Travel Through Time as a Mage with the Player's Manual

The biggest problem of the author is that he cannot distinguish the difference between a running group and a novel What he writes is a novel, not a running group The most important thing about a novel is that it is logically consistent, but the most important thing about a running group is that it is concise and has fewer bugs. Therefore, items cannot be obtained because of the needs of the running group. If items can be obtained in a running group, it will cause problems that are difficult to measure, and may even make the running game impossible, so I simply set it in the manual that items cannot be obtained. But the novel is not about running a group. The novel takes some of these settings to build an interesting and reasonable world of text. As long as reality allows logic to allow it, the novel should also allow it. The realistic and rational description in the novel encounters the rules set for running a group, resulting in a strong sense of fragmentation. Why can't I hit items in the novel? Magic missiles are, after all, just a force field. They hit people and items only as needed. I have to worry about that useless and broken setting, "The book says, you can't hit items" You can't just copy it from the player's manual! Runners need to have actions that can be actually operated, so this possibility is prohibited, otherwise the player's operations will cause too much trouble to the host. If the author really wants to use his brain, he might as well use the setting of six seconds to move and one cut per round in the running group. The only question is whether we can understand which settings are needed for grouping and which settings have their own hidden meanings. Just like the so-called 36 points of damage in one round of attacks, if it is to be adapted into a novel, it can only be the total damage of all actions within six seconds, 36 points, instead of being crazy. In a battle between two people, you move once every six seconds and I move once every six seconds. A mage, a mage who uses magic energy to create stance impact spells, was told that your spells are not effective on items. It's just like Ma Baoguo telling others that you are too strong to break my fingers. Why don't the author simply develop a spell that converts all the opponent's spells, all supernatural abilities, and the physical strength of the warrior into spell missiles? The protagonist puts on a layer of indestructible armor and chops down the Lord of the Nine Hells, the Eternal Evil, the Boss of Heavenly Mountain, the Father of Nature, and the Creation Ao with a kitchen knife. After all, magic missiles cannot hit items🤭🤭🤭

Interesting idea, the writing is okay, but the characters are not. The merchant's son is too crazy, it's hard to imagine how he can survive in the royal capital. I think the protagonist has forgotten that he is a noble, otherwise he would know that the fastest way to deal with the merchant is to use the name that the merchant's son insulted. Yi challenges the merchant's son to a duel (especially when force has the upper hand), and then publicizes what the merchant's son has done (seriously, it is unimaginable to do this in a noble school). If the matter becomes serious, the opponent's backer has the honor of being a noble, and it is very likely that he will change to white gloves.

In the real world, only the protagonist has to play by the rules of the game. Please change this setting quickly. . At the beginning of the test, the missile could not be used on objects and I almost had a brain hemorrhage, and then the protagonist was still struggling like crazy. If I don't change this setting, I can only say it's cool.

I can't stand it anymore after reaching chapter 50. The protagonist obviously has a golden finger, but in the end he still searches for some book like a maniac and believes whatever the devil says. Even though he knows that the real environment does not allow contracts with the devil, he still ends up making a contract with the devil. The hard-top teacher was discovered by the school and let him go easily. Later, after the cult was eliminated in the sewers, he showed up to have him arrested. Anyway, it is just for the sake of plot to create conflicts, which makes me feel sad all over.

? The setting is a bit strange. The protagonist casts spells on his own, but does he need to be restricted by the system? This would be boring. How about forcibly suppressing the protagonist to bring out the villain and then slap him in the face? Sorry, please forgive me for not being able to understand the author's thoughts. It's just weird.

I just read this book today. After reading the first few chapters, there are a lot of slots that I don't know how to explain. 5E rules build a power system. The protagonist also brings the fifth edition, which shows that the local power system is processed and realized on the basis of game rules. The knowledge obtained by the protagonist through the rule book is basically consistent with the local world. The classmates can use missiles on items. These two points confirm this, but why should the protagonist follow dnd completely? As for the rules of running a group, the reality is much more complicated than the game. After all, if it were reality, the spells alone would not be recorded in a manual (according to the recording method of the manual). It is probably thicker than the Xinhua Dictionary, and I guess it is not enough. I refer to the introduction to various technologies in reality, and then add them up. After all, the spells created by mages in the real world cannot be recorded in one book. At least that's what I think.

I have endured the previous poisonous points. Obviously the teacher has said in class that you cannot summon the Abyss Demon Pet, you must summon it. The key is that the school has already discovered that she is an abyss demon pet, and she still insists on not cutting off the summoning contract with the principal. She would rather risk being forced to drop out of school and be kicked out of the imperial capital. It's really enough!

It smells like a dead Japanese otaku, with no logic at all. It also inherits the feeling of secondary dialogue in Japanese light novels. Western fantasy novels have secondary dialogue in Japanese anime. It is very awkward and cannot deduce the plot properly. There is no need for logic and no logic.

Are you poisonous? What the hell is the beginning? Arcane missiles can hit people but not objects? In this entrance test, it is better to say that you have never learned a level 1 spell and only know level 0 magic. Maybe your acceptance will be better.

There are a lot of things that I don't know how to talk about. The businessman villain is very jumpy. The protagonist is also a noble after all. The businessman is a slap in the face of the aristocracy. Even if the protagonist has no brains, there are other nobles warning. This is class interest, not to mention anything else.

The gangsters are poisoned, and they die after winning the duel. They shake hands with the gangsters and make peace with them in a few words. The duel is won, the villain confesses and is lenient, and the gangsters obediently hand over the collected criminal evidence...

It's a pity that magic missiles can't be used on items. Doesn't this mean that the protagonist is just a blank slate. Without the plug-in, even drinking water has to rely on the system (laughing to death) Toxic, back off.

In group running, you are playing a game, so you set up obstacles. You are in a different world and you still abide by the fucking setting that magic missiles cannot attack objects.

Let's just say it's not a magic change. This skill has changed beyond recognition. What kind of level classification is there for beginners? Let's talk about magic changes. At the beginning, the magic missile must poison a group of people according to the rule book.

I can bear it at first, but the more I watch, the more weird it becomes. When I look at the comment section, it turns out that this is how I feel 😡

Author, it's okay if you strictly follow the player's handbook. According to the spell description, arcane missiles can indeed only target creatures, but when you cast Tasha's Laughter, what about your casting materials? How did you successfully cast the spell without the casting materials? Why don't you follow the player's handbook at this time?

Optimization! Optimization! Damn optimization! I am a 3R4 level newbie who can easily sneak into the group with a stack of numbers I am surprised. How much do these stacks of numbers like Yi Dao 99 and seconds! ? Are they playing a role-playing game or clicking numbers! ? I'm sorry for his brainless optimization! It's hard to get started on a group tour lately!

Fuck you, because the target is an object, your missiles won't come out? Is there something wrong with this causal relationship? Isn't this the magic you cast? Whether it's useful or not are two different things. You can't use missiles against objects. So is it you who is casting the spell or the rule book?

In a Western fantasy novel, the protagonist suddenly bursts into Japanese-style speech, which is very fascinating! Moreover, the character descriptions have a very obvious Japanese silly style, and even the descriptions of the villains are very silly and mediocre. Anyway, I can't stand it anymore! This should be regarded as a Japanese light novel covered in Western fantasy.

The subject matter is good, the writing style is decent, and the story needs to be improved. For example, it is understandable that the businessman who monopolizes potions monopolizes the needs of common people, because the poor have to use the things no matter how expensive they are, and they cannot resist. For example, the price of pork meat has increased, and the potions used by mages come from another aspect. Considering it can be regarded as a rare earth resource, will any force allow a businessman to monopolize the growth channels of young mages? Even in Faerun in the Dark Middle Ages, this kind of thing must be done by the red-robed mages. If an ordinary businessman does this, won't he be afraid of being resented by the mage and cast a spell to death? There is also the relationship between the protagonist's actions and society. If it is like Faerun, the protagonist can hide himself and silently kill all those who stand in the way of making money. Those gangsters are just ordinary people, not to mention that they can't handle it. If it is well-ordered, even if it is on the surface, and the protagonist is a mage, why not use illusions, enchantments, induce and torture to reveal the truth and then report it. Royal University and noble status may have some effect. It can only be said that the overall plot reveals a simple and simple temperament, without the feeling of a mage. The author can focus on mage learning and character card improvement, and the plot can be used as an auxiliary. After all, this is the DND mage stream, not a fantasy stream. There is no need to write about those beautiful girls who are the best in grade, just ordinary businessmen who want to butt heads with nobles. A mage and a gangster can dislike each other and are jealous of each other. It is too dramatic.

Knowledge of "How to Build the Strongest Mage": Article 1: Select a warrior to open a card at level one.

The magic missile setting directly persuades them to retreat.

It was quite difficult to find such a good book, but after reading a few chapters, the name was too funny. The more I read, the more uncomfortable I felt, so I had no choice but to give up.

It's too poisonous, and the magic can only hit people but not objects. It's funny if you're wearing full body armor or holding a shield but can't release magic

A little trivia: Sword song is not strictly a song. As a martial art, it is named after the sound of the blade cutting through the air and the tune that practitioners like to hum (so it should be okay to sing it). Bladesong is so named for several reasons. The first and most obvious is because of the whistling of the blade as it slices through the air when this style of fighting is used. The second is for the haunting, wordless tune many of its practitioners sing as they fight.

It's really poisonous. If the game is good, if you write it into a novel, it will be a forced intelligence. Kidnapping four people at a noble banquet, the protagonist has an idea and wants to catch the thief with the eldest lady of the family, and everyone else is dead? Is it the obvious protagonist?

Some people will definitely develop cognitive impairment if they play too many games. Magic missiles should be offensive spells. If they can't attack anything, why was this spell invented? The author has cognitive impairment and should play less games. Otherwise, if you go out to play and see apples on the tree in the future, it will kill you if you can't find the gathering skills when you go to pick them.

There is still a market for dnd, but it doesn't belong to me.

😅 Let's talk about the beginning. At least we know that the author knows the rules of the group and various frivolous operations. Why are so many people struggling with the binding of the protagonist to the game settings? The author is either deliberately writing this to cause people to complain and get hot, or he is loyal to the rules of the group and creates a gamified travelogue of the main character in reality.

There is a saying that one country can only win 1% of the world. There's no logic and it's not interesting to watch at all.