The Silver Lamp

I think there's a very common logical problem in rebirth stories: how to deal with people who did bad things to the protagonist in their previous life. Some people might think it's better to be safe than sorry, while others might think the protagonist should also have a reason to take action. Perhaps with the protagonist's rebirth, the villain won't be a villain anymore?

I think the essence of domestic power struggle novels, especially those with a serious drama style, is to explore the survival issues of women under feudal oppression. As modern authors and readers, we inevitably expect 1v1 relationships and hope that the female characters in them can have some spirit of resistance. However, domestic power struggle stories are all ensemble dramas.

The writing is good, showing the talent of a woman, but unfortunately, the female lead was a beautiful but clueless fool in her past life, and even after being reborn, she's still not very bright. They insist on adding a filter to her, making her want to change everyone's fate. In her past life, everyone wanted to harm her, but in this life, everyone loves her.

First of all, thank you all for your support. As a first-time writer, I am truly flattered. I hope that in the days to come, you can all work together to explore the plot and characters, helping me fix plot holes and write a moving story. Below is some background information about this book:

After reading most of it, my feeling is: the female protagonist paid the price of one lifetime to hit a wall but didn't get hurt, so she continued to hit the wall in her second life.

The author's writing is excellent, and the plot and characters are well-developed. However, the female lead's timeline is too long at the age of seven, making the banter and scheming among a group of girls around ten years old feel awkward. It lacks the innocence of children, and the thoughts and language are too mature. It wouldn't be out of place if the girls were in their teens.

Don't let your past life's "scumbag" boyfriends be together again in this life; I don't even want to read about it now! I quite like the author's writing style, but this plot...

The male and female protagonists are both reborn, but the meaning of this rebirth is unclear. The female protagonist is ten years older than the male protagonist, but she doesn't seem to have grown much during those ten years. She merely makes some different choices based on her foresight, such as choosing to live with her grandmother instead of her stepmother, and making friends with some people…

While you're all following "The Silver Jar," could you please give my new book a once-over? Ke Mingxu became the top scholar at the age of twenty-two. He rode his horse through the streets and attended the Qionglin Banquet. The spring breeze blew into the dreams of young girls in Yanjing. He was the dream man of nine thousand young women in Yanjing, not Jinghu's.

In short, I don't need to write over a million words just for a scumbag. A novel definitely needs misunderstandings and twists and turns. As for the female lead, she simply experienced a second life; she's not a savior. Aside from knowing about her past life, she has no other advantages. It's not a wish-fulfillment story; everyone has their own struggles and their own lives.