There's Something Wrong with This Director

The main character is 188cm tall and weighs 65kg; he's practically a skeleton.

If you're all-powerful, see you in the next book!

Good, good. The male lead should focus on his career, do a good job filming, and occasionally reminisce about songs or make cameo appearances. Being too versatile is unrealistic. Several authors I've read have written nonsensical romance scenes, yet they insist on adding one or more female leads. Can't they just focus on their careers? Or at least make it consensual.

Two questions 1. The author said he wouldn't write scripts that were too classic. But he wrote *Farewell My Concubine*… This film has a historical context; if it fits that era, it's a classic. If it doesn't, the author has to make up for it. He might as well have written *Running Out of Time*, the one with Andy Lau, which also deals with terminal illness.

I'm hoping for a boyfriend, not a girlfriend. 🙂

When a main character or spokesperson is blacklisted, what happens to the company's losses? They can only sue. Just look at ZS – she was blacklisted, and so many brands she endorsed sued her. This article will be the same; it needs to at least recover some of its losses.

There's a reason you failed. 🙂 Keep practicing, keep it up!

Honestly, if they were to remake JoJo's Bizarre Adventure, it would be absolutely phenomenal. The entire series has several parts, with both movies and TV series available. I don't know how many streets ahead of those popular dramas and romance dramas on the market, I'm referring to shows like The Journey of Flower, Ashes of Love, and O2O.

Just focus on writing about the film; stop with all that unnecessary gossip and ambiguity. It's too tedious.

Was your account hacked? What exactly did you write?