The Wizard Descends Upon All Worlds

A useless beginning. Genius female friends. Civilian status. The childhood sweetheart of a great nobleman. The rich second generation is jealous. Poisonous hand. A slap in the face.

I would like to make a suggestion. Can the golden finger of the protagonist not always be in his head? Think about it, the protagonist is studying a skill problem, and he just thought of a way to go deeper. Give your stupid gold finger a beep, but all the ideas are gone. When refining the potion, there will be a beep, and the hand shakes, and the medicine practice failed. No matter what you concentrate on, if you beep, do you have the guts to split your brain and pull out the thing, bite it with your teeth, smash it with a big hammer, grind it into powder, and use the magic of destruction. The world is finally clean.

In typical magic novels and movies, there is no concept of magic power, nor is there any concept of exhaustion. For example, the Devil Fruit in One Piece does not take into account external factors such as the Sea Tower Stone. As long as the person with the ability still has physical strength, he can use the ability. Magic is similar. As long as the caster still has energy, magic can be released. At the same time, magic is not an objectively existing power, but an "ideal" power. The magic that cannot be released one second may be released the next second due to a change in mind. Nowadays, the authors who can write classic magic novels following the Western worldview seem to be writing Harry Potter fan fiction, while other authors are writing magic in the style of Eastern fantasy.

The old routines are extremely poisonous. It is undeniable that if it were six or seven years ago, it would have been a passable work, but now, it is a completely brainless villain who forcibly subdues his intelligence in order to pretend to be a pig's foot. It gives me the feeling of pressing the reader's IQ to the ground and rubbing it repeatedly. Saw the blind date, sorry. I really can't stand it anymore.

I would like to ask the author what makes you insist on writing the routine articles from a few years ago without fear of starving to death.

Damn it. The protagonist is given an attribute point when he levels up. How many levels do you plan to let the protagonist reach? Is it 1,000 or something? So much experience to get there. It's disturbing to watch. Also, you wouldn't be writing a novel if you didn't give the protagonist an enemy from the beginning, right?

To be honest, the first advent is also about the protagonist's studies. Why is the protagonist so stubborn? It is obvious that the protagonist can go to a good school as long as he returns normally. The result is that the mission failed and the spirit weakened. What excuse does the protagonist find to show his excellence? It is obviously a high-risk world. The better the protagonist is, the less others dare to touch the protagonist. Goodbye.

It was written like a child's play. Kel'Thuzad's death was still talked about even though he knew he was about to lose. Eternal dragon, oh, the spell that seals time is pressed against the bronze dragon, and when the seal is released, it is instantly killed with one blow? Are you sure you are writing about World of Warcraft? Isn't it children's literature like Xi Yang Yang and Big Big Wolf?

The introduction paints a lot of cake, and the pace of the text is uncomfortably slow. Even if you have a lot of wonderful things in your mind, what you write down is just a little bit.

I've read Chapter 40, it's so confusing, the plot and strength are all confusing.