The Great Han's First Marquis

In your first chapter, you're already sixteen or seventeen years old. And that's three years after you transmigrated! If you were in the physical body, you'd have transmigrated at thirteen. If you were in the soul transmigration, you wouldn't have the original owner's memories and wouldn't know your hometown. It would be better to write about a northerner who was captured by the Xiongnu.

I don't like watching history-themed protagonists anymore because their starting point is too low.

Is this the author's new account? This writing style doesn't seem like that of a newcomer. Which old eunuch has changed their identity? [Request for featured post]

As long as you don't cheat and your writing is solid, many people will see it.

The book is good, but watching the protagonist navigate the complexities of the Xiongnu and the alliances he forges, then returning to the Han Dynasty to try and turn the tide—regardless of his achievements—doesn't anyone see the protagonist's foresight and ability? And then he starts as a mere village head? It would have been better to start from there and let him climb the ranks slowly. This is probably why most people abandon the book after reading this.

I really don't understand why such a great book isn't popular, or why such a talented author isn't famous... On the contrary, those books with clichéd plots and authors who just make things up without any real talent become wildly popular!

How can a newbie expect to get readers if they don't consistently write a few books? Look at Tang Jia San Shao; in his early days, his writing was terrible and full of nonsense, but he still gradually rose to fame. He's diligent, updates frequently and consistently, and the plots are decent. Is this author already lost after writing so few words?

I feel like this author probably went back to work after the pandemic lockdown was lifted and stopped writing books.

They've already reached the Three Rivers area, why are they still cutting it?

In one of the chapters mentioned (I forget which one), the author was referring to the suppression of industry (crafts) starting in the Song Dynasty. That's roughly the gist of it. Regarding this, I want to clarify that the Song Dynasty did not suppress crafts; quite the opposite, it was the dynasty that, besides the Qin and Han, most supported crafts.