Desolate Era: Ji Yan

Ji Yan's ultimate path currently has an idea. It will not follow the swordsmanship of the protagonist in the original work. After all, it has never been written that the protagonist has a talent for swordsmanship. I hope someone with an open mind can help me. I will combine your suggestions to generate a new ultimate way.

Here's a suggestion: It's best for Ji Ning to be used as a backdrop and not interact too much with the protagonist. When leaving the Three Realms and passing through the space passage, the protagonist can be asked to go somewhere else to break away from the original work

It took me four hours to read the part I'm writing now, and I feel it's a pity. I feel that the author still wants to write it well. To be honest, Goldfinger is a bit of a joke, but it's still fun to read. Let's not talk about the writing style and character description, which are quite satisfactory. But it can be clearly felt that the author did not draft an outline, or that he drafted an outline but did not follow it. The most obvious one is the protagonist's own avenue. The author chose the avenue of time and space based on the votes of book friends. Although I also think that the avenue of time and space is very strong and has a higher starting point than other paths, but this has nothing to do with the protagonist's previous experience. It gives people a very sudden feeling. It feels very forced, just like directly denying the protagonist's previous experience. I didn't feel very angry at first, but when I saw the protagonist giving up the Daluo-level skills in order to condense the heart of time and space of the second soul, and finally decorating the immortal-level skills that were two levels lower, I was really drunk. There is really no need to tell the truth, and looking at the way the protagonist is currently cultivating the ultimate moment, it is estimated that the second soul will be the main one. Maybe you should focus on the main body later, and even the main body has the blessing of the heart of time and space like the second soul, and has a better understanding of the way of time and space. But the taste has changed. In these chapters 70 and 80, the protagonist's sword and the protagonist's way of water and fire have changed. You are like Ye Fan in Zhetian who was halfway through practicing the holy body. When he reached the sun, he suddenly switched to practicing the way of the void of the Void Emperor. I understand that many book friends don't like kendo. Many of the protagonist's current experiences are adapted from Ji Ning's experiences. The character templates are now based on those of the original protagonist. The author was not capable before and did not find his own way. Now he wants to use the Way of Time and Space and the Golden Hand. It means writing your own protagonist, but there are many ways to break out of Ji Ning's template. Instead of being so abrupt, you don't need better techniques. For the sake of the Tao of time and space that had nothing to do with it before, you forcibly give the protagonist the heart of time and space, and the Tao name is also inexplicably used as Ushi. But how does the protagonist's previous experience have anything to do with time and space? He has practiced swordsmanship for so long and experienced water and fire for so long. Oh, no more. I want time and space. Even if you take the Avenue of War or the Avenue of Yin and Yang, it will be more reasonable than it is now. After all, I have practiced swordsmanship for so long. If I don't follow the path of swordsmanship, I should hone my fighting spirit and follow the road of war. I am originally a two-dimensional water and fire body, and I have also cultivated the Nine Heavens of Chiming. It would be better to follow the path of yin and yang, and it can be linked to the protagonist's previous experience. Alas, let's not talk about it anymore. I happened to read it in my book shortage today. After reading the previous reviews, I found that the author decided on the protagonist's future path and the tickets were sold out a few days ago. I can only say that it is a pity.

The practice system of the way of time and space, The first level of the power of time and space, the 'Four Poles', The second level of 'void', The third level of 'eternity', The fourth level 'Heart of Time and Space', The fifth level 'God of Time and Space', The sixth level of 'time and space world'. If there is anything better, you can express your opinion. If there is something more suitable, I will adopt it. I am almost writing it here.

This book is okay, but the outline is really too young. The main reason is that the traces of the plot are too heavy, and you can almost guess it. In addition, I think there are some things that are difficult to deal with as it develops, such as whether the protagonist wants to participate in the conference of Wanxiang Real People, how to get that little fun, and the other one is to learn the Star Picker, do you want to use it? Will Bodhi find out that the second spirit is obviously Bodhi's cup of tea? This will be very embarrassing. This kind of plot is not easy to handle! It's better not to learn Star Reaching Hands. It doesn't make much sense, but is embarrassing. In addition, really, if the protagonist does not hang out in Andan County, just relies on his talent to shock the entire Antan, and then uses this as a stepping stone to go to the capital to become a disciple of the immortals, it will obviously be easier to develop. Others will look at his talent and take care of the Ji family, and the protagonist will be better. To make progress, you can also set up some original plots. Just raise the level of this book. Then wait for the genius battle. The protagonist can become a heavenly immortal or a demon who has returned to the void. He can directly become a disciple of Taoist ancestors. This main line is very harmonious and suitable for all kinds of pretense, so readers will feel happy.

What I hate the most is that the protagonist in the same novel is from the same family as the original protagonist, or is following the original protagonist and has no ideas of his own. If he has to follow the original protagonist, can he not have his own opportunities and main plot?

When writing fan fiction, you cannot write around the protagonist of the fan fiction. Otherwise, what will happen to the protagonist of your own novel? It is up to you to decide the priorities. Fan fiction is to copy the setting and create the plot yourself. The setting of the world is the most difficult, so the emergence of fan fiction is the emergence of this kind of fan fiction. This kind of fan fiction is considered a masterpiece. If you copy everything, I might as well watch the Wilderness Chronicles again.

To be honest, this book is too deliberate. How can I say that in such a big world, why are we in the same family as Ji Ning? To be honest, the early system felt so-so and too forceful. In addition, there is no need to join the Black and White Academy. A fanfic does need to be close to the original work, but it is not good at all to be too close to the original work. I hope I can just walk out from the Black and White Snow Palace and don't defeat all Ji Ning's monsters.

It has been four months since the update was stopped, and the daily guide is still included. Is there any serious illness at this starting point?

I feel dizzy after reading this copy. I really don't know what the author's cheat finger is for. Is it just a reward for beating the game? I believe there are still many people who don't understand. Please revise it quickly. I basically skipped through your copy, which is a waste of your typing author.