The Voice-Over King

I especially want to ask, what is the point of this book? The title of the book is "The King of Dubbing". From the beginning of the interview with the protagonist, it contains a large section of analysis and opinions on the current situation of the entertainment industry (and not just the entertainment industry). It feels like an argumentative essay like other posts. Generally speaking, some novels write these things to provide necessary explanations for plot advancement, so they are presented in large sections. But after writing so much, I no longer have chapter titles at the end. I want to ask the author, do you have an outline? Is there a plot behind this book? What is the point of you writing so much? If you can no longer write about the dubbing theme of this book, you can reorganize the outline so that the protagonist can develop in a different direction from dubbing to the front desk. I read what you are writing now carefully before I ran out of patience. The writing is quite right and makes sense, but it's not what I or the readers here want to read. I can't help but wonder, is it because Quanqin excerpted the article I once wrote to hand in the assignment? If this is the case, I suggest you write this book in another book, and use the title "On the Current Situation of the Contemporary Entertainment Circle" to discuss this with like-minded book friends. Finally, I don't know if the author can read it. If you don't read the book reviews, then the following ones are nothing more than handing in homework or enjoying yourself. If the article is not on topic, I think the author probably did not want to write it seriously.

Help🆘🆘🆘You are writing a novel, not an essay or a short paper, but a novel! ! ! Why are you so proud of yourself when you are doing a talk show? Where is the main character? ! Can I check in if my name appears once in each chapter? !

It feels like it was a novel before entering v, but after entering v it becomes more like a collection of reviews. It's really like that🥵🥵🥵🥵

Wow😓, what about the topic? Why have you written so many comments and analyzed it?

I don't know if Yawan Jushi reads reviews. In fact, I have read several of your books, but I was very interested in each one at the beginning, but gradually I couldn't read it anymore. It's not that the writing is not good, but that the online literary environment feels that your books are a bit different. In the first book of Shenhao, the protagonists you wrote basically had no interaction with the readers. I think you should understand that although cool novels that pretend to be cool and slap in the face are very popular nowadays, and everyone says they are too brainless, but they all have good grades. To tell you the truth, I have seen some good ones. Several of them have been selected as high-quality products. I was confused and puzzled at first, but now I understand that this is what Internet literature is like. A best-selling work must have a plot that is pretentious and slap-in-the-face. Whether it is a good book depends on its size. If it makes readers feel happy but is not stupid, then it will be successful. In Shenhao's book, although the protagonist you wrote is free and easy, he parades and eats and drinks all the way, but it shows the plot I mentioned above. The article basically has few ups and downs. At first, I thought it was like China on the Tip of the Tongue, like a clear stream, but in the end I found that only the protagonist is enjoying himself. If the water is clear, there will be no fish. I came here just after the book came out with a few dozen chapters. In fact, I followed your work entirely because of your name as the author. I think this author must be interesting, and his story is probably what I want to read. But it feels like you still haven't resonated with the readers when dubbing this book. Words such as "little fresh meat" and "traffic" in the book may be followed and curious by people on Weibo or in the fan circle, but the public at the beginning are disgusted. In recent years, because of these two, the public has almost always had the mentality that the world has been suffering for a long time. The dubbing is indeed not in front of the screen, but no matter what is labeled as a low-traffic hot meat, the first impression will be relatively bad. The above are all my humble opinions. I personally like and appreciate your work as the author, but I think that since we have come to the starting point, or entered the market, we should look at the market choices and follow the trend. I hope I didn't offend you and see you in your next work.

The author can ban me. Just like the previous books, there is too much information and too few stories.

When I saw the chapter 63 about the speech in the school auditorium, I felt a little bad 😠 Is the author's illness from the previous book about to relapse 🙂

This is the first time I've seen a book about dubbing. It's so well written! It feels comfortable, natural and smooth to read, come on!

Regarding dubbing, I personally think that animations and some virtual characters require professional dubbing actors. For movies and TV shows, I still like to listen to the original voices of the actors. It always feels weird if I use another voice to dub them later.

Well written, follow it and recommend it