I Establish the Xuanmen in the Heavens

The author has read the article "The Stallion of the Stars", but don't imitate him.

I think Liao Zhai is better. The Great Sun Tathagata in Fengyun seems to be able to travel through the time line. On the contrary, although the water in Liaozhai is very deep, the gods and Buddhas in the sky have disappeared after all, so the danger is not that great, and as a world where gods and Buddhas once existed, the level of the skills is also higher.

It's very good. I like the world view of the main world very much, and the writing is also good. However, I hope I won't go to Zhuxian in the next copy. I am too indifferent to the world view of that world. You can go to the TV series version of A Chinese Ghost Story, also called Xuan Xin Mysterious Secret, and add a little bit from the Liao Zhai series.

Personally, I think it's very good. It has the feeling of the living world of immortality like Lord of the Stars and Taihao. The biggest shortcoming is that there are too few updates. At the same time, I feel that the ratio between the heavens and the main world may not be well balanced in the later period. I feel that the main world is well written, but the heavens are very tempting. It's really hard to let go 😁

This sect feels so small. It only accepts seven inner disciples in one year? How come the palace lord and elders have come out and personally accepted disciples? The key point is that these seven people, including the protagonist, are not the kind of geniuses, which is outrageous. The total number of people in this sect is probably less than a thousand, right? The leader of the side sect really relies on the top management to support him!

In the Tang Dynasty, the martial arts master Bi Xuan and the master Yijian would rather die than escape. This character is consistent with the original work. Therefore, it is impossible for Gu Santong to escape from the heavenly prison. He would rather die or pass on his skills to anyone. He would not escape. For a person who has been trapped for many years until his death, how can he leave because of his heart or his son? This is the instant kill of his character, Nian He has always ignored Su Xin when he was young. Shen Hou's integrity: After knowing that Su Xin has a son, a man can lose everything but not his grace Gu San Tong's integrity: He has defeated all the heroes and is the best in the world. He is willing to be trapped for n years until death if he loses to Shen Hou.

What I want to complain about is that the idea of ​​​​cultivation is too fragmented... The protagonist does not learn Dai Zongfu when he is at a low level. When he is a high level, he does not learn the wisdom of the root of all methods. He practices some messy exercises that are not suitable for the body. It can be said that the author's imagination is too poor and is not suitable for writing Zhutianliu.

So far, I haven't seen any bright spots, but I haven't seen anything particularly poisonous either. It's just that the plot needs to be improved.

In the early stage, it's a bit like Lord of the Stars, but the protagonist is not as ruthless as Xiao Ji.

The most thoughtful movie about running the Tang Dynasty that I have ever seen, making the best use of everything

After reading the comment section, I suddenly discovered that many book friends have read Lord of the Stars. It's a pity that this guy Erba doesn't write a book!

Lord of the Stars + Projection of the Heavens is okay, I look forward to the follow-up. But where did the white luck come from?

Isn't it the Yingui 3 school? Why do all the authors write about the Yinkui school?

You can go to the world of immortals to experience transformation into a mortal. Although there is a killing mo, the protagonist has a golden finger after all, so he needs to cover it up.

Might as well send it to the spiritual realm. Laying the foundation for the world of martial arts. "The Romance of Dragon and Snake".

There are obviously no flaws, but I just feel like something is wrong. The character and behavioral logic of the protagonist have never been clear, and the character image is too vague. When writing novels for newbies, don't engage in such complicated designs. It's better to have a more distinct character.

This book is so awesome. It's all about the details of cultivation. I'm just a book reader. I don't practice cultivation. I really can't read this book.

The settings of Lord of the Stars are pretty good, but the dungeon is unbearable. The first dozen or so chapters of the world are okay. The Two Dragons of the Tang Dynasty are too long, and the author often complains about history. Jump directly and write more about the main world. Or don't choose a world that Zhu Tianliu has played badly in the dungeon. Worlds like the Tang Dynasty Sword, Fengyun and Zhuxian are disgusting to see. There are too many, and I can't read them without magic modification. The same goes for Goldfinger. It feels useless except for traveling around the world. Look at how Gu Biwang uses his projection ability. It's best to give him a panel, otherwise he will forget all the things he has to learn later.

There are no monks in the yellow sand for thousands of miles, and the Confucian scholars are covered by the violent storm. The Tao of the three religions is originally the first, so how can they sit on equal footing and share the same reputation?

As a mature book club, you must have Idiom Solitaire, play freely, and everyone can do whatever you want, except that it must not violate public order and good customs.