Human Hair and Murderous Intent Are Repeated All over the World

The article seems to look at the mountains but not the plains To put it simply, as of the latest update, this novel has the risk of gradually declining from an excellent fairy novel to an unqualified fairy novel. For specific evaluation, in order to avoid overestimating others, I mainly use the first major plot of the novel, the Yangpu City God Water Ghost Case, and the following two major plots, Zhao Fujun Caotou Shen and the Lord Crossing the River, for comparison. As for the poisonous points that are often discussed in the Youshu section, such as taking a little girl on the road, such as sharing the power of nine cows, etc., They are secondary. Of course, I will also make a detailed analysis on the "protagonist rushing to catch up with the plot". Also, spoiler alert. First of all, I want to praise this book. It has many advantages. 1. The writing is good. 2. Many allusions are used, which are all familiar folk stories, and they are thoughtfully used. This is an overall advantage. In the first major plot, the third major advantage of this article is highlighted. The ups and downs of the plot are good. To put it simply, from the beginning, it was depressing for the neighboring villagers to be imprisoned. The protagonist chases him out, finds out the reason, meets Peng Captou and works together. This is Yang (meeting a good teammate). The villagers are infected, the disease spreads, the county officials block the doors, and the monsters play tricks. This is a great depression. The protagonist breaks the seal of the City God and the water ghost and makes the demon subjugate him. This is a great achievement. As for the small twists and turns of killing the county magistrate in the end, it is just the aftertaste. In this story, the two villains, the magistrate and the demon, each have their own plans, and they are ongoing plans. The good guys are peeling off the cocoons step by step, or they are late. In the end, the protagonist turns the tide and makes the villain's biggest support become his own teammates. The "floor-lifting" operation is wonderful. In addition, there are some icing on the cake, such as the main story taking place in one night, but it does not seem abrupt; the story of the city god has the foreshadowing of burning incense and rescuing people; and by the way, it explains the protagonist's previous paronychia and the subsequent introduction of the Forbidden Demon Division. Of course, there are some problems here, which we will talk about later. The first story is generally wonderful and satisfying, which is why this book has received so much attention. However, starting from the second story, for some unknown reason, the level of the story plummeted. The story of Zhao Fujun's opening of the Caotou God shows that the protagonist is trying his best to lay the groundwork. The demon was intercepted from the Demon Banning Department, and because of the first case, the demon participated in Mr. Zhao's banquet. However, from the line of guarding a female mountain thief - the Funiu Mountain demon thief - to Zhaofu Jundongfu, the mode is basically the same. Find the problem, find your teammates, and go up the mountain to kill the enemy. The modes are almost the same, except that the bandit is killed by one person, the demon thief is killed by Di Wudou and Hang Jiuniang, and Zhao Fujun is killed by Pang Zongqi and teammates he encounters temporarily. What's the problem? The problem is that the "push dungeon" model is too obvious. It's all done once, and the enemies are waiting to come. That's all for the first two. The time and place set by Mr. Zhao for opening the mansion is right. The evil guests are not expected to come to the door. Didn't the Hang family know that they are going to the mountains to slay demons with great fanfare? Why did he look like he was not prepared for anything? He ran away when he encountered a dragon or a tiger, and he relied on the guests to fight in the cave. After the final transformation, he was tricked by his new wife, Mamoru Kazuo, who showed her ranking. It was a turning point, but there was a lot less novelty. The feeling is that I won, I fought hard, and the enemy is dead. The "repress" and "raise" parts are missing here. There are fewer bosses that attract hatred, such as the magistrate and the demon in the first chapter. The reason why Mr. Zhao died was because he watered the flowers with human blood. To be honest, it is not that hatred. It is because the demons under him lack the concept of sustainable development. They should make regular blood donations or something (this sentence is a joke). In the third part, the problem became more serious. Several early stories set the stage for the Lord of Crossing the River to wander his son all over the country, and deliberately avoid rain in order to swallow up a whole state. He seems to be a very ambitious monster. Not to mention whether the method is a bit low, at least it still feels oppressive. Taoist Zhu did not dare to kill his heir, but Chen Xiangu only dared to pray for rain when he was in trouble. (The original text says that when the Lord of Crossing the River comes back, he may not be able to pray for rain, so the fairy girl risks the risk of fetal distress by praying for rain.) As a result, his son is killed. The Lord of Crossing the River returns and brings three thousand demon soldiers to flood Donghai City. The demons take the opportunity to cause chaos. Then what? The fairy aunt is facing the protagonist, the hero, the general, and the warrior veteran (note that the expression here, the latter three are basically on the same level. The protagonist is on the same level as them in terms of force alone, but has many auxiliary spells). They first put down the chaos in the city, and then led the soldiers and people in the city to defeat 3,000 demon soldiers. Finally, the four of them tried their best to control the master of the river. I was stunned. The Lord of Yuejiang, with countless heirs and a big boss who wanted to annex a whole state, was solved like this? Killing Chen Xiangu, who tried her best to pray for rain and aborted the fetus, but couldn't do it for a long time, and finally gave her a chance to practice magic sword again? Three thousand monster soldiers are so worthless, and a bunch of monsters invited by the mountain god to open his mansion can fight four or five monks, but you will be wiped out by a few mortal warriors and a bunch of common people. How can the Lord of Crossing the River, who has revealed his true form, still be controlled by a few mortal warriors? How do you get the confidence to plan for a state? Where do you have the ability to prevent the government from even diverting water for irrigation? The Mountain God is already too easy to fight, without the B pattern that was created in the early stage. It felt like the Lord of Crossing the River had become a paper tiger without self-awareness, and the court was frightened to death by him. It can be seen from these changes that the author wants to create the image of a "big demon" in the next two major plots. Judging from the writing, the foreshadowing is good, but it leaks as soon as it appears. The fight was too smooth, and it really gave the illusion that the protagonist of the invincible novel was pushing evenly all the way. For the boss, there is no plan, no preparedness, and no intelligence. The feeling is that everyone feels that the boss is so strong and powerful, so we can only compromise. The protagonist and his teammates get in, three strikes, five divided by two, and the boss is killed without much loss to the protagonist team. It would be fine if the protagonist's setting is strong, but the protagonist's strength in the plot is not first-class, which feels very embarrassing. The boss is really like the boss in the game. He is very strong on paper and has many tricks to fight, but he will not take the initiative to attack. No wonder there are no more waves. Tell me, what are the ups and downs of playing a copy? There are no ups and downs. This is the first problem, which may cause the article to change from an excellent fairy tale novel to a novice novel. However, there is a big problem with this article, which prevents it from becoming a qualified white article and can only become an unqualified white article. That is, if someone else loses equipment by defeating the boss, he will not only not lose the treasure but will also be punished by reputation. Currently, all the protagonist's income comes from Goldfinger. There are clues in the first plot. The protagonist's neighbor family is very caring about the protagonist. As a result, the plot ended and the couple and the villagers died, leaving behind a pair of children and an old aunt. The protagonist killed the county magistrate and was afraid of future troubles, so he could only wander around the world. Did the protagonist get anything? Nothing. In the second plot, the protagonist challenges three mountains in a row. What does he get? The sword with dragon and tiger energy that Mr. Pang lent him still had usage restrictions. Several other Taoist friends, let's fight side by side, let's not talk about giving gifts or anything like that, exchange information, make a deal, change the head office for magic weapons or something, right? No, they came in a hurry and left in a hurry, just like a wild group formed to fight the boss. In the end, it was Di Wudou who got his lovely wife, and it was Mr. Pang Qi who took the credit and went back to report on his work. (Mr. Pang Qi's paragraph is a fantasy, not the original text). The protagonist had nothing except a few free meals at Hang's house. In the third plot, the protagonist helps people slay demons and brings in a pig Taoist priest, but he can't eat it, so he has to eat and drink it as food (a joke here); he doesn't like other people's evil ways of praying for rain, so he prays for rain himself, and the court wants him for two thousand guans (this is a real story). After working so hard to kill the Lord of Crossing the River, I got a possible divine punishment. (Before his death, the Lord of Crossing the River hinted that he was a regular water god, the kind that could be canonized) He finally got a magic sword, which was given by his teammate Chen Xiangu. No matter how he thought about it, he felt awkward. So far, the protagonist has been supported by Goldfinger's "whatever trouble he encounters, what spell he will give him", so his apparent strength has been rising. However, because you kill monsters and don't get any drops, the rhythm will be very strange. Because the matter of falling is still very important in the rhythm of the story. There is a soothing mood and a feeling of gain. Sometimes readers will even skip and only read the harvest chapter. The normal rhythm of Xiaobai's novel is to fight the boss, drop treasures, test the treasures with miscellaneous soldiers, and then fight the boss. There is a constant cycle of gain and gain. If you kill monsters and don't get any drops, the rhythm will become: fight bosses, fight miscellaneous soldiers, and fight bosses. The rhythm becomes too tight. Moreover, because normal novices have positive feedback, killing monsters and dropping treasures can enhance their strength. You can't drop treasures by killing monsters here, so there is a question of "Why should you fight monsters? Why don't you practice well before leaving the mountain? You are too wasteful. What if you die?" In particular, the protagonist has obtained the "three-hole rectification" but has not yet achieved enlightenment through cultivation. In particular, the protagonist's golden finger actually has a lag, and there is only expenditure but no gain. Readers will feel that the protagonist has been relying on the golden finger to surf the waves and is not "stable" enough I think that the second problem seems simple, but in fact it is unsolvable. Because the golden finger is there, if you defeat monsters and then drop treasures, the reward system is too confusing and the plot is not easy to arrange. You can only continue to defeat bosses without dropping treasures. In other words, the author has actually chosen a very difficult path, and it is very difficult to degenerate into a qualified white text. Then we must solve the first problem, how to make the plot more ups and downs and twists and turns. This is actually very difficult. Because the good thing about the first plot is that he is the protagonist of Novice Village. We assume that all the protagonists in Novice Village empathize with each other. It is easy for the protagonist to take the place of the common people and feel the tension of being "oppressed". However, the protagonist of the subsequent plot is the "traveler". Here, a suitable entry point is needed to allow the protagonist to reasonably enter the plot, and then reasonably jump out of the plot and continue traveling. If the introduction is not enough, the protagonist just draws a sword to help when encountering an injustice, then the villain bullying the local indigenous people is just a superficial plot. If the protagonist is introduced too much, then there will be a lack of rationality in continuing to travel. This is a test of the author's skill. My personal experience here is that the protagonist asks Chen Su to follow him, which I think is acceptable in terms of rationality, but the pressure on the plot arrangement is obviously much greater. With such a "movie heroine" by his side, it's hard for the protagonist to "steal". Originally, each plot had an ambiguous partner or something, a young girl's secret promise, etc., And the protagonist didn't care about it at all times. At least the readers had a strong sense of involvement. Then give the protagonist a main mission or something, the protagonist is a monk, but the little lady couldn't help but leave immediately. In the later stage, there will be "Chasing the Husband Thousands of Miles" and "Shura Field", etc. It makes me feel excited just thinking about it. Now the protagonist is accompanied by a little girl who looks like a heroine, so all the girls he meets on the road are famous and have their wives. I am not talking about the harem here, but I am saying that the role of girls in introducing the plot in travel-type stories is very strong. It is easy to develop the plot by playing with ambiguity and stock trading. The protagonist needs a reason to fight the boss. You don't want to drop treasures, and you don't have girls. For the sake of "human justice", it is difficult to write because of your limited writing power. ​​--------Excerpted from Long Kong

If it's tied, let's write a book review. The words of some book friends in the comment area are quite uncomfortable to read. Maybe it is the fate of the expresser to be misinterpreted. This is the best book I have read recently. Unfortunately, not many people have read it. This book does not follow the traditional path of immortals seeking immortality and seeking immortality, but instead uses Tao for the livelihood of the people. The front may seem a bit plain, but over a hundred chapters there are plots one after another. In the past, the protagonist Pei Chu killed evil spirits and prayed for wind and rain, but was falsely accused of being a demon. Later, the fairy aunt Chen killed the Dragon King's son regardless of the fetus in her belly praying for rain. Chapter 160 is really heart-wrenching to watch: Taoist Pei Chu, the thief Zhang Wanfu, veterans Lan Po, Chen Jinggu, and Chen Su, a girl who followed Pei Chu, gathered in Yuejiang City. Before the disaster, although they had different positions and identities, they tried their best to kill the Dragon King Yuejiang Lord who caused the disaster. The girl Chen Su, it can be said that her life has undergone earth-shaking changes since she was taken away from her hometown by the protagonist Pei Chu. From the initial state of a little girl to the final heroic attitude that is about to change the sun and the moon, she met Zhu Jiuniang, who single-handedly defeated the bandits. Li Ji, a young girl who tries to outwit the monster dragon alone, and Chen Jinggu, who prays for rain and fights the Dragon King. Undoubtedly, she has learned many valuable qualities from these outstanding women; Lan Po, a veteran who taught her practical combat experience, and Taoist Pig, who taught her the art of the small way, are her good teachers on the other hand. If Pei Chu is her guide, then these experiences and people have made her more determined in what kind of person she wants to be. It is really exciting to see what kind of person this little girl will eventually grow into. There is another character that made me quite emotional - Yin Yiyuan, who was born in the orthodox Taoist sect. When he first appeared, he was well-dressed and had an air of immortality. Although he killed monsters, he avoided ordinary people and was incompatible with Pei Chu and his group; I feel that the author's description of the characters is appropriate and penetrating. I saw someone talking about Our Lady of Pei Chu. Although he was not the type to kill and stop, it was really laughable to force him to be named the Holy Mother. I think Pei Chu has always had a humble heart along the way. He never thought that he was a man with great luck and great opportunities, and that he was going to do some earth-shattering things. Instead, he did practical things, did his best for the world, cultivated himself both personally and personally, and was down-to-earth. He was worthy of being the man who almost sat on the mayor's seat in his previous life. What the protagonist should look like should not be limited to a template. It depends on the cool articles that stir up the situation and go under the knife at the slightest disagreement. There are many excellent series of works. I can only say that this article is not suitable for you. Please leave quietly - this sentence is sent to some different voices in the comment area.

It's rare to find a good book (currently I'm looking at travel books). The protagonist of this book is steady and cautious in character, but generous and free and easy when necessary. The so-called Ren Xia in ancient times is probably like this, which is very admirable. The story is interesting yet reasonable, and the plot turns are logical. I personally like to read travel novels the most, and the free and carefree artistic conception is the most desirable. Along with the stories that the protagonist encounters along the way, the readers are presented with a vivid and magical world, where the natural and cultural environment is fascinating. Along with the protagonist's journey, the protagonist's strength/psychological growth is both exciting and immersive. Some stories are connected in series with each other, slowly introducing the main trends of the world, and pushing the plot to a climax. The most annoying novels are those about farming and hegemony, especially those about farming and hegemony in the fairy tale genre. The emphasis is on the wealthy couple and their land, which is the least interesting. The way I understand seeking immortality is to seek personal transcendence and freedom (don't talk to me about resource accumulation or anything like that, if you don't like it, just cultivate immortality on earth and show me. The laws of real society are most consistent with the theory of resource accumulation). Since it is a setting where great power is attributed to oneself, raising a bunch of underlings is the stupidest and most nonsense thing. "Mortal" can be regarded as a model of underworld cultivation/resource cultivation. Can it be considered a success? Isn't the plot always about the protagonist traveling? I don't even understand what the authors of a bunch of sect/family immortality novels that have popped up recently~~😰

In these folk tales, the names given to skills are so simple. It doesn't hurt to change money, rice, or pierce meat. Even if a magic spell suddenly appears called the art of fattening domestic pigs, the style of painting will not be inconsistent.

The author put his heart into writing, and it can be seen that he put a lot of thought into both the use of references and original creations. Although many of the plots are cliche, the viewers are indeed excited. Overall, it is a good retro work. But I have to say that many settings are really unlucky. First, the writing is too scattered. The author may have intended to write it in a chapter style like a history book or Water Margin Journey to the West. However, if the entire story is not completed at once, this kind of fairy tale novel with almost no clear context can easily make readers feel that after a certain story, enough is enough. Looking back, that enthusiasm will inevitably fade. (Especially until now, except from the words of the saint, I have not seen any intention of the protagonist to reunite with the friends in the old copy. Although I blindly guessed that in the end it was a rallying cry, and everyone agreed, but as a reader, it is still very uncomfortable to lose some characters that you have finally accepted, even if you hear it often in teahouses and taverns in the future.) The second is that the protagonist's three views are too extreme. Chinese tradition pays attention to a golden mean, where too much is too little. The protagonist is currently a member of a non-human race and must have different values. Although the formation of this value was caused by Aunt Tiger not being able to encounter good monsters at the beginning, it is quite reasonable. But as a setting, it's really not pleasing to the eye. This is most obvious in two places. One is the section across the river. It was originally a situation where people were bullied by officials, officials were bullied by dragons, and dragons were bullied by heaven (the way of heaven changed, and the river master accepted the order from heaven), and each was a situation that was interlocked and each had its own reasons. The protagonist did not go into detail about heaven and man, and simply ended the matter with one blow, regardless of the beginning or end (it may have been in the author's mind, but it was not reflected in the book). The second is the part about the grindstone ghost in the City of Death. Distribution according to work is the current officially implemented distribution system in our country, which is indeed in line with traditional morality. That is to say, those two ghosts actually abide by the "law". Even if it is reasonable to kill them, the "reasonable" nature of these two ghosts should be destroyed first. Otherwise it would be really uncomfortable. So far, the source of the protagonist's power is unknown, the speed of his strength improvement is too ridiculous, and his temperament has become more and more extreme (he only decides right and wrong based on his own opinions, and only seeks temporary relief). It seems that he will be used as a weapon by smart people. Either he is going to follow the path of a demon, and the next dark plot is almost certain. It would be inappropriate to directly become an immortal or a king without any change in mentality and cultivation (cultivation in a broad sense). Before, I thought this book could become a masterpiece, but so far, I feel that the author's writing skills are still a little lacking, and the settings still need to be polished. I'm extremely looking forward to the author's next book. Or how the book really hits its mid-term. The above are just personal opinions and suggestions. I hope the author will not forget his true intentions. Don't change the outline based on other people's words.

"The fireworks of the world are the most comforting to ordinary people's hearts." The portrayal of secondary characters in recent chapters has enriched the world view of the novel. Compared with the protagonist, he is already an immortal and no longer has to work for a living or even food and clothing. People at the bottom are exploited and even don't have enough to eat because of the deterioration of the world. Even so, there are still people with righteousness and self-respect. It is already extremely rare, and this world will also evolve into a situation where heroes rise together and demons dance wildly. With the word of righteousness at the forefront, he can kill all the monsters in the world and see through the world of human nature.

The world structure bug seriously affects the reading experience. The writing and plot are okay, but when placed in the context of this world, it seems abrupt. Natural and man-made disasters are the root cause in the last years of the dynasty. The demons causing chaos in the last years of the dynasty can only be embellishments at best. Since the world is occupied by human civilization, it must be able to suppress demons and devils. The protagonist's ability to suppress demons should come from human civilization, The end of the dynasty should originate from human self-inflicted civil war, which leads to an imbalance of order, a lack of grassroots force, and the demons are extremely vicious. This book puts the pressure of the collapse of the building on teenagers, girls, the elderly, and even pregnant women. It depicts the demon's ability to go astray and the role of the backbone of society is missing without reason. Xia, since birth, can at most achieve self-reliance or give a little help to others. Xia, neither has nor has the ability to help the world and save civilization. So, Xianxia's goal shouldn't be too big

This author's writing is so bad. If it wasn't bad, how could there be so many trolls trolling people! Look, it's because the author didn't write a flawless, platinum masterpiece that there are so many trolls! Author, please give me some help! It must be written in the colorful, colorful white and black to satisfy everyone's desire. Finally, I strongly recommend: go ntr, have a mindless fun, go crazy and spin. I believe that as long as it sucks like this, those who make money will be satisfied. You have to perfectly meet their needs! ! !

After reading the latest chapter, I feel that it is not very acceptable to transform the luck of humanity into the energy of dragon and tiger. I feel that after the humane energy is transformed into the dragon and tiger energy, the humane energy will be limited to the dynasty, the dynasty is limited to Confucianism, and Confucianism is limited to scholars. Finally, scholars are controlled by aristocratic families. It feels a bit like overthrowing hundreds of schools and respecting Confucianism alone. I think if there is luck in this world, there should be other lucks such as demon, devil, Buddha, and even heaven. The world is about balance and competition. And in this world, the fate of humanity has a feeling of coercion over all the heavens and all the ways. Then I think the world will eventually be destroyed because of humanity! ! Finally, I personally feel that a prosperous Taoist world is a world where all dharma contends and all dharma sings. Just like the chorus of hundreds of schools of thought during the Spring and Autumn and Warring States periods in China. (Sharing a clip from Insect Dream (Kou Dao): "On the humanitarian route, there are destined to be victims and injured, but this is the only most suitable humanitarian route among all routes." Kou Li nodded for the first time and said: "That's true." "We gave up our bodies, buried our desires, ambitions, and selves, and turned into heaven. All living beings are equal, and we act for heaven. Pan couldn't do it, so he failed. You want to challenge us, can you do it?" Kou Li shook his head and suddenly said: "I can't do it either, but to be fair, have you really done it?" "Since all living beings are equal, as beings born from heaven and earth, what qualifications do you have to look down on all living beings and make your own decisions to arrange the path for all living beings? How do you know that the path of all living beings must be worse than the one you choose?"  "You said you were acting on behalf of Heaven without any selfish motives. Have you really done that? The magician has understood the evil way of the next calamity. Gu Xiaoyu has inherited the bloodline of King Panlaiao. You are going to kill them. Is it for the continuation of humanity or for your rule? Heaven is selfless. Are you really selfless?" The huge yet tiny figure changed slightly and said: "We have given up everything and have long since lost all worldly thoughts." "But you are human beings after all, living beings in the world. Good and evil, right and wrong, are deeply imprinted in your bones. You think you are selfless, but you are the most selfish. If a saint does not die, there will be robbers, and the world is in order. How can there be robbers, so there is no need for saints." "If there were no us in the world, the world would have been turned upside down and the world would be destroyed." "If all living beings could not walk on the road, it would not matter if the heaven and earth were destroyed. If all living beings walked on the sidewalk, the world would change on its own!" With the words, Kou Li's figure gradually grew bigger, and seemed to be in the world, and also seemed to be outside the world. This is the origin of Tao, which is accepting him. "The devil's way corrupts all living beings?" "It's possible, but it's not possible." "What can't be done?" "It can't be changed, it can't be changed." The cracks gradually widened, and the four sages knew that this was the origin of the Tao that was rejecting him. "One more thing, everyone can be a saint!" "This whole world will be left to you." "It's not me, but all living beings, and I help them become saints.") Finally, I feel that the Great Zhou Dynasty in the author's book should be destroyed! !

It's a rare find, and the story is quite good.

The content is okay, but the plot is a bit slow and there are few updates. For example, in the current plot stage, the demon and the righteous entered the capital at the end of June, and they started to confront each other as soon as they entered. It was not until early August that there were signs of the official start of the war. According to the update rhythm, it is suitable for keeping and reading, but not suitable for catching up on updates. Reading it once a month is about the same.

Originally, I couldn't bear to see the magic of walking through walls casually. Under the scientific world view, the aspects involved in walking through walls are very scary. In fantasy works, it is also very powerful. Pu Songling here is a small magic. However, this sentence of "no strength or weakness" is really satisfactory. Both the people and the spells in the book are rich in details. The protagonist is chivalrous, and the world constructed is much more real than many large and empty worlds.

You can go and take a look at "Starting from Su Shen's Run in 9 Seconds 83"

I almost stopped reading the novel after reading the reviews, but I read it later and found it to be quite well written. As for The Holy Mother... I really didn't see it. It is recommended not to read the comments if you want to read it. Zhang said the same thing. You will know after you read it yourself.

Good, good, good, good, good

🙂 Could it be that he went to the palace to buy it?

After reading it for more than ten years, this is the most touching and closest to a folk tale among the novels about cultivating immortals. 👍👍👍👍👍👍

Come on, the writing is good. I recommend closing this chapter when reading the book. There are many inexplicable people in this chapter, which will affect the mood of reading. The book is indeed very good. Come on, author.

Well written, keep it up 😁

It's quite good-looking, the various Taoist techniques are interesting, and the rhythm is quite well controlled. I hope to obtain some Taoist techniques to assist in Dharma practice in the future, otherwise the Dharma will be too slow...

😏I am already the operations officer, so I will give this post to everyone. Additionally announce the rules: 1. Do not bully other authors in book circles 2. Do not attack personally or provoke war 3. Do not post illegal and disciplinary news 4. If you find any behavior such as provoking war, you can report it to I 5. I found a good post that I can recommend here, which is convenient for refining The book club welcomes all book friends to post to discuss the plot, characters, settings, etc. Let's all read happily together 😊

I have seen one of the three Xianxia books that I consider to be the best in recent years. Although there are some small flaws at the beginning, for example, the protagonist directly believes in the spell in the book to cure himself, isn't he afraid of some medical accident? But this is not a big problem. After ignoring a few minor problems, you will find that this book is really wonderful. The biggest highlight of this book is the spells, writing style and characterization. The first point attracted me to pursue the book, and the latter two points were slowly revealed after the protagonist left the county. To be honest, the plot at the beginning can only be said to be average, especially the section about talking about mouth sealing is simply overused. But when the protagonist begins to travel around the world, the highlights of this book gradually begin to be revealed, and the turning point is the plot of the mountain god. Whether it is a white-robed swordsman who sacrifices his sword to slay demons, or a demon slayer with a family full of heroes, or a court official who has the spirit of a dragon and a tiger to avenge his colleagues, or a strong man who is born with supernatural powers and can distinguish right from wrong in critical moments. There is no intrigue or discrimination. Since we are human beings, we must stand up and act righteously when demons are rampant. Then, the bold and strong man encountered by chance on the river, the old man who has done all his evil deeds, and the Pig Taoist who plays around in the world and eats and drinks. The creation of these characters can be said to be very successful, especially the character of the Pig Taoist is very interesting. It can be said that he is a real person who does not seek externally, but only seeks internally. He is well versed in the Taoist truth of tranquility and inaction, and is full of ancient charm. Finally, I hope that the author can write more plots about fighting with people in the future. Killing monsters and eliminating evil can only be said to be a knight, and fighting with people and heaven is an immortal. I believe that the fighting plot will be very exciting if written with the author's writing power and style.

First of all, this book never says that the protagonist wants to cultivate immortality. It is more about expressing a struggle against various tragedies in the world. As a person who grew up under the red flag, he does not agree with the society of the old world. Secondly, as an educated modern person, I don't think there is anything wrong with helping others when I am able. Just like when I see someone in trouble on the street and I am able to help, I think I will help. For example: a cart is stuck in a mud pit, and the person pulling the cart is struggling to pull the cart but still can't get through. When I see it, I will help push it. This is not the Holy Mother, nor is it asking for anything in return. This is what people with normal views will do.         ，，，，，，，？

The writing was a bit mediocre at first, and I can't say it was brilliant, but as soon as the villagers turned into zombies, the book immediately rose to a new level, and the sense of reality came to my face.

In fact, it is very boring to explain why the protagonist took Chen Su away from Yangpu County. Author's understanding: When the protagonist left Yangpu County, he was still within a few days of time travel. When he left, his state of mind was confused and blank. To put it simply, he had no emotional support and no direction for where he was going. Moreover, the key point here is not that he is not the protagonist, but Chen Su. After one hundred chapters, it can actually be seen. My original plan was that after the protagonist has traveled and gained strength, a similar character will appear again. Later, I felt that it dragged on for too long and I couldn't see the growth of the characters. It was planned to set up the whole family to die, which is logically smoother, but firstly it was too cruel, and secondly, considering the inherent complexity of the character, special arrangements were made for her to decisively leave her brother and pursue the protagonist. A girl who was originally a sensible and simple girl who grew up in a mountain village encountered a big change, had an idea, and received the guidance of a sophisticated old aunt, and developed her first pursuit in life. Go on step by step, follow the protagonist, be influenced by some modern ideas of the protagonist, and see other characters in this world, such as monsters, heroes, general banners, rebels, and strange women, gradually transforming. I won't spoil the road ahead for her!

，，？ Didn't anyone clean it? The author's writing style, which is so great, has been criticized as shit! Some people say that the protagonist is the Holy Mother, some say that the protagonist is not decisive enough to kill, some say that the protagonist kills randomly, and some say that the protagonist cannot understand the title of the book? They are all nonsense based on book reviews after reading two chapters.       ，？ ! It is admitted that everyone has different reading preferences. If you find a book that is not suitable for you, read two chapters and then go to the comments to make nonsense, you are either full or full, or you are secretly harboring evil intentions. I couldn't stand it at all, so I gave up after reading two chapters. How can I feel like commenting. People who can barely read it but still feel that it is flawed will not go to the book review section with the mentality of dissuading others and deliberately dissuade everyone, and even complain in the chapter review. It's understandable in some cases, but it's really abnormal if this is the case.

Taking the little neighbor girl out on an adventure? Want to teach her Taoism? What did the author think, bringing a bottle of oil? Can't you live without a woman? Shouldn't the law be passed lightly? Do you think readers would like to see this kind of cultivation of self-satisfaction?

It's a damn good book. It's the best fairy tale I've read this year.

It's quite interesting, author. The mantras here are leftovers from the previous feudal society, right? I remember that there were such spell books in the old houses next to my hometown. There were baskets of them. I used them to sing and play when I was a kid. Now that I think about those books from the past, it's really weird. There are many mantras that adults are not allowed to recite randomly. The ones used by practitioners in southern Sichuan are some Purana Sutras, as well as some Pure Heart Mantras, Five-Character Light Mantras, and Jade Emperor Mantras. I was quite interested in this aspect when I was young. When I saw the mantra in front of your book, I instantly felt a sense of familiarity 🤓

What exactly is poison? With the development of online articles, the public's attention is getting higher and higher, and the quality of online articles varies, so some content has become so-called poisonous points. Having a younger sister is a poisonous point, having a grandfather with you is a poisonous point, the protagonist's kindness is a poisonous point, etc. In this book, the protagonist takes a neighbor child on the road, which is a poisonous point. I want to say that the focus is off. One day, a person went out with his left foot first, and then he committed a crime; the next day, there was another person who went out with his left foot first, and then he also committed a crime; the third day, the fourth day... After this incident became known to the public, it spread. So suddenly there was a saying that "when the left foot goes out first, the person will commit a crime". This is the "crime point"! Everyone began to pay attention to which foot they stepped on when going out. But everyone has forgotten that there are still people who go out with their left foot first and are not committing a crime. However, these people will also start to pay attention to which foot they take when they go out, because if they go out with their left foot first, they will be noticed, wary, and ostracized by everyone. In such a strange atmosphere, everyone was suddenly restricted, and the focus shifted from whether a person committed a crime to whether a person went out with his left foot first. In this book, the protagonist takes Su Su on the road. Is this the so-called poisonous point? Yes, most people don't like the main character to have a drag bottle. Is it poisonous in this book? I personally think Susu's character creation is good. When he first appeared, he was a sensible and well-behaved child, lively, able to take care of his younger brother, and could even take his younger brother to find his aunt; he grew up rapidly on the way, and worked together with the little girl Li Ji to kill the snake demon, and later protected the people in Fengtang County. In the past, a well-behaved little girl; a young girl who has just grown up and is graceful; wearing a red coat, red clothes like blood, a female general in Fengtang County. Such a character creation is something that many protagonists in novels may not be able to achieve. Can it be considered bad? Of course, for new authors, I don't recommend writing like this. Try to cater to the public and let everyone see their own strength, writing style, layout, and plot control. Once you have a certain audience, you can break free from the constraints and get rid of the so-called poisonous restrictions. For example, Chen Dong's Zhe Tian, ​​a Nine-Dragon Coffin Pulling, from the Earth to Mars, from Mars to Beidou, the Ancient Forbidden Land, and three golden chapters, Chen Dong spent nearly thirty chapters to lay the groundwork, and only started to introduce the cultivation system in the thirty-ninth chapter, but the facts have proved that Chen Dong succeeded. The so-called poisonous point of not introducing the world view in three chapters cannot be established in Zhe Tian. If you are a new author, your confidence will probably be dampened by dismal data before you can exert your strength. The author cannot be limited by the readers, and the readers cannot be limited by the poisonous novels. When neither is limited, the communication will be smoother, and the author's creative talents can be more stimulated. Only then can excellent novels be created, and only then can we bookworms see a better future.