Demon Face and Red Heart Beat the Gray Man

When a person can be in the position of the perpetrator, the person will subtly accept his position. In a feudal society, the plot of a demon being found to have a conscience by the lord is really... I don't think it's a problem if you go completely dark. Am I here to see you educate people? The first identity is a devil, the second identity is for whom? Even if education is needed to let the protagonist establish such a personality? You can have the young master be the conscience and the protagonist be the evil heart, balancing the two. I think you haven't thought through how to express the tension of the character so that the character matches the book.

In fact, civil engineering was basically useless in ancient times because the productivity could not be reached, and several tons of steel bars were needed to repair a small point. In the past, these irons were basically used to make weapons and armor. What's more, the previous smelting technology, Laqua, couldn't make so many steel bars. Cement is a chemical category, and civil engineering is just for use.

The author excessively pursues production relations and neglects productivity. The two complement each other. Without the support of productivity, advanced production relations will also degenerate, such as the Soviet Union, but backward production relations will also constrain productivity, such as today. Do you think there will be industrial safety in the first industrial revolution? Do you think untrained slaves can be qualified workers? Not to mention safety awareness, whether they can be on time is a problem. For example, why the transfer of industries in Southeast Asia is not so smooth. It doesn't matter if you just pursue jokes, but if you pursue the complete and self-consistent internal logic of the work, if you write out all the production relations and productivity, it must be detailed, plotted, and attractive, and it is indeed difficult enough. The works of many writers, including famous figures, are autobiographies or have social origins, because they do not need to know the internal logic and can simply describe society. Lao She does not need to know the specific exploitation of the Three Mountains, but the tragedy in Luo Tuo Xiangzi is enough to prove it. Ostrovsky did not need to know the internal and external difficulties faced by the new proletarian regime and the counterattack of the bureaucracy. He had to write it truthfully so that we can appreciate the difficulties and inevitable setbacks faced by the proletariat. On the contrary, fiction is the most difficult thing to write. It is easiest to write an imaginary story based on history. For example, using the Southern and Northern Dynasties, the Five Dynasties and the Ten Kingdoms, or the history of the West since the Shinra. Everyone is not familiar with it. If you change it, it will be a good story.

Keep it in the book club circle. I got a valuable theory about story creation from a great writer a few days ago. Original author Bai Bohuan (Bai Tanlang): A very superficial reflection on the methodology in fantasy stories. Last night I was chatting with my friends about the methodology in novels. In the field of online writing, many authors are actually not good at grasping methodology. To put it cliché, it's "Why are you so fierce?" This methodology is actually a very important projection carrier for the theme of the work. In the past, an author who impressed me deeply wrote a work that was commercially successful. The theme was hard work and persistence in dreams. The protagonist/narrator will always tell Huo Huo that I got all this because I persisted in my dreams and never gave up, and used this to inspire my partners. But this is a rebirth setting. He got to where he is now by copying the successful movies he remembered in his previous life. Therefore, this misalignment makes the core of the story unable to withstand scrutiny. Later, there were authors who specialized in deconstructing and mocking themselves. For example, Mr. Gonkai wrote a book called "The Ultimate Demon", in which the protagonist has a modifier called Deep Blue, so the famous quote in the article became a meme in the Internet literary circle: "Everything I have is achieved by my hard work!" "Dark Blue, give me some extra!" This kind of rogue and scoundrel finally became the temperament of the protagonist and the work. Many author friends actually do not have a clear concept of a certain methodology or core issues. This kind of concept usually doesn't stand up to scrutiny, but I sometimes observe the methodology in popular works as a vane of the times and the flow of people's hearts. For example, the core methodology of the gangster novels that were all the rage in the early days of online literature was shamelessness. The core of the methodology of this type of work is "I am more shameless and have no bottom line than others, so I can win everything"; while the methodology of historical travel and alien travel is actually "I have knowledge" and "I have planning concepts that transcend the current productivity relationship. ", "I have more advanced ideological weapons" can be called the "gunpowder and capital" method. Hidden behind this is an illusion relying on the symbol of "advanced historical materialism" (actually the best implementation in this regard is Lingao Qiming). If you dig deeper, you will actually find that there is a default premise in these works, that is, the final point of these works is self-evident "success". Internet writing can actually be regarded as a huge genre of literature, which I call "climbing fantasy" (or strong fantasy). In my opinion, contemporary online novels are generally stories of climbing and victory under different rules (quite JUMP). Writing this, I am reminded of "Story of Grace", the pioneering work of Chinese fantasy. One of the themes of "Story of Grace" is actually "power cannot change fate." Although it was just a fan novel in the Lance series at the beginning, Rosen himself had a higher vision, which is why "Story of Grace" is still very readable today, twenty years later. Going back to the past, in the early years, as one of the sources of Chinese fantasy stories, there were various swordsman stories in the Republic of China. Their methodology was adventure and destiny. After that, the methodologies used in different periods and regions include "hard work", "bloodline", "courage", "gentleness", "seeking truth from facts", "FAMILY (Vin Diesel face)"... In fact, the types and forms of popular stories in a certain era are just shells. I think the looming methodology inside the story is a pointer to analyze the underlying ideology of people's hearts in the era in which the story is set.

It was originally aimed at the devil, but in the end, the devil didn't look like a devil, so you went and became a saint for me. This devil is neither cunning nor evil, nor amusing nor chaotic. You shouldn't write about devils. You might as well just write about angels. This book is useless

I just want to watch the devil build a house, and I have no interest in the devil making a revolution. Please, the author, please don't write about making a revolution, okay? Books are becoming more and more boring like this. If I want to read about revolution, why don't I read books on Capital and Marxism? These are required readings for university courses. How many of you here have seriously read Marxist textbooks?

😥Well, here's the explanation. Some friends may wonder, can you be a project supervisor if you are not from Party A? There is a twist here that you may not realize: (Take the first world as an example) From the perspective of the civil engineering project, the lord is indeed Party A, and the male protagonist is responsible for promoting the implementation. But it should also be noted that the Lord used the Nine Hell Contract and prayed to the Devil, and the Devil sent the male protagonist over to fulfill the Lord's wish. At this level, the devil's side is the strong Party A, while the contractor is the weak Party B. 🔪

Thanks to the artist "Slaanesh Chosen" for his free assistance. 🙂

Shouxuan's "Jue Qin" is finished. The new Qin Dynasty, will last for three generations. For those who have never heard of it, please subscribe and read the last chapter of "Jue Qin", as well as Shou Xuan's closing remarks. The fire is still there.

Hot Knowledge: CNKI is a private foreign company.

I finished reading the part posted by the author in one go, and I feel that the writing is really good First of all, it is obvious that the author is thoughtful, whether it is the description of the construction process or the planning of the "Consumer Festival", it can be seen. The writing is also okay, although there is a slight problem in the front. . . . The situation of pressing enter is crazy, but it seems much more natural later on, and several gag points are inserted just right, which is very personal style. Personally, I feel that it has reached or even exceeded the starting point average line. It is also a good book in terms of knowledge. It can be seen that the author is a professional in civil engineering, and several relevant plots are well written. . Breath. The author hasn't dabbled much in theory yet, so I can't see it yet. . . . However, some book friends talk about productivity issues. I suggest that authors don't worry too much. If that doesn't work, just write about bourgeois revolution (funny). "Dawn", "The Witch" and "The Mad Lich" are the first ones. If you go down this road, you may not be unable to produce good books. In short, I am still very optimistic about the author. As long as the author maintains a good personal style and does not give up, he can always achieve results٩(๑•̀ω•́๑)۶

Everyone laughs at Big Mengzi, everyone is Big Mengzi🙂

Nga sightseeing, unexpectedly readable. Some of Chixin's suggestions are still moderate. The first thing everyone needs to do to start is to have a good story. The most important thing is to be happy when watching. If the key policies are not handled well, you will become obsessed.

If capital conglomerates and feudal aristocrats are the cancer of society, then Lezi people are free radicals in the universe and society, harming normal cells and accelerating the aging of the body for no reason.

Some people are born in Rome, and some people are cows and horses from the beginning.

Pure cows and horses will never run away (cannot run away)

Well, if we live well, we will win✌

What I just saw today, is it really that serious?

If you die, you have to ashes, right?😭

Is the author still around? It won't go into the palace as soon as it's released, right?