The Silver Lamp

I think there is a very common logical proposition for rebirth novels, which is how to deal with people who did bad things to the protagonist in the previous life. Some people may think that nip is in the bud, while others think that the protagonist should also need a reason to take action. Maybe in this life, with the rebirth of the protagonist, the villain will no longer be a villain? Of course, if this logic is adopted, the plot will definitely not look so exciting. Personally, I think you still need a reason to take action, so the heroine of this article always seems a little passive, but once she has a reason, she will kill immediately and decisively without mercy. In her eyes, the past and present lives are separated. She has changed many things, so she thinks twice when doing things to deal with villains. Including the attitude towards the male protagonist, she feels that the male protagonist in this life is not the male protagonist in the previous life, but she still loves him. As long as he can make her feel that he loves her, she will walk towards him. (Some people may not be able to understand this kind of emotion. I mixed in a little personal information and poured a little bit of my own emotional experience into it) But in the eyes of the male protagonist, he did great things in his previous life. He doesn't care whether the villain does anything in this life. He would rather let me bring down the world. He actually represents another attitude of the protagonist of the rebirth novel. I think it is normal for two people to have differences based on their emotional experiences and childhood experiences. In fact, they discussed this issue many times in the article. If you have any ideas, you can continue to leave a message in this post to discuss with me.

I think the essence of otaku fighting writing, especially the style of drama, is to explore the survival issues of women under feudal oppression. As modern authors and readers, they will inevitably look forward to 1v1 and hope that the female characters in it can have some spirit of resistance. But the otaku fights are all group dramas. If someone resists, there must be someone who is silently enduring it, or doing what they think is "resistance" based on their rights as wives and ladies in that era. For example, Min chose to let her father come forward to report her husband. Discussing this behavior, everyone thinks that I am whitewashing the scumbag Ding Guogong, but in my setting, he is not a scumbag in the first place. The situation in the setting is that dynasties are about to change. The position of the prince supported by Duke Ding is unstable. The old Duke Ding dies suddenly. People in the court who support the other side are stuck in the position of Duke. Xu Jinghe is unable to inherit the position because he is not married yet, and many things cannot be done. I believe everyone knows what the result of a failed fight for a reserve will be like after reading many novels and TV series. Under these conditions, I married Min, who was relatively suitable. When they first got married, Xu Jinghe had no intention of treating her badly or letting her down. What he could give her was respect for his wife, but it was not love between a man and a woman. Later, when dynasties changed, the heroine's mother returned to Yanjing, and they came together because of some things. For Mrs. Min, she can certainly feel whether the person next to her loves her. As a royal wife with a feudal background, especially in a family like Dingguo Gongfu, it is normal to have three wives and four concubines. But she couldn't accept it, so she lost her mind and chose to report it. Regarding the whistleblower, discuss the character's motivations. Her purpose is to win back her husband, and even hopes that the heroine's mother can disappear from this world instead of getting divorced. If her motive is reconciliation, then no one will think there is anything wrong with her if she does this. Playing a mistress and fighting for her own best interests is zzzq from a modern perspective. But she actually did not do this because she wanted to separate. As a result, her husband was sent to another place, and the outer room remained an outer room. It doesn't do her any good either. As for the attitude of the dowager in this matter, we must first clarify the setting. The heroine's grandmother is her best friend. There was a time when the dowager was almost unbearable and the heroine's grandmother supported her through it. Therefore, the two people have both friendship and kindness. People's hearts are biased, and I never wanted to portray her as a great and upright character. She was also criticized in person by Ren Dong and Chang. She originally regarded Min as her daughter, but as a feudal patriarch, she could understand her emotions, but could not tolerate things that harmed the interests of the family. Mr. Min also did some other wrong things later, but Mrs. Wenzhong and Duke Dingguo never complained about Min. They also felt that they were sorry for her. No one ever said anything bad about her. When I say this, some readers will definitely think that I am whitewashing. I still say this, the setting is good, not a perfect person, but of course everyone can have their own ideas. The above is just my statement about the setting as the author. There is no need to argue about right or wrong. The key is whether you get anything after reading it. I think a common conclusion that can be drawn from this story and Jianiang's extra chapter is that a man with white moonlight cannot marry. About Chang First of all, the second master is a real scumbag, lustful and lustful. He has all the bad habits of ancient men. Chang married an inhumane person which was the origin of her tragedy. She also had some character flaws, that is, she was too possessive. At the beginning, her possessiveness was directed at her husband. She had a female competitive mentality. As long as she killed other women, everything would be fine. But this was obviously useless, and in the end it backfired, and his son was killed by another woman. The Mrs. Tai was also an ancient woman, so she initially intervened and chose to give her son a beautiful and polite concubine to help Chang. However, Chang completely misunderstood her mother-in-law's intentions and regarded the concubine as an opponent and attacked her. In the end, the concubine made a bold move and let Chang himself taste the bitter pill. After all, life is a matter for the couple. The son has long since grown up. No daughter-in-law would like her mother-in-law to interfere in the affairs of her own room. It is impossible for the wife to install a surveillance camera in the second room to keep an eye on Chang and her son 24 hours a day, so it makes no sense to rely on her to control her son. Mrs. Tai's favorite daughter-in-law is Yang from the third bedroom. Compared with Chang, Yang is well-informed and sensible, behaves generously and always takes the overall situation into consideration. Chang, on the other hand, was spoiled by her own mother, arrogant, domineering, and cruel. This can be seen from the fact that her elder sister-in-law, Mrs. Fu, is still afraid of her. Ms. Chang's love for her two daughters is sincere, but it also pours out her possessiveness. In fact, she cannot accept the fact that her daughter has grown up and is out of her control. At the same time, she was not smart enough. She started dreaming about Runrou when she was coaxed by Fu, and almost harmed Runrou. Hairou's story is the subject of much discussion in the text. Chang realized that he couldn't control Hairou, so he simply ignored her. Of course she loves Hairou, it can be seen from what happened in her previous life. But she couldn't accept the fact that her daughter was disobedient. She was too paranoid, so she never had a good life.

The writing is good, and she looks like a talented woman. However, the heroine was a beauty in her previous life, but after her rebirth, she is still not smart. She has to add a filter to change everyone's fate. Everyone in the past life wanted to harm her, but everyone in this life loves her. Apart from her face, it is impossible to see what qualities the heroine has, whether she is tough and unyielding or smart and alert. Of course, the author's writing is the highlight.

First of all, thank you all for your support. As a first-time writer, I really feel flattered. I hope that in the days following the update, you can join me in searching for more plots and characters, and help me correct plot bugs and write a moving story. Here are some introductions to the setting of the book: About the title: It is taken from a sentence in Yan Jidao's "Partridge Sky· Colorful Sleeves Holding the Jade Bell Diligently", "There are only a few silver candlesticks left tonight to take pictures of, as if we are afraid that we will meet in a dream. "Yinzi" means a silver candlestick, and is also called "silver candlestick" "Cylinder", for the convenience of search and the font of the cover, I used "silver cylinder" here. The heroine Xu Peirou and the hero Qi Yan are twins, and the two of them meet in this life as if they were in a dream. At the same time, the title of the first chapter is also "Awakening from a Dream". About the volume: It is tentatively estimated to be around 1 million, and it will be divided into three volumes. The first volume is called "After Farewell", which mainly tells the story of the heroine getting along with her family and friends again after her rebirth, and the memories of her previous life. The second volume is called "Reunion". The protagonist will reunite with the reborn male protagonist, and will also unravel some of the mysteries in the first volume. The male and female protagonists are preparing to ensure that the Xu family will not "collapse" again. The third volume is called "Together with the King". It is mainly about the male and female protagonists getting married, and the female protagonist finally discovers that the male protagonist is also the same. The story of rebirth, working hand in hand (no shame or shame), and finally completing the great cause in their hearts. So obviously this story is HE. The titles of these three volumes are also taken from "Partridge Sky·Colorful Sleeves Holding the Jade Bell" ("Xiaoshan Ci" is really written. Very good, if you are interested, you can check it out) About the writing progress: The author has completed the writing of the first volume and is currently working on the second volume. It depends on whether I want to take classes or not (it doesn't matter, I still have a lot of hair) About updates: Currently, 3k chapters are updated at midnight every day. If there are recommendations or other situations, I will try to add more updates. (I also really want you to read the later part, because every time my friends and I ask questions, my first reaction is " "Hey, didn't I write the reason for this?". But it hasn't been updated yet, and I'm helpless) Finally, if you have any questions about the plot, you can always leave a message and ask me. If you see it and can tell it, I will definitely answer it! Thank you again!

My feeling after watching most of it is this: the heroine spent her whole life hitting the wall once without any pain, and then continued to hit the wall again with her rebirth.

The writing is very good, the plot and the characters are good, but there is a point where the heroine is too long at the age of seven, so a group of ten-year-old girls are talking and being scheming. It feels awkward. They lack the innocence of children, and their thoughts and language are too mature. If it is a teenage girl, it is not against the rules. There is nothing wrong with the old lady educating the heroine, but saying everything to a seven-year-old girl is a bit too much. In short, age is a big problem.

The "scumbags" from the previous life should not be together again in this life. I don't want to see them now! I really like the author's writing style, but this plot...

The male and female protagonists are twins, but the meaning of rebirth cannot be seen. The female protagonist is ten years older than the male protagonist, but she has not grown much in these ten years. She just made some different choices based on the prophet, such as choosing to follow her grandmother instead of her stepmother, and choosing not to get along with some people in her previous life. People turn enemies into friends, but it has little effect on some more critical things, such as the grievances of the maternal grandfather's family, being wary of the maid and stepmother with ulterior motives, etc., And the relationship with the male protagonist is even more muddled. The painful memories in the past ten years remind him again and again that he cannot repeat the same mistakes. Psychological construction. As a result, the male protagonist turned back after saying he didn't like his cousin. Since he decided to start from scratch without changing himself 😅😅 the male protagonist is also amazing. The various misunderstandings due to lack of communication in the previous life were already so painful. If he had to do it again, he would still be there. Knowing that the heroine is also reborn, she is still the same as in her previous life, self-righteously hiding from the heroine in the name of protection and not communicating with her. Even if all the enemies are finally solved, the series of injuries caused in the process are still injuries. I have never been able to see the honesty and frankness that should be shown.

When everyone is catching up on the update of "Silver Urn", can you give my new book a look~ Ke Mingxu became the number one scholar at the age of twenty-two, rode horses through the streets, went to Qionglin banquets, and the spring breeze blew into the dreams of the girls in Yanjing. He is the dream man of nine thousand Yanjing girls, not her Jinghu. The lawless little county wants to turn her around, and she wants to be the woman of his dreams. / The little county master's eyes were slightly raised, and their luster was stunning. "What kind of woman does Brother Ke Shi like?" Ke Mingxu didn't dare to look at her. He just turned the pages of the book in his hand and said seriously: "Knowing and being sensible." The little county master held down the button. The hand he was turning over the book forced him to look at her: "Can you add the word 'Qingguoqingcheng'? In this way, I will account for at least half of it." He stretched out his other hand and touched her bun. She still had the hairpin on her hairpin, which he had inserted for her himself. "Jing Hu's coral, which one is it?" She rested her chin on the back of his hand that was still pressed on the page. "It's the coral flower's coral." He raised his hand gently, and her lips were no more than an inch away from his, "No, it's the fox's fox." It turned out that it was not the champion scholar whose country was beautiful and fragrant, but the champion scholar whose iron tree blossomed. / Pretending to be a pig and eating a tiger, a little fox, a little county boss

Just one sentence, I don't need to write more than a million words just for a scumbag. Writing a novel is bound to involve some misunderstandings and ups and downs. As for the heroine, she simply had a new life, not a savior. There is no other golden finger than knowledge of past lives. It's not a cool article in itself. Everyone has their own frustrations and their own lives. No one can wait for others to save themselves, they can only rely on themselves. It's not like she hasn't tried to interfere in other people's lives. Chang Ruijun's marriage is an example. If you can't change it, you can't change it.