Lord of Mysteries: Destiny

I can't stand it anymore after reading chapter 40. To be honest, it was pretty good at the beginning, but I couldn't understand it after reading a few chapters. Some passages took me several times to understand. When it reaches chapter 40, give me a restart. The author said in the comments that it's a future line, but that's what you think. In my opinion, it's just a daydream. I don't know if it's good after chapter 40, but I know it's not good before chapter 40!

I know that everyone has feelings for the captain and Old Neil, and they all hope that the author can make up for the regrets. But I strongly advise against this. The death of Captain and Old Neil had a huge impact on Xiao Ke, directly affecting Xiao Ke's outlook and behavior in the mysterious world. Their deaths also revealed the nature of Cthulhu in the entire novel, sublimating the tragic color of the novel Lord of Mysteries. From the whole book, from the experience of Azik, Tingen's story should have always been under Adam's attention. I think the theft of 008 should be the result of Adam's operation of the Dark Goddess's acquiescence. The essence is the exchange between the goddess and Adam about the uniqueness of Death and 008. Once the protagonist intervenes in Tingen's affairs, then the protagonist will definitely enter the sight of Adam and the goddess, and enter Adam's story. So I don't recommend major changes to the plot of Tingen

This orphan path is a bit difficult to write. Sequence 1 has it.

I'm following The Reader, The Keeper, Dimension Wall, The Mightiest Hunter and Destiny at the same time. What they have in common is that they are all contemporaries of Ke Zui, and they have joined or will join the Tarot Society. My biggest regret about the original work is that Demigod Klein, the Tarot Society's help and interaction with him has become less and less. Basically, the Fool (and perhaps the four angels, old, young, sick and disabled) is relied on to fight against Adam, Amon, Zaratul and 5664. The contrast between the excitement of the Tarot Society in the early stage and the indifference of everyone in the later stage is too big. I hope that the five authors can solve the old regrets while adding new characters. Jian Shi, thank you all here.

Don't save him, because that is Klein's transformation. People from the future can do it, but those from Tinggen cannot.

It's just a complaint. Everyone has talked about the problem of restarting, and the author's writing is too stream-of-consciousness. Many things may have been straightened out by the author, but the readers are confused. Secondly, in a fanfic, the events caused by the collision with various characters in the original work or to make up for some regrets are the reasons why we are willing to read the fanfic. But in this book, Xiao Ke doesn't appear even a few times. There are four or five chapters of a siege of the Rose School. The protagonist is completely invisible. That's not to say it's impossible, but does it make sense to the main plot? Especially after the restart, it was like giving it away. What could be covered in one sentence, I watched it for a long time inexplicably, and then when I cut back to the protagonist again, I felt a strong sense of rupture. In short, I don't understand the motivation of the protagonist's behavior. He doesn't have a clear goal because his memory is blocked, so he doesn't know Xiao Ke and doesn't know the future doomsday. After walking through the sequence bar for a long time, he said that the timeline has been reset again, which made people speechless.

If a fan novel cannot be understood by anyone who has read the original novel, can this fan novel be considered a successful novel?

This book can be described as the author's diamond and the reader's glass shard. (´-ι_-｀) No matter how many thoughts you have in your head, you still have to consider whether what you read here is easy to understand.

I write this complaint or suggestion with a friendly purpose. If the author feels it is not good, just delete it, or @me and delete it. After reading novels for so many years, it is impossible for me to take the time to leave a message because the novels are not well written, because there are too many. After experiencing the era of the big universe, it is impossible to have a novel because the eunuch or even more slowly asked me to leave a message. Now I can read it without any mistakes, even though I know it is a scam. I know that many authors (including me if I am the author) will feel that if they don't like my novels, please don't leave a comment, just point a cross. I have always felt this way. After all, everyone likes different things. One person's poisonous points are almost certainly another group of people's pleasant points. What's more, the author is the one who creates the world. Forcing the author to change the story in his mind and the content he wants to write will almost always result in a worse ending. So if you don't like this comment/suggestion, just delete it. I've read Chapter 46. It was good until Chapter 40 and I invested in it. Alas, let's talk about the problem of writing like this after chapter 40 from two parts. It's no problem to influence the river of destiny, 008 can influence it. But now suppose that there is only one destiny that can truly come true. One of Will's core skills in the original Monster Sequence, Destiny Reset actually just resets things in a small area to the state a few minutes ago. This skill does not affect time, but only affects the state of things within a few dozen square meters. So if the above is the premise, then the story that happened before Chapter 40 is just a deduction of fate, that is, it did not really happen. It even remains to be revealed whether the story after Chapter 40 is a deduction or a real occurrence. So the question is, why write so many chapters when there is nothing that really happened? The reader finally got into the story line, and suddenly we were told that it was just a dream? In other words, the protagonist after chapter 40 is a new character. The reader has to re-understand and re-engage. As far as my reading experience is concerned, it is another novel. There are some novels/plays in which the protagonist cycles through one thing (survival), failing the first few times, but succeeding the last time. All the cycles of fate in these novels actually happened, that is, at least the spirit of the protagonist actually experienced each cycle. I guess the author may want to write it like this. So the questions are: 1. As far as the mysterious original work is concerned, Will does not seem to have this ability, that is, he can only intervene and deduce fate, and it is impossible for a real spiritual body to truly experience the real experience of every possible fate. 2. Have you noticed that all those articles are in the mystery/puzzle genre, that is, the main line is puzzle solving, so that the readers will not get distracted in the loop. Only puzzle genre is feasible, because it is like playing a puzzle game to accumulate experience after failing once and finally succeeding. As a story where the main line is the protagonist's upgrade + adventure, writing like this doesn't make it clear where the necessary points are, and it's very confusing. It's like playing an upgrade game where the game manufacturer suddenly tells you about your previous background dream. The friends you added in the game in the previous month, the equipment you accumulated, and even your experience are all fake (or it's not fake but now your account has to be reset to zero). Now your account is gone, your friends are gone, your levels are gone, your equipment is gone, and you have to start over. . . . . Complete the complaint. Thanks for reading. (I don't spend time writing this because the novel is not well written or I invested it in vain. I think why I write it like this when I can write it well.)

It's too confusing, and the author's writing skills are completely incapable of grasping such a complicated timeline. I suggest the author take a closer look at whether he has written the linear narrative part. The linear narrative is written in a mess, and it is a complete disaster to play with such a complex structure.

The writing is so confusing. The author's writing power cannot support his thoughts, and he will never return to the road of self-pleasure. Readers don't live in your head.

In my mind, there is no one more monster than these two

The writing is so confusing. There is basically no sense of immersion

This fanbook is a complete gem, but if the book was written in a more accessible way and the outline clearly stated what the protagonist was going to do, it wouldn't be a big problem to increase the number of subscriptions by 10,000. After all, quality lies here, and other mysterious fandoms are almost all fun stories without plot.

I can't understand it anymore. Is the author just enjoying himself?

I can't understand it after Chapter 40

Come on! If you swallow the dice of probability, you will have sequence 1.

There is an Angel King level in the Destiny Sequence, and there is also a Sequence 1. If you want to become a god, you have to kill these two, but the little snake is Ke Miao's friend, so it's not easy to do.

The light of the key, the heart of punishment? I haven't even read a few pages yet, and these low-level mistakes make it hard for me to read on with confidence.

I have seen so many fans of the Lord of Mysteries, none of them are majors, and the destiny path is obviously difficult to improve, and there is a big snake on it who is the king of angels, and Will is also an angel. The unique dice is also related to the male protagonist. If you touch him, it is the same as seeking death. You can definitely go to the hunter path and the judge path, preferably the hunter path There is no need to do those other things, why not start writing from demigods? Or directly inherit the setting left by Squid. In the end, Klein opened the cocoon of the "hanging friends" who were hung up by Shen Mian on the Yuanbao, and all of them went to find those who were about to die or were resurrected not long ago. Wouldn't you use this setting to write the next story? Or, to be more ruthless, in your book, you wrote Daniz to death, and you penetrated the soul, starting from the hunter path of demigods, and finally killed the three comedians, advanced to sequence 0, ate the original witch Chick, and became a god with dual powers. After Klein was resurrected and the West Road was opened, you could accommodate the city of source matter disaster and be promoted to the past. Isn't that good? I always want to follow other people's plots, but can't I borrow the Cuttlefish setting to write something of my own?