Quick Transmigration: The Landlady of Ten Thousand Worlds

I've read dozens of chapters, and not only do I not understand many things, but some plot points are also very strange. There are just too many awful relatives, and the female lead's personality is also bizarre. Moreover, she doesn't hide anything about her own illogicalities at all; she has to show them off to everyone, regardless of whether they are relatives, enemies, or strangers. It's unbelievable, as if she's afraid others won't know she's not right.

The book is actually very good, but the early main storyline was too captivating, which made me lose interest. I didn't really read the dungeons. Later on, the protagonist's leveling up was too slow, he was constantly in debt, and his struggles in the real world were too disorganized. To put it simply, it felt like a sword immortal had to suffer losses among ordinary people before showing off.

I've been poisoned by countless transmigration novels these past few days. This one has a good start, no clichés, decent writing, and most importantly, the author seems to have common sense and life experience. I've read a few recently, and I'm almost poisoned by them. They lack common sense, experience, logic, and brilliant plot twists. The writing is terrible, riddled with plot holes; even a complete novice can't read them. Sigh.

A rather immature thought suddenly occurred to me: why does quick transmigration have to be about punishing villains? Each small world could be of a different genre, such as thriller, suspense, or cultivation romance. This way, the author could accumulate more experience.

I absolutely love the female lead's personality! The plot isn't frustrating at all; revenge is taken quickly, and every little story is interesting. Plus, there's a backstory I hadn't seen before, which was a pleasant surprise. I love the author!

This book review only reflects my past expectations; if the author is unhappy with it, they can delete it... Let's start with the beginning. The realistic parts are concise and well-written, combining humor with a strong sense of everyday life. However... There's always a "but." When it came to the fantastical parts that required boundless imagination, my language skills plummeted.

I just finished watching "Misty Town," and I accidentally teared up again. Although the story is short, it really touched me. The female protagonist, despite her unfortunate circumstances, still maintains her inner kindness and refuses to harm innocent people.

Tea will not abandon the story; she hasn't been feeling well lately. She sprained her back, is home alone, and has no one to take care of her. It's best not to go to the hospital right now; she can only let it heal slowly. (No sheep)

I started following the author's first book, but not the second, purely for personal reasons—I don't read many male-protagonist novels. I'm currently reading this one, and the more I read, the more I like it, and the more I like the author. Each book reflects aspects of the author's personality and approach to life at that time.

Does anyone like bulletin boards? From initially being aloof to acknowledging Xiaoman's actions, then having Lord Jifeng resurrected by Xiaoman, to his inner thoughts on the bulletin board, and now occasionally popping out to seek attention. I almost burst out laughing at the sentence "I like the name Bubu". I never expected the bulletin board to be like this.