I Have a Mobile Island

I found a good book and have collected it Island farming is my favorite type The background setting reminds me of a science fiction movie I watched before, "Future Water World", where the continent sinks to the bottom of the sea and humans survive on the sea. Adventure The author can write slowly and ensure the quality, which should lead to good results. I hope the protagonist slowly develops a farming life and mainly explores adventure as a spice. After all, others drive boats. The protagonist drives around on the island 🤭 reminds me of Little Breaking Ball. In the middle and later stages, I hope that the protagonist will not fight for hegemony for the sake of hegemony, and then destroy the world and destroy people, killing Buddhas and killing Buddhas. I feel that the author's background setting can naturally become the overlord as long as he can survive and develop slowly. After all, the protagonist has a golden finger, and there is no need to force the original setting for the original golden finger. As long as the book has good results, the descendants of the protagonist can slowly fill in the gaps when opening a new book. Finally, come on＾0＾~The votes are given to you, I wish you can become a great god soon

The setting is great, but the father, the protagonist, and the plot are too discouraging. A father who doesn't know how to count, a son who isn't frank, and still has a few things left in him. . . The protagonist's IQ makes his head hurt. . . If you don't ask for anything else, how about developing normally and just showing it to the old father? ? ?

The subject matter is very good and very tempting. But is the protagonist really a time traveler? During the first storm, I wanted to ask the author, wouldn't it be better to just seal the cave and leave a ventilation hole as big as a fist on the top? Seawater can't fill in too much, and there is a ditch to drain the water directly. The storm can't cause much damage at all. Also, I would like to ask how big is that wooden basin? The protagonist was busy for many days, and then you told me that the island was about the same size as a wooden basin. I was really convinced. Can't the protagonist just confess to his father? To put it bluntly, wouldn't it be great if his talent was to be able to exchange one thing for another? You have to hide it all the time. You must be sick. There are only two people on the island, the protagonist and his father. With his father's education level, if you tell him about your talent like this, will he think that you are a time traveler? Do you think you have a system? If you confess directly, it will be easier for you to change things when you change things. There is no need to be so secretive. With his father's temperament, he will probably change everything on the tub. It feels like the author is just looking for water, and there is no logic. Of course the subject matter is great, but the writing is really bad.

I'm speechless after reading this. It seems that the protagonist's ability is something that cannot be concealed. He is still hiding it here, hesitating. In the early stage, you should continue to explore the application of the system and replace better materials. You are grinding here.

It's such a world where you can have fantastic ideas. Are there any book friends who would like to participate together? If you have any good ideas, bold ideas, or magical ideas, you can comment here. Then if the author's plot can be used, he will join it. Come on!

The protagonist's father was really trying to cause trouble for him. He asked his father how to deal with the Warcraft cub. Guess what his father said. He actually said that he could throw away the island and the Warcraft cub after reaching other human gathering places, and then the protagonist actually agreed. Has he forgotten that his golden finger is related to this island? Without this island, he wouldn't be able to open Golden Finger at all. (ー△ー;) The protagonist can be said to be mentally retarded, right?

Pig's feet are like a fool, as you can see from the second chapter!

I'm not here to carry it: Knowing the canned herring thing means that you are a modern person, that is, a person from 1850 to 2 or 3xxx. During this period, human technology has already appeared. But you, a so-called modern person, are reborn and do not have any opinions. I can understand it. Have you never eaten pork and never seen pigs running? I've never seen a pig running, and haven't you seen the video? But the so-called reborn modern person you describe does not show any of the ways of thinking and doing things that modern people show. The only manifestation is that you saw canned herrings, and then you did not change your mind. But this also shows the naivety of the protagonist you wrote. As we all know , all cans are basically metal packaging, except for fruit cans, as long as there is metal, with your ability to shape stones and a little thinking, you can turn the metal packaging of canned herrings into a metal knife using your shaping ability, and I can also polish it by the way. The protagonist I mentioned above must be a person from 1850 or earlier. If not, if the protagonist was a rich man or a prince before his rebirth, then you can just pretend that I didn't say anything about what I say next! If you are a rural person, then he will think of various tools made of stone. If you are a city person, then you have always come into contact with the most basic, knives and forks, or various other tools that are useful in life, right? But the main character doesn't show it at all, there's a lot more to him. I don't want to write anymore, so let's leave it at that.

The title of the book should be... My Silly Son is a Time Traveler. Others hide their systems so as not to be sliced ​​into pieces. You are two people trapped on an isolated island, and the other one is an indigenous father who hopes to have a successful son. Who can you hide your abilities for? I guess I know I'm awesome, but my father doesn't know, so I have to keep pretending. My father is not knowledgeable, but I cannot say that my father is not knowledgeable. I continue to pretend. My father didn't know that I could replace things and still have to install them. One is a father who hopes that his son will become a successful child, and the other is a son who is very naughty, but I just don't talk about it, so a generation gap appears.

I have read Chapter 30 and it feels so weird. I don't know what other people's relationships are like with their dads, but if I am floating on the endless sea relying on each other, I will definitely tell my dad what abilities I have gained In the novel, the father works hard for the two of us to live, and teaches him various skills in order to let his son grow up. He is very happy when he knows that he has abilities, and hopes to take him to a human gathering place so that he can become stronger and live a better life As for the son's ability to prevent others from prying at him, he is very happy You tried your best to deceive his father. In order to build the base, you tried every means to keep his father away from human gatherings. What makes me even more speechless is that you always said that you picked up food. It is not so easy to pick up food in the endless sea. Besides, my father may not know those people. Food, but people who have spent most of their lives at sea can't tell how long this thing has been soaked in the sea? It is recommended that the previous relationship be changed. The protagonist directly travels into the wooden basin and has no memory of the original body, so that he can be on guard against his father.

The subject matter is a genre that I like very much, but the protagonist who travels back in time is really stupid. Have you ever been a giant baby? Don't travelers know how to use fire to boil water? Or do we readers not know? Isn't it common sense that gas goes to higher places? For the word water, can you give the protagonist some brains?

There is no specific data, the size of the island is unclear, the panel is not detailed enough, and his father has to find excuses to hide it. It's boring. After all, we depend on each other on the sea, and we can't hide it from each other day and night. It's better to tell him directly, and it will be difficult for others to meet him.

Shouldn't the plot be so depressing? It was suppressed as soon as the weapons were replaced. I couldn't even figure out how to use the magic crystal cannon to fight against the monsters. The development was severely limited. There were no new map adventures and no island development. It was getting boring.

Personal opinion: The creativity of the novel is good, but the writing style and plot arrangement are quite procrastinating. The paragraphs are repeated over and over again, and it feels like it was written by a robot.

Why do I think the protagonist is the father? Ask your father about everything. The protagonist is like an indigenous person who has gained some of the memories of modern people. Sometimes very naive and ignorant.

I couldn't bear to see the knife change in Chapter 18. Why did you hide it? What do you and your father want to do? Because you don't want to explain so much? But does father need to listen to your explanation? My father already knew what you were doing. He doesn't understand it, but it's a good thing for you and your children. There's no need to worry so much. What about you? I've been hiding it all this time. Please, you are still a time traveler. You act like a native. Who likes it?

The protagonist has a very low IQ and the plot advances very slowly

This was an interesting book, but at least five points were deducted for having an extra father. Every time the male protagonist opens his mouth, he will say "Father xxx". It feels like he is not 18 years old but 11 or 12 years old. The starting point orphanage is the optimal solution summarized by many authors.

The subject matter is good, but the father of the male protagonist is too persuasive to give up. It is better to be reborn and the whole family will die. It is better to just be the protagonist. He is several decades old and has no life experience. Such an awesome movable island does not hide his clumsiness. He encourages his son to find other talented people, fearing that he will be killed by others. Even if the natives are illiterate and have no knowledge, they should have the cunning of a small person, right? I don't see that the protagonist's father has the wisdom to survive as a low-class person.

Tell the truth. The setting is great. But so be it. I suddenly understood why everyone was talking about Qidian Orphanage. . You have a father above you. The plug-in itself has been suppressed.

It's a pity that the writing is good and the setting is good, but the direction went astray. You could have used the properties of the mobile island to write an adventure story about traveling around, forming a team, different events, different people joining, and various conflicts between the characters. However, in the end, it went further and further away from farming, which made the "mobile" property of the mobile island a bit useless in the later period. . . . .

I recommend the next book Pig's Feet is Orphan! If the emotion is not well written, just brush it off. I wish the author good luck with his next book.

It's okay to have a lot of imagination, but you need to practice your writing a lot. How to make readers read more fluently is very important. The expression of written language is also very different from the expression of spoken language. It is recommended that you listen to your own writing by listening to a book. You should feel something about it.

The author's setting and imagination are good, but if the writing is not good enough to read, the awkwardness can certainly be softened. If you are listening to the book, it is quite awkward. Author If you want to make progress, just listen

QwQ actually ended, it seemed like it was left to death, but there was a sense of blankness at the end, and it didn't feel like it was unfinished 🤔

I just want to say that it's too watery. I can't stand it anymore. I hope I can work harder on the next novel.

Ask the author why he must go to the gathering place. If I develop the island, won't people come? And this island will still move. Isn't it 10,000 times better than those refugee gathering places? As for going to a gathering place where you can hunt monsters, I don't think it would be beneficial.

It's a pity, it seems that I raised him to death

The current plot feels a bit bland, the construction cannot see growth in the short term, and there cannot be too many adventures due to strength and theme issues.

Does the author use other words besides so?