Fist of Utopia

To be honest, the reason why I followed this book in the first place was that the bunch of evil spirits who use mid-life crisis symptoms as their special skills (including but not limited to hair loss, cuckoldry, success studies, arch fire, male virtue and female virtue, procrastination, and the stinky feet, bad breath, forehead wrinkles (probably), etc.) That have not officially appeared yet are really eye-catching. Although such a "vulgar" novel should not be unprecedented, it is likely to become unprecedented under the current strict self-censorship of the audience. It is very difficult to write a thoughtful review of such a novel. From the reader's point of view, there are so many points that can be used as talking points, so many that they are like a barren vegetable patch covered with grass. Whether it's the weird evil gods, the social animal protagonist who is busy working overtime before and after his life, the ubiquitous Hong Kong and Taiwan movie memes, or the social hot spots cut in and out from strange angles (including but not limited to Shan and Guo Jingming, Internet anger and credit scores, employees asking for wages and company oppression, etc.)... All make this book a black goat, as if it is jumping out of the circle at any time. But the more this happens, the more difficult it is to write. It's hard to pull out a piece of tiger skin big enough to wrap it, or even tell exactly how big it is. Bad mouth and humor, working overtime and not wanting to rework, the ordinary sea and fried chicken, the limited self and the infinite universe... The most powerful individual can easily smash the stars and capture the sun, while the smallest individual is busy eating three meals a day. Everything is different. It is even difficult for you to include them in the same phrase. How to define or even deconstruct them? Until yesterday's two-chapter update, I finally caught that mosquito that kept dancing. Yesterday's update mainly talked about two things: 1. The protagonist and Senior Brother Sun went to visit Brother Mu, a scumbag who flirts with girls all day long and has a bad moral character. 2. The protagonist's master, Professor Chang Duanxuan (formerly known as Chang Tianwei, the one from Wreck-It Ralph) at the Global Elite Sports Center (yes, the one in Wreck-It Ralph) is thinking about candidates for training work-study students, and he wants two apprentices to help check it. He asked his disciples: In such a harsh environment, there are also low-level work-study students who are being bullied. Some want to be the lackeys of the strong and get a piece of the pie; some want to become another strong and domineering; some want to strengthen themselves to protect the weaker; and some want to create a world where everyone is equal. Who would you rather teach the ancient boxing techniques of the East to? This question is easy to answer. As a descendant of the ancient martial arts of the Eastern Kingdom, he has always placed the highest importance on martial arts since his ancestor Gui Wangda (yes, the cripple with a broken leg played by Ng Mang-tat, who taught Stephen Chow the invincible Hot Wheels). In Chapter 22 of this book, the author Du Tingbei has already clearly stated the purpose of this book. (The following is adapted from the original text) After seven days of hard training, which was as long as the sweltering night self-study in the senior year of high school, the protagonist Liang De, who was about to embark on the field of life and death, spit out the bamboo tube that had been chewed into fibers and punched the master. The remaining force of the fist was caught and the wall of the gym was blasted open, revealing the blue sky outside the gym. Fresh air poured in, and the sound of birdsong made him feel even quieter. Ade, what is the most important thing for a martial artist? It is martial virtue, master. What is the martial ethics of our sect? It is to respect life, practice the hardest kung fu, and be the person who respects life the most. I have taught you all the ancient Dongguo boxing techniques and Danshuiliu karate, and you are ready to start training. Remember, you must convince others with virtue. Seven days of tutoring in hell ended here. At seven o'clock in the morning, the sky was clear. After a thousand words of nonsense, we can finally get to the theme of this book: reverence for life. As we all know, except for cultivation chat groups, this kind of "annotations" in fantasy novels are very relevant to the theme. For example, Ning Que and Prince Longqing were seen in front of Chaimen at night. One was a gentleman without weapons, and the other was a gentleman without disputes. The many Kaigen Walkers currently appearing (who can travel freely across the sea and sky, and can be roughly understood as people who have achieved enlightenment) are all different, but they all have their own troubles and difficulties. Most of them have a past that they can't look back on (doesn't it smell like infinite horror?). Die from overtime work, die from a car accident, die from having an egg kicked out, and when you finally escape from the cemetery (referring to the Sheng Wuxu Killing Fields), you find that hundreds of years have passed and all your old friends have died... Even Tai Fengxian, the evil god with hair loss who is at the top of the book, will be distressed that his novel will not win the Best Art Award. . Not only the World Walkers, but ordinary human beings also have endless troubles: busy living, busy dying, busy developing fatty liver, busy losing hair, and busy doing things after death that they did not have time to do during life. Some people are respectfully called Mr. Zhao, but they don't even dare to eat barbecue, and they don't even dare to help their daughter arrange a trip after the high school entrance examination in front of their domineering wife... Some people once defeated countless local evil gods with an iron fist, but in the end they were forced to take risks because they could not handle the leadership relationship well, and left the position where they gave their youth and countless flesh and blood. Some people can only eat one piece of Yuqian Wowotou every day, and cannot even drink gruel. When they are 12 years old, they will be married off as child brides. But they didn't give up, even the beautiful girl Li Zhixian felt bitter after drinking the heart-wrenching coffee. Countless Jie Yuan practitioners have a past that they cannot look back on, but they must also have the belief that they will never admit defeat. Otherwise, how can they enter Jie Yuan and walk out alive from the killing field? In the update a few days ago, with procrastination as his authority, Ji Shen, the great power on behalf of heaven, used Taoism to seal off a planet that was about to face its doomsday, causing people all over the planet to enter endless procrastination. Although the urgent need was solved, it also cut off the possibility of self-rescue for all sentient beings on the planet. In the words of Tai Fengxian, a literary writer in charge of hair loss: Who is he, Ji Shen, in front of all sentient beings? Why should you help all sentient beings make decisions? Which Jie Yuan practitioner who is now in the transcendent world did not come from a weak and powerless mortal? How can we be sure that they can't save themselves? So, we must respect life. In the words of a great man: Long live the people. That's what it means. Suffering is the main color of life, but it is certainly not everything. That's what it means. Here, reverence for life is re-deconstructed and leads to the door of life. This book connects the world of high demons and the ordinary world, mainly the protagonist's memories of the past. He is not an ordinary memory, he is a very special and touching memory. It was as if he really was a young man who grew up outside the customs and worked in the south. He keeps talking about colloquialisms and Hong Kong and Taiwan stereotypes. He knows the difference between a disguise at the door of a restaurant. He has seen the stagnant economy outside the customs. He likes sweet and sour chicken racks and pot pork with sweet and sour sauce. He will secretly hide to generate electricity and donate his liver to save his sister. He can touch fish to show his prowess, and he also wants to take his girlfriend home to meet his parents. According to the author himself, before writing the novel, he was a security guard at a meat factory outside the customs. He hid in a cotton-padded jacket with dead pork every day until he was found imitating Rocky and hanging frozen meat in a cold storage and was so ashamed that he resigned. It can be seen that these sad and humorous past events should be the author's own memories. If not, then he's great. The second level theme is called humor. I once saw someone explaining why the culture of ghosts, abstractions, and bad mouths became popular because an ordinary person is extremely powerless in the face of behemoths and evil itself. So abstract it, deconstruct it, humor it, make it confused, make it useless. Although I don't entirely agree with this approach, the saying that humor is our protective color is gradually becoming known to everyone. In the face of suffering, humor is a good haven. This is why the bitter and resentful characters in the book do not appear to be bitter and resentful. Each and every one of them is like a joker, using humor in their words and deeds, and fighting with optimism. A former e-sports boy said: My life is a life of struggle; a writer said: Life is a constant battle. On the night when the protagonist entered Jieyuan, he was confused and confused about where to go and where he was going, the chief instructor Yuan Tianren said: You are still alive and I am still alive. Is there anything that cannot be done? (The following is adapted from the original text) He struggled and was discouraged. Until the night when he died suddenly while working overtime, he had no time to take a look at the sea just a few dozen kilometers away. The scars will heal, the memories will pass, and I am still alive. I am still alive. This is the final theme of this book: resistance. Returning to the previous article, when the protagonist and his master were discussing the evil laws and customs that brought Brother Mu to half-death, he once asked: Aren't the laws, regulations and public order and good customs that you must abide by when you were born not made by humans? Are there no evil laws and customs among them? Can anyone dare to say that they fully understand it? Are you going to abide by the bad laws and customs in your hometown if you don't want to? Li Guanhai (formerly known as Li Daidi), the main character's disciple and the one who feeds the pigs, has always given me a strong sense of déjà vu. It always reminds me of an old movie "Yellow Earth" that I should have never seen. The girl in the movie can't even drink gruel, can't study, can't play, and will be sent to be a child bride when she is 12.3 Years old. Therefore, she attaches great importance to the People's Liberation Army literary and art soldier who came to collect stories, and she yearns for the world he described where girls do not need to marry young, can study, and can fall in love freely. It's a pity that she didn't wait... And finally jumped into the Yellow River and washed me with the water of the Canglang. What makes people uncomfortable is that... It is difficult for you to find an obvious evil force for this movie like "Taking Black Tiger Mountain", use strategy and strength to defeat it, avenge those who died unjustly, and then clarify Yuyu and bring peace to the world. My film critic teacher at the time said that most of the time, the real dilemma is like this. It will not have the word "bad guy" written on its face, it will be the person, the land, and the environment that gave birth to you and raised you. All people and things in the environment are helpers, poisons, saviors, and evil spirits. Who is to blame for the death of the girl in "Yellow Earth"? Blame the artistic soldier who gave her hope? If you don't come, won't you blind the people living in the cave? Blame the girl's brother? But he is not even sensible yet. He lost his mother when he was young and is attached to his sister. Is he guilty of original sin? Blame her mother for giving birth to her? If her mother had not died young, she would not have had to work as a labor force early? Blame her father for cruelly handling her fate? But his father, who was guarding an acre of thin farmland and was sickly, was unable to raise two children. He borrowed debt year after year to support the family, and the debt was high... How similar is this to the scene when the protagonist first met his apprentice Li Guanhai? So the question at the beginning of the article, I guess, the answer may be very close to the last one. The protagonist, or the author, wants a world where everyone is equal. He can at least try his best to describe a world where everyone is equal. At least, ordinary people can have a chance to fight. Another obvious reminder is that after the gods enter the realm, the practitioners of the realm can also learn a great trick: after understanding the true nature of heaven, unfold the realm. It can be roughly understood as an inherent barrier. There is only one requirement to reach this point: "Know yourself." That is, the last step after we deconstruct the plot and structure is to deconstruct itself. The explanation of cultivation in "Infinite Horror" is "cultivation to achieve reality", which is at least three-thirds of the same as here. Only when you know yourself can you know what you want, what you know, where you come from, and where you want to go. When you understand yourself clearly, you can truly decide your future and truly see through your past. The several characters played by Mingwu Jieyuan who have appeared so far are all such transparent people. This is the lotus heart left after the deconstruction is completed. When comedy and tragedy are mixed, and all contradictions and relationships come and go, using the classification method of drama, this book can definitely be classified as a drama. So finally, how did the author know himself? Judging from the author's remarks and testimonials, he currently mainly wants to update more and make more money, so he does not hesitate to sacrifice his precious fishing time to update twice a day. Many readers may have seen it. The author they followed suddenly stopped sending a request for leave when he asked for leave one day. Instead, he sent a crotch pulling note (next to the word "month", Du Gong emphasized many times). The original sin was him. Since you can see here, why not take a look at this book, the source of all evil? Even if you don't like the airwaves, you can still go to the comment section and spit on it, right? Finally, I wish Du Gong a happy New Year, bad money will fly, and the game will be shipped ten times in a row.

Ade is like the assassin 567. Who is Ade? Adelaide is each of us, and each of us can almost find his or her own shadow in Adelaide, either in spots or in strands.         ，，，，，，，，，，，， The convenience of information means that we must respond to our activities in a timely manner. The pace of life forces us to be as fast as the wind. Trivial matters in work and life occupy the corner of every day. When can we start adventures again and again like Ad? We are like Ade, we can see our own shadow in him, and sometimes smile knowingly. But at the same time, we also envy Ade, the green plum that fell from the sky, and hope that there will be such a beautiful girl in our memories to fill in the blanks. We envy Ade, who can use a bad hand to make a big hit, just like we also expect ourselves to be able to cut through the thorns in a messy job. We envy Ade, who travels through different worlds in an ordinary life, bringing an extraordinary feeling. But at the same time, we are also like Ade, a wanderer who always has a hometown in his heart that he cannot return to. Ade's story carries our lives and our fantasies, and we must keep going.

1. About Rating First of all, reading a book is a very personal issue. Everyone has different experiences with the same book. It is difficult to quantify it with a number, but relatively speaking, as a "recommended standard", you can also give it a score. I will use the following steam game rating standard to talk about it. 1. First of all, from the perspective of an otaku/comedy/romantic literature, the smoothness of the plot of this book is remarkable. It can be seen that Fist of Utopia is not an upgrading novel that follows the rules. When the protagonist travels around the world in an attitude of having no dreams and sufficient combat power, he can easily He loosely devotes his pen and ink to more supporting characters, such as Li Guanhai, Li Zhixian, and Wen Zhongsu. The author uses familiarity to portray the three-dimensional image of the supporting characters in a few words, and the work is more full. The protagonist is also finding his own path in constant communication, chasing his own romance, and harvesting friendship and love. 2. Du Gong has always claimed to be a representative of serious literature. So, is Fist of Utopia really a serious literature? Unfortunately, I think not. His simple and lively rhythm and the happy atmosphere that spread everywhere represent his identity as popular literature, which can even be said to be popular literature. But is it a serious text? I think he is right. Serious literature focuses on expressing thoughts about human nature and understanding of the world through words, so that readers can feel the author's outlook on life, values, and worldview. In the short stories currently written by Fist of Utopia, whether it is the middle-aged crisis of evil gods, the confusing male virtue Brahmin, or the crisis of annihilation in a small world, under the slightly absurd shell, there is always a comparison and reflection on reality. Today's serious literature still stands, and the fist of fantasy will never go out of style. 3. If we talk about the most outstanding characters, then Shen Shiyu, Sun Gou (sorry I forgot the original name), and Senior Sister, all of them are vivid and three-dimensional. But if we talk about the most distressing ones, I think they are Ade and Mu Yigui. Their struggle, pain, shouting, and passionate and unrepentant feelings can be clearly seen in the lines. As for Ade, he considers himself a little person with no choice. He lives with a mask. He understands that he is a submitter or even an oppressor, but the world is like this. Even if he becomes a big shot, he will be a big shot. . No mask? Under the oppression of rules, people have to wear masks to survive and dance with shackles, but people are still people, and the world will become better with people's efforts. This! It's also a man's romance! Back to Mu Yigui, the seemingly absurd story actually reveals the anxiety of a small number of groups in the current society if you look closely. The framework is for most people, but there are some people who are not naturally suitable for their talents. Who can tell the truth, but no matter what, you have to fight for your own destiny and choose your own path. (I I know that Brother Gui will still be the "best" in the eyes of the public, including me, but I still resonate with him at a certain moment. I understand his choice, and if I were in his position, I would support his choice, but as a friend, you do what you do and I do mine. Generally speaking, there are two kinds of male virtues. One is the wry self-deprecation of single people, and the other is male virtue is the inversion of female virtue. I don't like the second kind, and even think it is a second persecution. But if you ignore reality and just read the novel, this setting is undoubtedly a reflection of Mu Yi. The oppression of rules and regulations may seem to others as "you can overcome this little thing yourself", but for me, this is a matter of life and death. How do people live, what is the purpose of living, and I want to be unable to cover my eyes again today? No, I just ask that this day leave me a little bit of sunshine, just a little bit. Mu Yigui is pursuing the sunshine that cannot be obtained. If you cannot get it, give it to others. A little off topic, back to the rating, I don't have the experience or level to comment on literary works, so it's just nonsense. Just watch it for fun. 1. First of all, from the perspective of the work's purpose, as a novel, the first thing that matters most is of course the smoothness of the plot. Although Du Gong's words have brought me countless happiness , but the evaluation I gave is "outstanding", limited by the subject matter. In fact, this evaluation is unfair, because from my perspective, making jokes is as natural as eating and drinking, but I still think that some funny factors will destroy the smoothness of the text (not that it is not good, in fact, I will make up for it in the reading experience section later). 2. Then there is the ability to express words. Du Gongtai's writing is not bad, but the emphasis is on emotional delicacy. I have to say that there are not that many books on male channels that can make female characters humane (you can say that I read less books and I suffer...). Du Gongtai's writing is not concise, but There is still some condensation, but it's not just water-based writing. I don't understand this part. In short, it's not too much to comment on a book that has no shortcomings. Expressing feelings in simple words is a writing technique that I pursue. For example, Liang De's "My memory is very good. All yesterdays are very important to me." It's all about today. If something I don't like happens in my life, it will become a little sad every day. "It is a very simple and colloquial text, but in the context of the time, there is a sense of loneliness in the changing world. Du Gong's mastery of ancient poetry. His ability is also remarkable, such as "A pear tree and a stream of moon, I don't know who it belongs to tonight" and "The pit ashes are not yet cold, Shandong is in chaos, Liu Xiang turns out not to read." At this point, I think I can already be called a mature online writer, and he is also "outstanding". 3. Judging from the text expression reading experience, those who are familiar with the radio wave are naturally very comfortable. "Playing with memes is as free as breathing." Those who are not familiar with the radio wave may only complain that the concentration of memes is too dense, but it cannot be denied that the reading experience is very comfortable. I particularly like the funny writing style in the first volume and the simple writing style in the third volume. You must read it. I give it 8 points. 4. The last question is "Is this work worth creating?" It's so worth it, okay? First of all, any work has its own value. In addition to bringing me joy, Du Gong can also bring some thoughts on life. He is simply the god of funny writing. I won it directly, 9 points. So the specific score I gave is. . It's a perfect book, probably rated 7.9, Because I don't know much about literary criticism and I haven't read many books that are full of family talk, so I'll give it a try and read it. . In short, Du Gong, feel free to stretch your hips, pay attention to your health, and I also wish all book friends good health and all the best.

No more pretending, I am a special HR sent to this world by Thunder Bluff's secret talent introduction department to look for Utopian Fist reserves. Unfortunately, I was robbed by air and sea bandits, and now I can't even eat. VI am 50, and the position with an annual salary of one million belongs to you.

After reading the part about male morality in Mu Yigui, I found that the writing of male morality and the previous anger were not good. When the author discusses morality, the work seems boring and thin. The justice and evil below are not literal. It is the author throwing out a concept, the opposite of this concept, a metaphor. The author infinitely exaggerates the evil side, but does not describe the opposite side of evil, "justice". It's like stepping on two boats, one is righteous and the other is evil. One day the evil tells you that you must get on my boat and no longer have contact with justice, otherwise it will not let you step on me again and let you fall into the water. You might say that we have the power to choose. Evil cannot ride on it, but justice can ride on it. But in the author's description, justice has disappeared. It did not exist before and does not exist now - justice has never been out of date. Evil will tell you not to take a boat with justice again, otherwise I will not take you on board. It seems inexplicable, and the plot becomes thinner. I suggest that the author stop setting up a big, empty target to hit, because the characters in the book have no weapons to hit it. Good stories have contradictions and conflicts. But in the chapter on male virtue, there are only spears and no shields. There are only conflicts, but no conflicts. I don't know if the author has watched 'Witness for the Prosecution' or 'Murder on the Orient Express'. A good story is thought-provoking, but the author here directly expresses what he has thought about without presenting it on a plate. It may be very enjoyable to write, but I don't have the habit of eating what others have eaten. The campus chapter was well written, but there is no more later part. Is it possible that only the campus part is saved? I haven't thought about how to write the subsequent plot.

After reading Du Gong's novel, I wanted to write a review. How can serious literature be without serious literary criticism? I don't have much obsession with "serious literature" or even "traditional literature". If a hard-disk movie can move me to tears, then it is a good movie. Although I abandoned the "serious" classification, I still gave "Fist of Fantasy" a positioning. It is a novel of "Beast Literature". The purpose of this review is to talk about this positioning. "Beast" is the impression of reading "Fist of Fantasy". The reason why I think of beasts is because my intuition tells me that this novel has some internal connection with Fauvist paintings. A sharp intuition. Fauvist painting is a visual symbol of Fist of the Fist. Although it is possible to reconstruct the theory of "Utopian Fist" from the artistic style of Fauvism, I chose to give up, so "Beast Literature" and "Fauvism" are only related to the word "Beast". What is beast literature? First answer what it is not. It is not a joke; it is not a bizarre text; it is not a plot that unfolds with imagination... It is a beast. It is a beast. It is a beast. It will bite readers! The beauty of beasts lies in their vitality, which bites prey in order to survive. The Internet ecology with business as its core is itself a beast that grows wildly, and a beast can only be defeated by another beast. I think "Fist of Utopia" is a young beast, it bites commercial literature, it bites serious literature, it bites readers, it bites authors... It bites it as hard as it can! The beauty of beast literature lies in surprise. Playing jokes is for the sake of surprise, playing with words is for the sake of surprise, and making up plots is for the sake of surprise. In front of lions and tigers, in addition to dying in fear, you can also feel the amazing beauty. This kind of surprise transcends words and is engraved on our ancient genes. "Bite" is a very aggressive verb, but it's just my exaggerated idea. The more realistic feeling is that it is really a Fauvist painting. For critics, the "mirror and light" may be very clear, but the real state is the "smoke and mirror" of the author, the work, the world, and the reader. "Fist of Utopia" is a street sign, inserted in a small place in the boundless fantasy world, with beast literature written on it. Identity argument: 1. Du Gong said that he wrote serious literature 2. Serious literature = YSWX, beast literature = YSWX 3. Du Gong wrote beast literature Of course, maybe it is just "Pretty Girl and the Beast". I will not go into specific text analysis, thank you for reading.

That's it. After reading it for the first time, you already know the meaning of the book. It turns out that you are already a person in the book. There are a thousand Ade in the eyes of a thousand readers. What La Kuadu wrote made me seem to see the shadow of many people, including myself and other living people in reality. A sense of substitution, a sense of substitution! This damn sense of substitution! I really cry about these regrets and deficiencies in life, as well as the past, reality and future possibilities that have been out of our reach. This is not a novel, it is simply an autobiography... Du, you must have some stories, how about you tell them and let us hear them?

The ultimate in two-dimensional otaku fiction, a symbol of the infinite flow of radio waves. It tells the story of Liang De, a middle-aged social animal who died suddenly and learned boxing in a crazy martial arts school. Although in recent years, with the emergence of this chapter, readers can give timely feedback on their feelings and interact with the author, jokes in novels have become more and more common. However, the proportion of memes used in most novels is not large, and the commonly used memes are popular memes and current affairs memes. This book is purely a pile of memes, adding plot to the densely packed memes. The author's imagination and knowledge reserve are equally rich, connecting the settings of different works. Can use stems in unexpected places, stems within stems, extremely rich in elements. The scope of its memes is not limited to Japanese comics, but covers American blockbusters, Japanese special effects, Hong Kong films and Hong Kong comics, etc. It can be said to be all-encompassing. This book not only plays jokes, but also creates jokes. The jokes about serious literature, people-to-people stories, and please cut off the Du Ding cup are all among them, and they are quite popular in novel forums. Because many of the senior users of the forum are social animals who fish at work and have two-dimensional hobbies in their spare time. Books in similar genres, such as "Thrillerland", are generally written very slowly. Weekly or even monthly publications are the norm, and this book is no exception. After all, if the author wants to write high-quality memes, he must collect genres and materials, follow dramas, make up episodes, play games, etc. If you write too fast, no matter how rich your reserve is, the writer will run out of ideas, and what he writes will not be right. The reading threshold is relatively high, and those who don't have certain knowledge of home-style reading will be confused. For hard-core nerds who like to watch animations and play games carefully, if they can capture the taste of the jokes and make them smile, this book is undoubtedly a fairy tale. For traditional readers who want to read a reasonable story, smooth writing, and satisfying pleasure, this book will probably be tasteless and tasteless.

I think it would be better for Ade to hand over his knowledge of this trip in which he is the protagonist to Teacher Fengxian. Miss Bai Hekong loves it.

Du Gong (the eternal god of the nest) The first time I ate such natural and sweet 🐶 grains at the starting point (I have no interest in harems and stock trading, and I don't read many books on the genre, but the sweetness of Du Gong's 🐶 grains is just right for me)

I still don't understand serious literature... But after wandering around various forums and looking at the author's old works, I suddenly got new ideas. Funny, joyful, smooth writing, and high-quality memes. But in the early stage, it seemed that it was all piled up with jokes, and the character description and plot seemed to be greatly diluted. Even though it started to improve later on, I still feel like I can't get rid of it. I do think it is very good to read below, at least among the online articles I have read this year. I hope the author's writing style... Will become a unique existence!

Use the two monthly passes earned from reading other books to support you

I feel that the plot after high school is a bit weak. Although the main plot is to go home, this will definitely not be realized for a while. The writing and plot can also keep up, but the short-term main plot is very vague and makes people lack of reading. Generally speaking, it lacks Xiao Gaochao. On the other hand, there is the issue of level. The protagonist's ability has not changed significantly since high school. An in-depth explanation of this combat power system. What is the difference between the lower, middle and upper positions of Bai Jie? What changes are there in the red level? How to achieve the green level? Currently, this combat power system is not deeply integrated with the plot. Yes, but this is a small problem. I believe the author must have his own plan. The most critical thing is the lack of Xiao Gaochao, or the plot lacks appropriate pressure on the protagonist. This pressure does not have to be life or death. If you want to gain honor, want to get something, want to break through the level, these are goals that can be achieved in the short term.

Put an end to the spread of cross-cultural literature, starting with killing Duke Du with a sword🙂

Wow, the first volume is really good, although I can't understand some chapters at the beginning (#-.-) And some parts in the middle. But it really has the feeling of killing people with no intention of killing, and all living beings are insignificant. At the same time, some humorous elements and the protagonist's nonsensicalness are added to balance the brutal killing scenes of the article. It really has an unconstrained and absurd look, but this kind of absurdity cannot be written by other writers writing about lunatics. This book is very good, but it still has some shortcomings. Some of it is blunt and blunt. The second volume gives people a sense of continuation. It seems that it has entered the sage mode. It can be seen that the author is good at making bold decisions and grasps the big frame very well, but the details still lack fine details. The settings are thrown out too quickly and too densely, and there is a sense of overwhelming confusion. The author can refer to the mystery next door. Maybe this is the writing technique of the master, but the mysterious settings are really not obtrusive. This feels like saying: This is my setting. Reader, take it and I'm going to start telling the story. In the unfolding story, the library war is really good and really exciting. Why did the second volume become like this 😅, from 18+ to 14+

Great book, first time seeing this type of book, interesting

Ah ah ah, Du Gong, please update soon!

Why do I feel that the reading is so messy? Is it a bit too compact?

It is worthy of being a serious literature, well written

Seeing Du Gong's update, I can't help myself. I'll reward you with 10,000 points.

Shirogane, endless updates, come out to me!

The Mu Yigui part does stretch my hips, so why do I force myself to perform such painful toothpaste-squeezing creations? Why pile up short stories about bad chicken soup? ? Only the first part of the plot is based on the strengthening of the protagonist and the actual progress of the graduation trip. This chapter of upgrading and fighting monsters is undoubtedly practical and easy to play. After the graduation trip, it became a way to indirectly change Liang De's state of mind by revealing the past of Li Zhixian and Sheng Wuxu College classmates. There is also a hidden thread in it, which is the protagonist's discussion of real life and green plums falling from the sky. The emotional progress finally pushed to the actual progress of returning home, and Liang De confirmed the situation in his hometown! ! I think this part is very clever, and I'm fascinated by it every day. But, but! The problem is that after this, Liang De has no goal! I can't see how the main plot can advance. In the process of exploring the world, Liang De has no enemies and nothing to do in a hurry. All he can do is passively wait for the time to come - this kind of waiting is chronic torture for both the author and the reader. Most novels will use the method of time and space transfer at this time to fast-forward directly to the plot with intense conflicts. But this is not the case with Du Gong. He wants to fill the entire middle process with short stories with chicken soup and bad jokes? ? ? After struggling to finish writing about the classmates, I have to start writing about the end of Blue Star one by one. Du Gong, although the end of Blue Star is a very drastic change for the Blue Star people, for Liang De, the White Tribulation Walker, he will always be just a calm stirrup in this fierce conflict. What's worse is that toothpaste is squeezed out, and many of the supporting characters that have been painstakingly created are basically useless. I am often even surprised by Li Zhixian who occasionally appears in the dialogue - and this character? For example, at the beginning of the movie, the sword hanging on the wall was grandly introduced, and the audience enjoyed watching it. But then the protagonist turned into One-Punch Man. Wouldn't this sword become a useless sword? Du Gong, please stay strong!

In fact, Liang De may not be unclear about Shen Shiyu's intentions. After all, after sharing memories with each other, the two of them have become the people who know each other best on both sides of the sea. Just as Shen Shiyu understands him, he also understands Shen Shiyu. In fact, Liang De also had a good impression of Miss Shen, otherwise he would not have refused Li Xianyu's request to go to the supermarket together, and then went shopping with Miss Shen side by side. But so what? Liang De has an inseparable concern about his hometown, and he will never give up his goal of returning to his hometown. However, the only record of his hometown on both sides of the Kukai Sea was left by a great master of the Purple Tribulation. Others, even top Blue Tribulation practitioners like Pu Xuande, could hardly find his trace. This means that in order to return to his hometown, Liang De must at least become a master of the Purple Tribulation. With an unparalleled genius like Sheng Wuxu, he has been in the realm for twenty years, and has tried swords in the heavens for thousands of years without ever losing. It was not until the last battle when he was about to die that he touched the threshold of the creation of the Purple Tribulation. In the end, he still fell short. Even Teacher Fengxian who defeated Sheng Wuxu was trapped in the peak of Qingjie for thousands of years and could not make any progress. And what qualifications does Liang De have? According to his master's evaluation, he is just a loser among losers. If he wants to become a great master of the Purple Tribulation, it can't be said that he will survive nine deaths. He will simply die ten deaths and no life. It can be said that he is almost destined to die on the way to pursue his hometown. In this case, why bother others? There is a kind of love called letting go. Wouldn't it be better to let Miss Shen live a long life in peace like most Jieyuan practitioners?

This building is used to collect supporting actors. The format is: name + gender + age + introduction Ps: The adopted supporting actors are very likely to be magically modified ( '▿ ' )

Lao Liang's portrait

As of the writing of "Fist of Fantasy", the battle for the heroine has finally settled, the green plum's butt has soared into the sky, the JK's butt has fallen to the floor, and Liang De has finally found his emotional home, which makes people feel a little relieved and a little sad. Although he is not willing to let JK, whom he personally prefers, become the loser, from the perspective of the characters in the book, Liang De's choice of Qingmei also makes sense. First, Liang De and Shen Shiyu have more common experiences. Although these experiences are false and are illusions caused by the overlapping of souls, since both parties are unwilling to let go, false experiences can also give birth to real feelings. In comparison, the intersection between Liang De and Bai Hekong seems too weak. Although there was a moment of heartbeat before death and a wordless communication under the starry sky, at best it was just the bud of emotion and no chance to grow. The second is the difference in personality between Shen Shiyu and Bai Hekong. Bai Hekong looks cute but is actually strong, and Shen Shiyu looks cold but is actually fragile. Therefore, even in a senseless killing ground like Sheng Wuxu High School, Bai Hekong can still maintain his true feelings, but Shen Shiyu must find an emotional sustenance for himself to survive - first her brother, and then Liang De. In other words, Bai Hekong can live a good life without Liang De, make more friends, and be happy every day, while Shen Shiyu will only close his feelings without Liang De and then go to self-destruction, just like the Kong Hai Mayfly incident that has happened in the book, and this is the opportunity for Liang De and Shen Shiyu to really open their hearts and come together. In all love triangles, men always tend to choose the weaker side. Just like Wanji in Toai finally chose Satomi instead of Rika, Hachiman in Harmono finally chose Yukino instead of Dango, and Liang De finally chose Shenshiyu instead of Bai Hekong. Although it is regrettable, it is understandable. I have written so much without knowing it. I just hope that JK can still have scenes in the future. After all, you can still be friends even if you don't become lovers. Even if you are friends, you don't have to be friends. At least you still have the value of being a tool 😭

The Yintian Shenyin army came to propose marriage😏😏😏

He has no masculine virtues and his crotch pulling fist is well-deserved.

Now that it's May, I'm just like, what to look forward to?

Du Gong is doing this this month. I didn't want to vote for the monthly vote, but I was afraid that Du Gong wouldn't have enough money to starve to death, so I voted anyway. Am I doing the right thing?