When you encounter a demon cultivator, you will have an idea and fight back. When encountering a meteorite from the sky, it has its own spiritual fire, and as soon as an idea strikes, it feeds itself back into physical training. Entering the secret realm and stepping onto the rooftop, an idea occurred to me. During the period of Qi training, my soul left my body and I was the first to climb onto the rooftop and gain space. Summary: The heroine is the smartest in the world, and the others collectively use their wisdom just to set off the heroine's unparalleled wit.

I felt that the character of the heroine fell apart in the later stages. I felt very uncomfortable when I spent money to see the chapter where Little Walnut made his own decisions. Later, when I saw Little Walnut sucking up all the Hualong Pond, I couldn't stand it anymore. I felt that the heroine was not upright, a bit like a white lotus, and raising a Walnut was like an uncle.

When I saw the sect competition, I felt like I was watching an evil sect. The sect did not protect its disciples, and people kept dying in internal competitions. I was speechless.

I hope fellow Taoists who like this book will read it more! ! ! The author needs you! ! ! ๑•́₃•̀๑

I was first attracted by the title of the book (Chou Ya's Cultivation Story). After reading it, I was attracted by Xu Chunniang's struggle history of a little person. I watched the protagonist accumulate cultivation resources bit by bit, improve herself bit by bit, and there are also outstanding supporting characters. But after the separation from the evil-eyed beast, the story gradually became cliche, and the outstanding supporting characters disappeared. Fortunately, there were two spiritual beasts accompanying it, which could fill the gap a little bit. Since ascending to the spirit world, not only have there been almost no outstanding supporting characters (partners, villains, etc.), But the two spiritual beasts have also disappeared. The entire spiritual world has only had a more profound description of Wangtianhou. After accidentally living in the demon world, Wangtianhou has also disappeared. From the second half of the Cultivation World to the end of the Spirit World, it's like Xu Chunniang's stand-alone game. I kept subscribing until the end, more out of inertia than because the novel itself was very attractive, and I felt like it was a pity to abandon it. Give the author some suggestions, they may not be correct, they are for reference only. First: The description of the fairy world must have excellent supporting characters (decent characters, villains, friends, enemies, passers-by, people who are both good and evil, etc.); Second: It is not necessary to show the whole picture of the fairy world at the beginning. Do not set the protagonist who ascends to the fairy world to be at the bottom or to have a comprehension of the laws of the Tao that is far better than that of monks of the same level, so that he can easily cross levels to challenge. It allows the protagonist to fly to a remote place in the fairy world, and his strength is at the middle and lower levels of this place, and he slowly upgrades; Third: The description of the spiritual world. The protagonist does not rely much on external objects. The improvement of strength is more about the understanding of Tao and laws. The Law of the Great Dao is a very fictitious thing. It is difficult to write brilliantly in this aspect without reading a large number of classics and forming your own opinions. Even the Immortal World Chapter of "Mortals Cultivation to Immortality" was not written in this aspect and ended in a hurry. I think the Great Law of Immortality can be used as a shadow. The improvement of Xu Chunniang's strength requires not only understanding the Great Law, but also focusing on the accumulation of immortal cultivation resources. Just like when the protagonist first enters the world of cultivation, he acquires cultivation resources step by step. This gives readers a stronger sense of substitution and is more arousing. Resonance, the author, you are good at writing this, use your strengths and avoid weaknesses; Fourth: Reading the whole article, the author, you are not sensitive to numbers. In the world of cultivation and the spiritual world, when it comes to the numerical settings of spiritual stones and cultivation resources, it always feels quite awkward, even illogical. In the setting of this aspect in the Fairyland chapter, I hope that it can be carefully conceived and as reasonable as possible. In fact, many female video authors are like this. The descriptions of prices, numbers, etc. Are not very logical. If you are not sure, you can ask your friends to help you refer to it or send it out to readers to help you refer to it. Try to be as reasonable as possible; Fifth: Don't be anxious, think carefully, and write slowly. I can write another 2 million words for the fairyland chapter, and my monthly income is over 10,000, which is great. Finally, the above personal suggestions are for reference only. If they are wrong, just ignore them!

Generally speaking, it's okay, but the writing of the spiritual world and fairy world feels a bit perfunctory. What attracts people in fairy tale novels is not only the people, but also the scenery. If the author has read the legend of mortals cultivating immortals, you will know that the scenes of mortals in every place in the mortal world and the spiritual world are described to the bone. The vast world of cultivation is perfectly presented to book friends, instead of 80% of an article being dialogue. I hope the author will make a better book...