Anime Crossover: The Everyday Content Creator

Wondering how this level is calculated? In the early stage of Obito, it's not considered SSS at all, right? Later, when he becomes Obito of Six Paths, he can only count if he has the Samsara Eye. As for Lu Mingfei, does he count?

I was relieved to see the author rushing about in such a leisurely and comfortable manner. I originally thought that this book would probably not reach the end. Although the author's attitude is unsatisfactory, I appreciate it very much. I have basically finished reading the subscription section, and I have some comments I would like to share with the author. There is no problem with the writing style, and the subject matter is well chosen, but the first problem lies in the selection of character cards that appear at the beginning. First of all, because the title is "Comprehensive Comics", but the character cards quoted at the beginning are characters from the Dragon Clan, this has caused a very strange phenomenon - those anime fans who have not seen the Dragon Clan have to read this book first through the chapter that mainly describes the Dragon Clan characters before they can see the characters they want to see. I think it might be better if the author drops the title of comprehensive comic and writes specifically about the dragon clan. After all, it can be seen that the author spent many chapters describing the three characters of Chu Zihang, Lu Mingfei, and Eli Yi. Chu Zihang is still calm and collected, but Chu Zihang becomes a bit talkative in the middle chapters just to let him serve as the hero's life mentor. But the author derived the setting of [Dimensional Arena] from the theme of comprehensive comics, which I think is also very successful. The Dimension Arena is a place for system holders to compare character cards. The longer you survive in the arena, the richer the rewards. In the arena, many scenes of brawls between characters from other anime can be described. For example, Muto Yugi from Yu-Gi-Oh!, Eren Yeager from Giants, Shino Asada from Sword Art Online, and funny characters such as Doraemon and Tsunayoshi Sawada appear in the article. [But the biggest problem lies in the beginning. The protagonist died suddenly in the first dimensional arena right at the beginning. This directly prevents readers from seeing the interesting content of this setting, but instead deepens the impression of the male protagonist as a loser. The content of the second dimensional arena has already appeared at the end of Chapter 30, which is a bit too late. The section where Lu Mingfei goes berserk and crushes other comic characters in the arena is full of tension. I think the author's writing style is very good. As for the third dimensional arena and the fourth dimensional arena, I also think the descriptions are very interesting, which is one of the attractions of this book for me. In the end, I think the biggest problem lies with the male protagonist. The author must have read the comments in the comment area. Some readers were persuaded to quit because of the character of the male protagonist in the early stage. After all, in the first twenty chapters, the author did not emphasize that the male protagonist's background is suffering from mental illnesses such as auditory hallucinations and social phobia. These contents were only written out around Chapter 27. They were originally things that should have been reflected in the first few chapters. And I can see that the author deliberately slowed down the growth rate of the male protagonist in the early stage in order to shape Chu Zihang's image, in order to better set off Chu Zihang's character. But this kind of writing method is obviously not suitable for online articles. Except for those loyal fans of the dragon family who will buy it, other readers who are looking for something more exciting may be dissuaded. After all, the beginning is the most important part of an online article. The male protagonist's growth line is also a bit slow. It can be seen that both Chu Zihang and Peter Parker played a big role in the growth of the male protagonist. Peter Parker instilled in the male protagonist the value of "the greater the power, the greater the responsibility." Chu Zihang used his own regret and pain as an example to teach the male protagonist to face things head-on and not to avoid things. This is clearly reflected in Chapter 51. Chu Zihang handled the dilemma faced by the male protagonist in a calm way, preventing the male protagonist from solving the matter in a more violent and direct way. It wasn't until Chapter 70 that the protagonist, who experienced the unbearable pain of losing his residence, having his right arm cut off in the death quizzes, and having his whole body smashed into pieces, did he grow in the true sense. "Do I still have a chance..." "Continue, there are two more rounds." When the male protagonist said these two sentences, I felt that this character had grown up somewhat, and was no longer the useless person who moaned without any reason. If before this, the protagonist was pushed by the environment to grow, at this point he is really forcing himself to grow and bear the pain. In fact, from the perspective of a chronic reader, I think this is inevitable, but the author's book is aimed at the online literature market, so the early pace and the growth rate of the male protagonist must be accelerated. To sum up my opinions are: 1. Advance the cousin paragraph to the previous chapter. This chapter is the embodiment of the main conflict between the male protagonist and the outside world. It can greatly deepen the crisis of the male protagonist's situation and make the rhythm of the article less lax. 2. Change the plot of the sudden death when participating in the dimensional arena for the first time, and describe more about the content of the first arena. 3. The order of the characters that appeared in the early stage can no longer be changed, it can only be like that. The appearance of the character Peter Parker can be regarded as a slight salvation.

As we all know, the protagonist looks like this

I saw the listing part, and I don't know the plot later, but why does the protagonist not want to confess to the country about the protagonist's difficulties and let the country help the protagonist, so that basically all problems can be solved. Our country is strong, and with the protagonist's ability to summon two-dimensional characters, confessing to the country can get a lot of help, and our country is a socialist country, and it will not harm the protagonist. Otherwise, how could there be such novels that turn it over to the country now? So the protagonist never wants to cooperate with the country, which makes me feel very strange. This is China, and it is not capitalist like the United States and Japan.

The ending is full of flowers. To be honest, this is one of the few dimensional masterpieces I have ever seen.

I just want to watch this, a harem with a bunch of girls, but I'm really too lazy to watch it

How can I put it this way? The book is a good book. The writing and characterization are quite good. It is definitely a first-rate book. But the main character makes me unable to understand why he is so bitter and hateful. It stands to reason that from mild school violence in elementary school to severe school violence in junior high school, it doesn't matter if parents don't care about teachers. I, who was depressed and committed suicide several times in high school and finally learned, should be able to take it in. But I just can't like the protagonist. I always feel that the protagonist has never worked hard except to feel sorry for himself. I feel a bit angry towards the protagonist's attitude. Of course, I have only read Chapter 50 so far, so I won't comment until I read the details later, but I really don't like the protagonist at this stage.

Sorry, you are a good book, but I can't read it. Feel sorry.

Feedback from paying users of different ports! Please believe in the country! ! The country will not let you down! The country is the most solid backing! Thanks. I prefer to believe that the people in the latest chapter research room are doing personal behavior rather than the will of the country.

Gu Tong The male protagonist, I see him as Nan Tong