From the Start, I Get the Perfect Music System

I used to be involved in the industry. Let me talk about film scripts. South Korea values ​​screenplays the most globally because of its screenwriter-led system. However, the highest percentage of screenplay revenue they receive never exceeds 15%. In China, it's a director-led system. Due to salary caps, directors and big-name stars usually share the revenue, but the total rarely exceeds 30%.

Could the first three chapters be a little more rigorous? This is a writer's attitude, regardless of their fame or whether they will publish other works in the future. It is a basic respect that an author should show to their readers. You can see an author's attitude towards life from small things.

Chapter 10, I really can't read any further.

Now I understand why this book flopped so badly. The initially established, deeply affectionate, introverted character suddenly becomes so erratic after just a few chapters. Is this some kind of Sichuan opera face-changing act? How can someone who's only appeared twice be so unrestrained? And what kind of obscure songs did they choose? I've never even heard of them.

The plot of a book must be plausible. I've worked on records. If you improvise lyrics and music based on a scene, you can't immediately produce an arrangement. Even a good producer needs two days to compose a song, then there's the recording—the suona, flute, and piano need to be played and recorded. Then it's synthesized using software. All of that takes at least seven days.

Modern entertainment novels are all about "Old Boy," "Sorrow," and "I'm Going to Vomit." Why use these few songs when there are so many others?

Without a pleasant voice, proper singing technique, and a solid foundation in music theory, you won't sound good even if you're given ten thousand songs, let alone the right mindset and attitude for performing in front of an audience.

It's really unfair, especially regarding original songs. I know you bought songs from the system, but note that you're claiming in this world that all these songs are your own original works. You've only just graduated from university, and you're releasing one or two original songs a day? Can you be a little more realistic?

I specifically subscribed to one chapter from the back to post this. I usually read entertainment novels, and I've read 10 chapters of yours. Compared to other books, your writing isn't bad, just a bit padded. But most entertainment novels are like that, it's not a big problem. The only problem with your book is that you use the "The Coming One" program and Mao Buyi's song as the opening.

Xia Ziling is such a bitch, such a bizarre woman.