I Really Am the Chancellor's Son

From 31 to 47, I feel dizzy. The only thing I know is that there is no progress in the plot...

If you write like this, it will be difficult for me to subscribe and reward you. I thought you knew

Come on, author, write like the first one and stop cutting it! ! ! !

After reading more than ten chapters, I can't stand it at all. The protagonist must be the son of a fake prime minister. An unknown person can step on his head and he can't fight back. It's like a hammer. It's frustrating.

Not cool at all, the writing feels so-so

Xiaobao, this one is obviously better written than those two complete books. Victory is not that easy. The protagonist reaches Tianting without taking a single step. Regardless of some criticisms, Xiaobaoshu's interpretation of history is not similar in form but in spirit. When writing historical novels, writing out and solving the core historical issues is the way to go. The problem in the Song and Ming dynasties was the vested interest groups of civil servants. Seizing this contradiction would lead to no disadvantages. As for military issues, Xiaobao is weak. There are so many interpretations and descriptions from the political level. After all, except for the Three Kingdoms period, China's entire history has been fought politically rather than militaryly. By the way, even so, Xiaobao, the best thing you wrote is the one about the witch. Find a way to finish it.

It feels quite poisonous. The four great talents are dead, Wang's sister is still in jail, and the singer is also being punished. I wonder if the cat food seller will survive. It's too nonsense to find a sparring partner. If you know swordsmanship, you will be dragged into a sparring partner. Are others blind? Just sneak into Zhang's house to deliver food, and force yourself to death to lower your IQ. However, the protagonist always ignored the suddenness in the end and shot him to death with an arrow. The villain's plot dragged on for a long time and he died as soon as he said he was dead. The previous descriptions of the villain were so long... The protagonist's temper was also speechless, like a mental illness.

Do you want to express the protagonist's spontaneity or inaction or incompetence? People who pretend to be cool and slap in the face know how to suppress first and then expand, but if you suppress it first and then suppress it again, it would be too boring to watch. I have been depressed after reading fifty chapters. I don't know whether I am suppressing the protagonist or the reader. I personally feel that it is vulgar and to put it simply, it is not enjoyable.

When I saw Chapter 12, I couldn't stand it anymore. Compared with the previous book, it was a huge difference. The protagonist, the prime minister's son, was slapped twice in public. Doesn't the author know that slapping was a punishment in ancient times? Commonly known as palm mouth. Then the person who beats someone has no big background and is not dead yet. Slapping the mouth is a punishment in ancient times. If the prisoner quibbles or speaks rudely in the execution hall, he will be slapped on the face. On the contrary. Slap the mouth, if the servant makes a mistake, slap the mouth? This is related to the "object" of punishment. Slapping is also a family law in feudal society: commonly known as "slap".

The one I felt best was Gao Yanei, but the ending was rushed and unpleasant. Wang Yanei has the best structure, but the protagonists of World War are not involved enough. The pace of this book is too slow. It seems to be written as a masterpiece, and time travel is impossible.