Rule-Based Horror Game

First of all, I admit that this is my first attempt to write about this kind of subject completely. You can correct me if I have any shortcomings, and I hope you will include more. Secondly, when I was writing this book, I saw that about one-third of the discussion in the book review section was the debate between [horror escape stories must have female protagonists] and [horror escape stories must not have female protagonists]. What bothered me was that these two parties accounted for half and half. Therefore, I can't satisfy everyone. There are always people who think there are problems, think this is not good, etc. Some people like to have no heroine, and some people like to have a heroine. I don't like to delete book reviews, but I still deleted a few book reviews and banned a few people. If you have finished reading it, or if you have any logical corrections or comments after reading it, I would welcome it. But I haven't read a few chapters and just relied on the "imaginations" in my mind to talk eloquently in the book review section about "the protagonist will collapse if he is too smart, the protagonist will be mentally ill and cannot stand it, he will die if there is no heroine, and other irresponsible words." Sorry, first of all, there is a buddy who told you exactly the opposite. You are not standing in the public opinion that I see. Secondly, irresponsible words have the value of misleading. So I deleted it. Then, I don't understand many people's definition of "heroine". Do you think a heroine must have love? Or is it the kind that comes out in every chapter? Is Audrey from Lord of Mysteries considered a heroine? Is Feng Siniang from Mo Lin considered a heroine? I don't understand. How is this defined? In my opinion, this kind of thing doesn't count. So I don't know how to answer you. Secondly, I always believe that beautiful love stories only exist in fairy tales, but what I write is not a fairy tale. I don't want to write a novel, so there is no fairy tale world of Tang San Xiaowu. This is an online novel, not a traditional novel. First of all, the rhythm of the online novel is completely different from that of Jin Yong and Gu Long's traditional novels, and it is impossible to compare and generalize at all. Secondly, I don't have the ability to compare with Jin Yong Gulong. After reading a circle of comments, I guess this is what worried readers are worried about about this kind of thing, so I will reply to them one by one: 1. If you can't write the heroine well, you definitely can't write the supporting roles well. Answer: Each character has its own personality, emotion, and meaning, and must be developed reasonably according to the direction of the story. Whether the heroine can be written well has nothing to do with anything else. If you like watching female protagonists, I suggest you don't look for suspenseful movies. The domineering president fell in love with me a lot. 2. Life is incomplete without the heroine. Answer: Is it complete to have the heroine by my side for the rest of my life, from beginning to end? Is this reasonable? Another point is that life is too small. 3. In horror novels, the heroine's love story is too dramatic. Answer: It depends on the overall rhythm control and the author's writing skills. Everyone has strengths and weaknesses, and it is impossible to generalize. In the end, I just want to write my story well, stand and write. This is Chen An's journey, and it is also my journey. I hope that I can keep trying and making progress while exploring, so that I can tell this story in a down-to-earth manner. Thank you to the book friends who have supported and loved this book all the way. Hug you tight.

They are all brave Carrying the shackles of fate, I have loved, and the mistakes you have made There is no need to hide Your smiling doll, your mask, liberate yourself She once said, You are a human being, be kind and persistent She once said, It doesn't matter if you are an idiot Everyone does this Why is fate always playing tricks If you are assimilated by Weirdness No more fear Is such an ending worthy of praise I love you and bravely break through the confusion I love your idiot's glory I love you as a lost lamb Fire that shot Look at the creeping moonlight The despair of guarding Soft City You use your soul to play the music of humanity Are you going? Is it worthy? The sadness along the way Fight? Fight! The clown will also be crazy To the protection and kindness in the dark night Because of you, I will believe in the light He once said, Invite me to walk together on the deserted road of revenge He once said, Step on corpses to build a divine body, and the price is madness Lose your humanity, so what? Destined destiny An endless journey Fighting madness with madness is not the destination I love you and walk through it alone Carrying fate on the road The clever immortals chasing each other outside the train window One person's journey Ai's white broken bones The idiot no longer knows his destination Ai's last dinner party Where is the old friend Are you going? Is it worthy? The crazy battle along the way ? Fight! Clowns will also be sad When will the wandering journey end The ups and downs of fateful reincarnation require awareness Your soul is different Your journey Ups and downs and heavy Farewell to the sadness of Soft City Arriving at a new chapter The illusion of a happy town Ruining the heartbroken The future is still very long There is no more reliance on the road ahead You will crush this fate On top of reincarnation Are you going? Go! Will there be a battle of light in despair? Fight! With the loneliness and bravery of human beings To the friends walking side by side along the way I will always bury this journey in my heart

I originally wanted to make a comment. A book like this doesn't need a female protagonist at all. I also felt that having a female protagonist at the beginning would affect the reading experience of the book. However, I saw an understanding king and would like to share it with everyone

Updated. This is happier than me winning the lottery. I really think the author wrote it very well. Some people say that the content does not match the title of the book and that there is no part about ghost stories. The world the author depicts is very good, and the writing and ink after breaking away from the ghost story are 50/50 of the ghost story, and there is no imbalance. Leaving the world of Kaitan is a pavement and buffer for the subsequent plot development. In addition, without this part, there would not be such a fat world view. The author does not just write mindless novels, but reflects the true emotions and humanity of people, and also has philosophical thoughts. I think Sitting brings emotion and effort into it. This time I saw the update and I was afraid of not updating it. I am also afraid that the author will abandon the article. The writing style of such a good novel is not inferior to that of some so-called masters of online literature. I hope that the novel can have a beginning and an end, and I also hope that the author will write endless stories like the pen name. This does not mean that the book has no ending, but that even if the world in the book comes to an end, the world written down while sitting is so lifelike that it makes people feel that the book is over and the characters in the world are still developing. I hope the author writes more and more good works. One more thing to say! Don't stop updating. Don't stop updating! 😘

I booked it and couldn't stand it anymore when I saw Chen An embarking on a new journey alone. The author's writing is wonderful and touching. Often the more touching it is, the less I dare to face it, because I can't control my emotions and can't help but feel sad together. I actually want to find a novel that makes me happy. I don't want to be a clown both in reality and in virtual reality. This is a wonderful novel. It may not be suitable for me for the time being. I hope I can see you again in the future. Come on.

I only suggest that if you don't want the book to explode, don't write about a female protagonist in this genre.

The various rules at the beginning are quite in line with the "rules and weird stories" characteristics I wanted when I was searching for a book, plus the torn-off rules and all kinds of weirdness. It brings fear to people from every rule, which is very touching. I once thought it was a masterpiece. Then it started to pull back from the reincarnation. Not to mention that it deviated from the rules and the theme of ghost talk and made a "truth cheat" that deviated from the original route, which was very disappointing. Just saying that multiple perspectives were not properly controlled, making the whole story line a mess, and making people have no patience and interest in reading, has already sentenced this book to death. Originally, I thought the ending of the first chapter would be a rigorous logical reasoning. I would find the answer to the story through twists and turns among complex and confusing clues, complete the level, and add the finishing touch, which would make people hooked and hooked. However, I patiently read on, and what I was waiting for was a deus ex machina, pulling out a so-called "truth" and confronting the weird rules, which completely deviated from the excitement and excitement of the weird rules described at the beginning of the book. I have to say that the three golden chapters of this book are really great. If they are run properly, at least the results will be very dazzling. It's a pity that it deviates from the title immediately after three eye-catching chapters. It's not that there are no more ghost stories about rules, it's just that the original "charm" of the weird tales about rules has been completely lost. Adding more elements will only make the content of the writing more and more biased... To sum up, the book is good, with good creativity and writing style, poor logic, and scattered story lines. If you come here looking for the thrills of "Ghost Stories about Rules", you may be disappointed. This book has deviated from the flavor of "Ghost Stories about Rules" in the later period. Of course, if you don't care at all and are just short of books, then this book can be a good source of food.

At the beginning, this book made me see the horror radio and Internet articles of the year. The suffocating atmosphere and the tension and excitement of life and death are the sources of attraction. However, I feel like this recent plot is too draggy. I saw obvious shadows of Mysterious Wind and Little Dragon in this book. But both of them seem to have a mysterious and terrifying side, but in fact they are completely different. The author went too far in trying to integrate the two, or he didn't have a good control over the narrative rhythm and writing style. The mysterious charm comes from his foreshadowing, one trivial thing after another, slowly unfolding a grand world. The horror flow comes from the tension and excitement inside a copy. Daily life can provide some adjustments and small foreshadowings, but it is definitely not the main body. There is a huge difference between the two. It is more difficult to integrate the two than to create a system on my own. I feel that the current novels have become four different. It's neither delicate and delicate nor tense and terrifying. Also, what makes me, a reader, very uncomfortable is the scene between Brother Scar and her girlfriend. What is the function of this paragraph? In addition to letting readers see true feelings being betrayed and the birth of a tragedy that was used to death, what is its role other than causing psychological discomfort? Are these two characters important? Is it important to the plot? Is it important to the main theme? I don't find it irreplaceable. If you want to express the sadness of fate and the changeability and elusiveness of human emotions, there are many ways. The most prominent point of Xiaolong's storyline is its reversal of the classic tragedy. The O. Henry ending follows a lot of classic premises. Squid's foreshadowing of the tragedy may have been long, but his outburst was directly shown to the audience for only a moment, less than a few hundred words. Xiaolong is closer to Shuangwen. There are few tragedies involving the protagonist group, and those that are are passed by in passing. Similarly, a tragedy does not necessarily need to be told in this way. It is long and smelly, divided into several paragraphs, as if it is holding the reader's head and making him cry. Why do the tragedies in Mystery and Little Dragon rarely directly cause discomfort to people? I think the author could do a little more research. Until it reaches a certain literary value, the purpose of online articles is to make readers happy, rather than psychologically uncomfortable. It's really hard for me to understand the author's intention in this plot. The above is just my personal opinion, welcome to discuss.

Two rabbits!

The more I look at it, the more confused I am. How the second personality, Chengshen, Mountain God, Xue Yue, Yin Qiaoxian, and those players came out of the illusion, what method they used, and what rules they used. They didn't say anything at all. They entered the illusion so inexplicably, and everyone was so inexplicably awake. Except for the two protagonists, the other supporting characters did not get any clues in the illusion. The supporting characters' trust in the protagonist was also very sudden. They were not intelligent enough, and this book was incomprehensible!