I Draw Monsters in Tokyo

It's a rare, once again amazing book, it's such a shame. After thinking about it, I don't want to criticize the author too much. The problems are all old problems, the writing is cliché, whether it is dark or not, the rhythm is weird, etc. These are basically common problems caused by the behind-the-scenes writer's lack of ability to control the plot. . . Just tell me why it is amazing and why it is a pity. There is a huge highlight in the early stages of this book, which is the setting that the male protagonist is a "fun person". Why this is said to be a "huge" highlight is because this setting perfectly fits the "behind-the-scenes flow" and can almost perfectly reduce the boringness of the old-fashioned script, because your perspective changes from "I am living a good life and encountering trouble" to "I want to have some fun and cause trouble." This innate and ingenious character design will greatly reduce the difficulty of starting the plot later. As long as you force the event into the character of "The Fun Man", you can directly produce wonderful chemical reactions and make the book interesting. . . And even if you don't know how to write it, searching for Leziren's standard story set template online will be amazing. This is how entertainment texts are written. Why it's a pity, because the author didn't think highly of the most eye-catching setting he wrote. He simply threw it aside as a decoration and forced to write a story about half-black massacre of the male protagonist and a lot of boring passers-by. . . The ensemble drama is a good idea, but you almost made me bored in the middle of it. The character creation was so pale that I felt like I was watching a pile of paper figures dryly reciting lines. Although the character image became more three-dimensional later on, it started to get confusing. A bunch of supporting characters with no big features or eye-catching features acted out ordinary tragedies. . . This hardly interests me. This should have been a more interesting, more unique, and less pity story. This is a subjective complaint without any reference, it only represents my personal understanding, so that's it. . . Alas

[Why I am reading this book] The first thing I do when reading a book is to read the introduction. The introduction of the book allows me to classify it to see if it is the type I like. I feel that the introduction of this book is behind the scenes + creative flow, so I temporarily added it to the bookshelf to keep it up. To be honest, I have high expectations. The second thing is to read the book reviews. Most of the book reviews say that this book is dark. To be honest, I read three chapters when I was adding books to the bookshelf, but I didn't have much desire to read it. But after reading the book reviews, I suddenly became interested in continuing to read it. What a coincidence, I also like to read dark literature. Is this about being twice as happy? With this thought in mind, I continued reading. [About my evaluation of this book] From the first chapter to the latest chapter, the greater the expectations, the greater the disappointment. Maybe I am too harsh. After reading the whole book, I had a very poor sense of substitution. I basically skipped ten lines at a glance. If the table of contents of the book hadn't shown that I had read more than a hundred chapters, I would have felt that I had only read thirty chapters. Behind-the-scenes flow and creative flow, no matter what kind of flow, basically the protagonist is a background version, either pretending to be B or pretending to be B. The main plot is still in the supporting characters and creations. But as for this book, whether it is a supporting character or a monster, except for the two popular names I remember, Snow Girl and Demon Sword, I don't remember any of the others, and the protagonist's pretense is not good-looking. The plot is very poor, and the sense of substitution is extremely poor. Perhaps the author has not considered the feelings of readers who do not play Onmyoji and do not understand Japanese monsters. The abilities and backgrounds of each monster are not clearly described. My feeling is that xx comes out and xx dies again. I think the creative flow should pay more attention to the birth and ending of creation. Some of the poisonous points in the front were quite discouraging, but I persisted because I can see ten lines at a glance and the poisonous ones can't keep up with me. But there are still more than 100 chapters in 90 chapters. The protagonist said that he wanted to create an uncontrolled world of monsters. I almost died of poison. I treat you as a behind-the-scenes novel, and you tell me that you want to be a tool? Then let me see what you do! For me, this plot is already too much. I even want to pry open the author's mind to see what he is thinking. Why not first describe that the created monsters cannot harm the protagonist, and the life and death of the monsters depend on the protagonist's thoughts, and then say here that this world is too boring. Maybe I am here to make this world interesting, a world with monsters, gods, and humans. They all fight for the meaning of their own existence, not for me. You have to do the same thing, but the two meanings are completely different. One feels that the monster needs to be revived, and the tool man protagonist can be left alone after he is revived. One is that I want monsters to revive, but it's too boring to listen to them all. I want to create some monsters who think they are out of control for fun. What kind of uncontrollable monster is crawling for me! As for dark literature, after reading the entire book, the plot was so poorly written that it made me feel like an ant died in front of my house. Can this be considered dark literature? That's it? That's it? ! Are you sure you're not trying to trick people who like dark literature into the trap? [Some thoughts] Hey, after all, this book disappointed me in terms of the behind-the-scenes flow, the creative flow, and even the dark flow of the book review. At first I liked the traditional unlimited streaming very much, but with the infinite streaming of the magically modified plot, I began to hate the traditional unlimited streaming. Traditional unlimited streaming makes me feel like I am chewing the beans. When writing about movies, anime or other things that you have never seen, you must have seen it or understand it before you can understand it. For plots that you have not seen or even don't understand, it is clearly written in a logical way, but you cannot understand what it says at all. But Magic Gai is different. Maybe the protagonist is the same or has the same abilities, but the plot is completely different. We don't need to understand the original story. The author will reveal the plot step by step from beginning to end, allowing us to see the story written by the author, instead of excerpting a small part of the original story, which is confusing, so I like Magic Gai. And this book feels very much like the traditional infinite flow to me. I like to listen to stories, so I also like to create flows. Creating a world is like planting a tree. Observe their stories with the mentality of a bystander. Sometimes when you are bored, you can go down and play one of the characters to experience their joys, sorrows and joys. The first monster Yuki-onna should have had a longer plot to support this character, but it didn't. Even the monsters that appear later do not have their own plot. The only one who has a semi-exclusive plot is the protagonist pretending to be the Demon Sword Princess. The protagonist described Goldfinger for the first time and was nominated for a painting. He only wrote half of it because of lack of vitality. This design made me feel funny and meaningless. The setting of the nomination is very good, why not change it to say that it is not enough to create because it does not have enough meaning to exist? Don't you have any idea about how much vitality is needed to create? The plot of two cadres going to the sewer to catch mice. I remember that the ownerless monster was described in the previous chapter, and it was also described in the back that the crow was watching the escaped cadre in the hospital. This was the only plot I was looking forward to. I thought the plot was finally unfolding, and then the cadre was going to take revenge on the ownerless monster, but the next chapter extinguished my expectations. What? Is the ownerless monster a big rat like those in the sewers? Then someone came and beat the big rat to death, and the plot of the big rat didn't get any easier. The layout feels so small. I thought the cadres would rise with the ownerless monsters, and then the cadres, monsters and gods would fight in a three-party melee. The result was that monsters fighting gods would be boring. I was also looking forward to the appearance of the student monsters in the future. Instead of the three-way melee between the cadres, monsters and gods, the three-way melee between the student heroes, monsters and gods can be used, but the result is that it has no beginning and no end. At the end of the story, the male protagonist listens to your monsters and has no intention of making uncontrollable monsters, so I have a black question mark. You are just here to be a tool, and your abilities are in vain. If you say it is boring and you want to make trouble, why don't you do it when there are so many places to do things in front of you? Tell me here that you want to be a tool. Eat shit! For example, the big rat, the ownerless monster that can give birth to little monsters. Why are you afraid that you will grow up and be out of control, so I will kill your bullshit setting? Change it to setting the meaning of the existence of monsters when you are nominated for the protagonist. If you want to jump back, I will tear up the painting to find out your existence. This ownerless monster throws off the cadre. The cadre gives birth to a little monster to his younger brother and then climbs up to the big brother of the cadre. Humanity's strength rises. The three-way melee between cadres, monsters and gods is enjoyable The student monsters grow up and become individual heroes. There are good and bad monsters, the good ones are saved and the bad ones are destroyed. Cadres, monsters, gods, and students have gained another strength. A big melee, this is all drama. The plot of Sister Deng is probably considered a monster that officially has its own exclusive plot. Although the plot of the character itself is also confusing and mixed with other plots, it is still gratifying to finally have its own plot. The snow girl who appeared first expressed envy, and the younger sisters behind her were really more powerful than the last. I just remember these plots, and 30 chapters should be enough.

This book is quite interesting, but the presence of the protagonist is too low 😅. The protagonist appears a few times in the front, and a few times he appears in women's clothing. The rest of the time, I only see the protagonist's name. Although this is a behind-the-scenes article emmm

Although there are some minor issues, I quite like the Tokyo Reiki Resurrection Yokai type. Keep up the good work, author (ง •̀_•́)ง

The main character of this book has bad views, similar to a dark novel. The main character is a lunatic who is very good at drawing. In the first few dozen chapters, only one man dies. In order to announce the existence of monsters, the main character invites a monster shark. The first time he is a snow girl shark drunkard, and later he returns the police. What do you think a drunkard is? I can barely watch bt shark, but sacrificing the police for this is really a bit toxic. The protagonist ignores all life, but the interesting thing is that as long as they are women, they will become extraordinary after contact with the protagonist. That's about it. If you think it's toxic, come with me. If you like dark literature, you can buy it.

What's going on with this book. . . Why did the protagonist start drawing monsters and killing people out of nowhere, and also "announced the existence of monsters"? After watching it for a long time, I couldn't figure out the main plot. Could it be that he is a fan of some game or work? If it weren't for the special background setting, the protagonist would already have an antisocial personality.

emmmm

Red Shadow Demon Sword Girl

Aren't all those killed little Japanese? Is there anyone complaining about this? 😅

I just read the first chapter but I want to say something, since the protagonist's abilities require the death of a living being to be enhanced. Then don't pretend to be a good person, just do what's right for heaven and so on. If you fight like this in the mid-term, everything will be shattered, and a group of people will die in just a few hits. You can't write every time that the good guys were lucky enough to survive, but the bad guys were all affected and died. Besides, you just kill bad guys casually? ? ? Although many people have done bad things, they are not ready to kill them directly. So if you do this, don't flaunt yourself. Admitting it openly is much better than this kind of hypocrite behavior.

Forget it, delete the book. Although I didn't have high expectations in the first place, it was quite excessive to run away without saying a word.

Emmmm, I just saw the chapter 13, the clip of three shark men. It seems that the discussion in the comment area is quite intense. Please add me. The first victim is a drunkard. How do you say it? After all, it is not a capital crime to act like a hooligan after drinking in real life. Some people say that they have bad views. It is understandable. In reality, I just want to be kicked when I meet you. In the novel, I just want to say, well done~~, it would be better to understand this thing from another angle. Male compatriots replace the snow girl with a girlfriend. Female compatriots, please imagine yourself, are you thinking about sharks? I am not averse to drinking. People, because I drink too, but after drinking it I act crazy, this drink is real The second one, no, they are several victims, probably students who look like students. To popularize it for everyone, what they do is called campus bullying. There are pictures, right? In reality, just find a place where no one is around and kick them. Children can't become talents without being beaten. Although there are some in the novel It's excessive, but it's still a good job. As for whether they can change their ways in the future, it depends on the Buddha's intention. He just sent them to see the Buddha in advance There are several little gangsters in the third place. It can be seen that the author has been holding back for a long time to kill them. The readers have enough evidence. If you encounter this kind of thing in reality, please call the police. Thank you, Bi I have been cracking down on gangsters recently. In the novel, after all the people who borrowed money are ready to sell their daughters and kill them, why not? I care about my daughter, and I want to kill him to gain advantage I haven't read it later, brothers and sisters, please forgive me The other author who wrote such a long article seems to have no more refined comments.

Just think of the protagonist as a pleasure criminal. You can tell from the first few chapters that he is a bad guy. At least the supporting characters are not forcibly subdued, which is much better than a mindless novel. However, if you don't like this type of novel, you can really quit, but there is no need to stand on the moral high ground. It's just a novel.[Fn= 49] (To be honest, being killed is a plot inertia. Since there is such a golden finger and the character of the protagonist, it is not out of the ordinary. I think the police officers here are very well portrayed and are not deliberately ugly or incompetent. I personally think that kind of description is more disgusting than directly receiving lunch)

Let me talk about patriotism in my eyes. Do not break the law or commit crimes. Support national policies. Try not to cause trouble to the country. I don't know when I started to label hating the Japanese and being patriotic.

To sum up, this book describes a neurotic person who accidentally acquires supernatural powers and kills people indiscriminately (killing evil gangs and police officers) for his personal preferences (wanting to turn the world into a mythical world)?

Oops, the author was captured by monsters...

This twelve-piece suit is quite suitable. I just need a knife to make do

The author's three golden chapters are well written, and I feel like I want to follow them.

A little poisonous point: all the women who have had contact with the protagonist have become extraordinary

Is this book plagiarized from another novel? I can't remember the name. The protagonist also created a snow girl, and then also killed bad guys. He also dressed up as a woman to kill the Yakuza organization. There was a girl who gained the ability of a bone girl. The storylines are all the same. I hope the author can give an explanation? By the way, with so many people in the comment section, no one has noticed it?

Do monsters only exist in Japan? It's obviously unreasonable.

It seems that novels should also be classified! Reading the comments, it seems that dead people are not allowed to appear in literary and artistic works. So, everyone can only create works for children? In reality, publications are not that strict! It is recommended that the author clean up the comment area, and rational discussions can be left. Deleting posts and banning people for mindless trolling. It's an unpopular novel to begin with, so this group of people shouldn't care about it.