Peninsula: Reborn, I Only Want to Be an Idol

The male protagonist's name is so moist 😏 The author's name is Mina, and his avatar looks like porridge. The ingredients are really complicated 😊 So, it's time to start! Yu Shen starts!

It's a little bit toxic. You want to debut with others in a group. If you want the protagonist to be a pure native with no creative ability, then it's understandable to form a group. The problem is that the protagonist, a time traveler, can copy songs unless he has a brain disease. How can he not go solo?

There is a hammer in one thing and a hammer in the other, and each character takes turns to play a part in the plot. It feels quite fragmented, and none of them are very impressive. The male protagonist is also a pure scumbag. He doesn't show any mercy at all. Even if he subjectively describes the character of a playboy, it feels like he is just like Teddy, instinctively turning on his seed. Among the female protagonists, I personally like Mina the most. The results are as mentioned above. There are many female characters, but not many solo scenes. After jumping around, I lost interest in reading. Personally, I suggest that there be fewer female characters and it would be better to highlight a few of them, or else just bulldoze them. I really can't stand it like this.

Here I come!

To be honest, I have only read a dozen chapters, but there is one point where I feel uncomfortable and I am about to suffer from obsessive-compulsive disorder! The author seems to have no understanding of the Korean word "thank you"! Or just use the Chinese character "Thank you" directly. If you write a transliteration, the words and phrases used without understanding will make people who can understand understand (such as me) very confused, especially the transliteration of "Kang Sang Smita" that the author uses very frequently but does not actually exist in Korean! My eyes can filter it out a little, but I can't stand the author's ultra-high frequency usage~... The following is some popular science on the usage scenarios of transliterated words of gratitude, I hope it can help the author. "Kang Sang Hamida" is only said in very formal occasions, and is the highest level of honorific. It can be used not only according to the object but also according to the occasion, and can be used for written expressions in formal documents; "Fear Busy Smida" needs to be used depending on the person, and cannot be used in the same generation. It belongs to a very high level of oral expression of thanks; The oral expression in the honorific state is generally said to be "fear busy wo yo", and plain language says "fear busy wo yo".

It is better written than many Korean entertainment novels nowadays. I can only say that it was born at the wrong time.