Patrolling the Heavens with a Crimson Heart

Second supplementary statement: Because there are too many messages, I will not reply without reading them. If you have any questions, please directly move to the author's other posts, there may be explanations. The author has stopped watching True Heart... So watching this again really takes up normal entertainment time, sorry for that. The current plot has completely collapsed, and the author has finished writing the seven-level pagoda. The fact that True Heart collapsed to this extent is purely due to the author's own academic qualifications, logical ability, high level of thinking, and writing attitude that have completely failed to keep up with the development of the characters and plot. I think the situation is reasonable, but the readers seem to be unable to hold it back. 1: Why is Empress Jiang Wangde so arrogant? All the golden basins in the world are false propositions. What Jiang Wang used before was a revenge script. A person has been hated for so long. Could it be that after revenge, he can return to the world of laughter and laughter without any obstacles? The Jiang Wang before was filled with the sadness of a long night without dreams, but the Jiang Wang now is not as mature as he was at seventeen. What truth did you let him know? Why is it so watery? The real wedding person deserves his reputation. 2: What is Taixu Pavilion? Xu Yuanzhiyong died in a touching tragedy. Didn't Jiang Wang have the morals as a person? Is there a conscience as an "individual"? But Jiang Wang divided his inheritance without emotion? Even complacent? Has Jiang Wang had any reflections on life recently? Jiang Wang's individuality is the shadow of Xu Yuanzhi. It is unjust for him to enter Taixu Pavilion. His communication with Taixu Taoist Master originally had a lot of room for repentance and improvement. Has there been any reflection on the result? 3: What are civilians? On one side, there are elders in Taixu Pavilion, and on the other side, the dignitaries are sitting there, but the author actually thinks that Jiang Wang is a commoner's sword? Jiang Wang has followed a path that could not be more aristocratic. Now Jiang Wang's circle of friends are all geniuses. How can he become a commoner? What civilian interests does he represent? Chu Yuzhi had ten thousand words to say about this. 4: What is a real person? It turns out that Dongzhen is not the truth of the cave world, but a way to rejuvenate one's youth. Everyone is twenty years younger and becomes a happy person, which is disrespectful and disrespectful. Group portrait? The groups are different. 5: What is Tianjiao? To put it bluntly, if you, Jiang Wang, have it, others also have it. A documentary about a small country is the best in the world? Don't take it for granted. This will only make everyone's combat power and style become low. 6: What is the enemy? After arriving in Tianjing City, the group Jiang Wang faced has actually become a concept, pointing to all injustices to individuals, and this hatred cannot be eradicated and continues. Jiang Wang could have always held a sword drawn for injustice, but the author wrote that Jiang Wang's revenge targets were Zhuang Guozhu and his relatives? There is obviously room for improvement, but what kind of monotonous peasant uprising are you repeating? 7: What is the overall situation? In fact, starting from Liu You, Jiang Wang's revenge target has room for improvement. It is different from killing the village. When killing the village, he himself was not very strong. But this time, even if he can do it on his own, the world doesn't want him to go. No one wants to see him take revenge except himself. Jiang Wang could have a clearer understanding of the world. The object of his revenge and the real enemy have been changed. He has a self that cannot be freed, because the overall situation cannot be killed. As long as Jiang Wang's character is always struggling in the overall situation, his sword can always be used to fight injustice. As a result, Jiang Wang, a person who should have complicated feelings about the overall situation, actually said "I am the overall situation" and really did it. What kind of novel way is this to break the situation? What kind of dragon slayer turns into a dragon? For the greater good? He Jiang Wangzhen is the overall situation, why is Huang Weizhen not the overall situation? Since it is for the sake of the overall situation, why don't the people of the Mo family line up to commit suicide? Huang Chaotuo is about to kill Chaochao. Shouldn't he line up to commit suicide so that Huang Chaochao doesn't have to worry? 7: What is a sky survey? I don't even know what I'm going to do. I've made no progress except in terms of force, and I've lost a single point in my intelligence. In this case, why bother going on patrol today? Even if it's a patrol, why should you do it? 8: What is a pure heart? There are all kinds of pure hearts in the world, and I also understand that my true self is also a kind of pure heart. But how can anyone in the world have the sincerity to speak crappy Mandarin every day? How can you have the sincerity to not discipline your disciples? How can there be a sincere heart without any empathy? Jiang Wang's second disciple is very ugly in the illusion of Taixu. To put it bluntly, he is a dog fighting for his own power. With such a disciple who clings to powerful people, where can Jiang Wang be so honest? 9: What is the death of Kujue? The most painful thing about Ku Jue's death was that Jiang Wang had shouldered a lot of honors after killing the village, but he never knew that someone had paid the price for him with his life, and Jiang Wang was unable to make up for it. This pain directly gave birth to the Tianjing City Killer Liu Zhen. But did Jiang Wang have any emotions after that? I think your state is better than that of a celestial being even if you are not a celestial being! 10: What is Ye Qingyu doing with such a vase? As a heroine, her only meaning is to be the heroine in a fictional, empty peach garden. Isn't this character design a failure enough? What is the objectification and gaze of the Haven character? Ye Xiaohua's education policy is full of self-imagination and patriarchy. Is he in love with Ye Qingyu? I understand, Douzhao has been practicing since he was a child. It turns out that Douzhao's grandmother doesn't love him, and it's domestic violence against Douzhao. I suddenly realized that Ye Qingyu is actually a character with no problems, and the "boring life of a dragon in an imaginary peach blossom garden" was all my illusion. Since this script is so good, I propose that Jiang Wang also receive a script like this. Since this script is good, why don't you want it yourself? 11: Why is Chu Yao so stubborn and lacking in quality? Didn't he come from a poor family? Why in the Taixu environment can I ask Master's powerful friends to support me without even thinking about it, and when I see a woman, I can say that she is my master's wife? 12: What is reputation: After the Yellow River Meeting, Jiang Wang has experienced what it is like to be the enemy of the whole world, but he can't stand the praise? Does Jiang Wang need to be praised greasyly? Is this level of praise too immersive? Will Jiang Wang value this kind of flattery? 13: What is my true self? My true path is grand and grand, and I have written enough about it, but Jiang Wang actually wants to take the path of heaven and man? Tianren Road is a foreign object, and Jiang Wang's true self is simply a joke. Even he doesn't believe it. It's a damn true self. Relying on heavenly beings to obtain killing power, he is written very low. To solve the problem of the state of beings and beings, one has to listen to people chatting, and the state of beings is written in a way that is not as good as depression. 14: What is the background? The current Jiang Wang is simply a relative of the Chu State on the left, and a father of the Qi State on the right. He seems to have unlimited glory, and the author is also very immersed in it, but what if Qi State and Chu State fight? Can't Jiang Wang see this threat? What status does he have? Is he really powerful? Jiang Wang's character can only be maintained when he is in a state of lonely search. Li Qi is a self-search of justification by faith. But it turns out that the author thinks that the overlord prince is not as prestigious as Taixu Pavilion, which makes people laugh. 15: What is Douzhao? Dou Zhao's character design is very suitable for the Chu country. He is the only one who has bold questioning and super spirit in facing "everything is higher than human beings, ancient than human beings, and far beyond human beings". May I ask where this kind of person is related to a ghost cultivator? Does Dou Zhao have to be strengthened like this? He went to PK with Lu Shuanghe, and then was gnawed by ten thousand ghosts, right? Where is his splendid chapter? 16: What is Mohism? The Mohist school in history was obviously one of the two major schools of thought. Because the Mohist school loved everyone, he was supported. Putting aside the limitations of the concept of universal love, how did the Mohists connect with human experiments? Isn't the reason why Mohist scripts are so bad because the author's true feelings and outlook are on the Mohist side? Do you really think everyone can't tell who he is praising? Huang Jinmo will never forgive the nonsense - because her body has already forgiven her! 17: What is Machiavellianism? What's the climax? How does the author define strategy? Does the strategy of the Yue Kingdom deserve to be called a strategy? Gao Zheng's death was truly unjust. Huang Weizhen's return was originally a grand event, but did he return? Tathagata! If the Tathagata comes to you, it is very neat. The Tathagata is Huang Weizhen, and the Tathagata is the country of Yue. They were a perfect match. No wonder Yue fell in love with Huang Weizhen. 18: What is your emotional stance? There can be multiple viewpoints in a book, but there must be a unified logic. Who does the author think he is? Balzac or Dostoevsky? Even Balzac and "Comedy Humane" did not reach the point where he later changed his emotional stance. The entire foundation of "Sky Hearts" lies in empathy: respecting a person's pain, a person's last resort, and a person's powerlessness when they are weak. "Standing on the side of people" is Chixin's fundamentals. But what about Mr. Jiang Ge now? His circle of friends has become "unworthy of being a genius"! The current logic is this: If a person is unlucky or in pain, it is because he is too weak, he deserves what he deserves, and he does not overestimate his own abilities! What a suffocating, condescending master style this is. If you took the path of looking down on the common people from the beginning, who would scold you? The problem is to trick people into killing them. ... There are too many problems, and I can't even complain about them. Except for the comical protagonist whom he still thinks about throughout the book, every supporting character has been equally written as a facial character by the author. The author has written all the characters in his works one by one, and everyone has been "traumatized". In the final analysis, all this is due to the author's own mess and excessive self-awareness. Again, what the collapse of each person in the book shows is definitely not the frame value of the character itself, but a clear-cut view of his feelings. His subconscious thoughts, his subconscious logic were like this. Without using his brain and the outline was not enough, Jiang Wang now felt like he was in love. In the previous writing, the author has simultaneously demonstrated his contradictory thoughts of worshiping power and despising power. In my heart, I feel that the author has a subtle sense of tension. The conflict between the position of worshiping power and the common people is constantly clashing. He actually wants to write about equality, so he often adjusts the arias or stabs them frequently. But he also needs to add buffs to the supporting characters and praise this noble buff. Among them, the biggest CP victims are Yun Wu and Zuo Qu. They are full of division and embarrassment. Why should love be so serious? It involves a real issue. When Chu Yuzhi left Huangliangtai, the most embarrassing thing for readers was definitely not Chu, but Qu and Zuo. Chu's separation made the class attributes and carnivorous characteristics of the "golden boy and beautiful girl" and "well-matched pair" he praised extremely obvious. The "well-matched pair" he praised in the CP instantly turned into a castle in the air under these words. Including Helian Yunyun's lyrics, Xiaowu Chai Yunyun in the grassland, the lyrics said that she was born noble and was born to be on the throne - but isn't this very divisive? In the end, Helian Yunyun was left with only one noble, and nobleness comes from class. The person who is most affected by this separation is the protagonist. The author seems to hope that Jiang Wang will be homeless and powerful at the same time He actually feels from the bottom of his heart that the civilian stance may be nobler, but the effect of his expression is definitely not like this... He always sings lyrics to Jiang Wang, saying that he is the only one in Taixu Pavilion. Somehow, he always wants to prove that Jiang Wang can do something compared to others, but Jiang Wang himself is no longer a member of the original class There were conflicts before, but after Jiang Wang was proven true, the author's logic completely replaced the character's logic, and only Bai Quan and Mu Qiang were left. When I become the big picture, everything in front of me is beneath me. Why did Jiang Wang want to take Tianrenlu? Replace Tianren Road with the monthly vote list, and combine it with the author's anti-defense essay, is the answer ready to come out? Why is Chu Yao, who was born in poverty, still so ignorant? Nothing else, because he is the most suitable tool. The master's personality cannot be used to bully others, so the apprentice will naturally have to spread his wings for the master. Whose need is behind this? Why is Empress Jiang Wangde so arrogant? Just look at who topped the monthly vote list during that period. Why can Ye Qingyu and Miaoyu exist at the same time? Who has the dream of a beautiful wife and concubine? Why did Jiang Wang never draw a sword for injustice or justice after he became the elder of the pavilion? Why did Jiang Wang never make any substantial contribution? The overlord prince was lost, followed closely by the Taixu Pavilion elder who was the seal of the Six Kingdoms? Who is it that Jiang Wang really wants to lose? Why are Mo Jia and Huang Jinmo's scripts so outrageous? Look at "Higher Than Life", whose actions and motivations is the author subconsciously referring to as "higher than life"? Who got more arcs in the Mohist script? Lack of intelligence and poor plotting are not the fundamental reasons for the collapse. The point is that the basic emotional tendencies have changed. Everything is dominated by the protagonist and everything is dominated by power. Why is love so extreme? It's double standards. Wu Guogong was such a murderous person that he endured Wu Ling's death and did not directly confront Yue. In the end, Jiang Wang's godfather whipped the leader of Yue into a top for Jiang Wang? These two things actually exist in one volume at the same time. So, is the Yue Kingdom important or not? So of the two princes, one of them will always become a clown, right? What is the logic behind it? What made it happen? Of course, everything must obey the protagonist. Only things that obey the protagonist's emotional requirements are right. The essay is all about self-impression. I deceive myself every day and brainwash myself to explain why I have tried so hard. But have I tried hard enough? Readers are not blind. Now Jiang Wang is like Li Bai turning into Gao Lishi. The tree is like this, how can it be so embarrassing?

Stack your armor first. I have written fanfics for Chixin, updated the encyclopedia, and compiled a lot of content for my own entertainment: The above is just to explain the background of my speech. I have done similar data compilation for three authors, Cuttlefish, Wrong Way, and Very Short. It is also because after reading it for the first time, I recognized the author's ability in setting the structure and portraying the world view. Swipe a second or third time to sort out your notes. I was introduced to the game by a friend from the Yellow River Club. Now my friend has given up. I am surprised that I am still following the game. I've been following updates, but I've never raised one. Before Hua Zhang Tianqiu's later period, I was as tolerant of books as possible, but at this stage I can no longer convince myself. After entering Huazhang Tianqiu, a large number of problems that had occurred or accumulated before began to intensify. These issues have always existed, but as readers have selectively ignored them because of other advantages. Flaws don't cover up strengths. I also said in the book club that some are problems with the plot setting itself, and some are problems with the way the plot is written. Readers should be aware that they can still justify themselves by breaking away from the author's writing style. But as far as the reading experience is concerned, it already makes me feel uncomfortable. (Although I feel uncomfortable, my sunk cost is too high, so I will still choose to finish the book.) Let me talk about the shortcomings that I personally found unpleasant after reading it. 1⃣️Jiang Wang's sense of fragmentation as the protagonist. In terms of choosing words and sentences, he was sometimes illiterate, and sometimes he was eloquent and had poetry classics at his fingertips. When does one become illiterate? It is often in the early or middle stages of a volume. The main dungeon is not spread out, and the protagonist is wandering around like a street kid. The beginning of the volume of "Bai Yujing" is said to be about releasing one's nature, relaxing and joyful, but after reading it, it feels like a "little man succeeds". Until I went to Jiange to pick up the rubbish sword code and plucked the wool out of it, my face was shocking. Going back to "Hua Zhang Tianqiu", after Killing the Six Realms, readers expect Jiang Wang to make achievements in the battle after entering the Gate of Ten Thousand Demons and fulfill his promise of "I am the overall situation". As a result, he first snatched heads, made jokes with Xiu Yuan, and then passively "showed off" in front of Gan Chang'an. Then the street tour begins. But every time at the end of the volume, the Yellow River Society's poem recital won the first prize, killing Zhang Linchuan, killing Zhuang, killing Liu Zhen, leaving the misty world with deep hatred and confusion. Although people are multi-faceted, they are almost similar to the philistine and happy little people who open the book. At the end of the book, I am the king of the overall situation. Especially when I rested for a few days after the end of the volume, and started a new volume with full anticipation, I felt a sense of separation, "Hey, I'm back to being a energetic young man again." 2⃣️Or because I can take notes and am more sensitive to timelines. I had a chat with a map maker in the group before about the issue of flight speed and map area. The first major wrinkle in the volume of "Hua Zhang Tian Qiu" is that Jiang Wang, accompanied by Huang Relic, wandered around with an unfamiliar Zhongshan for seven days, and had almost no communication with the outside world, wandering from Jingdi to the Southern Territory. The author's writing method is now at a later stage, and it often blurs the passage of time, such as sending troops to confuse the world on June 19th, to August 17th when the dust settles and Ye Qingyu celebrates his birthday. A span of two months, a fierce battle in a mysterious world. After reading it, I couldn't feel that two months had passed. At this time, the author suddenly clearly pointed out that Jiang Wang, who had to practice in the mourning hall, often flew directly to the entire map in one day (such as Qi State to Yun State), hung out and socialized for seven days, and slowly "flew" to the Southern Region, which shocked me. Eating settings is as disgusting as eating flies. 3⃣️"Hua Zhang" and the current problem of shaping group portraits. This volume has created many characters that were rarely mentioned before, most of which have little foreshadowing and little interest from readers (it is difficult to portray them if they are not interested), such as Gan Changan, Zhongshan Weisun, Long Boji, Chen Suan, Wen Jingxiu, Ying Wu, Gao Zheng, etc. There are also many new characters appearing, such as Yan Sheng, Wen Zhong, Zhuge Yixian, Xiong Zidu, Gu Chi, etc. After reading the whole volume, the feedback from only a few readers such as Wen Zhong, Ying Wu, and Xiong Zidu was positive. Some characters' relationships are inexplicable, such as the brotherhood of Taixu's three swordsmen. Zhongshan reluctantly relied on family reasons and face to make it work. Chen Suan, who was basically a fair-weather friend, committed suicide countless times, which made Taixu's rationality. I have discussed it with others in the group before, and the return of the circle does not stop me from feeling that the writing is childish. Wen Jingxiu, who looks like a hawk from the front but looks down from behind, is a clown looking for someone to fight for him, let alone a clown. There is also the most important twelve star gods, who have no solution to the conspiracy. I don't know what the author wants to portray, but there is some self-movement... One problem with the portrayal of group portraits is that some characters have no emotional basis for readers, and the rendering relies entirely on the author's narration, without any empathy. This problem still exists in this volume. How long has it been since I wrote a character based on profile, language, psychology, actions, and details? Instead, I relied on narration and settings to directly tell you that he is invincible and how he has no choice... 4⃣️Back to the protagonist, the plot of fighting against the South in the middle of "Hua Zhang" has basically nothing to do with the protagonist, so it was forced to be a spectator. Dungeons that have nothing to do with the protagonist must also involve the protagonist in a rigid sense. But without the protagonist, such as the current plot of "Canghai", the reader's sense of immersion is even worse. So why do I have to write it... To fill in the gaps... For the various "greatness" that the author wants to portray. Obviously the author of the "Bai Yujing" volume also knew to skip some grand plots. What's the problem? 5⃣️In "Hua Zhang", the protagonist still has a messy relationship problem. This is really a complaint. Party strife has always existed, but he also speculated in the stock market in the most unorthodox manner. The two main female supporting characters are both very unlikable in their portrayals. Jiang Wangyou promised to make it clear to Ye Qingyu that it has been almost seven years since the Dragon Palace Banquet. Not being able to write emotional dramas can obviously avoid shortcomings. The protagonist who has learned the wrong path is devoted to the path. I want to play stock trading and hold shares again. Is it Jiang Wang or the author who is upset about this emotional drama? Jiang Wang hopes that you still have your eldest brother's heart in your bag. You and Xiao Zuo ask Xiao Zuo to spare Mo Yue's life. Jiang Wang, who are you deceiving? Regarding whether the protagonist is "sincere" or not, there have been many rounds of double standards. A matter of opinion. 6⃣️From the Battle of Qi and Xia to the Mysterious World and then to the unsolvable conspiracy of high politics, the layout is messy and loves reversals. Readers will be amazed by the foreshadowing reversals. The repeated reversals of first becoming the Riddler and then the deus ex machina will only make people uncomfortable. Controversial plots such as Huang Jinmo's are actually a problem with his way of writing. He chose the most controversial way of writing, which was Juzi's suicide. The Mohists did the same thing, but writing it from a different angle would make things less interesting. 7⃣️The collapse of combat power is a trivial matter. I am used to it now after seeing the plot of "Ideal Combat Power Service". But the ghost cultivator who eats the settings makes me feel unhappy about being a settings party. The ghost cultivator can not only reset the life span, but also eat away the Douzhao people. He can directly cultivate to the highest level in one second by relying on his will, and it is even better than before. How reasonable is the setting here? Dou Zhao himself doesn't know what kind of state he is in. In fact, the author doesn't know how to deal with it, right? Just watch it for fun. Ghost cultivation is a desperate choice, and I think it is obviously Yangguan Avenue. Guan Yan was at a disadvantage because he appeared early, and it took hundreds of years for him to recover with some true spirit. Now it's time to lift Ye Xiaohua again, and there are a bunch of idols waiting to be carried. It is no longer important that the speed of realm cultivation is reasonable. This volume also adds a bunch of new settings such as Tianren and Jie Wukong. Shouldn't we be subtracting at this stage? Why are we still trying so hard to cram in new things? The airborne Tianlong Babu Quan, I don't understand the meaning of the detailed description in one chapter. The eight moves are described in sets, and they are just the airborne skills of a clone. Airborne, set the party's most hated thing. Another point about eating settings is the realm of Dongzhen. The small world, soul, Tao principles, and Dharma body set by oneself, and then the Tao and Dharma are combined to form the Tao. At present, some characters have used it a little bit, but for the protagonist and people like Dou Zhao and Zhong Xuanzun, where is the moral code? What about other people's little worlds? What about Dharmakaya? Where is the soul? The protagonist is serious. His three small worlds and three dharma images are the dharma body, right? What is the protagonist's moral code? If the three dharma bodies are combined with the Tao body to generate the Tao, will there be three more dharma bodies? If there is no limit on the number of dharma bodies, it would be quite funny for the dharma bodies of other yandao to walk. The time skipped a few years until he joined the Taixu Pavilion. The progress he made in the one or two years after joining the pavilion, and then compare the progress he made after skipping time after the Hushui dungeon. What was Jiang Wang practicing in the previous time jump? Leave the specifics to the fighting parties to argue. 8⃣️ Frequent switching of perspectives affects the continuity of reading. Every time, the chapter is broken when the readers are expecting it, and then updated to show irrelevant people from different perspectives. You thought it would be cut back, good guy, there are people who skip this plot directly... The details are appropriate, but they are omitted here. The places that should not be detailed are piled up with words and descriptions. A plot can be cut from four or five perspectives, and events from some perspectives may not even happen at the same time. Isn't that how multi-line parallelism is written? 9⃣️Everyone is talking about the issue of water injection. Some chapters, of course only parts, include a large number of reviews of past events, reviews of the identities of characters not seen for a long time, parallelism, exaggeration, poetry, and the accumulation of plain words, especially adding a bunch of qualifiers to be "invincible, first, and great" in the new track, rigidly inserted setting outlines, pretentious dialogues... Finally, it advances the plot a little bit. Of course this is the most extreme, but if you disperse some of these into each chapter, when you pay conscious attention to it, the impact on the reading experience will be huge. In fact, there is a feeling that the author first determines where I will write the plot of this chapter, and then fills in the details. If you look at the last two chapters, Xuan Shen failed to take action, and then Qi State intervened. The real amount of plot, with a little rhetoric, can be squeezed into one chapter. …Complaining here… Reading these chapters carefully, I can still feel the author's intentions. Some descriptions would be impossible for me to write. However, the protagonist is absent, there are few updates, the plot is slow to advance, and there are other writing problems. I complained a lot, but I knew it wouldn't change anything. Doesn't the author know how to write? Looking back at his essay at the end of the volume, I can't help it. His knowledge and ability can only go so far. This is a giant ship that is about to hit an iceberg. It is decorated with gorgeous but not necessarily useful decorations. It has docked in prosperous ports and sailed out of the most dangerous seas with difficulty. Now facing the iceberg not far away, it is difficult to change direction. The author encouraged the ship to steer and correct its course, but in the face of huge inertia, it was still impossible to avoid a collision. It's just that after the collision, how much wreckage will be left, how many people can escape, whether it will stand next to the iceberg and become a incomplete symbol, or whether it will sink, we readers and authors don't know.

I really like Ashika's character name

I can see that Jiang Wang's so-called sincerity means having clear thoughts, not letting yourself feel aggrieved, and doing whatever you want, no matter who dissuades or blocks you. Although this kind of behavior of doing whatever it takes to do whatever it takes is commendable, the problem is that Jiang Wang has no ambition and only cares about his own one-third of an acre. Not only does he have no clue about changing the situation of people with the same background as him, but he also becomes a vested interest, and all his energy is spent on revenge. The so-called righteousness of the human race is only limited to the abstract concept of "human race", not the struggling people of those small countries who are suffering from the disasters of ferocious beasts. Beheading foreigners is purely for psychological comfort and numbing oneself. The benefits this brings to the human race will only fall on the royal relatives and not even the common people. The word "Surveying the Sky" in this book is not to do something that others cannot do and let everyone praise you, but to do something that is beneficial to the people and let everyone in the world thank you. The current starting point for eradicating the Bone Cult is revenge, and bringing back the news about the world of Shenxiao depends entirely on Bu Lian. All the contributions I have made to the world are due to chance encounters or by chance. None of them are done out of my heart. I feel that this is what I should do and work hard to complete it. He can't afford the word "surveying the sky".

It is said that grudges are happy, but surprisingly, after killing Zhuang Gou, the book "Chixin" does not necessarily bring any relief. Jiang Wang's cry is heard in the wilderness. Even if he kills his enemy with his own hands, it will be difficult to realize the old dream of Fenglin. What kind of revenge can free people from pain? It's just so that you won't think about it all the time. So when the last volume ended, I was not happy. As in the past, when I saw the plots of various works come to an end, what I looked forward to was always the discussion at the end of the day - the reactions of all parties, the future direction... After the great revenge is avenged, how should people behave? These contents are more touching than the revenge itself. And Ash also understands this. Therefore, this volume has not been troubled so far. It is full of gags and youthful spirit, and it is all about love affairs, drunkenness and singing. The years of being overwhelmed by hatred have all been completed today, and it reminds people that, compared to the empty names of the number one palace in Qing history, and the hegemonic prince, he was first the Five Heroes of Maplewoods who wanted to fight with the sword Tianya, and first he was the passionate Fengxia Xiaojiang. This is the youth he is missing. This complement is Ashen's tenderness, and this tenderness extends to this chapter - reaching its peak during Rucheng's wedding and banquets from all directions. It's like the deck in One Piece that drifts through the world, telling Xiao Jiang's relatives and friends along his journey his changes, and also witnessing his whereabouts: Just move forward! The young man had no intention of talking about the wind and rain. He couldn't see the way home, and he was worried about killing the people in the maple! Just move forward! Now I have cut off all the troubles, dyed the color, and entertained all the guests!

Please help all new friends or second-time readers to clean up the spoilers in the chapters. There are too many words in this book, and it is difficult to find the spoilers in the past. If you have time, you can post a screenshot of the spoiler chapter you saw in this post. When taking the screenshot, reveal some of the text to facilitate my search and location. I Spoilers that I will definitely delete include: Who and so and so died Who and so and so came back to life later Who and so and so's true identity Spoilers that I will definitely delete include (does not necessarily affect reading): Who and so and what happens next What achievements (become a marquis, win or lose in war) Who wins in a fight between two people (Jiang Wang's various duels) There may be other things I haven't considered. You can post them if you think they will be influential~ Thank you again for your help~Any posts that really affect the reading experience will be deleted within 24 hours~٩( 'ω' )و In addition, if you have not blocked your own chapter comments, you can reply directly under the spoiler chapter comments, so that the assistants can locate the spoiler location by clicking on your avatar. Multiple spoilers can be deleted together without having to post multiple screenshots~

Some people lose their relatives and friends overnight. Illuminating the wrong path with my pure heart, watching the wind blowing the Samadhi fire, the sword-wielding immortal carrying the blood of a city on his back. Some people use their spears to pierce the fire and become trapped animals in drums. After serving the country, he committed treason, tearing apart all the hypocritical tenderness, and only clinging to the fire of his hometown. Some people cannot control their own lives and will kill those who believe in them and love them. Although I have the talent to look down upon the evil god, as the day and night pass, I still miss an auspicious cloud and a journey of loess. Some people are passionate and prefer drinking. He was born to be a fierce general, but he tearfully used the heads of his teachers and friends to win the trust of his enemies. No limbs are seen, no strong drink is drunk, the wild tiger hides in the snake's den. There are people with all kinds of charms, but they meet their true love due to bad consequences. Love and hate are entangled, and there is no gain in staying together. Several times when I woke up from the dream, my heart for loving him was as strong as iron, and my heart for hating him was as strong as iron. Some people are unrestrained and romantic, and have no intention of losing their royal power, and would rather spend their lives idle. But in the end, Xinhen faced a feud. Some people are kind-hearted by nature and cannot tolerate the remains of bones on the roadside. The silent merits created by their benevolence are greater than the twisted inscription outside the city. Some are magnificent, some are covered in mud, some are carrying a heavy burden, some are carefree, some are born noble, some are helpless, some have no future, some have a decayed sword, some have exhausted all their abilities, and some are ambitious. Bo, some people are steady and tolerant, and some people kill relatives to ask for directions... This is a group portrait article. It talks about the protagonist's invincible road, but also about the frost and dust, it talks about happiness and hatred, and also about the impermanence of the world. It talks about geniuses and heroes, but also about the bones on the roadside. It is a world book. There are big countries in the world that are burdened. A small country is humiliated; there are heroes rising together, the sun and the moon competing for glory; there are legendary figures, the scenery of the small town... Every character is vivid, and every battle has complicated causes and consequences. Thank you Lao Shen, thank you for this wonderful world. I have always felt that "Red Heart" is an undoubted masterpiece. It has a grand layout, a vast world, and vivid characters. It is difficult to see it in online articles. The lines are full of the beauty of words and the interest of logic. I don't understand why "white and shallow" has become a characteristic or even a requirement of online articles But, thanks to the update time and the quality of readers, it is difficult for online authors to carefully construct the text, and readers have no time to read too deeply. However, "Red Heart" is not lonely and cold, and is still a popular read. It just takes a little thinking to appreciate the beauty of the text and feel the author's exquisite arrangements. I can't help but admire the stories happening outside the text - time is flowing in the world of Chixin, not only the part of time mentioned in the text. It was flowing. When the author wrote about Jiang Qingyang practicing swordsmanship late at night, although Lao Shen did not write about it, the world was also going on at the same time. Xuan Pang and Shi Shi were shy, Huang Jinmo and Zhu Weiwo were shy, Zhao Rucheng and He Lian were so shy, but Lao Shen did not write about it. Friends, think more. One of the interesting things about reading stories is to communicate with the author through words and learn about tricks. In addition to this fun, I don't think Lao Shen's stories are boring. The whole world of Chixin is vivid. How can such a story be boring? Even if you are pursuing simple entertainment, you cannot say that this is not a good book. It is a novel with the beauty of words, the pleasure of reading, and the logic of the story. You cannot be accused of stupidity because you refuse to think. In my heart, he will always be the first group portrait article. In "I am like a god," although everyone is making fun of everyone, Jiang Wang only has one. But I think Jiang Wang is an introduction, allowing us to see the geniuses of this world, and then Jiang Wang comes and competes with heroes for heroes. He is the most heroic. This is also one of the great pleasures of group portrait novels. This kind of pleasure cannot be brought by novels with facial makeup of supporting characters. Give Lao Shen some time to tell stories, and give us some time to read stories. We are reading novels to kill time, rather than rushing to read novels. In fact, I think it is nonsense for me to be so proficient in Chinese characters. After all, I can appreciate words. As a person with a sense of beauty, I say it's unnecessary, but as someone who can't accept the foreshadowing of group portraits, it's useless for me to say so much, but these are more to support Lao Shen—— Above, Thank you Lao Shen for writing such a wonderful world for us.

Three suggestions about reading this book review: 1. If you are a new book lover, the book review will contain spoilers, please check it out immediately. The aesthetics of reading and reviewing are very subjective matters. This book review will affect your reading experience. Please read to the update deadline before participating in the discussion. Of course, please support the genuine version if possible. 2. Most of the content of this book review has been referenced from Book Friends Circle, Post Bar, and Q Group. You can reprint it, just leave a message to let me know. But please do not take it out of context to attack any party. 3. This post is just an evaluation of the plot development, storyline, character portrayal, fighting scenes, etc. Written from the reader's perspective. Of course, it also contains the expression of my personal emotions, but it does not rise to any personal level. So when you reply, please only focus on the plot,and don't make it about people. ① The cold poison enters the life, and the lie is revealed to the truth in one step (Chapter 1-10) Among the controversial scrolls about the arrival of God, the least controversial one is probably its opening chapter. Of course, if you are also a follower, you will know that this kind of controversy is only relative. At that time, Jiang Wuqi, a young man whose life was poisoned by cold, suddenly came to his inner palace on a foggy morning, and then he really froze to death and died in front of his father.     ,, Of course he died before all the idiots, sorry I use such words to describe other people. He shouldered the title of peerless genius. None of the characters who appeared or were legendary at that time had such a genius. I have to say here that Jinda handled it very well. He let this genius die, and his death was reasonable. The good thing about Jiang Wuqi is that he is dead. Among all the posts about combat power idealism in the future, the posts about Jiang Wuqi's one-step divine arrival are the least, and Jiang Wuqi is rarely mentioned in discussions about combat power idealism. Because the handling here is really good, there is Jiang Wuqi's golden sentence "Toward Daqi, you are facing me", and later Jiang Wuqi naked and holding a jade begging for death, and then Jiang Wuqi and Jiang Wang had a fight and finally got his wish. There are various signs and aftertaste, it can be seen that he has long wanted to die. Wu Qi did not appear many times, and the portrayal was spot-on, and his death was tragic and lonely. Compared with the follow-up Chongxuan's "I have seen all the scenery along the way" and then God comes, Jiang Wuqi's naked body is better than the white one. Jiang Wuqi makes people lovable, and Zhong Xuanzun makes people dislike them. They are all the merits and demerits of character portrayal. I believe that Chong Xuan Zun, who punched the body of a near god on the river viewing platform and was chopped by Dou Zhao with a knife, and his face turned pale, was loved because everyone knew that his clothes, as white as snow, could be stained. "General Zhan Yu will never bear the rain, and the immortal son will not live forever." Borrowing poems from book friends, we can see that Yan Tu and Xiu Yuan, who were only described in a few chapters at that time, left a deep impression on people. The portrayal of Emperor Qi as an emperor and husband is also quite wonderful. Jiang Wuqi only appeared in three chapters as a living person. I have to say that the characterization of the characters in these three chapters reaches the pinnacle of this volume. In the future, even if there is an explosive appearance of the big brother crossing the water, there will also be Taiyin's heroic exit of "The formation has its own destiny". Not as good as this young man who was married to Qiu Shuang. After his death, Jiang Wuqi gave the protagonist a famous book, a collector's edition of "The Biography of Thousand Beauties of All Nations". This stroke adds a touch of humor to this young man who has had a rough life. With more life, there is less sadness caused by death. At the Wuqi funeral, and in the undercurrent of the confrontation, the three crown princes and a monarch father were portrayed very wonderfully. The only shortcoming is the serious problem left by the portrayal of Jiang Wang in the Fuyao volume. The Fuyao volume suddenly added a characteristic to Jiang Wang that he was less educated and greedy for money, and this problem became increasingly obvious in the Shenlin volume. Jiang Wang, who had little education, could still speak well every time he faced Emperor Qi. It was really surprising that a person with little education could use his magical power to compose poems with great emotion when he was fighting. Let's talk about the controversial Dragon and Tiger incident in the mourning hall in the later period. Jiang Wang himself is such a person, and has been described in many previous articles. A man who is the best in the world in the Yellow River was still taking evening classes on the night when he won the championship. You can understand that his practice in the mourning hall is actually normal. But what's unusual about this is that the super-grade Taoism has been weakened too seriously. To give an inappropriate example, a person who attended a funeral and memorized vocabulary words scored 10 points on his CET-4 test. You tell me who is watching and not laughing at him. However, these two shortcomings have little to do with this opening chapter. Overall, the beginning of the chapter is very good. I said it in my post a long time ago. With this opening, I can't find the second volume even if I read it again. Such an intense opening only has ten chapters, and ends with "Breaking the Willow". Generally speaking, it received rave reviews, but the controversy focused on Jiang Wuqi's one-step divine arrival. Later, he died and the controversy ended. ② Where is the green card? Defending the Universe with Death (Chapter 11-35) First of all, I have to say that the beginning of this case was still very confusing. With the transmission of information from Jiang Wang, Lin Youxie, and Zheng Shangming, this major case that may shock the court was opened. First of all, Feng Gu's death was just a small case, but behind him was the assassination of a noble concubine in the 38th year of Yuanfeng. Lin Kuang, a famous arrester of a generation, died in this case. Lin Kuang's knife was placed in front of his daughter again today. At this time, Beiya Governor Zheng Shi is about to come. Whoever can handle this case well will be able to stand in that position. But whoever wants to handle this case successfully will face the threat of death. According to the original text, What a fascinating but dangerous case! At this time, except for the fact that Lin Youxie was certain that Feng Gu committed suicide based on past experience that "the corpse will not lie to me", there was no big problem. Because you don't have to pursue the details of character reasoning in fantasy novels. However, the next plot took a turn for the worse. First, Jiang Wang relied on the red mirror and thought he could find clues before the two heirs, so he changed from a supervisor to a murderer. It's actually very confusing here. Jiang Wang obviously doesn't need to make those choices. You only need to supervise Feng Gu's case to be investigated smoothly and it will be over. If someone comes to hinder the investigation, you have to fight with your life. If someone comes to warn you, you should catch him instead of letting him go back to deliver the message. You should not be biased towards either Lin Youxie or Zheng Shangming. Your trust in Lin Youxie is as inexplicable as your distrust in Zheng Shangming. If you really care about the truth, please grasp the clues and tell them to every expert who is investigating the case, so that the truth can be closer to the truth, instead of handing it over to the person who is more chivalrous in your heart. It's because there are too many such things happening, and everyone is allocating the right to know the truth, that's why this case has been delayed until today, isn't it? I would like to add something here. Later, many book friends said that Jiang Wang became unpleasant in this volume. This is because Jiang Wang's portrayal has become increasingly flat, and his martial arts drama: Tsing Yi, firm eyes, a sword fairy in a lust cloak, piercing the enemy's abdomen with one sword. Literary and Opera: Little reading and poverty. If you read too much, you will no longer have any new ideas, and you will naturally become bored. For example, as long as Zhong Xuansheng and Jiang Wang are together, Jiang Wang will seem to be buffed by a higher level of intelligence. In the dialogue from the end of Chapter 16 to the beginning of Chapter 17, Chong Xuan Sheng's genius was not shown, but Jiang Wang's stupidity was vividly portrayed. A genius should be set off by a genius or an ordinary person, not a fool. There are many similar plots later on, and the more I read, the less I realize how smart Chong Xuan Sheng is. The process of solving a case relies entirely on a lot of dialogue, and even undocumented death cases can be inferred. Zheng Shi's son Zheng Shangming was originally a very polite young man. What caused him to part ways with the protagonist? Lin Kuang's daughter Lin Youxie is a very irritating girl. What makes him reconcile with the protagonist? There is only one answer: The truth. However, the truth has long been buried by Jiang Wuqi and Lin Kuang in the 38th year of Yuanfeng. The truth that the plaintiff died and was buried is evidence of the spectators' pursuit of power. Whoever gets this evidence first will be qualified to sit in the position of a third-grade official. Qi Guonuo's officialdom and Qi Dino's majesty are both terrifying and ridiculous. I don't admire any of the living people who appeared in the Lei Guifei case. I only admire those Qingpai who died in the dark and bitter rain to investigate the truth. Because most of them don't know the truth, but they really sacrificed their lives for the truth. There is no earth-shattering truth in this case, nor is there a fight scene on the street at the end. The struggle between darkness and light has to be figured out by your own imagination. But I personally think the ending is good. Jiang Wang finally told a ridiculous story. A ridiculous story is just right for a bloody court. The case is over, the clouds are calm and the breeze is calm. The truth was dug out by death and told to those who already knew the truth. In the end, I can only say that this case is so big that it must have given up a lot of plot, making it look more like a bad extra. The meaning of a bad extra is that it's fine if you don't read it, but if you read it, it will affect your perception of the whole book. ③ Mountains and seas are all fake, only Phoenix is ​​true (Chapter 36-123) The beginning of "Mountains and Seas" is quite good, a fantasy and magnificent world, a world full of strange beasts. Just thinking about it makes me feel full of anticipation, right? The birthplace is a blue sea, and then the beasts have opened the prelude to the mountains and seas. You must have fantasized about the appearance of each mythical beast and their innate magical powers when you were a child. So is this a fantasy feast? Almost all readers, including me, will ask themselves this question. But to be honest, there are only a few strange beasts that impress people. Because most of the time I didn't describe this strange environment and this magnificent dream. Most of the time, our protagonist Jiang Wang is still running for his life, running for his life, running for his life in the mountains and seas. It gives people the feeling that they are tired of traveling and traveling, and they are exhausted. Why don't you change your name to Zuo Guangshu Zuo Guangshu? The relationship between you and Jiang Wang seems to be that of brother and sister. I don't understand why Jinda described Zuo Guangshu as a young master like butter. When you were fifteen years old, your brother was the best in the world. The scene of you making milky sounds is really chilling. Your relationship is very twisted, just like the relationship between Jiang Wang and Fu Dou. Of course, the appearance of fireworks burning the city is still very dazzling, after all, I have waited from the first chapter to now. Jiang Wang and Zuo Guanglie completed the handover with little awareness of the reader. The moment the fireworks appeared on the city, I let out a long breath. Then for some reason, Xiang Bei and Tai Yin, the two inner palace officials, suddenly thought that they could surround and kill Xingyue Yuan, and pierced Jiang Wang in the Jingwai Building opposite with his sword. Please think about his notoriety before taking action. Of course Qu Shunhua is the most speechless. I am not saying that I am speechless towards Qu Shunhua, but Qu Shunhua is definitely speechless about his magical powers. Hello! Go and see if the yellow relic is good. What does it mean to be overwhelmed by the sea of ​​suffering? What does it mean that the waves come and go and I return alone? It's not that I want to laugh at you. Your magical powers are really like those of a dragon and a tiger, and they can't trap anyone. Of course, there are three great gods in the mountain and sea realm, one with a gun like a dragon, a fishing expert, and a violent man. There is not much wrong with the portrayal of these three people. The senior brother's first appearance after "shooting to repay the favor of the country and returning to take revenge on the city." Is like recharging the value. I have never seen a big scene, because he is a big scene! Compared with the other two, they are really a monster, a monster. Wang Changji is in this state. To create a thunder pool and open the Tianfu, it was still possible to open it in the outer building. Shocking! At the end of the fight, he was in a monster state. He said "I caught you" and Ge Fei was so frightened that he almost said you were a human or a ghost. Dou Zhao only has two words, Macho Man! Speaking of which, I have to talk about the final battle. This meeting must be ranked in the top three of the Heartfelt Fight Rankings. A hearty battle and a wonderful cooperation. The God of Killing is coming from the outer building. Unless it is a genius, he is determined not to be able to overcome it. The impact and scene of this battle are outstanding, and it can be regarded as a good ending for Shanhai. Of course, the most powerful thing about Shanhai Realm should be Huang Weizhen's decryption. She returned from the fantasy and is worthy of being extraordinary. Needless to say, the final chaotic fight against the candle dragon, the debate between freedom and life, must also be the hidden thread left behind by Huang Weizhen's return. It just depends on how you write it. Actually, I have no intention of mentioning the scene between Jiang Wang and Xiao Fang, because I know that no matter how I evaluate it, it will always cause controversy.​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ Out out out out out loud are three lines from "The Great Gatsby" for everyone to think about. First sentence:Whenever you feel like criticizing someone, you must remember that not everyone in this world has what you have. The second sentence:People's sense of good and evil differs from birth. Second sentence:Some people's character seems to be built on hard rock, and some seems to be built in mire, but beyond a certain limit, I don't care what it is built on. Back to a more important question, if Jiang Wang will become the person who patrols the sky, he must answer the questions raised by the three sentences above. What is controversial is also the conversation between Jiang Wang and Zuo Guangshu about Huang Weizhen. I will not comment on this kind of plot about the fight back in the book club circle. But for a casual reader, knowing that this is a riposte would be damaging to the reading experience. Wang Changji appeared and was very strong. The senior brother appeared and was very strong. No one in Fenglin martial arts is weak. It will inevitably give people the illusion that Maplewood City is the center of the Chixin universe. But I personally think that as the saying goes, there are no coincidences, and there are similar examples in reality. Times make heroes. There is nothing to say about this. Generally speaking, people who like the content of the mountain and sea realm will think that the flaws are not concealed, and those who don't like it will think that the flaws are not concealed. PS: The God's Arrival volume is too long and is still in the process of creation. Therefore, this post will be distributed in two parts, upper and lower, to be continued.

I obviously came here to read the story, but it backfired. The author seemed to be writing a philosophy textbook instead of a story, insisting on word for word, repeatedly mentioning his own thoughts in inappropriate places. I understand that many literate writers always want to say something and do something in their stories to show that they have "ink" in their stomachs. Of course, there is no problem with this, but can it be done? Can you combine what you want to say into the story, let them develop naturally, let the protagonists of the story talk to each other, let them think about themselves, and let the audience immerse themselves in it and think empathically, instead of repeatedly mentioning these ideas that have appeared many times in the text from the perspective of educating the audience. The audience does not need you to analyze words and repeat questions like a teacher, because it is the characters in the story who need to answer, not the audience. There are too many meaningless redundancies in the article, such as the glorious or lonely deeds of a certain character, a certain empire, or a certain era in the past. These deeds do not need to be repeated too much. The characters in the story understand these deeds, and the audience only needs to glance at them. Like those words that express philosophy, repeating these things again and again will not have any effect. The reason why so-called philosophical ideas and truths are so thought-provoking is not because of the number of times they appear, but because of the concepts they contain. The author should streamline some of his writing. Instead of making up numbers like primary school students or junior high school students writing essays, it is better to use more gorgeous, spectacular, and grand words to modify their stories.

This is a very long novel with outstanding strengths and weaknesses. There are a lot of outstanding chapters, such as "The Misguided Path in the Devil's Cave", "Surrounding the Leader", "The World of Gods", "The Nameless Ksitigarbha Bureau", "The Battle between Humans and Monsters" and other related chapters are quite interesting. The world view and humanistic details are extremely solid. History, articles, customs, and slang penetrate the world. The practice system and supernatural powers are ingenious. The multi-line layout is wonderful. The creation of enemies and strong men is full of legend and idealism. The protagonist is a local with a clear growth curve and does not rely on concepts to gain strength. The overall story is extremely complete, the outline is extremely complete, and there are many foreshadowings. However, the emotional writing occasionally sacrifices logic when mobilizing the atmosphere, the youthful illness and group portraits are mishandled, there are too many meaningless reversals and euphemistic foils, the late narrative is protracted, and the final boss treatment is disappointing, which lowers the overall experience. Let's talk about the advantages first First of all, the world view and background setting Humanistic details and realism The humanistic details in the book are very solid. Historical events, articles, songs, customs, local slang, etc. Are all written in detail. Everything makes the world come to life, and it is not just a background panel surrounding the protagonist, but penetrates into all aspects of the world, making the world appear real and vivid. Many other books don't take this into account and therefore lose a sense of reality. When writing historical events in this book, it makes people feel that there is such a history, which is not only related to the protagonist, but also reflected in all aspects, especially the history that refers to the past and the present, and the characters in history who have come to the present. Naming also has a sense of culture. Good names and nouns have cultural heritage. This book's control of various humanistic details is quite rigorous, at least in terms of presentation, making many stories feel real. The setting of the practice system is interesting and the performance is good; magical powers such as Samadhi True Fire, Misdirection, etc. Are set up with ingenuity and memory points. The second is character creation Protagonist aspect The creation of the protagonist is a highlight of this book. The protagonist is a local, and unlike some novels, he does not appear to be a brat, extremely shrewd, not like a child but like a person who has experienced the world. The protagonist of this book has an obvious growth process and growth curve, illuminating himself and gradually growing up along the way. The configuration of the protagonist seems "mediocre" and does not rely on lofty concepts to add strength; many novels are eager to give all kinds of lofty concepts and abilities to the protagonist, all of whom are "strong at a glance", but the configuration of this book alone is very "mediocre". The combination does not rely on conceptual ability, but relies on many touching stories to make people believe that he is indeed that strong. But the creation of the protagonist also leaves some problems. In some places, he seems to bully the weak and fear the strong: on the one hand, he says that he has a lot of love and justice, punishes evil and eradicates evil, cannot tolerate any evil, and does his best to eliminate evil that can be beaten; on the other hand, he even feels sympathy for some negative characters. For example, the villain who is also a fierce murderer and kills for his own benefit is beaten to death by the leader. When they encounter Hell No Way, they start to cooperate, and they become sympathetic to each other, very much like Tian Boguang's treatment. Another example is murdering people, but these things don't matter. Didn't the emperor kill many people? Where are the two armies in front? Not to mention that there is no right or wrong in war, there is always an aggressor (such as the Yang Kingdom). The author also tried to explain these issues and wrote them well, but the conflicts still exist. Other characters Enemies and strong men are created with a "legendary" and idealistic color. Most of the enemies are intelligent and try their best to defeat the enemy, but they are not tools to subdue intelligence. The "legendary feeling" is well controlled. For example, in the game with the previous generation White Bone Daozi, in just a few chapters, a previous generation hero was vividly sketched. He deceives gods and deceives ghosts, and turns people around with just a few words. There are many such creations, such as the Sanshenghua Demon Ancestor who only appeared in a few chapters. At the same time, there are also some bad aspects of shaping. In order to quickly shape some parts in the early and middle stages, some extreme personality descriptions were used. For example, the stronger you are, the more miserable you are, and the more miserable you are, the stronger you are. You must describe a strong person as being particularly miserable (or particularly emotional), with a complicated past, and some quirks. This problem was alleviated later, but it was replaced by another problem (the problem of pad characters). The book contains a large number of idealists who risk their lives to pursue their dreams and principles. The various morals and struggles are quite touching. The forces are not empty shells, there are many characters and they all have their own plans, and the density of the layout is even more complicated than reality. Nowadays, the more mainstream setting of online books is that "most people are villains", but many characters in this book are magnanimous, proud and reserved, which is rare. Many races have heroes, and times are turbulent, each with its own ups and downs and stories. Many settings can be expanded into settings for more than a dozen books with just a few changes. In addition, the "hypocrisy and righteousness" is very obvious in some characters: many characters shout about the righteousness of the human race and the overall situation, but what they actually do are frivolous things, such as the plots related to Li Guo and Wuliang. Trying to create a positive character seems false and empty, and the world seems to be crowded with countless "Lin Guangming". , """""""""" Just because it's not mentioned doesn't mean it's not exciting. Most of the stories in this book are rated above 80 points in the online version. Basically, there are wonderful stories in every volume, but the most memorable ones are often the stories with perfect scores. Excellent multi-line layout. The author often arranges dozens of lines in a chapter, each of which is wonderful, complementary and independent of each other. For example, in the world of Shenxiao and the Endless Ksitigarbha Bureau, more than a dozen people have their own intentions, clues and moves, and in the end they are intertwined, which is really amazing. The degree of completion of this book is very high, with reflections from before and after, and a lot of foreshadowing. It spans millions of words and is still functioning, and the outline is terrifyingly complete. However, "many foreshadowings" does not mean "foreshadowing god", and it is not appropriate to directly deify "many foreshadowings". Foreshadowing and foreshadowing are also different. For example, "I went to play at a friend's house and saw a pair of white socks." Many chapters later, "My friend had not been married for a long time and had a falling out at home, so he revealed that he was gay." This is false foreshadowing in the form of a trailer. The information does not change the status quo or advance the story. It can only show that there was a warning and highlight the "completeness" of the story outline. This is the case with many foreshadowings in this book, such as warning Churchill a long time ago. Such foreshadowing is just that after the incident happened, it was suddenly discovered that there had been warnings, but it could not change the status quo. The real foreshadowing should be: Many chapters later, "My friend was involved in murder accusations, and he thought of the White Sox. After some investigation, he found out that he was gay, thus overturning the motive for the crime." This is a useful foreshadowing. Of course, this book has a lot of foreshadowing, but if you really want to say how amazing the foreshadowing is, it is actually similar to many clever novels. The book repeatedly emphasizes that justice is not only "result justice" but also requires "procedural justice", and the latter may be more important. Most of the villains in the book use the wrong process to achieve the right ideals, and have been criticized repeatedly. You may get good results if you ignore the process, but the people and things that become the cost cannot be ignored. That is what is emphasized throughout the article: the wrong path cannot lead to the right result. It's just that the secondary gray characters in the book also do evil in the name of good, and they don't have enough power to stop them - until the protagonist appears. Emotional Writing and Literary Youth The author regulates emotions well and emphasizes the way of writing emotions, but there are also some shortcomings. In many places, in order to arouse emotions and push the atmosphere to the extreme, some logic is often lost. When people can be immersed in emotions, they don't care, but if a certain part of the skill is not enough, or if they think about it afterwards, they always feel inconsistent. At the same time, if you write in this way, it will be easy to write in a literary style. There are three characteristics of literary youth: being high-minded and reclusive, being tortured for the sake of being tortured, and "group portraits". This book has them all. If you don't grasp it well, you will look stupid. There are several places like this in the book. I wanted to write a group portrait, but in the later stage it turned out to be a forced addition of supporting characters, which overshadowed the main role. In order to write a "group portrait", the author will overshadow past characters, and he especially likes to use a "detached" (referring to the degree of shaping) character to cushion a bunch of new characters. Then the new characters can only be shaped to the level of "God's Coming". Another important perspective that has been ignored is the perspective of ordinary people, which lacks the observation and weight of ordinary people. (Similar to "Sword of Dawn") At the same time, in order to create characters that are "not black and white," the positions and behaviors of many people are blurred. Many places rely on dead people to advance, which is also a problem. Finally, let's talk about some other shortcomings and problems One is the expansion of combat power The protagonist stays in each stage for too long, resulting in a very fragmented combat power in each realm. It was especially obvious in Shenlin, Zhenren, and Yandao, and Yandao and Xiaosheng eventually became a mess. However, the expansion of combat power is a common problem in many novels, not something special. The other one is a political drama I personally don't like politics in the extraordinary world, and it's easy to laugh and laugh. There are a little too many political dramas in this book. Although it is considered to be relatively well written, it is still a demerit. There is also the battle of water injection and meaningless reversal in the later stage. In the later stage, the author has more and more meaningless descriptions, which means it is getting more and more watery. Such as a lot of redundant appearance descriptions, profile descriptions (what does this mean, mention it repeatedly), various euphemistic descriptions (a is so, so b is like this, implying that it is better/almost better than a), and a few sentences can be said clearly and repeatedly. Each battle is extremely complicated to write, and the descriptions do not match the battle conditions. Many moves are written like the "one sword in ten years" stunt, but the speed of light is in vain, it only breaks the skin, and the actual effect is just an early trial attack, forcibly called "reversal". There are some well-written reversals, such as the battle between Jiang Di and Zhuang Zu, one versus six, the battle between heaven and man, etc.; But for battles like "Killing the Lord of Zhuang", each unique move is used, and the description is just superficial for a long time, and the perception is much worse. Finally, the handling of the final boss was a failure. I rated the final boss as NPC. Compared with the previous one, it was finished. The final boss, which has been prepared for a long time, turns out to be just an "ancient strong man" who has been defeated many times in history. He lacks qualifications: he is neither a fate-level opponent (demon race) nor some kind of conceptual power or existence. The description is so indescribable and mysterious that if you know it, you will die. It is made as if no one knows it. In the end, only the readers do not know it. When the fight begins, everyone already knows and has plans. It is really the worst way to write. Then there are things like "narrative layer", "said in the book" and "author theory". They are really not new and I have long been tired of them. The most recent one was at the end of "All Tens: Beginning with the Slaying of Demons at the End of the Bakumatsu". The deconstruction of that book was quite amazing, while this book is quite NPC in comparison. Although the author didn't bother much about this, it is still cliché. The author is indeed good at writing some "ideal people", and the sense of pursuing the path is very good, but he is really not good at writing "metaphysical concepts". It would be better to honestly write about the decisive battle between humans and demons, the decisive battle between humans and demons, or the decisive battle between Liuhe, which are all feasible endings. In general, many chapters in the middle of the book are very brilliant, and the settings and characters are thick enough to be expanded into multiple books. However, the rhythm, battle and ending processing in the later period obviously drag down the overall completion. It is a long novel with both highlights and regrets, and a huge ups and downs in reading experience.