My Division Is a Bit Strong

I remember that the results of this book were okay when it was first published, but the loss of readers was so serious that it felt like the author hadn't discovered the problem yet. The content of each chapter is not concise enough, the plot is very blunt, and the theme is unclear. After reading the full text, it is a light novel. At one time, it is abusing the main text, and at other times it is a mystery article, and sometimes it is a farming article, and sometimes it is brainless and exciting. This is probably the main reason for the loss of readers. It is obviously the unclear theme positioning In particular, the division of combat power is particularly confusing, and the decline in the combat power of the Taiyi Valley lineage is particularly serious. The various foreshadowings are very blunt, and just like before, Emperor Wu's combat power was set to be equal to Yuexian, and the first person under Jin Emperor, and finally he said that even Jin Emperor was not his opponent before he was injured? So what does the author think? This is just one of them, there are many more examples. For example, the second sister Shangguan Xin, Wang Yuanji, Qing Yu, Ai Mozun, Huang Niao, Lao Huang, etc. All have this type of problem. This is the most fundamental problem, which greatly affects reading. Don't think about foreshadowing until the settings are clearly written. The protagonists and villains sometimes appear to be very brainless. Once the calculations are very deep, you will appear to have a low IQ, whether you are the protagonist or the villain. Forget it, I'm too lazy to write. Anyway, sometimes I feel disgusted when I read it, and sometimes it's okay. I can only say that the author's writing style needs to be improved. {"TopicId":"587233067492507648","TopicName":"Weekly Divine Chapter Submission"}

It's you! ! ! Eunuch King . . . . . . . . . . . . . . . . . . . . . . . ,. ,,,. ,,,. . . . . . . . . . . It happens every time. Don't read it if you are a bookworm under five years old. This thief becomes a eunuch every time he writes half of it He also frantically creates a trumpet and writes other books. . . Then,,, the eunuch again

From Shi Lezhi before leaving alone, to the five phantoms, and Qingyu who is always jealous and adds drama when staying with Kong Ling, although each character has a different personality, at their core they are all the same type of characters: they seem to have subjective agency sometimes, but most of the time they are making jokes in an attempt to create a nonsensical and funny atmosphere and character image. Even System and Su Tutu are presented with such character images from time to time. It feels like the author has fallen into a trap that he inadvertently left for himself in character creation. It's not that such characters are unlikable, but there are too many such characters and their psychological descriptions. Firstly, they do not play a substantial role in promoting the plot; secondly, when these characters meet together, so many descriptions of the same type of psychological activities are piled together, which really causes serious psychological fatigue. Especially when the protagonist, as an ethereal elder, attends the Young Phoenix Banquet (not sure if this is the name), a system suddenly appears with new abilities and quarrels with Su Anran. Su Anran, who also makes nonsensical jokes from time to time, jealous Qingyu, and especially those phantoms that appear out of nowhere, are all piled up together. The psychological descriptions and homogeneous funnyness of the whole chapter are really difficult to read. Or in other words, I don't read these detailed psychological descriptions, I just find your setting description, and then skip the whole chapter to read on. It has no impact on reading at all. I am not even curious about what these psychological descriptions are. It is really aesthetic fatigue and their subjective initiative in advancing the plot is too weak, and it is of little significance. So I feel that the author has fallen into a trap: detailed descriptions of inner activities are used to create group portraits. Since it is a group portrait, each character should have its own characteristics, or be different from others. Like Nun Miaoyin, Little Monk Miaoxin, Kong Ling, and even Su Yanran, Kong Ling's brother, their psychological descriptions are far less lengthy and detailed than Shi Lezhi's, and those phantom demons are not even as numerous as Su Butcher. But even when I see these characters now, I still know that it is him who has appeared again, and it is reasonable for them to behave this way. It turns out that he has improved again, and this is his identity. But what about the Phantom? Su Yanran's Phantom: a cowardly fool who is ignorant of the world like Miao Yin and Kong Ling; Sword Formation Phantom: a phantom in the form of Sapphire after realizing his situation; the remaining phantoms have not yet seen specific descriptions of their recovery; but the core feature of all of them is the collage of nonsensical and funny parts of existing characters of the same type. I don't understand the significance of such a detailed description of psychological activities. No offense, but the content after leaving the secret realm made me jump more and more as I watched. The more I watched, the less I understood the meaning of these characters and psychological descriptions. If I misunderstood it and it was used as a foreshadowing, I apologize in advance to the author for any possible offense.

Now I see the scene where Su Anran returns to the valley to meet Qingyu after rescuing Jinjin, and I think of the story about feeding Qingyu the elixir in the extra story. I have my own subjective guess as to why Qingyu is portrayed in such an ambivalent image: Qingyu is actually a fantasy "pet", and it is her ability to transform into human form. However, in the process of creation, she is not regarded as a "person", or at least not completely regarded as a "person". Rather, they are "quasi-characters" that are shaped and changed according to certain needs. Why does the elixir have to be so huge that it is difficult for Sapphire to swallow it? Why is the so-called "natural blackness" of the senior sister reflected in the fact that Qingyu's body shape has undergone such a huge change and she has such a stress response to eating? And why during these processes, Qingyu was asked to show his will to resist but was always ignored? The answers to these questions may be different for everyone, but from a realistic perspective, this kind of psychological stimulation is probably not so easy to recover from. And, if compared with Su Anran, the "materialization" point of view I expressed may be more clearly presented. Why did the Third Senior Sister and the Fourth Senior Sister train Su Anran in the same torture and way that made people want to escape (broken bones countless times, beaten bloody countless times)? The superficial reason is of course that the third and fourth senior sisters want to train Su Anran, but there is another reason behind this reason, that is, Su Anran herself wants to practice and become stronger. The third and fourth senior sisters did not go against Su Anran's own wishes. And this underlying reason is something that Qingyu did not have when it was in the stage of wild beasts and spiritual beasts in the mid-term. Because she turned into a beast, she was regarded as an object that could be "tortured" just because the senior sister wanted to do it for Qingyu's own good. But sometimes, I still treat her as a "person" during reading, so it is inevitable that I will feel uncomfortable. Of course this is just a rough idea. I am not a scholar who can analyze it from the perspective of psychology or a more relevant discipline. These analyzes are actually more from the perspective of gender display. I also thought about some questions myself: If we analyze it this way, there are many things that children cannot understand. So if parents and elders use strict methods to teach children not to do things or to do things, does that mean they do not respect the child's "personality" or treat the child as a "thing"? Can children understand it? And should we not force the child just because his wishes are different from what the parents want him to do? (If the background context of these things is infringement of other people's legal rights, or violation of laws and disciplines, then the result will be easier to reach a consensus, but in other aspects, it seems to be much more complicated, involving how to cultivate children's interests) Actually, the following is off topic, and it is not just about the work. However, Qingyu is also a member of the "children", so it is not completely off track.

Watching it for the second time from the beginning, the part where Su Anran and Qingyu participated in the Tianyuan Trial and then gestured to understand the wrong part, now seems to make me feel something is wrong, so I skipped several chapters later. To be honest, when it comes to things like raids, for two people who have never had similar cooperation, when time is not so urgent, they must still spot the opportunity and clearly confirm the target before taking action. And they were in the snow, and writing on the snow was the simplest and clearest way. After all, the other party was in a melee. It was understandable that someone was talking from the sounds of spells and swords clashing. It was absolutely impossible to identify the sound of writing on the snow. So normally, when neither of them is smart, especially with Su Anran's cautious temperament, they must confirm it by writing on the snow. This kind of design that uses gestures to clarify the mission goal and mission time, which ultimately leads to two people having completely opposite understandings, is really too plot-killing. In addition, this part of Qingyu gave me mixed feelings, because the author's forced wisdom on Qingyu was sometimes too obvious. Obviously after Qingyu became a spiritual beast in the later period, she was still on par with Su Anran (or even understood better than Su Anran) in many things, but here, it was obviously the most important step for her. However, because she was too lazy to think after following Su Anran, her IQ dropped from time to time and turned into a stupid fox. It is really hard to believe. Because after she became a spirit beast, nothing was as important as it is now. At that time, she did not give up thinking about things or was not enlightened. She was just too lazy to practice for a period of time, and she should not be portrayed like this in the Tianyuan Trial.

I am also a long-time fan of the author. From Bad Dragon King to now, how can I put it, the characters, background and plot are all good, and the small details and dialogue are also good, but there is just something missing, and it feels like it doesn't connect, which makes the excitement a little bit worse.

There are too many words! Read a novel where the narration explains so much why! ! !

Complain about the cover! ! I haven't changed it for so long!

This is the only book that I am interested in ordering and reading in the past six months. Good luck to the author💪

I like Taiyi Valley, ah ah ah ah, coach, I also want to travel through time.

Author, tell me, are you also a eunuch in this book?

Boring, not to my taste, slipped away

Has the author drank too much lately? Updates are so slow

I still haven't recognized all the nine senior sisters... It's so difficult for me! The senior sister is a naturally stupid genius in refining medicine, and she carries the medicine god lady with her everywhere. The second senior sister is still missing. Third Senior Sister is a genius sword cultivator who traveled through time in the future. The master of the Demon Sect who was reborn after the death of the Fourth Senior Sister. Fifth Senior Sister... Came from a parallel earth and carried the "Master God" system with her. It seems that Sixth Senior Sister also traveled through time? Carry an animal taming system with you? The Seventh Senior Sister and the Eighth Senior Sister practiced weapons and formations one by one, but they couldn't tell who was seventh and who was eighth... The Ninth Senior Sister and the Third Senior Sister traveled through the same era, but they arrived a few hundred years too late? Possessing great cause and effect? Maybe a squirrel is needed to counter it? The above... Maybe I remember a lot correctly... (I can't make up my mind)

You might as well just save a month's worth of manuscripts and publish them all at once, and change it to monthly. Anyway, there are only so many updates in a month.

This book has been pigeon-holed. We have pigeon-holed you as a whole 😡😡😡 After keeping several copies, they were gone 😡😡

I really can't complain about this cover.

In ancient times, it was called Longyang's Cut-off Sleeves... Or that boy...

Brother, I have chased three of your books, and you have chased three of mine. I beg you to be a person and finish the fourth one.눈_눈

The first chapter poisoned me, it really shocked me.

There are a lot of bugs in the recent chapter about Senior Sister 3. Chapter 145 says that Senior Sister 3 comes from 50,000 years later, and other than Taiyi Valley, there are records.

The author writes well! Watch your book! Yesterday, I happened to see the author's new book, and when I thought of God of War, I couldn't help but say a few words. I am a fan of God of War, because I have chased God of War to the starting point. It is a pity for the author's previous two books. Writing the first few hundred chapters of the book is the most difficult. The author should work hard! God of War is well written, with a grand world view and setting, distinct character differences, appropriate humor and carefully laid out strategies, coupled with the author's characteristic two-dimensionality, it is a fascinating and good book. Therefore, the author does not need to deliberately create a funny or jokey atmosphere, otherwise it will be very tiring to write later. Once the character's personality is well established, it will naturally come out. For example, the two Valkyries in God of War have very distinct personalities. Although Asuna does not have much ink later, the impression is still impressive. Another example is that "Abnormal" became more funny later on, and it was actually difficult to maintain each character. Comment a few words, if you don't like to ignore it, please support Mu Niu Liu Mao. If there is an update, you will be recommended and rewarded, double! ✊

I was persuaded to quit in the first chapter. Why the hell do I, a Chinese, need to know the age of Japan when I traveled through time?

Give Qingyu a role😭

Woohoo, the boss finally wrote a book again! In my lifetime!

It's fully booked and maintained, so come on!

There is still a normal person in this sect. Oh, senior sister is quite normal.

After reading a little bit, I found out that the poisonous thing is that I forcefully talk about League of Legends. It has been more than 6,000 years, and I have become a big boss. I still think about League of Legends all day long. Are you bored of playing a single-player game for more than 1,000 years, no matter how fun it is? It's just like when you were playing in the mud alone when you were a child, and decades later you became a boss of Jack Ma's level. You are still playing in the mud. How can you make a show?

Everyone here is talented and speaks nicely. I really like staying there 😏😂

When I was writing Lord of War, I was a well-known online writer. Now I am a level 5 online writer. You also want to eat, and you want to follow the trend and write something like Global_Mist_Survival/and the like. Isn't it delicious? If your writing style is good and you don't have any ideas, just borrow it and you'll be satisfied.