I Have a Seal Between Two Worlds

I have been following the update for a long time, but I just feel that Officer Lin uses all the good things of the male protagonist and pretends to be the male protagonist. It's not very comfortable. I would like to give the author some suggestions for improvement. That is, I can actually understand and feel that Officer Lin is a particularly good girl. But as a girl, I would feel a little inferior if I were Officer Lin. I feel that if the relationship between the two is described, the focus can be on the show of affection between the two, and I will be addicted to the sweet love between the two. Or occasionally let the male protagonist pretend to be a bitch, but if it doesn't work, don't let Officer Lin show his superiority in front of others. Some people will say that the male protagonist is not worthy of Officer Lin. This is really uncomfortable. Because the male protagonist is the protagonist, my bias must be on the protagonist's side. I would think that the male protagonist and the villain are all villains. That's probably what it means. Maybe I'm the only one who thinks it's a family story.

There are a lot of nitpicks in the chapter reviews. The author could actually be firmer and write according to his own outline and not be too influenced by others. This novel is actually not very poisonous, and it is not as useless as they say. It's just that I quite like the main character's outlook on things other than his emotions, and he doesn't deal with things in a clichéd way, so it's pretty good. Even if she is a scumbag in relationships, she is clearly a scumbag and will not accept all the demons, ghosts, monsters and scorpions in her head. On the contrary, the three existing harems are quite responsible. Anyway, come on, author, write it according to your ideas, and there is no need to deliberately avoid the plot of the real world. After all, the main purpose of this book is to travel between two worlds! Come on!

To be honest, a handsome, talented and wealthy person like the protagonist is very attractive to fairies who are close to humans, and not to mention that peach blossoms are given away too quickly. Take a look at Pu Songling's Liaozhai. The protagonist has nothing to ask for, but the fairies give it away faster.

Is there nothing to write about in the real world? It's a routine from beginning to end. When traveling, your girlfriend is targeted and killed. How many times have you repeated this?

I gave up the book, forget about the increasingly clichéd plots, and spent all day writing about stars like Zhao Xiaodao, Zhao Xiaodao.

Eight words sum up this book: 'Visit relatives and friends, crack down on crime and eradicate evil'

The most disgusting thing about this book is that the author complained about some ridiculous novel routines every day, but in the end, his own writing was even more ridiculous, giving people a feeling of being both serious and independent. The modern plot is simply a mess, and the ancient plot is sometimes normal and sometimes poisonous.

In fact, the author does not necessarily have to follow the old-fashioned conflict plot, just like the heroine investigating a case and being hit by a car. In fact, the author can arrange for the protagonist to take the initiative to investigate. Some people may think that this is difficult to write. Do you know the urban version of the portable superpower boyfriend? The protagonist is a warrior and Taoist priest who beats the rich second generation. There are many ways to play it when you think about it. But the protagonist is relieved that his girlfriend will investigate the case, but the girlfriend is also hit by a car in a very cliché way. From a God's perspective, the protagonist is a bit careless, or not cautious, but the strong character of the heroine is also reflected, and It's within the author's expectation In addition, the core value of the novel is to be interesting, rather than trying to piece together the plot. This point is more obvious in the author's previous book. The protagonist has no worries and has no shortage of cultivation techniques, various weapon refining, and knowledge of alchemy. In other words, there is no shortage of anything. If you work hard, you can definitely succeed. Grow up as a boss Or you can wander around as a hidden master, such as drawing a sword to help when there is an injustice on the road, such as cultivating a band, dance troupe and other entertainment, or even creating a brotherhood, an assassin group, a cultivating chicken group, etc., However, the protagonist is dumbfounded and pushed by the plot. When the character appears, it seems very cliche, and the protagonist is very frustrated, because in fact, the protagonist has everything, but he is pushed to a dangerous place by Jiang Zhi Of course, having said so much, I actually think that judging from the author's three books, the author's writing ability has grown quite quickly. This book is also very good. I hope the author will work hard.

The most illogical thing about this novel is that there are so many coincidences and conflicts that people can encounter. Even the police or Interpol are unlikely to find a big case in a week or two. Not to mention that the domestic environment is very stable and safe, and not all foreign countries are crazy. How can there be so many big cases, even if the police have big cases all over the world? How come there are so many investigations that always involve Lin Wan? It's not logical. It's like all kinds of conflicts and coincidences revolve around the male and female protagonists. Although I know that the author wants to pass the modern part, the word count must be logical. After all, the modern male and female protagonists have always been very low-key. Why do so many cases come to them so coincidentally? How come there are so many bad guys and dead people around? Since it is a modern society, there cannot be so many unstable factors. A big feature of modern society is that it is very peaceful on the surface. Where can there be so many murderers in the Golden Triangle or the United States? Also, the male protagonist wants to be low-key and calm, but he still has to run abroad? Aren't you asking for discomfort? Also, shouldn't we discuss the fact that the heroine directly became Interpol? Because it can't be solved, why don't you ask the male protagonist to wipe his ass? It's okay to have conflicts, but it needs to be logical.

The ending was disappointing, and even though we already had a harem, we still had to build an archway and have some ambiguous and disgusting things.