My Cinematic Universe

After reading 100 chapters, I felt no connection to the unfamiliar original movie plot, and I skipped over the awkward romantic subplots. It was purely the author indulging in self-gratification. "The Actor" borrows from Stephen Chow's "King of Comedy," and the development of the two main characters, coupled with the fragmented time, evokes the classic "I have a lot to express."

I haven't seen many, but I'm quite clear that this kind of self-created, thankless task, plagiarism type of writing has always been popular because it's enjoyable and immersive. To be honest, creating your own script is much less efficient.

It's nowhere near as good as a fully-fledged director's work, okay? This kind of self-indulgent, self-created stuff is really not good →_→

Please change the opening loss of 200 million. I've read it three times and don't want to read the subsequent chapters. In reality, let alone 200 million, even losing 2 million would likely mean you wouldn't have a chance.

The first few chapters were enough to make me want to quit; I was sick of reading them. If you're going to create a fictional world, why not just clearly state it in the synopsis? This is completely the author's self-indulgence. It's not a time-travel story, yet you're trying to use Earth's script and elements to fit in. So this is supposed to be a fictional world?

I've seen stories where the protagonist is in trouble, but I've never seen one this illogical. Tell me, where does this genius protagonist even come from that he could get a 300 million contract? The author should at least know something about the real film industry. Who has the money to spend hundreds of millions on a newcomer's movie? Even Wang Sicong's father couldn't do that!

Finally, we have a domestic film based on the "Classic of Mountains and Seas" instead of a terrible domestic game based on it. Compared to its predecessor, *The Mountain and Sea Hunter* is undoubtedly a further improvement. While *Flame Lord* was too bland, *The Mountain and Sea Hunter* delivers the punchlines expected of a popcorn movie, and its narrative style has also shifted.

The author is really overdoing it with self-indulgence. Putting aside the fact that the original movie plot is too toxic and easily ruined, there's absolutely no sense of immersion. You can drastically modify existing works, but you can't create original ones. If you really had that kind of talent, why would you be writing novels or being a screenwriter? I immediately took down the last book with the "Sword Immortal" section. Just indulging in self-pity. 🥱

I've read over thirty chapters and there aren't any major flaws. If the author maintains this level of quality, I'll have another book to follow. Keep it up, author! 💪

The first chapter is pretentious and affected, it's disgusting. Your grades can't be any better.