The Hundred Schools’ Sacrifice

I've been reading it for a long time and haven't gotten excited yet. It's a very exciting martial arts book. The author's writing style is delicate and the characterizations are vivid. I've read the paid chapters. I decided to book them all and keep following them 😁 Come on!

Overall review: eighty-nine Author: Scar Valley Lord Type: Martial Arts-Martial Arts Fantasy Commentator: Encounter Number of words read: 47%, nearly 190,000 words Introduction to the work: A young man who has subjugated his country, controls the secret disciples, unifies the three realms, subverts seven dynasties, and controls the blood and tears of all beasts. Generally speaking, I write the introductions of my works myself, but this introduction by the author is too summary, so I just use it for my own purposes, just to be lazy. General comments: Explosive! Explosive! Mom, I found another treasure! Many readers choose books, but I don't know that some books themselves also choose readers. This book is one of them. The entry threshold is slightly higher, hypnosis or amazement, please choose one. Detailed review: Title: 5/5 There are many requests for reviews in the circle, and most of the time I pick books based on my taste. This title caught my eye at first glance, and I thought it would be very interesting. Hundreds of schools, the first thing I thought of was the Hundreds of Scholars, and the word "sacrifice" means mourning, so I originally thought this was a historical novel, probably set in the Spring and Autumn Period and the Warring States Period. Although it turned out to be completely different from what I thought, it was still a little surprise. From the perspective of the book itself, this title is very appropriate, especially the word "sacrifice", which brings out the feeling of the vicissitudes of the past, and has a somewhat somber meaning. Introduction: 4/5 The introduction basically summarizes the content of the book, especially the first sentence. Although it is short, it contains a lot of information. "The country is subjugated" is the family background, "young man" is the protagonist, "Zongheng" is the origin of the teacher, and "secret disciple" implies secret and suspense. It is just eight words and has a lot of connotations. I admire it. In today's world of cool writing, such an introduction is not very popular. First of all, the wording and sentence making are difficult to read, and it is not eye-catching enough, so it is difficult to arouse people's desire to read. What really attracted me to this introduction was the three words "epitaph" after it, which inexplicably reminded me of the stories recorded on the stubborn rocks at the foot of Qinggeng Peak. They were all compiled by people who had lived in the past. In addition, the names of the seven dynasties in the poem in the introduction seemed to correspond to the context of the story. In addition, the author compared the work to a coffin lid. It seemed to be a work of a historian, which attracted me very much. Genre points: 4/5 The classification is martial arts. According to some martial arts literature reviews I have read recently, the basic elements of martial arts novels are nothing more than three: martial arts, knights, and rivers and lakes. The layout of this book is very large, with three religions, nine streams, seven dynasties and four clans, and the basic concepts of heaven, saints and three ways are proposed. Therefore, the two elements of "jianghu" and "xia" are indispensable, but the word "martial arts" is slightly less reflected. Although it can be seen that there are undercurrents and the future will definitely be a chaotic world, it still lacks a little passion and the violent aesthetics that martial arts should have. Basic skills: 13/15 There is nothing good to say about the writing style, just praise it. However, there are still a lot of typos. I picked a few randomly while reading and was too lazy to point them out one by one. I hope the author will look back from time to time and check himself more. I very much hope that the author's sentence structure and rhythm will be well-proportioned, and the sentence fragments will be like cutting gold and jade, and the rhythm and sentence structure will also fit the plot development and emotional tone. This is evident from the author's good intentions. What's rare is that the author does not overly pursue exquisite sentence structure, nor does he elaborate on everything. Instead, he is delicate where it should be delicate, and straightforward where it should be. In this way, the whole article is as urgent and slow as running water. For the average reader, it can read ten lines without missing the plot, and it can also be word by word without being boring. It is a relatively friendly reading experience. Even though I say this, you still need patience and care to understand this novel. Opening: 8/10 Based on the overall plot, the opening refers to chapters one to four. From the author's self-definition, the beginning of this book is a wedge, that is, it starts with the "storyteller" self-comparison, telling readers that this book is about the past, a story, and many questions are buried here, namely, who "I" is, who is the old man, what are those stone statues, why the white ape does not kill "me", etc., But these questions can only surface after looking back and re-reading the wedge. Therefore, for new readers who have opened this book, the first person is enough to put many people away, and the clouds and mountains and fog in this chapter will make some people lose their patience. However, those who have been screened out by this chapter will definitely be attracted by the author's style of writing. Returning to the story, I took a breath when I saw the first paragraph of Chapter 1. Why, I have never seen this kind of "One Hundred Years of Solitude"-style beginning in online novels. Looking at the following, I flashed back to the feeling I had when I read the Four Great Classics. The leisurely story starting from the story of Xuanhuang of Heaven and Earth really gave me the feeling of hearing a story told by a book writer. The subsequent introduction of complex settings is basically a taboo in online writing, but it does reveal some interesting settings, such as banishing the three religions and nine religions together to compete on the same stage, and bringing the Qin, Han, Tang, Song, Yuan, Ming and Qing Dynasties into the same time and space to compete with each other. Of course there are people who dare to do this, but they can play I'm afraid not many people are good at this setting. Let's not talk about the understanding of the three religions and nine streams of each dynasty and generation (many people may not have a complete understanding of what the nine streams are). Just distinguishing these different ideological theories requires a lot of reading. The author should be very interested in traditional culture and history, and maybe he is a person in this way. All in all, I, a liberal arts person, like this setting very much. The plot design of the opening chapter itself is also very good. Although there is a lot of setting and foreshadowing, it is actually okay to skip it. Once you enter the plot, it becomes much smoother. The author is good at digging holes. There are big holes and small holes in the first four chapters, which is very effective in drawing people into the drama. Character design: 18/20 The protagonist is the young Ling Langya. Like many novel characters who were born in the mountains, he is not familiar with the world. However, unlike those who are stupid to the end, his growth is rapid and obvious, and he has never lost his innocent heart. This kind of character creation is very natural and vivid. And no matter how you say it, such a character who attaches great importance to emotion but is not pedantic, has brains and strength but does not harm others with the selfish intention of "self-preservation", has secrets but does not deliberately hide them, is really a breath of fresh air, full of youthful spirit, and must be praised. Although there is a protagonist, it is more like a group portrait. Each character has his own characteristics. Even if there is not much ink, a few strokes of dialogue and appearance are enough to highlight the characteristics of each character. This is also due to the writing style. The dialogue and wording of the characters are consistent with the characters. This is one thing I want to praise. For example, Hu Ling and the two delivered drinks, and Hu Xu guessed that "Su Meixue" was a beauty on the way. This kind of gossip and showoff fit the storyteller Hu Xu's setting very well, and it also added a little twist to the plot, making the readers think that a beautiful woman was going to appear next, but when they actually found out that it was an old man, it created a contrast and a sense of surprise, and there was a little surprise. In my opinion, it is a very subtle and well-placed plot design. Because there are seven dynasties, it also draws on many real figures in history, but does not copy the books. It also expands and embeds many famous poems without departing from the plot, which is quite ingenious. But because of this reference, it is easy for readers to have some preconceived ideas. For example, the Prime Minister of Qin always feels that he is going to cause trouble. For example, the young master of the Qiu Family Army, at first glance, he thought he should be a good person. Or maybe the author deliberately arranged it like this to create a contrast? Will there be more surprises in the future? Plot: 20/20 The flashback writing technique of "One Hundred Years of Solitude" has appeared many times. For this reason, I have nothing to say. To popularize science, this flashback technique refers to recalling the past from the perspective of the future. The symbol is "many years later, recalling today, how it was." In just one sentence, it accommodates the three time levels of future, past and present. The author himself is hidden in the narrative perspective of "now". This technique appears again and again, constantly creating suspense. It is obviously not a temporary imitation by the author, but represents the author's complete understanding of the overall plot. A very troublesome problem with a full-length novel is that it has a large layout, many characters, and a long plot line, so it is inevitable that the plot and characters deviate from the original outline. But if the author dares to do this, I think that at least the outline setting in his hand is very complete, and he can guarantee that he will not deviate. This is actually the most powerful proof of the quality of the full text, and also a proof of the author's ability to complete the novel. Furthermore, there are the points of fragmentation. Every fragment of chapter contains either a reversal or a suspense, and it is also a transition. It is not divided by the number of words. This is the author's attitude and deserves praise. Moreover, the fragments at the beginning of certain chapters that look like historical biographies are either nonsense background introductions or nonsense plot hints. While enriching the style and settings, they also create more suspense. Of course, it also made me start to guess what the relationship between these two people is with the storyteller at the beginning, with the novelist who also has the surname Hu, or with that Hu Xu. The last thing I have to say is the scene change in Chapter 64, it is simply wonderful! ! ! The scene transition is based on the character's gaze direction, and the camera feel is so strong! ! Creativity: 8/10 Although the setting is not novel, the most difficult thing about this idea is how to realize it. From what I have seen so far, the author has done it perfectly. It's just that the protagonist's setting is a little bit old-fashioned and lacks new ideas. Subjective rating: 8/10 I basically read this novel while looking for various immediate feelings. Of course, it may be that I am overthinking it. I really thought of One Hundred Years of Solitude, The Qin Empire and Dream of Red Mansions. The styles are very similar, which means that it is destined that this book will hardly receive much attention on the platform of Qidian. The author himself should also feel it. I hope I can continue to persevere and at least finish writing this book. I would like to make a small comment. When following the plot, try not to suddenly insert a chicken soup-style speech in the middle. It is very awkward and feels like something is stuck in your throat. However, I think I can also understand the author's intention. Since he considers himself a storyteller, it is normal for him to feel sudden emotions while speaking, and it is normal for him to say a few words to the audience. So whether to change this point depends entirely on the author's own ideas.

I haven't finished it yet, but I can't help but want to comment. It's a very, very wonderful book, suitable for careful reading and slow reading. The author's cultural heritage is very rich, and it is written in one go. Not only is the writing style good, but the writing is also very fluent. Although it is a martial arts series that I don't like very much, I am willing to finish this book. I also found a long-lost feeling of tranquility in this book. The author is really a good storyteller. He is still and at the same time surprised and amazing. I hope the author will continue to work hard!

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