
Poppies Will Never Bloom on the Ship of Theseus
虞美人不会盛开在忒修斯之船
- Status
- Ongoing
- Length
- 475k Words
- Genre
- Light Novel
- Subgenre
- Everyday Romance
- Updated
- 4mo ago
- Source
- Qidian
Stats
146Chapters
6Votes
19.6kRecs
13.8kFans
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In booklists 4
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My personal book list
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Smart Protagonists and Satisfying Stories
Some good books I've read, recommended for you! I'm a bit lazy, so the reviews are brief!
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Reader comments 31
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The ending is still Xiao Xi's line? Although Xiao Xi is very good, I want to take them all. Each of the heroines is so touching. It would be a pity to miss any of them and it would be difficult to complete the story. In fact, Lao Zhao's writing style is suitable for writing about harems, but not suitable for writing about stock trading. If the characters are too perfect, readers are destined to like them. No matter who the male protagonist chooses, at least half of the readers will be dissatisfied. Even though Xiao Xi's popularity has always been unparalleled, what about the other heroines combined? I still remember a comment after the ending of Meipiao. Xiaoxi and the eldest lady were at the church wedding with Xiaoyu in wedding dresses. Summer also obtained a certificate in the United States with the male protagonist, and the senior sister also found a good home with the male protagonist. This is the perfect ending in the eyes of our readers, no more regrets. So, if the remake is still Xiaoxi's best, I probably won't watch it. It's enough to watch the remake of Senior Sister and Summer once. I'm afraid my heart won't be able to bear it after watching it twice.
Ahem, as shown in the picture
I just remembered this book, so I quickly ran back to read it. It really gave me a big surprise! Fire tongs Liu Ming.
This is not a refined school at all. In the end, Lao Zhao's original strength in character creation was not used, and this rigid template was put aside. If you don't have the energy to write, why would you write both? Originally, I was very happy to have the movie rebooted, but it ended up being like this? That's it? Fried fish doesn't taste like fried fish, and summer doesn't taste like summer. The portrayal of the biggest passerby character Chen Haonan (who has very few roles later) is seriously ill and follows the character template of a cold, bitter and angry character (Sasuke and the like). It took more than ten chapters to make this drummer. The biggest failure in shaping is the sister Su Yuxi, which is irreparable. The comparison between the new sister and the original version is as tasteless as an ordinary product. Why? The new sister plays Xie Minyun in the early stage of Anti-Demon, but she is more arrogant and self-centered. This is not to say that Xie Minyun in the early stage is not good, but Xie Minyun is Xie Minyun, and Su Yuxi is Su Yuxi. Old readers should all know that Su Yuxi in the original version was taciturn and capable in her debut, and she didn't talk nonsense. Her interactions with Fried Fish were more stream-of-consciousness, such as suddenly chatting about philosophy in German. Moreover, the mentality of Su Yuxi in the original version was like that of a fairy at the beginning. Most of the time, she should let nature take its course. There was no need for her to perform on stage, but there was no need to deliberately refuse the school's performance invitation. Her sudden acceptance later also showed that there was no problem in performing the new plot during the performance time, and she would not refuse like she does now without any trouble. Then the new girl was actually inspired to participate in the show by some not-so-profound words. If you want to show that Fried Fish is extraordinary, you don't have to do this. What Fried Fish said didn't touch me, but it touched Su Yuxi? The more detailed and understandable a character like Su Yuxi is, the more it will destroy the charm of the character.
I'm very much looking forward to this book. Think about it. A few years later, a person rewrites the book he wrote. In the past few years, his writing level, way of thinking, thoughts and even three views have changed to some extent. How would he view the plot written by his past self? Are you shaking your head helplessly? Is it a knowing smile? Or are you amazed and thinking it's wonderful? How would he view himself a few years ago? Does he praise himself now or sneer at himself a few years ago? This wonderful sense of conflict between a white horse and a non-horse made me look forward to this book even more than Anti-Demon. However, I hope that some plot choices can be made more decisively, since there is no longer a need to think about the plot but to fill in the gaps in the past. Delete those meaningless plots that were written just for the sake of updating when there was nothing to write about at the time.
I have been reading Lao Zhao's books for almost a year and a half, and now I have serious doubts and feel that Lao Zhao is a shou, and even more so than Xiao shou. He is a person who likes to go with the flow, has no independent opinions, and speculates in all kinds of stocks. Whoever has the highest stock will be the heroine. If you can have some independent opinions, I don't ask too much, just accept them all. 😌😌
Chopper, why did you write this book? To make up for the regrets and inconsistencies in the previous book? To give old readers a happy ending? To attract new readers to the old book with new ideas? It turns out that what you wrote was actually someone else entirely, and there was a hanging thread. It's just such a name. Yes, you did say in your preface that you forgot about the "nine-rate music director" in the previous work, but how can your new fried fish be more lovable than the "nine-rate music director"? Readers cannot understand how to add to it and how to complete it. Fried fish, I won't say how oily it is, you have to give in when you see it. Xia Desert, the age group should be lowered to 5 or 6 years old to be reasonable. Chen Haoran, my condition is so serious that I don't even want to talk about it.
After reading the book reviews, I feel that this book is not as good as the original, so I will wait and see and read it later. The original work "Sister Idiot" is really good. After reading it, my mind was full of Su Yuxi for a whole week. It is really difficult for a novel to create a heroine that fascinates me so much. It also subverted my previous impression of sister characters. There are actually many things that I feel are problematic about the original work, but I can say that at least the portrayal of Su Yuxi is perfect. This is also the author's consistent strength and weakness. He can always create a very charming heroine, but the plot can always give you some poison. Anyway, I hope this book can be written well. For the time being, I will go and review the original work. My sister is the best in the world!
I hope that if I rewrite it, all the heroines will be happy. Summer-senpai is my two favorite heroine.
When I read the first edition, I felt that if the messy science popularization and subplots were reduced. Only write about a few female protagonists, Write more about the self-stretching of the senior and the desperateness of the younger sister, I will briefly mention it in one stroke, the younger sister is a masterpiece I especially like the ending that most people criticized in the original version I even hope that the author will start the second week directly, just write it directly , The second episode is about the sister who got the apocalypse fighting against the senior girl of destiny As for now, emmmm I hope that the content I see is diluted like water The parts I don't like to see in the original version are so plump that they can jump up and give me a mouthful Why is the reset not as good as the original version? I remember the original author said that he wanted to write books to make money, right? The author's self-analysis, self-sacrifice, and self-punishment Is it possible to make money by writing these books, or do readers like them? There are two types of writing: good writing and bad writing. You still have to write hard It is a waste of the sensitivity and delicacy of literary youth No one else