Pillars of a Troubled Age

The writing is okay, but the main character takes more than 600 chapters to become emperor. Other than that, I feel very unhappy. The protagonist has been developing for more than 20 years. He has strong soldiers and horses, and epoch-making firearms and cannons, which are enough to sweep the world. But every day, he was scheming in the small country of the Southern Dynasties, and he was so forbearing that he sacrificed his daughter's happiness to marry the little emperor, and then acted like Wang Mang to usurp the Han Dynasty. The small structure is sighing. When we are born in troubled times, the emperor will fight with strong soldiers and strong horses to bring peace to the world. Those who usurp power and ascend to the throne are despicable and are shackled by the old dynasty. They are not allowed to be kings...

I really can't stand it anymore after seeing Chapter 60. The author wants to emphasize the difficulties of the bottom. It's okay, but it can't just be written about this. Over and over again, again and again, endlessly. Just watch the news about the struggles of the bottom in the great era. Why read novels?

Is this an auxiliary text? The name and introduction look like this? It is better for the Northern and Southern Dynasties to strive for hegemony. I feel that there are few unifying monarchs worthy of assistance.

There is nothing else but science and technology. 80% Of the text is about science and technology. Artillery and phonographs have been invented. Brother, don't forget that it is a historical text. The historical text should be the original version of the cold weapon era. Although it is a time travel, please do not incorporate too much modern technology and ideas.

Coming from the previous book, support the author

I can't understand these two chapters. Shouldn't the protagonist fish in troubled waters and take advantage of the chaos to develop? How can he be Guo Ziyi? What can Xiao Liang do to support him? The protagonist still doesn't understand? Still making Kongming lanterns? This thing is killing people now, let alone back then? Isn't this a white dragon fish suit? Gambling with your own life and that of the prince? Why do I feel like this so-called climax is bringing down my wits? Doesn't it turn out that he is quite stubborn?

Author, I've read about eighty chapters and I can't stand it anymore. If you write about making money, I can understand that the rest is okay. But if you write about pig's feet being slaves, you can't think of a plot to advance the plot? Nowadays, most reading books are for reasonable enjoyment! Enjoyableness comes before reasonableness, how can you make money if you always make readers unhappy! ! ! Originally, I thought I had found something I could watch, but after you reviewed this, I read the comments again and decided to give it up. The writing was acceptable, and the plot failed to find the balance between fun and reasonable. It was tasteless, and it was a pity to abandon it. It was useless.

The author has now led the turning point of this book, so you should pay attention! But don't let the protagonist try to establish a constitutional monarchy in the Northern and Southern Dynasties. Constitutional monarchy is undoubtedly suicide. There are some things, so don't invent things that are too advanced. People may not accept them, such as trains, steam engines, etc., There is no need. The author, Wang Mang's lessons learned from the past 🙂🙂🙂

I have read both books about the protagonist. I can say that the writing is good and the historical background is also good. It's just that the concept and characterization are very poor. One is that the novel is written in a messy manner, with no system. The protagonist has no idea what he is going to do. He struggles repeatedly, and is passive every time. He has little success but fails again.

I thought the author wrote this kind of opening to show that Taizu was so domineering that he dared to change the world, but I didn't expect that he would become Sima Yi as he wrote it. In other words, it was worse than Sima Yi. In that era, having no relatives was equivalent to having no basic base. If the protagonist did not move, people's hearts would be scattered. Once the protagonist died, everything would be over.