Myth Screenwriter

So cool! After reading it in one breath, I felt like I was watching the main god's road back in the day. Another point is that I will not trick people without limit. All kinds of monsters are definitely more powerful than humans at the beginning. At the same time, there is no human worldview to delimit the monsters. For now, the most comfortable thing for me to watch is that the author has made it clear that the values ​​​​of different races are different.

Ahhhh! ! ! This is the first novel that made me truly feel the meaning of the big picture and get my blood boiling! ! ! Come on! ! ! Great support! ! !

To be honest, every time I read the Chinese myth written by the awesome behind-the-scenes writer, I always get excited. The latest one about Yanhuang really makes me very excited. Am I too middle-aged? It actually has a feeling of passion. This one is the same as fabricating myths. The two behind-the-scenes books are the best behind-the-scenes stories I have ever read. I feel excited when I read them. But to complain, I seem to have seen the shadow of Emperor Ye Tian recently.

It's very simple to make an impression, just have a global network crash, nine stars for days, some earthquakes, volcanic eruptions, spread doomsday theories, that's it! ! ! !

I don't understand why it has to be about religion. The world's mainstream religions are not too old, and the world's myths all have their origins. Just like Greek mythology and Roman mythology share a common god-king, Western European and Nordic mythology are all related to the Father God and evolved from Indian mythology. The prototype of Christ is Judaism, and the prototype of God comes from Zoroastrianism. The French mythological sun god comes from Egypt. China's Pangu comes from the Miao mythology, the Jade Emperor is the Haotian of the Song Dynasty, and Haotian evolved from the ancient Emperor of Heaven. Hell comes from Buddhism, and Buddhism comes partly from Hinduism. Moreover, the myths of Central Asia were very influential in ancient times, and they are still ancient. Going forward, the gods are depersonalized.

I've finished reading it, it's very good, the writing style and ideas are great. Come on come on. Then make some small comments. The author should be cautious about official descriptions. This type of book is very dangerous. Furthermore, the protagonist's mentality is too high. From a complete God's perspective, the script was written just for the sake of chaos. How to use shit stirrer, female ghost, tiger demon, blood corpse. The result is that too many innocent people were sacrificed. At least explain that you have arranged for someone to finish the script. The author has wrapped up the story, but the protagonist has not. The main character looks a bit dark. This is entirely the cause and effect of the protagonist, but it does not affect him at all. Proud, not yet stable. As the mastermind behind the scenes, this is not necessary, as it will make viewers think that the supporting characters have low IQs. So be steady, improve your own strength, eliminate the possibility of overturning, and don't be noticed easily. It's too forceful to show off like this. After all, I was always acting very erratically. I had no cover wherever I went. I had to visit everywhere and people noticed the signs. This was a smooth sailing. The aura of group mental retardation is activated. Uh... Hey... I've said too much... Overall, it's pretty good... Come on, author. The heroine... You don't need it... Hidden...

After reading the latest chapter, let me know what you think. First of all, the setting of wonderful value In my opinion, the setting of wonderful value should be obtained by human beings' surprise. However, in the latest chapter, the crustal movement and the various chaos brought about have undoubtedly brought about a sharp decrease in human beings, which also represents the reduction of the acquisition of wonderful value. Secondly, this book is defined as a setting of behind-the-scenes flow Behind-the-scenes flow, this is true until the latest chapter, but the latest chapter gave me the feeling that I was reading an apocalyptic novel, and the protagonist's character was too cold, which made me feel out of place. Although such a person has the world in his heart? But it gives people a very awkward feeling. Finally, the progress of the full text is very strange Let's go back to the exciting value setting mentioned at the beginning. The protagonist has only achieved spiritual recovery in a few places, but has not transmitted the method. The latest chapter has directly brought about a huge global change. It feels like a baby has just learned to crawl, and you want it to fly immediately. Can the strength of these places really enable the entire human race to cope with the overall trend? Finally, let me talk about my thoughts, that is, I feel that I am broken. If there are changes in the future, please let me know so that I can read it again.

If you can avoid writing ghosts, zombies, murders and other weird things, you won't be so easily 404. Every novel in which ghosts appear after the spiritual energy is revived will basically receive special attention.

Author, what you said is almost the same but much different! First of all, I never agree with the version after Han Dynasty! It's okay if you use the silk book version. After all, the ones unearthed are from the aristocratic class, and the cultural preservation will not be affected too much. In terms of final interpretation, whether it is the cultural gap between the Han Dynasty and the Spring and Autumn Period, [the word ancient has extremely serious polysemy], the difference between one word is huge! ! ! In terms of the influence of Confucianism - deposing hundreds of schools of thought and respecting Confucianism alone [there is no doubt that all subsequent cultural classes, as long as they are literate, will inevitably have an impact. This is the so-called basic education] There is a huge difference, and the audience for the silk book version is also very large, not as niche as the two thousand characters of the Guodian Chu Jian version during the Warring States Period! I have read the Tao Te Ching no less than fifty times [recommend that those who are interested must read it, don't just read it], so I am particularly sensitive to this point! The Tao Te Ching handed down in the later period was greatly influenced by Confucianism... Do you know the right of exegesis [the right of interpretation of classics]? Personal opinions can be discussed, I don't like to argue, please understand!

This book is good, I almost missed it, the book review section was seriously misleading. The writing, imagination, and plot are all good and worth watching. As for the protagonist's few appearances, there is nothing we can do about it. The biggest poisonous point of this kind of behind-the-scenes gangster flow is that the protagonist often ends up in person. Group portrait novels can be very attractive as long as they are well written. Come on, author.

You can skip to read the first 20 chapters, the plot is slightly toxic, and it will not affect the subsequent plot (for now).

I personally have a few comments about the protagonist. One is the issue of the protagonist's strength. It feels a bit embarrassing to be neither up to nor down like now. Either the protagonist makes up myths, so that the opening scene is the invincible world reaching its peak, or simply set a setting for the protagonist where creation is invisible, unknowable, and unattackable. The strong character of the protagonist of the spiritual energy revival stream like this behind the scenes has never needed to be used to intimidate these creatures. He revives the spiritual energy and leads the rise of the world, which is the highest level of character in itself. If you really want to create a strong style, it is better to focus on making the overall layout more majestic as a contrast. The second is about the use of the protagonist's script. I saw a previous chapter in which the protagonist directly restricted the Japanese witch with the power of the script, so that she would not hinder the story script. On the contrary, I think this is quite unnecessary. The protagonist does not need to specifically control how the event develops, just let it develop naturally. The protagonist only needs to be able to make the event appear at the right time and at the right place, and set an inevitable antecedent. This antecedent will make people aware of the revival of spiritual energy and the inheritance of various power systems. As for how it will develop in the future, that is the choice of the world. Of course, this is just my personal opinion. The author has his own arrangements and it is better to follow his own ideas, otherwise it will be easy to collapse.

On the streets of Tokyo, the dark wind roars and hundreds of ghosts walk at night.

In the desert of the Middle East, the Pharaoh pushed open the coffin of ten thousand years.

If the author wants monsters to rise, he might as well make up a setting where it rains blood for three days and the monster emperor comes to the world. Airborne directly solves all setting problems.

An emperor of all ages wakes up from his tomb.

In the land of the East, Taoism and Buddhism compete with each other, and all dharmas are united.

In the west of the world, the gods awakened from ancient times.

It's a very good novel, but some readers in the chapter reviews are very lazy in interpreting their own world view. If you read the novel, don't be affected by the comments. I read some of the previous ones. First of all, the author's setting is that the protagonist's previous life and rebirth are not extraordinary ordinary worlds. Except for the protagonist's creation, everything else is fake. There is no cause and effect, no karma, merit, etc., Just an ordinary world, and there are no so-called saints who can be sensed when they think of their names in their hearts. This is not a world of cultivating immortals, let alone a prehistoric world, so don't get into any weird worldview when reading this book. The largest system in this book, even Pangu, was created by the system. There is nothing more awesome than the system.

It's rare to see such high-quality behind-the-scenes articles, so I decided to pursue it. Although the myth is resurrected, the technology should not be so fragile, so I still want to see the technology vs. The myth. Just like a conjecture I have seen before, the two-way foil fights against the Heaven-turning Seal. However, this type of novels are generally about myths crushing technology. It should be difficult to see such a plot. Also, I want to ask you what you think about the real story. In today's developed humanism, if spiritual energy recovery really happens, will heroes in the darkness like Kamen Rider and Ultraman appear to protect the world and develop towards a god-level civilization like Xiling, instead of becoming a world of life-and-death cultivation for the sake of destiny and inheritance.

I hope that the author's behind-the-scenes plot will not be too biased towards the country. I hope that the myths of each country can be written well, and that the behind-the-scenes plot will have its own style and magnanimity. I've really seen enough novels in which Chinese mythology crushes all mythology. Don't go out of your way to make the island country too miserable. Many of these novels start by destroying Japan (in fact, I think except for the bastards who invaded China and the right-wingers who refuse to admit their mistakes now, I can't hate them all. Just write them normally). It should be that all countries work together to build a community of human myths. Well, that's what it means in a word. Anyway, I like all human myths and historical stories, and they are all worthy of respect. Don't say that I am unpatriotic or anything else. My grandfather was an anti-Japanese soldier and killed Japanese devils. I just don't think writing like this can reflect how patriotic I am. (Don't spray if you don't like it)

The sky is the limit, this book is so well written, I will give you a reward of 1000000000000000000000000 starting coins, come on, author!

Ps: As for the version of the Tao Te Ching, the author checked the information and showed mercy. Seeing that many people are arguing, let me briefly explain it below. There are three more influential versions of the "Tao Te Ching" today: the Wang Bi Tong version, the Mawangdui silk script A and B, and the Chu bamboo slips unearthed in Guodian. No one can say which version is the original. It has been circulated for so long, no matter which version it is, it has been modified to some extent. Perhaps Mawangdui is older and more intact, so more people prefer it. This version was considered before, but later the current version was used, which is the most widely circulated version. Because I hope that when everyone sees it, they can immediately resonate: Oh, this is what you want to say, I know it! There was no debate about right or wrong, I felt it was suitable, so I used it. Why do I say so much? I just want to tell you: There are many versions of the Tao Te Ching, and the text is also different, but it has no impact on understanding the Tao itself. If you are too attached to a certain version, I can only say one thing: Fellow Taoist, you are paranoid. And words are just carriers. Just understand the truth and don't be too attached. Finally, I would like to give you a word: See the moon with your finger, but forget to point when you get the moon. 3.13 Night, more updates.

If you had the power of the protagonist, what script would you create? Be reasonable, consider the excitement value, and don't directly open the world to Pangu. Please discuss more and let me copy it (evil dog face)

After reading a few chapters, I can see that the author must have read "Making Myths". The writing is still lacking, but the ideas are there. The writing style needs to be improved. As long as the ideas are clear, take your time, and the plot will not collapse later, this book may not be able to become a god, but it will definitely accumulate a lot of popularity. The premise is that it doesn't get the same 404 as "Making Myths". 🪖Come on

It is not easy to live in this book. Although it is a compromise, it may be 404 at any time.

It's rare to find such a subject, I hope the author can grasp the scale well. The fabrication of myths has been abandoned. I really don't want to see this book again, 404. I hope the author can persist and I will support you.

Although this book is good, I always feel that the possibility of 404 is as high as 99.99%. Author, please take it easy 😥

One day at a time I feel like I'm getting hot

I would like to remind the author that it is better not to directly write plots about dead people. Unless the plot requires it, just mention it in a vague way. I also want to see the book truly finished and not unfinished or eunuch.