Lux's Magic Penetration Rod

The more I read, the more boring it becomes. The purpose of fan fiction is to see the collision of characters in the original work. It's all about stacking up settings and political struggles. What's the point of a time traveler adding a thousand-year identity and not cheating on it? If I tell you in advance that this is a farming novel, I won't read it.

After subscribing to chapter 670, I can't stand it any more. It's not as amazing as it was at the beginning. This is a League of Legends IP novel, but with fewer and fewer characters appearing, it has completely turned into a clichéd plot of advanced productivity crushing the old aristocracy. Each hero has gradually been reduced to the background, and various minor characters are highlighted. In my opinion, this is putting the cart before the horse. Now it looks like a reskinned farming novel, without the joy of the original local customs of traveling in Runeterra. The time span is getting faster and faster, and the author can't wait for Lux to unify Demacia. After that, what else is there to see? The new skin, Emperor Lux, leads the heroes to resist the void? I was a little interested a hundred chapters ago, but now I have no expectations. Another thing that I personally dislike very much is that the author particularly likes to use idioms, and also likes to use various Chinese terms in the dialogues between the characters, which affects the reading experience. This feeling is especially strong when the story is no longer attractive. I took a break several times and looked at it again, but I still felt very uncomfortable. Although I like Lux very much, let's meet again when we are destined.

Personal humble opinion: At present, the author still has not broken through himself. Very boring, really. On the whole, it is a very exciting plot, but the author you wrote is very boring. Each chapter is basically "background" + "explanatory narration" + "a short plot advancement". The entire plot is diluted and tasteless in endless fragmented narratives. Because it reads like this: a short plot - background - narration - a short plot... There is no coherence at all. No matter how tense the plot is, I can't bear to play like this. The gap between "step by step, straightforward and eloquent" and "mechanical" is not very big. In addition to the problem of "fragmentation", the author rarely writes realistic descriptions, and the lyrical part is also mechanical and dull, just like adding details to the outline. Although fan works do not need to spend too much effort on character creation when they already have the original image, but as a complete work, more vivid descriptions should be indispensable for the tension of the plot. Really, reading this book was as uncomfortable as the author's last two books.

I think the book is good, but what's a bit uncomfortable is that there are so many people to kill. I want to kill the captain, but the captain turns into a ghost, and I want to kill the pig girl. As a result, the pig girl is attracted by the old god. It's really a heroic immortal, and it is said to be a time traveler, but the protagonist seems not to know anything about Runeterra. He just has a background in the new socialist era.

The protagonist's status in Shurima is a bit like the prophet Muhammad of the Arab Empire. He points out the direction of the tribe's progress. The two contradictory things of secularization and theocracy advance simultaneously. He vigorously develops culture and education, establishes libraries, spreads knowledge, develops industry and commerce, and strengthens the army. But the powerful empire that was established eventually fell in front of the worms inside the empire and the void outside the empire. As the scale of the empire expanded day by day, the internal conflicts and interest disputes grew larger and larger. Even if the prophet who established the empire was immortal, he could not prevent all this from happening. He could only watch helplessly as the empire he established was destroyed according to fate. The protagonist who is still the regent of the empire has died with the death of Setaka and the corrosion of the void (the protagonist tried his best to avoid the release of Icathia's void, but nothing he did changed. Icathia still jumped and the void was still opened. The most important thing is that Setaka cannot change the fate of death. Thousands of years of planning have no meaning for the result). He longs for immortality and death, but the last thing before death is to end the void, regardless of Whether it is revenge for Setaka or peace in Runeterra, this is the last thing he thinks is meaningful (This reminds me of a tragedy - Ragnarok in Norse mythology. Everything Odin did was to avoid Ragnarok. The result Everything done is a necessary condition to trigger Ragnarok, just like Odin said: If fate is firmly nailed like a string, what is the point of fighting? If fate cannot be changed, then life changes from a gift to a prison)

I asked why it looked so familiar. It turned out to be the man who wrote Yasuo before.

I saw a lot of people abandoning the book in the comment area, but I was very adaptable to this book. Anyway, I am not very limited in the types and themes of stories, and I don't care much about its changes. As long as the writing is good, it doesn't matter whether it's adventure or farming, cultivation or GM. For example, as long as the cooking techniques are good and reasonable and the food is delicious, you can change the ingredients or the style. As a foodie, my appetite is still widely accepted. After all, you will get tired of eating the same dish all the time. But using the same ingredients to make different dishes, or using the same cooking skills to make different ingredients, can also make me, a greedy eater, feel new satisfaction. Just like a restaurant you often visit, the cooking method changes due to the seasonal changes of the ingredients: when it is fresh and tender, it is light and you can enjoy the original taste of the ingredients; when it is old, stir-fry and chew the toughness of the ingredients; when it is dry, it is stewed and taste the thickness and freshness of the soup; when there is more, it is used as the main ingredient to enjoy the taste; when there is less, it is used as side ingredients to embellish the color. Even if it's a drink like the Rainbow Cocktail, which is more about viewing than drinking, I can still appreciate it visually. Of course, I am also the kind of person who can happily accept pineapple pizza and strawberry mapo tofu.

I only read the first volume, let me share my thoughts. Let me talk about the perspective first. Even if you have not played League of Legends, the beginning of this book is understandable to all readers. Just looking at it as a Western fantasy, the first volume depicts the aristocrats and the poor, theocracy and kingship, prejudice and arrogance (magic) very well, at least it is at an above-average starting point. However, for some readers who are not used to such narrative techniques, especially for non-League of Legends players, the excitement is slightly insufficient. The last paragraph that should show the plan, show the resourcefulness, lay down the foreshadowing and hidden clues is indeed too simple, making the overall story feel anticlimactic. For readers like me, this first volume is actually very satisfying today when novels about different worlds from Qidian are declining. Carefully describe such a world, such a girl's journey, such a process of growth, grasp your own rhythm, I believe this will be an excellent novel! I hope the author can work hard

Just finished chasing it today. This book is overall in-depth. The author should have worked hard to study some political economics, macroeconomics, and human geography related content. The plot modifications are also very reasonable. It can be seen that the author has studied the background story of LOL and revised it carefully. There are many ingenious ideas. The overall plot rhythm is pretty good, and the protagonists and individual characters are also vividly portrayed. Then classic but. From my personal point of view: First of all, the author kept explaining many details, which made me feel emotionally uncomfortable with the author's unique sense of superiority as an intellectual. Secondly, the heroic view of history that dominates the book as a whole also made me uncomfortable. But this is due to my personal reasons. In fact, League of Legends-themed novels and fantasy-themed novels cannot be written this way. All in all, it is a fairy tale worth reading, and it fits my imagination of a college student traveling through a different world. Two monthly tickets are presented to me, hurry up and continue to update.

Lux's bump smart magic wand🪄🤭

Damn it, I got red-eyed after watching it. The part about not being able to go home touched me so much. Shurima is no longer here.

After reading more than two hundred chapters, it can be said that it is quite well written and the author is very serious. This can be seen from the chapter descriptions and correction of typos. If the reader has a certain understanding of the background of the LOL story (it doesn't need to be too much, at least a little bit of the background of each character), then this book is at least at the level of food according to different people's standards. As a Shennong, I can read more than 200 chapters of the novel. This monthly score can be said to be quite appropriate. Readers who have read LOL fandom can read it without thinking.

I am a beautiful girl, support me and strangle stupid people. 😍😍😍

So far, all 616 chapters have been ordered and will be abandoned. The book itself is of good quality, the writing is smooth, and the plot is not draggy. Reading this book is entirely based on the IP of LOL. Originally, I just copied the existing settings of LOL and LOR, and did not need too much originality and expansion. The growth of Eno, the weather, geographical environment, humanities and culture of Forsbarrow... The author tirelessly chews it up bit by bit and feeds it to the readers, and even spends completely unnecessary words explaining some useless information in the "Author's Say" of each chapter: Why does the oxen pull the cart shake? What is the use of this kind of trivial information 🤔? Why write these original details that have no effect? Isn't the LOL universe full and vivid enough with so many settings? If there are ready-made ones, don't use them, why do you have to do so thanklessly? I want to watch Lux, watch Qin Nu, and watch the heroes of the LOL universe collide and rub against each other. You spend so much time writing about Forsbyro's farming sex? I really want to read about farming in another world. Wouldn't it be better to watch "Release That Witch"? I always think about the development of County B every day. There are so many heroic background stories and so many major events that can be directly used. You have to create your own mushrooms. Some people grow mushrooms to save the survivors of the land abandoned by the gods, and to promote the protagonist upgrade and main storyline that must be developed in the subsequent plot. Are your original Shadow Realm mushrooms useful? Yes, your mushroom cultivation improved the lives of the people of Forsbarrow, and then paved the way for subsequent changes throughout Demacia, but who saw you writing about the development of Forsbarrow? It was baffling. We will write a lot about the changes in Demacia in the future, and we will film "House of Cards" in Demacia, right? 🙄. I want to read political and historical novels. Why don't I read the history category next door? Isn't the power struggle of the Tang, Song, Yuan, Ming and Qing dynasties not interesting? Even if I don't take a book specifically about historical political battles, I just compare it with the "Feng Nv" on the same LOL theme track. I really want to read this kind of theme combined with the LOL setting. Why don't I just go next door to read this Feng Nv? Either it is purely original, or else it is directly applied to the original settings, or borrowed some settings. Why do you have to expand your own setting based on the original world view? Every time the plot is written about the second creation, giant brain hemorrhage, Shurima stone men, silent men... What the hell are they, the demon searchers burst into tears when they heard it, and Singed had to press the mercury furiously to fear that he would be cognitively contaminated. What kind of bullshit is worthy of being included in Runeterra? I don't know what the score of this book is, but the problem I can personally see is that there is no discussion at all in the 600+ chapters, and no one has interacted and left messages. Personally, I think the reason is that too many second creations/originals lead to conflicts with the Rune Continent that readers are familiar with, and too much ink in the original parts leads to imbalance. I wonder if the author has ever considered that 99% of the readers who are immediately attracted by the introduction and title of the book are LOL players. Even Riot Games knows how to release several skins for popular heroes a year. On the other hand, if the unpopular heroes have skins? They are already writing LOL-themed novels for the LOL player community, so they must be writing about popular heroes. What the hell, it's already written about Crows attacking Ionia, so let's write about Riven being sent to Ionia to fight Yasuo. After the fight, both of them died, but Yongen was saved, and there was a wave of tears. Write after finishing it, write about the big incident of Tetsuo, pull the two out and resurrect, Yasuo said "my stupid brother" to Yone who did not become a half-demon, and then make Yone into a half-demon at the cost of letting Yasuo Riven resurrect the world, and then collect tears. Then just let Riven and Yasuo die on Mount Targon, ascend to heaven and become a protoss. Anyway, LOR also has protoss skin endorsement. Then he became a star spirit and simply resurrected in the human world. He could fight light against darkness, and he also had skin endorsement. Anyway, just pull out a few popular characters to poke fun at LOL players, just pull them out and sneak away and that's it. Let's not talk about whether the plot is well written or not. Just say that the traffic is very unsatisfactory. When the time comes, the comments section will explode or not. What's the use of writing about Ino, who has no character at all? What's the use of writing some inexplicable originals? Your books are not tagged with "farming style" or "power plot". Can you attract readers to watch this kind of plot? It's not that the original is not good, or that the details are not good, but the readers who see this title and the free chapter at the beginning are mostly LOL players. Some people may know the LOL universe better, but most people only know the popular heroes and stories. Then you have to figure out the composition of your readers and identify their needs. 95% of the first half of the book is 5% original with the original universe setting. Now it is written for you with 20% original setting. Let's just say, then why don't I read 100% original, or 95% original with 5% LOL setting? Before, I was thinking, "Don't worry, I will write more and more heroes in the future, and they will be more exciting." When I was waiting for the party, I was reluctant to give up the pursuit, but now it is getting more and more excessive. I want to drag more heroes from the original setting to your fourth-tier county to watch farming and outfits. There will be a lot of dog-blooded virtues soon. Marcia's low-end version of House of Cards... My pride was so high that I felt like I was going to give it away with a deliberate punch when I was chasing the book. I really didn't look forward to the follow-up plot at all... The book is well written and I like it very much, but don't write something original next time 🤤.

One thumbs up for a day, help your children.

To be honest, I don't think there is any need to engage in class struggle. Because the proletarian struggle is based on the environment of large factory production, it is obvious that Demacia has not yet reached that stage of development. Alas, I feel that today's authors are obsessed with class politics, as if they are not advanced enough if they don't know how to socialize. But doing this in the League of Legends world view is actually a bit inconsistent. (I just finished reading the first volume, and I feel inspired)

Reward floor,,,, reward yourself once on the first floor, help the children! The child is really great👍🏻

Found it online

I have read the latest chapter. From my personal point of view, it is the best alliance background fanfic written so far. The reasons are as follows: 1: The plot is complete and there is no redundant description 2: The character creation is successful and impressive 3: The character's behavior is consistent The character design, the development of events conforms to general logic, and there are no poisonous points 4: The advancement of events conforms to sociological principles. The protagonist (Lux)'s understanding of things is advanced through constant practice, and the real protagonist acts as a mentor. Readers who like historical texts should be the most comfortable reading this book. 5: The trial location chosen by Karl for Lux is in line with the idea of ​​dialectical materialism. It opens up the weak links in the extraordinary world, enhances its own strength and cultivates its own power, and then as its own abilities increase, it can change the world by itself! In line with materialism, I can only say that the author is awesome! ! ! !

It's like reading a historical text, just wearing a layer of Valoran skin. Come on, there are many disasters that Runeterra has to face. Darkborn, Demon, Void, Dragon King, Iron Man, Ruined King, World Rune is not a worry-free thing. The protagonist is a time-traveling dark descendant. After experiencing the horror of void invasion, he still plays "playing house" level class struggle with a little girl? The whole world is at stake

Stop thinking about your kind of fields. Nothing has changed in the fields that have been planted for 10 years. Now they are holding skills competitions... In real life, have you never participated in the May Day? Go read it in the novel... The fights that should be written are briefly mentioned, and the farming is written like an old woman's foot wraps are smelly and long.

Very good, but why use this world of individual power as the background? Material determines consciousness. The ideas and methods of our world are not suitable for a world where extraordinary power determines everything. Talking about politics and contradictions in this world is just a moonlight in the water and has no decisive effect.

My defenses were broken, I really broke my defenses, just because of your words, this book is not a sweet love story, even the love between Illaoi and Gangplank, I immediately abandoned my armor. The second you exposed me, I was sweating profusely and my whole body was cold. Depression broke out in an instant, and life seemed to have lost its color, like a Saiyan who was caught by the tail, an ability user with a Sea Tower Stone, and the Jinchuuriki of the tailed beast, It's like Ultraman who has lost his light and completely cut off the hope of life. Your voice is so urgent that my heartbeat is about to stop. Maybe it's really time to restart. A restart can solve everything. You are ready to bear a young life!

Seriously, does the author have any kind of management for this book? Can you clean up this chapter about those who are scolding me? I just read this book and this chapter said that the experience is very poor. They are all about playing Genshin Impact and scolding Genshin Impact. As a passerby, I feel that this chapter has been polluted and the experience is particularly bad. I hope it can purify the post environment. It is outrageous that the LOL fandom is full of people playing Genshin Impact and scolding Genshin Impact.

Recently, Riot has been eating books again Zolani, the new dark descendant, is an enemy of the Sword Demon faction. The Dark Ones were not infected by the Void, but the Ascended ones were beaten into PTSD by the war, which has nothing to do with the Void. The Void did not leave any traces on them. They are exactly the same existence as the previous Ascended ones, whether mentally or physically.

Human form😏🐶

Forcibly suppressing combat power, the political writing is extremely childish. ,, You might as well write about what you are good at, why do you have to write about these?

I hope that the author can write according to his own ideas. Seeing many people trying to teach the author how to write, I dare to say that if you really listen to their book, you will definitely die. At present, I am very satisfied with this book. The logic is clear, the plot development is creative, and the development is step by step, rather than talking about big principles in the air. I can't see how the farming community likes to fight and kill, just let them go on their own. I never think that genre is an issue. The genre of good-looking writing actually doesn't matter. Just stick to yourself.

The whole article has always emphasized that power always comes at a price. Everything has been smooth sailing since Xiao Huangmao got a joke from Kalya in the Twin Cities. It was the same at Horlock's tomb. He let them go even though he knew that this b would make things embarrassing for him and even disturb the peace of his old friends. The lower limit set by the author himself for Kalya is that old friends cannot be involved. Just look at Kalya versus Sivir, sealing the bloodline and taking back the cross blade. It feels like there is forced harmony. I don't believe that normal people would not react when they see someone using their own embarrassing story to open the grave of an old friend.

The best thing is that a roll of yellow sand costs 20,000 miles. After the two cities, it becomes a bit boring. Especially when the author writes about Fosbairo, a lot of political drama begins to be depicted. But political drama is difficult to write, and even George R. R. Martin's drama is subject to criticism. A good political drama should be character-driven, not too few, nor too many. The author's big problem is that there are too many characters, but each one is plot-driven. Use them as soon as you think of them, and throw them away when they are used up to develop the plot. After hundreds of chapters, Fiona, Dragon Girl, Sona, and the little disciple of plant magic all have a superficial taste. Only when the characters appear on the stage do they have the greatest characterization, and there is no character arc at all. Jiawen III, Xin Zhao, Garen, Jarvan IV, and Lux's parents and aunts are more pure tools. The political struggle in the capital is no different from playing house. Everyone seems to be wishful thinking, only Kalya sees clearly. Obviously there are so many dark descendants and the stage is so big, but the protagonist of this book is actually Kalya, and Lux ​​is Kalya's service role. Farming like a family for a long time in Demacia will only make people tired.