Mysterious Gift

The problem with this book is that the protagonist is just a tool man. It can be seen that the author spent a lot of energy describing the supporting characters and the background of the times, but he just ignored the most important main line and personal growth. The specific manifestation is that personal combat power is unclear, and extraordinary abilities are better than nothing. From the beginning to the latest chapter, the protagonist's change in force feels like the difference between a modern pistol and a semi-automatic rifle, with some additional mental auxiliary abilities. For example, if the protagonist is surrounded by 10 ordinary gun-wielding soldiers, he will die. What's even more ridiculous is that all the tasks in the Monster Department that the protagonist joined after returning to the royal capital basically have no benefits. Instead, they are a lot of trouble and life-threatening. All income basically relies on the mechanical deity of the system. The key is that this system is useless except for departmental tasks. It is just a tool to advance the plot. In short, the protagonist looks like a fool, always doing useless tasks to advance the plot, and has no status or power himself. The author doesn't want to change the plot, but creates a system to solve the protagonist's upgrade for the sake of reading. In addition, the author blindly applies the revolutionary history since the modern Paris Commune, which is very strange in the novel. As a kingdom with extraordinary power, it would be overthrown by ordinary people? There is basically no description in the book of any supernatural intervention in the revolution. In the previous article, even a level 3 clown can destroy the royal capital. There must be a level 8 or 9 kingdom in the back that has the extraordinary capital disappear? Summary: The beginning of this article is a grass-level adventure novel. Even though it is a bit poisonous in some places, I personally feel that it has little impact, especially the introduction of the world view is well done. The quality began to decline after returning to the capital, turning into a second-rate detective novel with the most straw. Everything the protagonist does is to solve the case, and solving the case does not bring any benefits to the protagonist. Supernatural power is basically just a tool and background version rather than the focus of the description. High-level supernatural beings are like fools, unable to catch criminals who are 3 or 4 levels lower than themselves. The protagonist, a person without any extraordinary knowledge or intelligence, found it with just a snap of his head. What's even more outrageous is that the latter criminal, who no one could catch, took the initiative to challenge the protagonist. It can be seen that the author gradually distorted the writing and turned it into a detective novel. The specific manifestation is that it was originally shaped into a strange Platform 17, and later became a murderous and silenced one by the Mechanicum. The reason is still far-fetched. Starting from the volume "Fire of Revolution", this article went from being barely readable to becoming a poisonous weed. The author changed his mind from a detective novel to a hegemony novel, and the extraordinary background was basically abandoned. It is not impossible to read revolutionary literature, but the author made the same mistake again. The protagonist did whatever his superiors asked him to do, and there was no personal benefit to risking it. In particular, the supporting characters are described as fools, and Pig Knuckles wisely and valiantly solves one useless problem after another. By the time I reached 1 million words, I was still a soldier, and my position had not changed. The only advantage of the author is that his writing style is good, and he can make the poisonous points less obvious. It is much easier to read than most novices. The author probably doesn't have the habit of writing outlines, which is why this article is out of touch, and the more he learns, the worse it gets.

There is disharmony everywhere, there are a lot of logical problems, and the protagonist is just a marionette, as if he has no thought and nothing to see.

What is written about the economic system. . Previously, the protagonist bought the most expensive wine, which cost three silver coins. Then it was said that the sailor went to sea for six years and two hundred gold coins. Finally, the ordinary worker in the royal capital only got five gold coins per month. Then the ordinary worker in the royal capital was really happy. The most expensive wine the protagonist drinks can be drunk every day.

It's a bit poisonous. It's okay to watch without thinking. I was persuaded to leave

The plot logic is poor. Why do the natives have to let the protagonist and his party escort the children into Hong Kong? As long as they let the children sneak into the city, the plague in the whole city will die and they may not be able to find the source. It is secretive and safe.

I have read more than 100 chapters and I really can't stand it. Why are there civilian rebellions? Even if some civilians get fat, their careers will not be disrupted at all, because most of the extraordinary people in this world are nobles, and only nobles, and various religions have the channels to rise. If they are simple civilians, there is no way to become strong. There were also riots, and even if there were people behind them to support it, you think more people supported the common people than the nobles.

Are the higher-ups planning to kill the protagonist? First the royal capital was saved, and then the reward was withheld. Then there was the Rain Demon, but there was no reward at all. When it's over, you'll be designated to go to Enamel, and the protagonist will have all the dangerous things done. Are you ready to go dark? Or rebellion? Assassination?

The world view is well set up. The plot always lacks IQ but the general idea is okay. Unfortunately, the affixes are the same as the game one after another. The protagonist's operation is not very clever. Many places where more words should be spent are almost meaningless. The depth of the whole story is gone The script is good but not good.

Can you write steampunk well? Don't just do steampunk. If you don't understand that stuff, don't do the porcelain work.

🙂It is said that you should not take novels seriously. If you take them seriously, you will lose. But it's too damn crazy to write it without any brains 😡. At least you can sort out the outline and at least have some common sense. For example, you can give me a complete pair of calculations.

Does the author have any misunderstanding about archers? In reality, archers need unicorn arms. Not those archers in online games who cut off melee combat for the sake of balance. An archer who can shoot arrows from a distance and swing a weapon in close combat (miracles can be achieved with great strength). Since ancient times, archers have been a bad guy. Although it is meant to be a joke, archers are really awesome. In fact, the protagonist likes firearms, so there is no need to belittle archers.

The protagonist is no different from ordinary people except for the ability to use guns. The gunner's shortcomings are too great and he cannot carry a gun at all times. He does not have superhuman strength, so he is just an ordinary person. He only relies on guns to use his abilities. The limitations are too great. The cost of a gun is also high. One bullet costs 10 silver coins. The gun itself is a consumption. For the same extraordinary professional gunsmith, the most troublesome thing is to reload bullets. This time is enough to kill him countless times. Basically, I don't read novels that purely use guns as the protagonist of a supernatural professional. Whether it is an enemy or a weird enemy, it is easy to assassinate or weird. Needless to say, taking everything into account, this is a rubbish supernatural worker.

I don't want to read it after reading the synopsis. I hate the novels about Goldfinger that have a behind-the-scenes plot. Obviously, Goldfinger is more fun, but there is a behind-the-scenes story. Think about it, after readers step into the story, wouldn't they feel uncomfortable when they think of a behind-the-scenes story when they see Goldfinger? Force feeding to readers💩

Why is mid-level and high-level career information being concealed by big forces? Can't there be more first-level sub-professions like this in the early stage? If there is a system that can record occult knowledge, then find more places to go whoring for free. It shouldn't be difficult to get it. One more profession means one more skill. Knowledge is valuable and is the capital of the protagonist. Others just use the protagonist to explain all the optical knowledge in a lecture, so don't you know how to change it? Learn from the early experience by yourself, and add more at the critical moment. The author just wants to waste the experience in the early stage. Level one and level two are not difficult at all. Even the protagonist's predecessor template went from being a civilian to a university and became a level two mechanic in just a few years. Anyway, if you look at the previous content, you will know that the tasks are few and difficult, and the aura of the protagonist is too outrageous. And if a person with a low profession can turn the world upside down and destroy the world, then why do we need a high profession? Many of the magic items can be kept for your own use. The quality of the item depends on the person who uses it. The economic accounts are completely messed up. If it doesn't work, you can just adjust the actual prices according to a proportion.

You have an extraordinary profession and use a gun to shoot bears, with runes and precision. Finally, he sprinkled some poison. You've ruined yourself. Then he beat the bear to death. Are you funny? Even if an ordinary person takes a shotgun and goes up there, it probably only takes a few shots! It made me laugh out loud. You mentioned extraordinary profession. They are so far beyond mortals that they can even fight a beast. I don't want to watch it, my balls hurt

If I were the protagonist, I would find a task to help the old lady cross the road. According to reasoning, the experience of a secret-solving task is 1,500, and the task description states that the task of saving the royal capital has 1,000 experience. From this, it can be inferred that the higher the difficulty of the task, the less the experience reward will be, and conversely, the higher the experience will be if the difficulty is lower. Do you know how to choose 8? Start from the small things around us and refuse to be fake and empty.

How can I put it this way? I picked up on this book when it first came out. I felt it was okay. But after a few chapters today, I feel that it is getting more and more uncomfortable. The protagonist is a naval lieutenant and his profession is actually a gunnery. Oh my gosh. According to Uzumaki Uzumaki, your job of writing a sailor is better than this one. I accept this. You are a secondary job like a detective. Okay, I can tolerate this. Have you learned nothing after two years at sea? Have you been drifting away in the past two years? Was your life in vain? The author can write about what happened during this period and write a few stories. The protagonist has learned and understood some things through these things. There are also some things that you can dig into. When the protagonist returns to the royal capital, but feels something is wrong on Platform 17 and does not ask his boss for advice, what is he afraid of? He is afraid of being robbed of experience. There are also children of the sea who can understand how to link things in the past two years. Isn't this good? And this part of the clown, is this really tough and brainless? What are you worried about? Are you worried that there is a mole above you? Are you already invincible? If you have any concerns, go to the boss. Then, you should guard against your wife and your own boss, and then dance on the edge of death by yourself.

I have read Chapter 14, and to be honest, I feel very unhappy. The protagonist accepts everything and has no thoughts of his own. How can this kind of book be popular?

Give it up when it's time to give it up, give up when it's time to give up, does the gunner profession with no future have to be pushed to level 4, level 5, or level 6 by force with such a waste of experience? That was the experience gained at the cost of one's life. If he had changed to a promising profession, he would have reached level four already.

When a plague doctor goes to a small village, anyone can guess that it is related to plague or disease. Who in their right mind would go? Isn't it a shame that a gunnery master is gone?

It's a very good book, why are there so many bad posts about it?

Not bad, at least the overall view of the world is good. Think about it, you are very powerful, and you feel better than a potato. I didn't pay attention to these details, but I support the overall idea.

I heard that the mission has returned to China, so have the rewards that Pig Knuckle was owed before and this time been distributed? Or is there no more?

When you read Chapter 14, you know that the protagonist in the setting is a fool. He clearly knows that the plague doctor is promoted to find weird plagues. Isn't it clear at a glance why he went to an indigenous tribe? The mission is obviously to escort him to the tribe, but also how much is the commission? The protagonist went without knowing anything. Not to mention the mandatory orders from superiors. This was not a serious mission, it was just a private job. In order to make money for a private job, your superiors asked you to accept the death order. Will you accept it? The character is portrayed as a fool. You've already said that you're just as vulnerable to the plague as ordinary people, and you're going to die specifically for a commission you don't know about? It's like asking you to help the epidemic in India, will you go? Others take private jobs just to make easy money, but you are gambling with your life. You said you were on a pirate ship, and you can't get off. What if you don't get off? This is obviously a gamble on luck. You still go up. As I explained before, professionals have extraordinary skills, but I really didn't see it. Now I am a low-level professional. Let's look at the plot later. If you still use the pistol for combat, you can basically abandon it. It is estimated that the poison will still be the same later. At least others don't put poison in front of them, but this author is also stubborn.

I'm new to the game, and other minor problems such as incorrect data are nothing to worry about, but they are very problematic in logic. In the first plot, I didn't understand the operation of the indigenous people until the end of the plot. Since the indigenous people have mastered this plague, why not just send people to sneak into the city to spread it? If that is not possible, secretly infect outside the city at night, and wait until the indigenous people come to the city to work during the day. Wouldn't it be safe? As a result, a mysterious operation occurred, and Wang Bang was beaten to pieces. In the second plot, I saw the protagonist recommending a writer friend he knew to the police chief to help investigate the case, and I was even more fascinated. This is a supernatural case, and it is quite dangerous, and this writer has not shown to be a supernatural person. What are you going to ask him to help? Could it be that he was giving away his head? In short, it may be due to lack of foreshadowing. There are many confusions in the article, and I don't understand the logic at all.

I want to ask, is he a real eunuch?

After the protagonist was promoted to the intermediate level, I looked at the attributes and felt very disappointed. After reaching the intermediate level, you can't defeat it just by relying on numbers. I took a look and found that the mental strength increased from 12 to 30, but nothing else changed. Instead of tens of thousands of people, just a hundred or so popular protagonists will be gone. I really don't see the qualitative change 😅

The description is excellent and the layout is good. Although civilian rebellion is basically impossible to succeed in a world with extraordinary power, it is good to read it as a novel, and there is no need to take it so seriously.

I probably understand the problem of experience value in this system. There are two channels for obtaining experience value in this system (I just saw the protagonist beating a bear here, I don't know if there will be new channels later). The first type is special experience value obtained through learning, but this kind of experience value is only the digitization of learning progress and does not instill knowledge into the protagonist out of thin air. That is, only when new knowledge is learned will the corresponding experience value be increased. The protagonist has already graduated from the military academy and has learned all the professional knowledge available. This path will not work before acquiring more advanced knowledge. The second type is the general experience value obtained by completing tasks. After this experience value is added to skills, the system will instill corresponding knowledge. In this era where extraordinary knowledge is monopolized by the church and high-level officials, ordinary people like the protagonist can only obtain advanced knowledge by completing system tasks.

Okay, it seems I still like the feel of the Novice Village book