The Rise of a Superstar in Chinese Showbiz

It's 2020, are you still writing about actors? This level is too low, disappointing. This kind of line from 10 years ago has no extraordinary writing style or conception, and there is no reading** at all. Actors are too passive and low-level. They are just puppets of capital, directors, and even screenwriters. How can they be brought into the eyes of today's readers?

Author, is the heroine a fairy? I came to read your book because I heard that the heroine is a fairy.

After seeing "A Murder Caused by a Steamed Bun", I personally think this section is very unreasonable. Because the protagonist is an insider, what people do inside the circle and what people do outside the circle are completely different things. If someone in the circle does this kind of thing, it is easy for other people in the circle to resent it. Because when someone outside the circle edits it, everyone knows it's for fun. But it's easy for people in the circle to interpret it in various ways. First of all, in the eyes of others, the protagonist completely disrespects his seniors and does not take them seriously. Especially when I look at the plot of an open letter and a lawsuit with Chen Kaige later on. In my opinion this does more harm than good. No matter you win or lose, in the eyes of people in the industry, you are stepping on others to get the upper hand, especially if you are stepping on someone who is a big director in the industry and your senior. I will step on my own step if my seniors tell me to do so, let alone others. The most important thing is, does the author underestimate Chen Kaige too much? The protagonist is a young actor who has just debuted. It is really easy for Chen Kaige to clean up. Wasn't Chen Kaige's influence greater at the time of "The Promise" than in 2012? Her wife banned Yang Mi, who was similar to the protagonist at that time, in the mainland film industry. It was just Yang Mi's drama. The protagonist is completely willing to die to offend Chen Kaige. Once people come to Nortel and Huayi to put pressure on you, you will be fired and hidden. It is impossible for anyone to support it like what the author wrote. Anyway, in my opinion, "A Murder Case Caused by a Steamed Bun" can only be done by outsiders.

Since the author has never clearly explained Fang Yunmo's assets, I have never been able to get a clear impression of Fang Yunmo's strength when reading the book. I personally read the book more and more, so I have no choice but to read the book again from the beginning and summarize the monetary rewards Fang Yunmo received for completing the system tasks and the use of the money to invest in Tencent/Central stocks. As for Fang Yunmo's filming Let's not talk about the money earned from watching TV dramas. From 2002 to the latest timeline of early 2009, in addition to the clear salary earned by being an actor, the income of the studio established by Fang Yunmo from investing in making movies and cooperating with Enlight to produce variety shows is not clearly stated, and the nature of the business of Fang Yunmo's studio is unclear. It is really difficult to understand Fang Yunmo's assets in the film and television industry, so I skipped it!                                                                                                                                                                                                                                                                                                       <br Among them, US$1 million in 2003, US$3 million of the US$5 million in 2004, and US$6 million of the US$10 million in 2006 were all invested in Ten/cent stocks.       Since Tencent only went public in 2004, Tencent's market value in 2003 can only be calculated fuzzy using the data given by the author of the book. MIH spent US$20 million to acquire 33% of Tencent's shares. Assuming Tencent's market value The value is X, then 2000/X=33%, so The market value and the exchange rate between US dollars and Hong Kong dollars in that year show that Fang Yunmo's shares obtained in 2004 and 2006 were: 0.3% And 0.1% Respectively. Then Fang Yunmo held a total of 2.3% Of Tencent/Central's shares (because the flat method was used) Calculating the average, the shareholding amount is actually not accurate. After all, Zhong/Li/Fang is considered a high-end talent, so she won't get just that much, right? But that's the only way to forget it here)  According to the market value of Tencent/Central HK$89.826 Billion in 2008 and the market value of Tencent/Central HK$306.483 Billion in 2009, Fang Yunmo's net worth in 2008 and 2009 was HK$2.065 Billion and HK$7.049 Billion. If based on 2008 In 2008, Wang Jian/Lin ranked 24th on the Hurun China Rich List, with a wealth of 16 billion. Or according to the 2008 Forbes China Rich List, Wang/Jian/Lin ranked 35th, with a wealth of 5.71 Billion. In any case, Fang Yunmo should be on the same level as Wang/Jian/Lin, right? After seeing the latest chapter, I always emphasize that Principal Wang is the first rich second generation and Fang Yunmo automatically lowered his figure when he heard the name of Principal Wang. I just want to say that at this time, Principal Wang is the first rich second generation in the "batch". He is not even qualified to be the first second generation? The above remarks have been finished. I hope the author can tell Fang Yunmo to straighten his back quickly in the following articles!

I feel a bit retarded. The Dragon Boat Festival at that time was definitely a top-notch production. You could audition but it was only a supporting role. It's impossible to get the leading role. The leading roles in such a big production are all booked, and all aspects of capital and connections are competing. If you, a newcomer with no background, audition for a leading role, you are probably sleepwalking.

Some authors just don't listen and end up committing suicide!

I also said that after classmate Zhao wrote about it, it was gone. He also gave Hu Ge 11 years and only had one year left on the contract. He also gave Hu Ge 200 million in liquidated damages, and his mother only signed the contract for 5 years! It's ridiculous. How high is the liquidated damages? Besides, it only lasts for one year and costs 200 million. You can only make money back if you sign for 5 years.

I don't understand the point of signing a contract with this Zong Shuai. The audition requires hard work, and being framed won't help you. If cheating is solved, what's the use of signing or not?

I personally feel it's a little bit toxic. Originally, in the previous article, the author said that the male protagonist was careful not to offend others. But when it came to Chen Kaige, why did he offend a great director again? I feel like my article is logically inconsistent.

Why can't I find good stories where the protagonist is a director or a producer? I have never read many novels in which the protagonist is an actor. Personal reasons: 1. Actors are always in a passive link in the industry chain. Generally speaking, employers first find big producers and good directors to organize the show, and then find actors, so actors are in a position of being selected in most cases. No matter how top actors are, they can only perform within the framework set by the screenwriter and director, so they do not have much creative initiative. 2. The upper limit of an actor's development is not very high. When a high-profile actor reaches a certain level and age, it is very good to have a film contract in three to five years. No matter how good his acting skills are, the salary of the top actors is also high. Nowadays, the salary of the top actors is more than 60 million, and there are also films If you are paid 100 million, the 100 million salary must match the production fee of at least 300-500 million. If you include promotion and distribution, there may not be much profit if the box office reaches 2 billion, but how many movies have a box office of 2 billion every year? The risk is too great for investors, which is why the cost-effectiveness of big names is low. In reality, we can see that celebrities like Bald Xu, Wo Bo, and Wo Jing have generally transformed into directors and producers, directing and acting themselves. Especially for actresses over 40 years old, no matter how good their acting skills are, it is more difficult to take on roles. Just look at the acting actresses over 40 years old in "Actors Please Take Your Place". Everyone has his own troubles, and Chinese actors with superb acting skills have no less troubles than young actors. 3. After all, Chinese-language movies are still far less popular around the world than Hollywood movies, and the overseas market is very limited. This has also caused the market value of top Chinese-language movies to be far lower than that of their Hollywood counterparts. The salary of top Hollywood movies often starts at US$30 million, and there are even US$50 million or US$70 million. Such high salary after all is still needed. If the market pays the bill, there is a global market for distribution, coupled with the development of a mature film peripheral market, even if the box office loses, you can make back the money or even make a profit through peripherals. However, the main influence of Chinese-language films is in the Chinese-speaking area, and there are few good peripheral development models, so it is difficult for this market to support actors with a salary of 50-80 million US dollars. Its commercial value is also limited to the Chinese-speaking area, and it is difficult to have global commercial value like the top Hollywood stars, so its commercial performance and endorsement prices are not as good as those of Hollywood actors. 4. Even the top Chinese characters are in a relatively weak position compared to the management, producers, and directors in most cases. For readers, we hope to see the protagonist continue to have fun in the process of fighting monsters and upgrading. However, if the protagonist is an actor, he is basically on the passive side of the selection. The higher the top, the more passive. It is difficult to feel happy. Reading online articles requires all kinds of logic to be self-consistent. Otherwise, I might as well read world famous books.