Changing Fate Against All Odds, Starting with Ke Zhen'e

A time-traveler has to follow the plot, has an awkward personality, and is not up to par. He is still a fool. It is not that he has to write a good story, but the key is to be logical. Children of the world are old, and the protagonist makes various arrangements like an old woman every day. Don't you understand what an accident is? The protagonist can protect them for a lifetime, and they will not get sick for a lifetime? Hesitating about feelings and doing things, it looks really awkward.

I fuck the blind man as the protagonist and you can all bring me in. Your tastes are quite strong!

It's not unfair to take a peek at martial arts and know that you can correct your mistakes, but someone is kind enough to teach you the secret of martial arts, and you just teach your backhand to the army. Do you have the qualifications? Is that yours? Anyway, ask yourself, I kindly taught you my unique skills, but you turned around and opened a tutoring class to teach people all over the world. Do you think I feel better? It doesn't matter whether Xu Zhu is short of this thing, but does it have anything to do with how you do it? This kind of virtue is simply an insult to the original seven monsters. You still think you are very noble. What are your three views? Calling a bitch is an insult.

It's really well written! When I was a child, I longed for the lives of Qiao Feng, Yang Guo, and Linghu Chong. But when I grew up, I admired and admired Three Cups of Turanuo, and the Five Mountains were undervalued by the Seven Heroes. The only thing I hope is to strengthen the Seven Heroes. Their ending is too tragic...

Here's a little idea In the world of Jin Yong's martial arts, internal strength becomes weaker as time goes by, but in terms of martial arts principles, maybe it becomes more extensive as time goes by. For example After Hong Qigong was injured in The Condor Shooting: Hong Qigong said: "Recite the Nine Yin Sutra to me slowly and see if there are any powerful skills that can be achieved quickly." Guo Jing recited the Sutra line by line. When Hong Qigong heard these words, "People know that sitting dry and resting and thinking is the key to advancing virtue, but they don't know that the most advanced people have perfect concentration and wisdom, and practice both body and function. They can move but still, and even if they are stunned, they can be peaceful." When Hong Qigong heard these words, his body suddenly trembled and he said "ah". ... Hong Qigong said: "It is said in the Sutra: Perfect concentration and wisdom, dual cultivation of body and function, moving and stilling, and being excited and peaceful. These four sentences made me suddenly enlightened, let's go down. ... Hong Qigong said: "After I was injured, I only knew about luck and recuperation, but I didn't expect that the more I move, the more beneficial it will be. For the same reason, let's look at Huashan's Hunyuan Gong in The Blue Blood Sword: Three years later, Yuan Chengzhi is already thirteen years old. During the past three years, Mu Renqing taught him "Broken Jade Fist" and "Hunyuan Palm". Although "Hunyuan Palm" is a palm technique, it is used to practice internal strength. Since ancient times, all schools and sects have focused on breathing and practicing Qi, but the Huashan School's internal strength has a unique approach, starting from the outside in and practicing internal energy in the palm of the hand. Although this skill takes a long time and is very slow to produce results, there is no risk of going crazy when practicing it, and it is extremely powerful after it is practiced. The inside and outside of the body are cultivated together. When facing an enemy, each move is naturally and internally connected, and can defeat the enemy without even realizing it. When the "Hunyuan Gong" is fully achieved, it will be invincible and invincible. ... Amidst the roar of the crowd, Yuan Chengzhi took a breath and started to use Hunyuan Kung. He picked up ten iron boxes and threw them randomly, stacking them one after another, almost three feet in height In fact, the protagonist is a time traveler, and some martial arts principles are in the book. Of course we can't practice them in reality, but in the world of martial arts, if we think about it, our kung fu will be greatly improved. In Like Snow Mountain Flying Fox, someone talks about the Hu family's sword skills: The best user of the Hu family's sword skills is Hu Yidao. When he uses the sword, he is very slow and much more restrained. The secret of Hu Yidao's use of this set of swordsmanship is that instead of using the master to deceive the guest, it is better to use the guest to offend the master. Tenderness is worse than old, delay is better than haste. Wrapping, slipping, twisting, rubbing, drawing, cutting are better than spreading, wiping, hooking, chopping, chopping, and splitting. Using the host to deceive the guest, and using the guest to offend the host, are all the ways to use the sword. Using the tip of the sword to hit the enemy is "tender", using the blade near the handle to hit the enemy is "old", knocking slightly slowly is "late", and using the sword to meet the enemy first is "urgent". As for wrapping, sliding, twisting, rubbing, etc., They are also various methods of using the sword. The wonderful thing about the Hu family's sword technique is the interplay of virtual and real, sometimes virtual and sometimes real. For example, "Holding the Moon in the Arms" is a fake move, and the next move is "Closing the Door with an Iron Fan". The two moves are one virtual and the other real. But when using "Holding the Moon in the Arms", "Holding the Moon in the Arms" can also be turned into a real move. Zhao Banshan once again passed on Hu Fei's Tai Chi secrets: But Zhao Banshan said again: "I'll tell you the Chaotic Ring Technique first, so remember it carefully." He read aloud: The Chaotic Ring Technique is the most difficult to master, and the combination of up and down is infinitely wonderful. When the enemy is trapped deep in a chaotic environment, four ounces can move a thousand pounds. The hands and feet move together vertically and horizontally, and the chaotic rings in the palms are not empty. If you want to know where the method is in the circle, you will succeed if you hit the right spot. ..."In this sect of Tai Chi Kung Fu, the movements are made into a circle. The so-called chaotic circle means that although the boxing moves are fixed, the changes depend on the person. Although the techniques are all formed into a circle, there are differences in height, advance and retreat, entry, attack and defense. Circle. There are large circles, small pavilions, flat circles, vertical circles, oblique circles, positive circles, tangible circles and invisible pavilions. When facing the enemy, you must use the large to defeat the small, the oblique to defeat the straight, and the invisible to defeat the tangible. Every move must be hidden. "Jin." He said while gesturing the shape of each collar, and then said: "I use the force of the ring to push the enemy into my invisible circle. If I want it to be left, I will go left, and if I want it to be right, I will go right." To move the enemy's weight, you must use your vertical strength to hit the enemy sideways. The key to victory or defeat in Tai Chi is to find the right point of attack and hit the target accurately. "The principles of boxing he said are simple and easy for everyone to understand, but there is a real truth in them. Everyone in the hall was a master of martial arts, and they were all fascinated by what he said and how he compared his hands and feet. To hear such a famous martial arts master explain the essence of boxing is truly an opportunity that comes once in a lifetime. Hu Fei listened attentively, and his heart was full of joy, just like hearing the joy of heaven. ... Zhao Banshan said: "The Yin and Yang formula is also eight sentences, you have to remember it. ... Recited loudly: Tai Chi Yin and Yang are rarely practiced by people, and the opening and closing of the Tai Chi is about hardness and softness. You can move the right corner and let it go, and there is no need to worry about the changes in movement and stillness. The two methods of birth and restraint are used together, and the flash and forward are all sought in the movement. What is light, heavy, virtual and real? The heavy is revealed and the light is not left alone. Zhao Banshan opened his posture, showed the way of fisting, and said: "Everything is divided into yin and yang. The yin and yang in boxing include forward and reverse, soft and hard, rigid and soft, extension and flexion, up and down, left and right, front and back, etc. Stretching is yang, bending is yin; going up is yang, and going down is yin. In the loose hand, the swallowing method is the first step, and the force is used to attack, like a snake sucking; when the hand is closed, the spitting method is the first step, and the soft force is used to sink in, like a cow spitting grass. All must be cold, quick, fast and crisp. As for Zheng, it is the four fronts, and Yu is the four corners. When facing the enemy, we must use our righteousness to attack the enemy's corner. If they are facing each other, then they will collide, which means fighting with hard force. If you are young and weak, and your skills are not as good as your opponent's, you will definitely suffer a loss. "If you use a corner to attack a corner, the boxing method is called: 'Light against light, all in vain.' You must use your weight to attack the enemy's light; use your lightness to avoid the enemy's weight. And when it comes to the word "dodge", when you dodge the enemy's attack, you must also counterattack at the same time. This is defense and attack; and when you attack, you must also dodge the enemy's attack at the same time.，'，'：'？？，，？？，，'，"…，， It is better to use light than to use heavy, and it is better to use empty than to use light. The boxing formula says: 'Double will not work, single will succeed'. The duality is the struggle between force and effort. I want to go and you want to come. The result is that the greater force overcomes the smaller force. But with single weight, I can hit the enemy's weak point with my small strength, so I can succeed with one shot. Only when I can make the enemy's strength fail and defeat the enemy even though my strength is small, can I be considered a master of martial arts. " Actually, these are the stunts that have been passed down for thousands of years in the martial arts world. There are many similar examples. If the protagonist can remember it and combine it with the existing skills, and practice for a few years, it will be no problem to surpass five.

Is it to practice and upgrade or to kill with passion? Is it a grudge or a chivalrous one? Is it to act chivalrously or to serve the country and the people? Everyone is welcome to speak!

I was poisoned by 57,58. I couldn't bear to force my second son to be a matchmaker before. The good guy just poured poison into my mouth. I don't know if the author wants to write about the emotional growth of the protagonist or what. It's a bit too arbitrary to give me this kind of reader's sense. Please, it's 2021 now, Qiong Yao's awkward description is so disgusting

Don't you find it disgusting to write about Ke Zhen'e?

I still like the name "Detective Ke Zhen'e". This kind of name is an idea given by the editor at a glance. Alas, it conforms to the mainstream, but falls into the cliché. Some people say that it is best if the masses like it. Who do you think it is? But can this really attract the masses?

Who is Ke Zhen'e in the original work? The Seven Strangers of Jiangnan? He is said to be a knight, but to put it bluntly, he is a ruffian who steals things and kills people. They have done one good thing in their life, which is to go to the desert to teach Guo Jing, and this was not their original intention, but was squandered by Qiu Chuji in a bet. The rest can't distinguish between right and wrong, talk nonsense, and really can't be called a knight.