Seeking the Way in the Ancient Times Is a Stone

After reading this book, I have some thoughts: 1. When the protagonist was reincarnated into chaos, he practiced, traveled, performed meritorious deeds, and enlightened the creatures of chaos in order to survive the catastrophe. He unilaterally did not want to be contaminated by cause and effect without acknowledging the relationship between cause and effect. Under the great road, the relationship between cause and effect does not exist if you say not to be involved. The summary is to be wise and protect yourself 2. After the founding of heaven, she was engaged in meritorious deeds in the prehistoric period, and then gave one yuan of her mountains, seas, caves and sky to the destined people. Is this the rhythm of a good old person? Then Beihai enlightened a mysterious turtle and said If there is no cause and effect, an individual will not accept it if he or she has personal fate. Aren't they not qualified enough? And when they meet the Niuhe clan, they have no cause and effect and have their own fate. They should only look at other people's own formal practices. In that era, shouldn't they accumulate foundation and establish a power base? From the looks of it, it feels like the protagonist just wants to live well by himself, stay at home, just be in his own circle, and just have two or three people to communicate with, and then he thinks about everything a little too well. It's too bland, not exciting at all, and feels a bit boring The above is just my personal opinion

No matter how good the body training is, if the realm is ruined, the body will also be ruined. Let's get a prosthetic body.

Come on, keep writing, support

Alas, the previous writing was so awesome, and then everything was gone as soon as the sky opened. In the end, I was afraid that I couldn't compete with the gods and demons who opened the sky, and after 10 tribulations, they could only be transformed into immortals. How useless you must be as the protagonist!

Many spiritual treasures have special meanings and functions. For example, the Tai Chi diagram determines yin and yang, distinguishes the clear from the turbid, and the chaos clock suppresses time and space. They all have their own functions, which have special meanings to the world, or represent the avenue of the world, or contribute to the development and stability of the world. Otherwise, if they can just give birth to innate spiritual treasures for no reason, the world will not have too much source and nowhere to put them. These spiritual treasures have so-called destined masters, either with immeasurable merit and worldly rewards. This kind of thing is not easy to grab, because there are some things you can't do, such as Nuwa mending the sky, etc. People got the Qiankun Ding in advance. Or it is compatible with the spiritual treasure and can complement the spiritual treasure, such as Zhen Yuanzi and Di Shu. The so-called accompanying spiritual treasure is more of a treasure that not only maintains the stability of the world, but also serves as a reward. For example, Donghuang Taiyi was born with a Chaos Bell. As a sun elf, his luck is strong, and because the sun has merit for the world, the merit belongs to both of them. It is not unusual to have a Chaos Bell. Another example is Styx, his two swords and the Karma Red Lotus, which are very consistent with his path, and because the sea of ​​blood absorbs evil spirits and contributes to the world, the Karma Red Lotus is just right here. Many people who originally owned treasures, if they think about it, this is almost the case.

Well written. Then you must not turn to conspiracy.

Seeing my embarrassment, I got cancer

The protagonist's apprentice is called She Bao, which means don't be obsessed with treasures, as long as the treasures are enough. But the protagonist goes around looking for treasures and spiritual roots. Don't you feel that his actions are inconsistent with his words? He is completely strict with others and lenient with himself. This kind of person is very annoying. After reading more than fifty chapters, I now feel that the protagonist is just wandering around, looking for spiritual treasures and spiritual roots. There are countless spiritual roots and spiritual treasures in the world. If you are not lucky enough, you cannot occupy so many treasures, otherwise others will have nothing. For example, if the protagonist robs the Chaos Bell and Donghuang Taiyi is gone, Tiandao will give him another innate treasure bell, which will also be nurtured and consumed. Moreover, the protagonist goes everywhere to enlighten and recruit disciples, and to explain cause and effect. Several of the disciples are very beautiful women, which makes people speechless. The level of the protagonist is not too high now. He feels like he is not doing anything serious all day long. Sooner or later he will be overtaken because the road ahead is blocked and cannot be walked on. The latecomers are catching up quickly. When he catches up, what should he do? Are he still so arrogant? Prehistoric times are all about cause and effect. It is difficult to make progress if you are entangled in cause and effect. Of course, the cause and effect still depends on the person. For example, between a god and a mortal, it is a huge cause and effect for a mortal. For a god, it is just a trace of the past. The closer the levels of the two are, the more likely they are to be counted as cause and effect.

I find that today's authors can't write novels if they don't write about physical training. When writing about cultivating immortals, physical training is necessary.

The prehistoric novels are like this: transformation, ferocious beast tribulation, Long Han tribulation, killing the old demon Luo, Hongjun becoming a saint, giving lectures and accepting disciples, fighting for the treasure and purple energy, lich tribulation, human race coming together to become saints and establishing a religion, lich tribulation stopping Haotian coming out, three emperors and five emperors coming out, conferring god tribulation, it's almost like this, the starting point has been mass-produced, it's extremely boring.

I feel that the so-called Three Treasures of Kaitian are a bit unreliable, that is, the level setting is low. The Three Treasures of Kaitian should at least be at the level of low-grade to mid-grade Chaos Spiritual Treasures. Think about the Creation Jade Butterfly and the Chaos Green Lotus. The Creation Jade Butterfly was broken into dozens of pieces, and the largest one was the Chaos Spiritual Treasure. The Chaos Green Lotus was broken into dozens of pieces and turned into 10 top-grade innate spiritual treasures (such as the Five Innate Banners, the Three Books of Heaven, Earth, and Man, the Fire Red Lotus of Karma, the Black Lotus of Destruction, the Golden Lotus of Merit, the Design of Mountains and Rivers, the Red Hydrangea, etc.) There are also three innate treasures: the Green Lotus of Creation, the Cauldron of Heaven and Earth, and the God-killing Spear. There is no reason that the most powerful Sky-Opening Ax has only become one of the three innate treasure levels. Either the three treasures are all middle-grade or high-grade Chaos Spiritual Treasures, but the beginning of the prehistoric world was unstable, so treasures at the level of Chaos Spiritual Treasures were not allowed to exist, and then they were banned by the Great Dao, turning the Three Treasures of Kaitian from Chaos Spiritual Treasures into innate treasures.

Many prehistoric novels are about becoming a saint. After becoming a Hunyuan, there is no main line, so some refine the realm, and some directly follow the timeline of the prehistoric era. Some of them are about the time spent in the previous years, and the tribulations and tribulations. After Nuwa created humans, time seemed to be valuable, and it turned into a few years. Especially after I became a god, it turned into a few days of writing. I really got tired of reading this. Now the author seems to be about the same. There is no clear main line and I don't know what to do. I can't develop the plot around the main line. I can only follow the prehistoric timeline. I hope the author can break out of this strange circle and write some interesting stories.

Others write about the prehistoric times, but Da Luo has a single certificate and a permanent certificate. The protagonist of the Great Tribulation was fucked into a mortal state? Is this cultivation about energy or law?

The writing is okay, but there are a few things that I feel bad about. 1. The author is a bad namer. . Whether it's skills, spiritual treasures or the protagonist's Taoist name, it feels so low. . 2. I was doing very well in Chaos. I was already at the peak of Hunyuan Golden Immortal, and the Queen of Heaven started directly from 0. . . So what are the 10 chapters you wrote earlier about? Can't we just write it directly from the beginning? ? Give yourself an awesome ID card first, right? ! 3 Is that there are some ink marks on the writing. Everything else is fine!

I have read Chapter 7 so far, and it really gives me a familiar feeling, a flavor of ancient prehistoric literature. When the prehistoric literature was very popular, it was basically written like this, and now it is still popular to go back to ancient times.

The book is okay, but there are too many spiritual treasures, which makes it feel worthless. When I read Apotheosis of the Gods, there were not many innate spiritual treasures. Also, where can I find someone in the 129,600 Mountains? I feel that it is better to conceive by myself.

After seeing the latest chapter, I feel like my days of just "hanging out" are over. I don't have a central idea, I don't know what I want to do, what I need to do, and what I should do. The entire structure is developed around the traditional timeline, but it is also very fragmented. The character traits are also not obvious. Among the characters currently appearing, none of them have obvious character traits. This is very fatal. After watching it, I can't remember who is who.

We already have a lot of innate treasures, and we are extremely powerful gods and demons of heaven and earth. Why do we still demand all the spiritual treasures? Isn't it better to just let nature take its course?

Who can write a version of Chen Lao Mo's version of The Great Wilderness? Nowadays, prehistoric literature is all the same. Yuan Fu Lu, Supreme Karmic Position, Jun Lin, they all jump out and write new ideas.

If the prehistoric world becomes more and more powerful, it is really worth seeing. Maintaining Buzhou Mountain is very creative. When it develops, it will create an infinitely diverse Hongmeng world. The Hunyuan realm is not as good as a dog, the Heavenly realm is everywhere, and the Dao realm can only tremble. It will be awesome.

Another apprenticeship. . . Very disgusted with this. . .

Traveling through chaos is useful! Just a few more magic weapons?

What is written, there is no Pangu who created the world, there are these innate demons, and the protagonist is the same. I found that many novels like to suppress the witch clan, and the protagonist is the same. This novel has no creativity at all, it is just copied.

The protagonist does not want to move forward to a higher world, and does not want to evolve to a higher world like Pangu created the world. Instead, he fights at home. These saints left the Pangu world and were nothing in the chaos.

What's going on! ! Dear author, have you gone off topic in the last dozen or so chapters? ! ! It makes my scalp numb! !

Damn it, he is actually a eunuch. This book is quite good.

All boring? An elder and a junior are robbing something. The protagonist is becoming more and more greedy

Then it became an erotic novel? What the hell, throw it away immediately!

The mount system should be considered a highlight in "Feng Shen Yan Yi", so I really hope that this book also has it! My personal suggestion is to consider writing a scene similar to "Three great men collecting lions and elephants" when the lich is measuring the calamity. After the death of Emperor Jun, what should Hetu Luoshu do? As a master, Shouyu should plan this spiritual treasure for Fuxi and prepare for the future enlightenment of the emperor. So at the right time, he rescued the seriously injured Bai Ze and used him as a mount (I felt that Bai Ze was particularly suitable as a mount for Shou Yu). Ting Yu, who came with his senior brother, couldn't bear to see Shang Yang die, so he also took away this spiritual bird that was very close to him. After learning the meaning of "drawing the wind" from Xuanhun, Shebao became more playful and also took Feilian, the divine beast of wind, as a mount, threatening to experience the feeling of pulling the wind.

It was okay to write in the early stage, but what the hell did you write in the middle and later stages? I just didn't read it.