Super God Academy: The Angel Who Seeks Justice

Give you another chance, don't be a eunuch, it will break the fragile hearts of us old fans 🔨

The author has a very clear understanding of the combat system of Super Seminary, and the description is also very clear. Binghua's book clearly divides the various levels of combat power of each character, and the use of dark energy is also very consistent with the original work. I think this is the place that can best enhance the sense of immersion, and it is also the most attractive part of Binghua's book. I hope the author can continue to carry forward this book. Come on, author!

Can the protagonist use Lily to CP Kesha or Hexi? Super God likes these two characters the most.

Brother, there will be no more long stories after Binghua. Can you please stop eunuch? I really can't read it 🙄🙄

Why don't you write anymore? Your Super Theological Seminary fandom is the only one I can read online. Why don't you stop working hard and write a book that's better than Binghua?

I have ordered all the last books, so let me tell you what you think of the new ones. The fanfic does not have characters familiar to fans of the original work, +1 for failure; The advantage of the fanfic is that the original characters can be directly copied, saving the effort of shaping the characters. However, original characters must have foreshadowing and must always anchor the character. The author's mistake is to use fan writing to write original characters without giving any foreshadowing or using pen and ink to describe the character's personality, appearance, and posture. The characters are empty and have no sense of immersion. Fail+2 The overall pacing is very slow. This was the problem with the last book. It was crooked as I wrote it. I wrote a lot of subplots that could use less pen and ink. However, the plot I wanted to see was just mentioned in one stroke. Fail+3 The large narration at the end lacks substantial plot. It was very enjoyable to read. The irritability is all for the word water, and the mood swings are almost non-existent. The failure +4 Before this book is put on the shelf, it feels like the author has forced himself to write every chapter, and he doesn't know what to write. If you have a next book, you must make an outline and a detailed outline. What you write out of nothing is really terrible.

I think the one in the previous book, Bing Hua, is just a bit miserable. I can't find any good words to express it

From Bing Hua's original book, I am skipping to read this book. I read the timeline first. The world view of this book continues from the previous book. The timeline is currently burning on the left wing, and the second angel-devil war ends. The protagonist of this book is almost the same generation as Yan Leng, which means that it is almost a few thousand years from the ending of the previous book, but not more than 10,000 years. In other words, in these thousands of years, the protagonist has been mixed up in the middle and upper levels of angels at most, and the management will definitely not be able to go up, because of those in the previous book. The boss Liang Bing, Carl Hua Ye, Space, including your original ones, are all from Ice Flower Kesa and the old angel guides of the direct lineage of the Four Kings in the previous book. Angels of the new era like the protagonist of this book belong to team battles and can participate in the boss fight, which is called 666 later. Moreover, because the timelines of the two books overlap, the story line of thousands of years is known to those who have read the previous book, so it cannot be said that the previous book was written from the perspective of a king, and this book is written from the perspective of a soldier. For the same content, there must be new content, or the general background and team battles are the same. You can dig into the details and arrange other things for the protagonist, and the enemies are also new. The enemies in the original book have little to do with the protagonist. They are all Hyouka Uemoto's experience points, so you have to be original. I don't know how you plan to arrange it. Then you will pick up the ending of the book and seize the cross-universe teleportation device. Things in other universes will be purely original or you can learn from others. In the world view of science fiction novels, this stage must be a period of rapid development for the protagonist, who can be arranged to perform meritorious services here and gradually take over the rights. Moreover, I personally think that there should be more words describing other universes than describing this universe, because at the end of your last book, the cross-universe teleportation device was captured. Is your book definitely going to follow the ending of the last book? Even if there is an overlapping timeline, it can only be used as a transition. In my personal opinion, if you still write 250 like the previous book Ten thousand words, the overlapping part of 700,000 to 800,000 words is completely enough. I feel that you, the author, are suitable for giving a general background and direction. The rest of the original work is just like Binghua's book. The original book "The Battle of the Angry Sea" has a setting and a big framework for the physical war during the Three Kings period, but the author has filled it in completely, like a chronicle, especially from the beginning to the physical war. It feels like the official history should be like this. Other super-god authors cannot write this feeling. When it comes to the void, you are purely original. The creation feels a bit anticlimactic. The void you set is a more corrosive and more powerful energy. There is no substantial difference between the energy and dark energy. This is a bit lower than the original one. Of course, it is of no use now. The world view setting of the previous book you continued is also the same, so I think the author is still suitable for the kind of writing with a big framework. A purely original writing is not as good as the previous one. If you want to write about other universes, you can borrow other world views. Some settings, or simply go directly to other science fiction worlds, such as Trisolaris, Warhammer and other main lines tens of thousands of years ago, there is still a big framework like Binghua's book, slowly from weak to strong, the technology of other worldviews, exchanges and conflicts with other universes' ideas, intervention in other universes' main lines, and any changes after mutual exchanges. This can all be written. Of course, the premise is that the author knows enough about other worldview settings, at least as close as Super God Then I understand everything about the characters so that I won't fail to write. Also, there are still many differences in the basic settings. I have to find a way to integrate them reasonably. If there is no worldview that I understand as well as a super god, then I can only be original. Of course, original creation can also copy some settings of other science fiction novels. I will just talk about my suggestions and opinions. How to write it is up to you, the author. I will skip reading now. If there are new ideas, I will talk about it. That's it.

Death, you are so blinded by the colorful world in the palace!

Isn't it closed at the back? It feels like this person is the only one who is super awesome. You can take a look at it.