Quick Transmigration: The Professional Face-Slapping Guide

It is said that I have read more than 20 chapters in time. The heroine has not yet gone to college, and her family situation has not changed. It is normal for a girl of such an age to go home from school to cook and work in the countryside. When she comes to the heroine, she is particularly sensible. Mary Sue's aura is so strong that everyone around her likes the heroine. Her brother-in-law, sister's ex-boyfriend, parents, grandparents, brothers, and even relatives and friends in the village all like the heroine. The heroine's Mary Sue aura is not effective for the heroine's sister, even if the sister has not been reborn in such an environment. Darkened, and the female protagonist was already in her thirties when she was reborn. A woman who has lived alone for many years has not improved her IQ or EQ at all after her rebirth. Her tricks of framing others are too childish. Not only can she not be able to defeat the heroine, she even married two of her husband's families who were only ten years old together. Even the village girls and sisters-in-law who are 20 years old can't fight. I feel the author's deep malice towards the female supporting sister. I don't like the heroine who pretends to be a pretty girl. Instead, I sympathize with the female supporting sister who is set up by the author in this way. It's so frustrating to be a bad guy 😁😁

This quick time travel counterattack and slap in the face is quite interesting, but I really don't like it when the male protagonist appears in every world. And most of the plane heroines have the bodies of married women. For example, the male protagonist in the novel at that time even dressed up as her ex-husband's brother. The author also said that there are places where a brother-in-law can succeed a sister-in-law, which completely shattered my outlook on life. There may be places where uneducated and illiterate people in the mountains can do this. But the heroine is a mission person who has traveled through many planes. Many readers said to divorce him and then marry the male protagonist. It honestly disgusts me to death. Fortunately, she didn't get married later. In fact, there was no need to let the male protagonist slip out of that world. The heroine accomplished the task very well on her own. There is no need for the male protagonist of the world to help women counterattack. I've seen too many stories where the male protagonist marries the female protagonist in every world, and it's really annoying. You don't need to rely on men to complete tasks, so you don't want to publish word count in every world. It's my personal feeling. If you don't like it, don't criticize it.

It's not that I'm disgusted with CP stories, but I'm disgusted with the CP of the male and female protagonists in this article. It was fine when the male and female protagonists were both pure, but when it came to the old lady in the Hou Mansion, the plot was simply poisonous! The old lady of the Renhou Mansion can earn a title by herself, so she is definitely not in love, and her grandsons have all married wives. As a result, the heroine became twenty or thirty years younger through cultivation and married the hero, the Supreme Emperor. Have you ever considered the original owner's feelings? Yes, You want to live in the place of the original owner for the rest of your life, and you can't stay unmarried forever. But the old lady is already in her fifties and sixties. Even if she is young, she can't use the original owner's body to fall in love and get married so unscrupulously. Anyway, I can't stand it anymore!

To use a game analogy, the author's male and female protagonists are like two-row heroes. No matter how good you are, the natural difficulty will drop a few levels after a game, and the excitement of the plot will also decrease. Individual quick travel, what you see is one world and one protagonist, that unique sense of superiority. As a result, you are doing tasks in a team, and the pleasure is suddenly reduced by half. The author's book is different from other fast-traveling books. It is not a guide-style guide to a school boy, a yandere, a shady CEO, a villain, and a boss. It is a book with male and female protagonists that can be read as a romance novel. However, this book follows a plot flow, and the plot is also very exciting. However, the male and female protagonists often play in double rows, and the pleasure is half shared by each other. It is a pity. Recently, I have been updating the basic storylines with almost no male protagonist or almost no role for the male protagonist. In this book, the male protagonist has an extremely strong sense of presence. As the plot is written, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan, Xiao Yuan... There is no sense of surprise at all. Because I have already guessed that the heroine will encounter Xiao Yuan while walking in the plot. No need to guess the next plot, it's Xiao Yuan... Although I don't know what the book reviews are saying, I guess that some people must be very opposed to having a male protagonist. If you like to watch double row, why not just write a guide for the heroine? Isn't it good to write romance? Writing the flow of the plot really affects the sense of immersion in the character. The plot is the key point, and the male and female protagonists are both good at dancing. The plot of the single small world in this book is really well written. But, think about it, put yourself into the heroine, use your own strength and wisdom to conquer the main tasks, make the villain lustful, immortal, lustful, and dead, and then you will gradually become stronger little by little. What a sense of anticipation. Does the heroine need a man? Are you using a double row?

There are too few updates, not enough to read.

First of all, I haven't read this novel yet, I just collected it, but after reading other people's comments, especially the one about Beauty Like a Flower, I felt a little bit disgusted. I have read too many fast-traveling novels about slaps in the face. In fact, I really want to read a novel like this. The synopsis is as follows: The heroine is full of confidence in fast-traveling and slaps in the face, but... When she transformed into the treasure of the whole village and was about to slap her cousin again in the face, she found that her cousin was missing. Decades later, when she was still a village treasure, she discovered that there was an interview on TV with a vicious female partner who became a successful businesswoman. When she dressed as an ancient showgirl whose fiancé was robbed, the vicious female partner she wanted to slap in the face disappeared again. When she reconnected with her fiancé, the rebels entered the capital and changed the world. It turned out that the vicious female partner became the leader of the rebels and ascended the throne as the queen. When she dressed as the sister who was framed and died by her twin sister, the vicious sister she wanted to slap in the face also disappeared. It turns out that my sister has already entered the Chinese Academy of Sciences and is determined to raise the country's scientific and technological level. Her life in time travel is like being cursed. Although she can complete the mission every time, the vicious female partner she needs to slap in the face in the additional mission is missing. In the end, she discovered that the vicious female partner she wanted to slap in the face was also a quick wearer, but she was not a female partner of the face-slapping system, but a female partner of the career system! I have always felt that being slapped in the face is too low. I always blame a certain person for my failure in life. My world view is too small! It is better to have a career than to fall in love! Buying a career is worse than a slap in the face!

I'm a little angry when I see it. If you don't resist, I will give up. Otherwise, the heroine will be too cowardly.

Nowadays, there is nothing interesting about female videos, and most of them have male protagonists. What happened to the author? It seems that the female protagonist can't survive without the male protagonist, and most of the male protagonists are the most powerful as soon as they appear. Isn't it interesting that the female protagonist must be weak when she appears? Isn't it good for the male protagonist and the female protagonist to work together at the same level?

I just don't understand why there can't be a male protagonist in a quick travel story? As soon as there is a male protagonist, he will be sprayed. Everyone has their own preferences for radishes and greens, can we not be so absolute?

Many authors have gone to write fast-travel novels without male protagonists. It's hard to find a novel with a male protagonist, what a disaster! If you like it, read it. If you don't, there are a bunch of fast-travel stories without male protagonists. The table is BB again!