Planning

Borrowing the bones of classics to write about the current difficulties - Comment on the metaphor and persistence of "Jiang Che" "Jiang Che" uses classic literature as its spiritual background and uses modern creative context to reconstruct the "Kong Yiji-style" character dilemma. In the intertwining of absurdity and reality, it completes a profound inquiry into the constraints of rules and the original intention of creation. The most subtle thing about the article is that it transforms "Kong Yiji's four ways of writing the word 'fennel'" into Jiang Che's obsession with the "five ways" of writing English words. The reference of this core setting is not to reproduce, but to give the classic a new significance of the times. Jiang Che is no longer struggling with the useless knowledge under the old imperial examination system, but the formal shackles spawned by the "Taoist censorship" in the modern creative circle. Fictional concepts such as "pharyngeal stone shadow" and "dark day rhyme" materialize the invisible pressure of rules, allowing readers to intuitively feel the creator's sense of suffocation under the rigid review system. In terms of character creation, Jiang Che is a three-dimensional and contradictory existence. His desolate situation of hanging out in cafes, sleeping on benches, and running out of money is in sharp contrast with his almost stubborn insistence on creative details. He has the absurdity and pity of "modern Kong Yiji" and the resilience of a contemporary dream chaser. He is not a warrior who actively resists the rules, but a little person who passively struggles in the cracks. He uses seemingly "pedantic" persistence to fight against the creative alienation of "compliance for the sake of compliance." This persistence of "knowing that it cannot be done but doing it" makes the character transcend a simple tragedy. The blank space at the end is the finishing touch. Jiang Che has not escaped the embarrassing reality, and the rigid rules have not been broken. However, the wet ink marks at the end are not only traces of repeated revisions, but also the original intention of creation that has not been smoothed out. This unsatisfactory ending just tells the truth of reality - love may not be able to change the environment, but it can leave its own traces in the squeeze. "Jiang Che" uses metaphor as a blade to unravel the common dilemma faced by current creators: when rules are reduced to forms, when details become shackles, how to navigate between survival and love? Jiang Che's story gives the gentlest and firmest answer - even if you are in the mud, you must keep the persistence in your heart for "refinement". This persistence is the last line of defense against alienation and retaining the authenticity of creation.