A Journey to the Film and Television Heavens That Started with Master

I just looked at the catalog and it felt like it was following the plot, and it really just felt like a martial arts competition. I just want to give a suggestion. The book next door also has a world called "Master", but the protagonist directly created the most advanced radio technology at the time, thus entering the military and political circles, and opened a school in the military zone. Although it only recruits dozens of people, they should become the pillars of China. Which school is also world-leading in the field of radio. Then he used his influence to help Chen Shi open a restaurant and let him teach him Wing Chun and so on. It feels like it's just a bad word, "pattern"

In one sentence, is the protagonist a eunuch?

Thinking of those long legs in the martial arts competition, would you like to take them away?

Let's talk about the positioning of this book again! At first, I thought about writing in various styles, thinking that I could make up for the regrets in various movies and TV dramas, and then become stronger step by step. I didn't expect the genres to be so divided. Some people like to watch movies like The Master, and some people like to watch movies about the city. At first, Jianmeng really didn't expect that these two themes would be so conflicting. Later, many masters complained about the outrageous change in style and couldn't accept it. Jianmeng can understand it too! ! ! But there are some World Sword Dreams on the introduction that still have to be written down. After all, I know that many people came here just by looking at the introduction. If they just ignore it, they will feel that they are trying to sell the meat of others. Then the handling of the left ear seems to have struck a chord. I can only pay attention to this in the future. It may be subjective at first. I felt that Li Er's love for Xu Yi was a bit false, and I wanted to play with Zhang Yang. In addition, I found some settings about the original work, so I decided to cast Jiang Jiao as the heroine. However, judging from the feedback from the gentlemen later, it seems that this is not good and ignores the audience of the character itself. Then at the end, I may have explained some irrelevant things, which is a bit smooth, and I will take a break in the future. At first, I just wanted to write the beginning and end clearly. Now that I think about what you guys want to see, it seems that there is really no need to write this. In the future, I will only touch on things that have nothing to do with the main plot. The last is the next arrangement. The next world must be Northern Ireland, and this will be it tomorrow. After all, those who have promised must still go as promised. As for the fourth world, it is also decided that it will be the invisible guardian and the pretender. Xiuchundao can write it, but it is not necessarily the fifth world.

Make a post! There will be no supernatural intervention in the early stages of this book. It will focus on experience. I just want to write a story! You can vote for some characters in movies and TV shows that you feel are unfair. I'll try to think about it. However, this book will not always be mundane. After all, if I get the golden finger and die of old age, I think the protagonist Ning Yuan would be too unfair. So in the later stage, you will also begin to experience the world of extraordinary power. Anyway, this book is mainly about changing some unfair things, and it can also write a variety of stories. . . . .

In the first chapter, he directly persuaded him to quit, mumbling to himself, why can't you change? Do you have to say whatever is on your mind? What's wrong

The plot of Left Ear is dragging and meaningless.

I just read the content about Northern Ireland. Damn it, the problem is more serious than my left ear. Don't use tasks to force the protagonist's emotional line! Don't use tasks to force the protagonist's emotional line! Don't use tasks to force the protagonist's emotional line! Say important things three times. Although the protagonist uses the body and identity of the original character to complete the task, the original character is the original character and the protagonist is the protagonist. After all, the protagonist is just a passer-by in this world, not the original owner. Doing tasks is just a showmanship to help people solve their problems, and it can also allow himself to grow and get rewards from the system. But once he is explicitly or implicitly forced to accept the feelings of the original character, it will be no different from selling both his art and his body. These people are completely strangers to the protagonist. The emotions and interpersonal relationships for each character in the dungeon should start anew. Even if you really like someone, you should fall in love with it naturally as the plot of the novel unfolds, instead of just assuming it exists after the background is introduced!

It's been a while since I came to the site. I'm sending out contracts in the past few days. If you want to invest, hurry up. . .

I feel that as long as it is a book and it involves Hong Kong TV series! I really have no desire to read any more! It's a cop and gangster movie over and over again! It's disgusting to see! It's not interesting at all!

Why is it still full of plot interpretation and character analysis? I'm not saying it can't be done, but you don't have many updates to begin with, and it's more than half of them. It's too uncomfortable to watch like this.

It's so outrageous. It starts with the master, and then it's all about romantic dramas. It's so off the mark, and the audience is not clearly defined.

If there is no extraordinary person who can understand it in the early stage, that means there will be something in the future...! I saw that your profile describes the world you want to travel through. If you write about daily life instead of laying the groundwork for the future, it is equivalent to inflating the word count! So even if you write about daily life, you still have to coordinate it with the later plot.

The world of Thirty is really a failure. I have no interest in reading it.

It's so screwed up that I can't stand it anymore. Why do you want the protagonist to be so screwed up? ? ?

The background of the protagonist in the latest copy is really bloody. The relationship between the protagonist and Gu Jia is really the kind of bloody plot in domestic urban dramas. It gave me goosebumps, but it's not like he is the real protagonist...

I accidentally ranked first in terms of fans, so it deserves a boost 😌

Invisible Guardian

In the martial arts world, soul travel is fine, but in the city, if you use soul travel, you don't even know whose chicken it is, it's like it's green.

Why write left ear? This movie is not good to begin with, not many people have seen it, and the plot is very boring.

This author is too verbose, and his inner drama is too long and smelly. I also like to use long sentences when writing, and add a lot of things to one sentence. The distribution of paragraphs is even more confusing. You can try reading the beginning.

The first world has more than 60 chapters. Although it is quite a lot, it feels like there is not much content. It is like cutting out a movie plot and adding water to it. The master uses one chapter to ask questions, the apprentice uses one chapter to answer, and one chapter to discuss something. .

There are too many explanations, and it is too obvious. Although some explanations are necessary, if there are too many explanations, it will seriously affect the viewing experience. It is like watching a literary film. It has logic and depth, but it is not beautiful. The description of martial arts growth is not enough. It is not exciting but not strong. It is a pity.

I'm quite interested in Zuo Er. The two chapters are all talking to each other and have no content at all. How can I call it a novel?

Luo Liba is so talkative that he often talks about things in a few sentences.

Chapter 6 is a bit long-winded. In fact, there is no need to devote a whole chapter to talking about Cheluluo when something can be explained clearly in a few paragraphs.

There are a bunch of them. It's a bit hard to pronounce.

It's so verbose, so tiring to watch.

When I saw the part about thirty, the background setting of the protagonist made me speechless.

. . . . The progress is too slow and it's not interesting to watch. It's slow in the early stage, but it ends quickly in the later stage when the extraordinary power is high.