The Great Screenwriter of Rebirth of Japan: Collapsed House

It's better than the first two books about becoming a Japanese policeman This book is just about the protagonist being manipulated a few times when creating the first work, and then everything went smoothly without any glitches. It would be cowardly to dress as a policeman in the first two books

I often watch your videos on station b and gave you 9 recommendation votes. But I have to say that you wrote it too hastily, the pace was too fast, and the characters were not well established. The front part should be depressing enough and enough foreshadowing should be done. His plight should be discussed from the perspective of supervision. He curses, he is a living horse and the doctor invites the male protagonist, and then the protagonist appears as a savior. You shouldn't immediately explain how the male protagonist will handle the script. Leave a little suspense. The supervisor will be careless at first, then clench his fists and get excited, and just describe it from the side. There are a lot of characters and a lot of transitions in the opening. I am too anxious. In fact, I can learn how to write "Absolute Ichiban".

It's actually quite funny. Every time I encounter a novel that frequently stops, readers will help the author explain what he wrote and then report it, fearing a 404. Either don't write it, or you'll be slapped with a 404. This book is so repetitive that it's just the author's bad taste.

It was just the second day after the lockdown was lifted. I originally wanted to be careful and not speak randomly, but I couldn't help seeing the protagonist and that Maki being unable to start the first time over and over again. It's not that I want to see that kind of scene, but I feel like I'm being teased by the author with a very old coincidence joke, but the author is so excited: "Don't you want to see a joke, I won't let you succeed. Oh, look, I created another coincidence, laugh, make me laugh!" Some people say, you don't have to watch it if you don't like it, just go away, Bibi Wai Wai Wai Wai has no quality. I pay to watch a movie and I can comment on it. Why should I endure it when I read a book and see a plot that I don't like? If comments are not allowed when reading a book, why does Qidian have a comment area? Who stipulates that the comment section can only praise and not criticize?

Without looking at the author's introduction, I would have thought he was a newcomer. Because I like the TV series Sparks, I inserted a plot about apprenticeship. There is also the sudden change of the editor-in-chief of a popular drama. This has never happened in China, where scripts are not taken seriously, let alone Japan and South Korea, which are known for attaching great importance to screenwriters! It doesn't matter whether the plot makes sense or not, just think of it and write it, it's enough for the author to be happy!

I have basically read several books written by the author, but I can hardly put them down in the later period. They all belong to the high-open-low-go type. The protagonist basically assumes the time-travel soul of a Chinese. However, when written, it feels like a completely Japanese character. Whether the time-travel or not does not matter at all, I kneel down and lick it. Weak and have no bottom line to give in!

The protagonist is more like a Japanese who has the memory of a time traveler. The feeling of groveling is really unpleasant to watch.

After reading it, it didn't even trigger investment. It's short and weak. It's short and weak.

Chongsang, from now on when China liquidates Japan, you must speak for us.

I really can't stand it after reading Chapter 47. Nowadays, there is still this kind of impotence plot. Otherwise, we should not write the sex plot. Now that we have written it, just feel free. This kind of impotence plot is not only an insult to the protagonist, but also an insult to the heroine's personal charm.

I don't know what the meaning of writing like this is because of unexpected interruptions to the male and female lead officers three or four times in a row? Promote plot development?

I can't stand it any longer. You look like a loser. Are you being reborn? Are you asked to write an autobiography?

It feels like this is not a time-travel novel. The protagonist is just a Japanese with an extra memory of China. The screenwriter in the previous life was in vain. He didn't know how to choose materials and was a bit of a coward. When others asked, he added more scenes. When others asked, he changed the script. Characters that should not have appeared reappeared when others asked. Anyway, it is very frustrating to watch.

After seeing dozens of photos, people robbed you of your editing. Even though you came back, you still felt honored to have the person who robbed you of your screenwriting as your assistant. You also said that this is the way of the world, and you were speechless.

Since I am a reborn person and was a screenwriter in my previous life, is it not difficult to copy a few novels? As for making yourself so useless? Wouldn't it be nice to copy a few popular novels and turn yourself into a boss? Such a cowardly person is too dissuasive~

I just read the first story, and I feel that the author's writing is quite good, and it is attractive to read. However, there is one thing that makes me unhappy, and I hope the author doesn't mind. That is that the book's worldview, background settings, and supporting characters are a bit thin. Although the book explains at the beginning that "the classic film and television works that the protagonist is familiar with do not exist in this world, and are replaced by some movies and film and television dramas that have never been seen at all", we must know that most of us are not familiar with the Japanese TV drama shooting system. So how big a role does the screenwriter play in the worldview of this book? Is it a dominant position? Should a TV series be filmed and aired one episode at a time or should it be aired after filming? How long does it take for an episode of a TV series to be shot from filming to release? What is the status of East-West TV Station in Japan? We didn't know any of this, so we looked down in confusion. Secondly, why did East-West TV find the protagonist to write the script? The only thing written in the book was that no one was willing to take over, and then the protagonist was approached, and the protagonist agreed. In the following plot, we know that East and West TV Station is one of the five major TV stations in Japan. Why does such a TV station find the protagonist as a negative teaching material? The original screenwriter ran away when the crew was in crisis. Do you still want to work as a screenwriter in the future? You can write that the TV station found someone to take the blame and found the protagonist; you can also write that the original screenwriter quit due to XX (payment, favors, the villain's wooing, lack of personal ability) and other reasons, and found the protagonist to take over, but you can't write nothing. The protagonist was only given 2 days to revise and complete the script for one episode. Why do you think the protagonist can complete it? Does the TV station have any other filings? If the blame is passed on, why can the protagonist take the blame? Thirdly, the protagonist did not explain to the director and the leading actors and actresses what script he wanted to write during the production meeting. Here is a description from the encyclopedia: "The play tells the story of a pair of young girls with a tragic fate who fell in love with each other for 14 years with a cruel, lonely and pure soul but were unable to stay together." Such a sentence is enough to set the tone of the whole play. But when people ask you what story you want to write, you say you don't know, so why not follow the original script? Even if it takes two days to find an 18-tier actor, is this no more reliable than a script that can't even tell the story clearly? Isn't it possible that one of the five major TV stations can't find another actor? Fourth, the ratings increased inexplicably. What is the usual prime-time ratings of East-West TV Station, one of the five major TV stations? The 3.7% For the first episode is low, so how low is it? Why did the ratings increase in the second episode? Is the 10.7% Viewership rating high, low, or average? "White Night Journey" is a dark drama after all, so the ratings will not be inexplicably high. Here are the ratings of the original Japanese drama: The 1st episode: 2006-01-12 14.2% The 2nd episode: 2006-01-19 13.4% The 3rd episode: 2006-01-26 11% The 4th episode: 2006-02-02 10.7 % The 5th Chapter: 2006-02-09 11.8 % The 6th Chapter: 2006-02-16 10.7 % The 7th Chapter: 2006-02-23 12.3 % The 8th Chapter: 2006-03-02 12.3 % The 9th Chapter Reply: 2006-03-09 12% The 10th reply: 2006-03-16 12.6% Last reply: 2006-03-23 14.1% Average: 12.28% It can be seen that the ratings of the first four episodes are gradually decreasing. There are many other situations, but when I want to write them down, I can only think of so many. In short, I am not a picky person. Even if you were holding an iPhone in the 80s/90s, as long as you are logical and consistent, I would not say so much (here is just an example, this is not written in this book). The above reasons are just to explain the problems in the world view, background setting, and supporting character characterization in this book. I hope the author will write better and better!

Forced intelligence? Readers don't dare to go to South Korea after offending their besties, but the author still dares to go

The more I write, the worse it gets. Tokyo Police seems to be at its peak, but there is no progress at all. It's a pity. This book made me angry, and even the second plot started to become poisonous, and the poison caused death.

Has the account been sold? It doesn't look like Tokyo was written by the same person at all.

I've only read Chapter 287 so far, but I can't stand it anymore. I don't understand why I wrote the Korean line? Is it interesting to scribble just to lick Son Ji-eun? A novel that starts high and goes low was quite attractive to me in the early stages, but in the middle, I became less and less able to read it.

The author writes too carefully and has many poisonous points. It is not recommended to watch it.

Is this book really written by the author of Tokyo Police? It feels like a bunch of shit was forced into my head while writing this book.

I found that I became more and more self-indulgent as I wrote it, and the author's style of writing for the protagonist was inconsistent.

Edo is not as beautiful as before after twelve o'clock

The first few chapters are extremely poisonous, so it's no wonder that my grades will be good.

White Night Journey was changed into a love triangle, it really disgusted me

If you accept an apprentice, you will know how to backstab the master After getting a girlfriend, you can play harem drama every day without being bulldozed Having ambiguities with other women makes you feel as if you are single The one who showed off early was in chapter 257, or it was an innocent 1v1 I am not surprised that the apprentice in the back cheated on the protagonist

I think the author should just write Conan fan fiction. With this kind of writing power, he doesn't have to spend too much effort to conceive the plot. Isn't it good to just waste money on it easily?

What is written behind Goba? Although I know that Japan is indeed small and has an upper limit, what attracted me to this book was the story of the protagonist in Japan. It became more and more ugly from the 12th hour onwards. The minister was very interesting but brushed it off. Later, Hollywood started to make nonsense.

I don't know why, but when reading this book, the words have a particularly "forceful" feeling, and I feel very tired from reading them.