When Japanese Ghost Story Was Created

No one is calling out for the protagonist's positive outlook on life? ? I don't know when, the virgin-type protagonists were despised, and the murderous and bold protagonists began to rise. They would sacrifice to heaven if they disagreed with each other, and fight if they didn't say a word! It's not that this is wrong. People live at an accelerated pace, are under a lot of pressure, and like to vent. The bold and sharp protagonist does give people pleasure, but this does not mean neutrality. There is no market for the favored camp. It's just that some people fail to coordinate the relationship between the two, making the protagonist's goodness look hypocritical. Of course, this absurd story begins with a kind-hearted protagonist, but encounters the erosion of the evil attribute of absurdity. As the plot develops, it will definitely be extremely difficult to maintain a consistent kind nature. In fact, watching the protagonist be affected by the mysterious force, and finally control the supreme power and lose his humanity, this seems to be a history of the weak's counterattack, but in essence it is the tragedy of a person losing his humanity and becoming a monster. I hope, and of course, I don't blame the author harshly that due to changes in the market, the male protagonist will eventually become an enemy of mankind. After all, this requirement is too high, most of the weirdness cannot be solved, and human nature often cannot withstand too many tests. All I can say is, please be responsible for him. 😰

I have followed more than 200 chapters, and it feels very good to see the male protagonist eliminate evil and collect monsters, and help human beings integrate weirdness. I really like this kind of style that has a positive outlook but also behind the scenes, so I don't have any trouble with the author's preference for female supporting characters. However, later on, there is too much emphasis on the emotional entanglements between the protagonist and various supporting female characters. The reason why Dongyi disappeared, the mysterious enemy behind the scenes, whether the world is reincarnated, the reason why Sequoia became grotesque, why Crow Mai was captured, the Friends of Humanity plan... I want to say that the plot has developed to this point, and there are already many questions that the protagonist should think about, plus I have also accumulated a certain amount of strength on the map. Either open another map and introduce special characters to reveal one or two secrets, or keep the original intention and continue to think about how to use weirdness to eliminate evil and promote good. It is better than inserting so many emotional scenes for me in the middle, making me seriously doubt whether the protagonist is being controlled by the rules. The force affected his consciousness. When the four teammates around him became weird, he had no divergent thinking and was indifferent to investigating the truth. He didn't even realize that Sequoia's return from the black hole might be inextricably related to him. It seemed that he really just turned himself into a monster. As a director, I was invited by the investigation team to do a favor. Everything that happened on the train was really just a drama. If the teammates captured him, they would be captured. Frogmen all know how to form a team to track it. The protagonist will not really regard this incident as an ordinary weird incident. As for the part about collecting Yingzi, it was exciting to see the changes in the Son, but the investigation team was still so useless from the first chapter to more than 200 chapters. They had to rely on the Weird Alliance for everything. What about the Friends of Humanity plan in the early stage? , What about the protagonist's ambition to help humans integrate the monstrous and resist the monstrous? Is the protagonist's behind-the-scenes development now the director of the Weird Alliance? Do you dare to do something exciting? First, write out the mastermind behind the scenes, and beat the male protagonist, so that he can understand the cruelty of the world. When did he stop making progress? What about the desire to eliminate crime and eliminate evil back then? I didn't write about the big villain, and I didn't do a good job behind the scenes. I just collected monsters in Lidu. In short, the book is really good. If you should, I should pursue it. I beg the author to let the male protagonist do the real thing. If it doesn't work, please change his personality. It would be great to be brothers together! ! !

This book is very good, I can give it an 8.6 Rating. First of all, the values ​​​​of the protagonist are worthy of praise. Justice is not the Virgin (the kind of Virgin who repays evil with kindness). Justice should be repaying kindness with kindness and repaying hatred with straightness. The protagonist's justice is reflected in his seeking justice for people who were deceived into signing loan sharks and forced to die, and judging the culprits. Here, the author sets the first weird rule as being triggered only when forced to death. This is a very thoughtful consideration. After all, not everyone is innocent, but only life can repay life. Including the later trials of domestic violence, ungratefulness requires a dead person to be triggered and passed by the protagonist. I very much agree with this. No matter what crime a human being commits, as long as he does not directly force or kill someone, then he cannot be deprived of his life as the price. (If indirection counts, then there are really not many people who are innocent.) The protagonist is also very upright, doing his best when he promises, and he cannot stand by and watch the people who have helped him, etc. In addition to the protagonist and the values ​​conveyed in the book are excellent, other people in the article are also flesh and blood. Chiyo's emotional entanglement reflects the character's active thoughts. Nothing in this world is firm and unwavering, and a slight wavering will make the character more real. Each character has his own soft side and different places. The weird rules in the article are all very distinctive, including the reappearance of grandma, the rain in Nagasaki in the taxi, and Oe's face. All in all, this book is very interesting and worth reading!

Although the background may be bizarre, the joys and sorrows of life revealed in it are so real and palpable. I was almost persuaded to quit at first, mainly because I had too strong a sense of morality and couldn't bear to see Long Yi die because of Chiyo. In the end, Gu Xing ended up with Chiyo. Fortunately, that didn't happen. In general, the story reveals a compassionate and helpless feeling in life. Fortunately, the protagonist has a golden finger and can change this tragedy. Moreover, the novel does not lack literary quality, the characters are vivid and touching, and it makes you feel the urge to cry. Keep up the good work!

The elements of the rules and ghost stories become weaker and weaker as you go on. In the early stages, it was quite interesting to have the protagonist and his teammates struggle psychologically and gamble their lives to crack the ghost stories. Later, when the monster talk is not good, Brother Xiong bites him. The elements of the rules are completely faded, and it is just a competition of quality, and he will not hesitate to take a taxi in case of trouble. Then the emotional line and the character of the protagonist are becoming more and more confusing. You want to say that the protagonist is cold-blooded, but he is quite enthusiastic to help others, and you want to say that he is a savior. His reaction is really slow. Many times other people die in front of them. After death, they either turn into ghost stories to make up for it or use ghost stories to avenge him. The main purpose is to have an afterthought. I always felt this way from Long Yi to the red shirt. And I said earlier that I didn't disclose my identity because I was afraid that the government would find out and create weird stories and kill me immediately. As a result, the position of the government officials was that the male protagonist can save mankind, and no one said that they would kill the aliens. However, the whole book is still full of flaws. The plot and characters are quite interesting. I just wish more work could be done on the characters and details

Another book review after a year. Taking advantage of the shortage of online classes and books, I read more than two hundred chapters that were wasted due to busy studies. To be honest, when I saw the weird reincarnator in the first hundred or so chapters, I was a little put off, because too many world views were unfolded at once, and the Taoist priest appeared, which was in conflict with the world view. But it might as well be general. Then until the chapter about the love affair of the Son, everything was too depressing. In the early stage, there is Chiyo's romantic outlook, the protagonist Spider-Man's style of punishing evil and promoting good and a sense of justice, the tenderness of an old woman, and the disclosure of the misery of the world. But in the middle period, it suddenly became depressing. Many investigators died, Sequoia died, Crow and others died. As for An Qing's resurrection, it was just a grotesque resurrection. The main supporting character died, but it wasn't the kind of death that involved sacrificing one's life. The way Crow and the others died with a single blow was really cruel. Even the later development of Midori's worldview cannot conceal its deep sadness. What makes me not want to continue reading the most is that Dongdong left, and then everyone in the book had to forget their memories. The former is not important, the latter is like changing the world, and there is a sense of right and wrong. Fortunately, others gradually regained their memories later. Then after the Holy Son fell in love, the whole book suddenly became lively. My depressed heart was finally able to relax. Even if the heroine exists as a vase in a book, it can give people a kind of spiritual relief, especially in some extremely depressing books. This is the ultimate problem that all Internet writers must face head-on. A book is often very, very exciting in the early stage, but becomes mediocre in the later stage. This book is also facing this problem, but the subject matter used by the author allows the author to describe in detail one aspect of society, and then describe another aspect in detail. But there is always an end to the evil side of society. This end is the end of infinity. How to say it? Evil is nothing more than the evil committed by ordinary people against ordinary people, the evil committed by ordinary people against the disabled, and the evil committed by the powerful against ordinary people. To break it down in detail is nothing more than power disputes, economic disputes, cultural disputes, and the evil of human nature. The power disputes have not been mentioned yet, the economic disputes include loan sharking, the cultural disputes include celebrity fan culture, and the evils of human nature are countless. So always. The author is also supplementing it with some truth, goodness and beauty, such as the boxer's efforts. However, as the protagonist gets stronger, there is little between battles of wits and life and death again and again. We, the audience, prefer to see ordinary people struggling to make progress between life and death, rather than powerful people pushing to break the situation. I think this problem is unavoidable, because the protagonist will not die anyway. This kind of death refers to the complete disappearance from the book. In urban novels, it means death. In fantasy and fantasy novels and many other novels, the soul disappears. In some cases, some superior creatures completely annihilate it. However, this kind of books are often unfinished and can only be mastered by traditional literature. Anyway, I hope the author will work hard and keep updated.

How is the Holy Son

This book is very strange. The plot before The Reincarnator was obviously good. After The Reincarnator, the control of the plot suddenly dropped. When I saw Sequoia coming back, I didn't feel like it was written by the same person. There were two inexplicable emotional scenes. The first one can be said to reflect weirdness and human love. The second paragraph suddenly came to me when I was facing a crisis. I really couldn't understand it. I'm afraid the author suddenly wanted to write a love story because of his weird writing. After Nia's plot, I couldn't see the description and portrayal of the protagonist himself. It's not such a way to change from the main protagonist to a group portrait, even for a while The title of the protagonist directly became the director, and the style of painting also changed from punishing evil and promoting good to making fun of the shooting scene. I can't understand it. I can give the plot before the reincarnation about 8 points. Later, the reincarnation began to want to expand the world view, but the way of expansion was messy, as if it was taking the path of fantasy. This is better than what you said. Having no spiritual power is even more nonsense, especially when the first love line is on the train. I was really confused when I read it. The world view was completely messed up. I didn't know what the author wanted to write. I tried my best and could only see this part. I was poisoned by this paragraph. I can only give 4 points to the story after the reincarnation. I won't waste my money.

Can the author stop thinking about your Holy Son? Is the role of the Holy Son to persuade people to retreat?

After all, it's Lan Yinxuguo's scene. At first, I was attracted by the imagination of the story - the protagonist uses his abilities to create ghost stories and gives them various abilities. The overall structure of the novel is connected by unit stories. Most of the characters in the previous unit stories have more or less interpersonal relationships. It can also be regarded as an important factor in promoting the development of the story. Personally, I also like the rhythm of the story that connects cause and effect. I have a premonition that the protagonist's good fortune will bear good fruits in the final battle (guess based on traditional operations hhh) The characters are also remarkable. The male protagonist is rich. A good person with a sense of justice and social responsibility, it contains a lot (I think too much) of the inner monologue and self-strategy of the female character (I personally don't like to appear in this kind of plot arrangement that is not fast-paced, it makes me feel like "I spent money, and you just show me this?"). There are also some arrangements and designs of character arcs, which can be regarded as forcibly raising the moral height of the work again. Tell me the reason why I stopped at about 200 chapters. The biggest reason is "too many people!!". There are too many characters, and the author wants to show a lot of characters fighting against the grotesque and the intrigues of different administrative and law enforcement agencies in a story of this size (the writing is relatively superficial, and there is no city government). This leads to a certain storyline with little development. The characters and unit names appear in a mess, but the protagonist's role is squeezed into a corner. To a certain extent, it weakens the story rhythm and reading experience There are too many Riddlers. Not long after the game started, Xiaodong began to develop his own identity, and then disappeared suddenly. Xiaodong also released a notice saying that he might come back one day, and maybe you have met me or not yet. Seeing this, I felt like I had eaten a fly. How could anyone arrange to disappear like this, so that everyone looks like the reincarnation of a hole in the protagonist's eyes? There is another angle that is more a matter of opinion. The protagonist has such a high sense of social and moral responsibility that the grotesques under him lose their sense of majesty, mystery and danger (as the saying goes, the level of force has declined). Especially the weirdness of the movie, the plot is too protracted, I thought some high-end punishment methods would be designed, but this is it after watching it? ? ? In the later period, the investigators persistently asked the protagonist group to help change their gender and cooperate... Weirdness was too friendly The weird story was fully presented from the beginning, whether it was self-created weirdness or recovered weirdness, which caused the story to lose a lot of appeal. If the originality of the self-created weirdness can be improved, instead of being limited to a single story event character, but using him as a prototype and collecting similar cases to create a summary (for example, in the weirdness of "Playthings", the kill list lists 13 separate incidents, and there is no punishment for the bad guys in other similar incidents, and the revenge is for the sake of revenge for a single person) the story will be more satisfying. The social and moral level of the protagonist will also be more in line with the character design. In other words, the stories before and after "Playthings" have lost the sense of justice of "weird targeting the dark side of society in general" and become a tool for personal revenge Maybe there are other ideas, but it doesn't feel like a whim anymore. That's it. I recommend everyone to give it a try. In short, the idea is pretty good.

The author's writing style is very good, maybe he didn't think clearly enough in some places, and there is no backbone. Some people write tragedies that make readers think, "Ah, probably, this is the only way it can be." However, the tragedy written by the author in large letters makes people feel, "Hey, does the protagonist have no other choice?" It's a little bit tragic for the sake of tragedy, which makes people super uncomfortable! ! ! Of course, it's also possible that I've seen too many savior-type protagonists and was disappointed with this realistic type of protagonist. The good mood of the afternoon was ruined. I should have stopped at the place where Grandma Satomi could eliminate the dagger, and there was still a little hope that Ryuichi was still alive. In fact, I was waiting for Ryuichi to show up until his partner rode away on the motorcycle.

It makes me sick And I obviously feel that the protagonist (or the author) also dislikes this character, so why is he created as a common colleague.

The writing style is fluent and rich in content. The author's descriptions have a kind of humor about the reincarnation of fate, which makes the plots interlocking and makes people gasp in admiration when the net is closed - it's so cool! Besides, I love the Son, the Son is so cute!

The writing is good, and if you can accept the plot setting, it's pretty good. The protagonist is kind-hearted, always likes to meddle in other people's business, and involves himself in danger.

I like the work very much, please give it a thumbs up to the author

The author writes very nice

The first ghost was well written, but the subsequent ones made me feel very not good

I was praised by the traffic police for wearing a helmet correctly on the road I will forward this to the comment area Please everyone be proud of me 🙂

The first point is, don't teach book friends how to be a human being. Just write stories when writing stories. Puzzle stories can be inserts, but they cannot be the main body. The theme cannot be the main body. The main body is the storyline and character description. Emotional expression can only be hidden... Second point, don't be in a hurry after choosing a theme. 90% Of the works that rush to introduce the background and characters at the beginning are the beginning and the ending. The author does not have the writing style to control the story at all. If it's not easy to introduce the background, don't introduce it. Show the background and worldview from the story. Third point, if you have some secrets in your heart, don't use them to screen readers.

A neighbor owes a loan shark and is being chased for debt. When the protagonist finds out, he plans to exchange his lifespan for money to help his neighbor repay the debt.

I really want to say something. The current online environment is very strange. It is always surprisingly tolerant of "evil people". When bad people do good things, they sympathize with them. Then good people want to do good things and find faults.

Maybe it's because I don't have enough ideological awareness. My interest dropped off a cliff when I saw this. The protagonist is so brilliant that I can't understand it, let alone relate to it

I've read a lot of ghost story novels, but I can't find the one with the amazing feeling of creating urban legends in Tokyo.

Not great. How to say it. The subject matter does not match. This rule combined with the Holy Mother is bullshit. I feel very awkward about what the author wrote. Even though it doesn't look scary, it doesn't look good either. It gives me a feeling similar to a monster-fighting and upgrading novel. It's really not good. And the rules are irregular. Not atmospheric enough.

I feel like there have been more people criticizing the book in the past two days. Does this mean there is still hope for this book?🤤🤤

This genre reminds me of another author who also created weird and longevity books in Japan. Later, after being closed for a while, the author opened a new book. As a result, he was 404ed again and the author disappeared from the world.

The protagonist's thinking mode feels too young. It doesn't feel Chinese at all, more like Japanese, and it doesn't think things carefully at all. It's like you can't write without losing your intelligence.

If we were talking about brothers instead of fingers, would this book become a small hole grocery store?🙂

I don't like this kind of so-called behind-the-scenes flow. How many of the points you made at the beginning have been achieved? 1. Can your protagonist advance the plot? As a behind-the-scenes streamer, when did the protagonist take the initiative to develop the plot? Every time we meet someone passively and then help others solve their problems. Isn't your golden finger just for trial? After working for a long time, I became a nanny. Anyway, if something happens to a few people around me, the protagonist will wipe their butts. As the behind-the-scenes boss, the protagonist doesn't even need to know much about what happened. On the contrary, your golden finger is more like the protagonist, knowing the inside story and driving the plot. There are no obvious restrictions on what he wants to say and what he wants, and he arranges for the protagonist to do this and do that. 2. Is your protagonist hidden behind the scenes and rarely known? The fact is that you are showing off your unusualness by dangling in everyone's faces. Even as a behind-the-scenes streamer, you want the protagonist to risk his life to save a passerby. It's not that there's anything wrong with this kind of behavior, but you shouldn't have this kind of zz plot behind the scenes 3. Is your writing style cold and restrained? Goldfinger looks like the Riddler complaining about being a slave anytime and anywhere, and the protagonist also has a sad mentality about spring and autumn. Is it necessary? Furthermore, the name of your Chinese protagonist is obviously Japanese. Even if you say this is a parallel world view, in order to have a better sense of immersion, wouldn't it be difficult to randomly choose a more suitable Japanese name?

The first time I read this novel, I thought of the movie "Deep Hole". The male protagonist is a down-and-out artist who moved into a relative's old house and discovered a "living" hole.