Where Is the Wasteland's Peach Blossom Spring?

I feel like I'm watching "Wang Wang". The protagonist and the caravan are surrounded, and 200 enemies come. The protagonist kills and injures 60 people with 120 rounds of bullets. It's the iron pipe gun in the wasteland. It's the first time he uses a gun. Soldiers in American TV series don't dare to act like this. If it's the kind where genes have evolved, I won't say it. The key protagonist is a pre-war old popsicle with only a few muscle reactions, and the system is just picking up garbage without adding combat effectiveness. How dare you write like this?

Luo Libasuo doesn't even have a point, and the golden finger is probably given to a waste. Without the golden finger, pig trotters are probably just a mama's boy, and he has no personal charm at all. So I feel like vomiting after watching it. None of the secondary characters are vivid, they are very stereotyped and stiff. You can think of this book as a brainless protagonist who pretends he doesn't know he has a golden finger but really wishes he had one. The experience is over.

I want to watch the Disaster Shelter series more than Wasteland.

The author's name is correct. "Wherever in the wasteland is there a paradise?" With a group of warblers and swallows by his side, there must be a paradise wherever he goes.

I think the author's setting is pretty good, but the focus of the description is not very good. If it can focus on the interaction with the system, and farming around the system will be more to my liking. The dual power points will be sufficient, but the description of character relationships and interactions will be less. These should be used to shape the characteristics of the mission. There are also less additional descriptions, and more thanks to the interaction between the protagonist and the system, taking the readers to explore the system, and then taking the products of the system to explore the world around the products of the system. It would make me feel better. Chapter 70 of "Base" has not been filmed yet, and I am still working for people. I am a little anxious. At least tell me clearly about the ambition of the protagonist. Your setting is a farming-style system. You must be the city lord yourself. I think it would be better to adjust it. And the second point is that it is indeed a bit of a military king. I think the protagonist should rely on the system products and a little strategy to defeat the enemy. Describing the system products is much better than describing the strategy. For example, the top-ranked book "The Broken Courtyard" gives people a sense of exploration. This is the feeling of farming style. Explore the system with the protagonist, get rewards from the system, use the products of the system, and come back to develop the system and strengthen the protagonist's power. To develop the power of the protagonist is to farm, and if not to develop, he will be the king of war. I think. With such a good system and setting, it would be much better for the protagonist to develop his power than to use one against a hundred soldiers. The protagonist is sitting in the base camp. If he wants to go out, he will bring the developed elite troops to suppress it with firepower. My suggestion is, after watching it for so long, I am worried about when the protagonist will have his own power. This system is really suitable for the protagonist to take pictures of the base at home, and then go out to explore in order to develop the base.

I'm here, a long-time reader, and have read basically all of the author's novels.

Betrayal again and again was not taken seriously at all, it was really an insult to one's intelligence.

Can't the protagonist cultivate some loyal subordinates on his own? You don't even know that you can train some loyal people and be a leader of the Hammer.

Is part of the setting based on the Fallout series?

Came here from the Three Kingdoms Magic Tower, it's pretty good