Theater of the Absurd

First of all, I have to say that this is a great book that has been buried. Because among books about female protagonists, there are very few good books of this type. In most books about female protagonists, it is difficult to write brilliantly about the female protagonist, because they cannot escape from a cliché, that is, the intelligence of the heroine, the vulgarity of the male protagonist, and the intelligence of the female supporting character. At least there is no male protagonist in this book so far (PS: I hope there will be no male protagonist, but it still depends on the author's personal thoughts), and there is no particularly intelligent character for the time being, and the protagonist does not have any very intelligent behavior. Generally speaking, among all the novels and romance novels with female protagonists, it is simply a breath of fresh air. Okay, I won't say too much to praise others, but some small suggestions are for reference only (PS: I am not the author, I just give my personal opinion from the perspective of a reader) First, the setting of this article is very good, not conventional, it seems that the author has his own ideas. I have currently read the first story "A Doll's House" and the second story "The Sea Monster". Let me talk about my biggest feeling, it is anticlimactic. The concepts of both stories are very novel, and the readers are very eager to read on from the beginning. However, some settings in the theater did lower the rating of the entire story from 5 stars to 3 stars. Let's take a look at this setting. 1. The player can know whether the other party is an NPC or a player. This setting alone reduces the excitement of the story by more than 30%. The following contains a lot of spoilers, so those who haven't finished watching it yet should read with caution. In the first story, Mr. Su and the six actors are all Dorothy's children. This role is too restrictive. It's okay if they are all children, but everyone knows that I am the actor, which is very boring. No matter what I do, people are watching, and there is no good starting point if I want to trick someone. This is very... Moreover, the important NPC in this, Dorothy, seems to know that they are all actors. From this perspective, I have to think about the significance of limiting the actors to Dorothy's children. This may be due to the author's layout, and there may be some clues that I have not yet considered. I have reservations here. I think maybe I thought too simply and failed to understand the author's deep meaning. Why I say it ends in an anticlimax is because this story actually failed to make me feel the danger of Dorothy. It is true that two people died in the middle, but to be honest, they were all caused by themselves. Instead, there was no feeling that I was careful and died without knowing why. It feels a bit like playing, and it doesn't bring any particularly dangerous feeling. As long as you can survive, you can survive. There is almost no dangerous feeling. There is also the reward. The reward is too generous, and in the second story, the protagonist has almost never used it, and the setting of this ability is particularly unclear. It feels like a useless addition to me (but in fact, I feel that it should be a useful ability, and Dorothy has given The necklace was not cashed out in the second story. But I think this specially described item should be useful) Overall, the first story is actually quite good, but it feels like the ending where Dorothy suddenly opens her heart to the protagonist makes me feel particularly unreal. In my opinion, people like Dorothy should have no heart. It would be best if Dorothy opens her heart to the protagonist. It seems that the protagonist has completed the task, but in fact, back to the script, Dorothy has other thoughts and wants to escape from the script through the protagonist, which may add a lot of color to the story. Another point is that the script of the protagonist's first mission is the first. To me, this theater really has no background. Is there no one else? You can't rely entirely on the protagonist to be a great person. However, the supporting character Yang Ling in the first story was well written and very distinctive. At least let people know that the protagonist is not the only one. The second story "Sea Monster". But this story is just not as good as the first one. Of course, I know that the author needs to give the protagonist a step-by-step process, but this performance is indeed a bit bland. It's the actors all gathered together again. It's not fun to play at all. I saw a place where Assistant Wu was supposed to protect the eldest lady, but because of a text message from Pei Jiu, the eldest lady was arrested (Although Boss Su could have resisted, he did not. But according to the script, the original eldest lady, if not acted, the eldest lady actually fell into a very dangerous situation) Here I feel that the purpose of Pei Jiu's text message to Assistant Wu. There are two directions to unfold: First, Guan|Fang indulged Assistant Wu's sea monster father and was in danger. To the authorities, the sea monster is expendable. Even though it was obvious that Assistant Wu valued the sea monster's father, he informed her of the situation and gave her the opportunity to choose whether to stay to protect the eldest lady or come back to kill the sea monster's father. But in my opinion, Assistant Wu was not given a chance to choose at all. As long as he is a normal person, he will choose his relatives. But this is very subtle. Even though he knew Assistant Wu's choice, Guan|Fang still did it. What does that mean? It means that the act of protecting the eldest lady is not important in itself, or it is not important to the management. Otherwise, why bother to seek far and near, instead of informing Assistant Wu, Pei Jiu was already following the sea monster. Guan | Fang's doing this will only make Assistant Wu ignore the danger faced by the eldest lady, causing subsequent crises, but Guan | Fang still does it. It seems that Guan Fang's behavior will obviously irritate Luo's father, but in fact it is Assistant Wu who makes the decision, which means that it is Assistant Wu who puts the eldest lady in danger. If Luo's father really pursues the case, Assistant Wu will actually be the first to be pushed out as the scapegoat. Guan Fang can shirk responsibility, showing that Assistant Wu is eager to save his father. It can also be derived that Assistant Wu has always had a grudge against the Luo family because of the sea monster's father, so he deliberately caused the eldest daughter's crisis. If there is no actor, the eldest lady may be game over by this time. In this way, Guan|Fang took advantage of the situation and pushed other people to cooperate with Luo's father, kill the third party, and get the experimental data at the same time. Assistant Wu and the sea monster's father obviously need to pay the price for the eldest lady's accident. The price is probably to sacrifice the sea monster's father as a test subject. Guan | Fang probably occupies the moral high ground. Xiao Yiyi told Assistant Wu that they tried their best, but Luo's father insisted that the sea monster's father should sacrifice for the sake of the overall situation. At this time, Assistant Wu would only resent Luo's father, while Guan Fang retreated and watched the two clams fight. The second thing is that the whole story has developed to the most suspicious part here, which is Pei Jiu who sent the text message. From the surface, it seems that the text message was sent by Pei Jiu, and the meaning behind it was what Pei Jiu said to Assistant Wu. It was him who persuaded Assistant Wu not to save the eldest lady. Isn't it a coincidence? Let's make an assumption, if Pei Jiu is the one who most hopes that something will happen to the eldest lady, then all the behaviors including the sea monster's father being arrested by a third party, sending text messages to Assistant Wu put her in a dilemma, the apparent explanation but actually shirking all the responsibilities on her, and the superficial concern for Assistant Wu's safety but actually hoping that Assistant Wu would not save the eldest lady, can be explained. In other words, is Pei Jiu the fourth party, or is Pei Jiu a third party who is undercover and managing Fang? The purpose is to destroy the cooperation between Guan|Fang and Luo's father. Otherwise, the logic of the entire story really cannot be explained. Unless Guan|Fang is hopelessly stupid and Luo's father is naive, once something goes wrong with the eldest lady, the first person Luo's father will deal with is Guan|Fang and the group of people protecting the eldest lady. The above two developments are all based on the development of the previous story. However, I never expected that it would end in less than 10 chapters, and there was no conspiracy at all, and I was directly defeated by the protagonist. To be honest, even if it's not what I thought, the ending of this story is too hasty, and Guan|Fang feels like he's making soy sauce. And Pei Jiu's various behaviors were not explained at all. Here, I especially hope that Pei Jiu is an actor that no one knows, so that it can be explained that he is someone behind the scenes, and the story will definitely be more exciting. However, there is no (><) I especially hope that there will be a prop that can conceal the identity of the actor later. Otherwise, everyone knows that the role of identity is really boring, and there is no such thing as the feeling of revealing the truth, and you don't know that I am cheating on you, and then you are very miserable by me. Now it's just like children fighting, you hit me, I'll punch you, there's no sense of a battle of wits and courage at all. I hope the author can increase the difficulty and danger of the script in the future. It would be better if no one knows who the actor is, and the NPCs want to take advantage of the actor's feeling that they are always cheating on each other, and they must cooperate and take advantage of each other. Moreover, I don't know if it was a deliberate setting by the author or a bug. In the two stories, the NPC immediately realized that the actor was not himself. Logically speaking, can such a situation where he is not himself be thought of so easily? Can I think that these NPCs may know the existence of the theater, and the NPCs are trying to use the theater and the actors to achieve other purposes. The theater took advantage of the NPC's greed or other interests and reached an agreement with the NPC to produce these scripts. I'd find it interesting if that were the case. In short, I am looking forward to how the author will write this book later. There may be some flaws, but it's relatively worth watching. But I also hope that the author can refine the plot development and logic of the story. Come on, author (ง •̀_•́)ง {"NickName":"Book Friends 150719235027351","UserId":210843323}

The small theater is very interesting, very fun O(∩_∩)O Every character in the story of Doll House feels alive, interesting, has secrets, and has its own characteristics. Sumu's irritable old man + big boss character, he can do anything but never make trouble; Ruan Qingping's painting style is always so unique; Yang Ling is a pyramid scheme... Looking forward to looking forward to likes, likes, likes, O(∩_∩)O Haha~

Theater of the Absurd is really a rare good book that I find. I really can't imagine that such a good book has such miserable results. Whether it's the writing style, the novelty of the plot or the characters' personalities, they are all to my liking. The only drawback is that the heroine seems to be too powerful, or in some ways too lucky (admittedly this may be one of the boss's golden fingers). I think the plot may still need an evenly matched opponent. Of course, it's possible that no one who can be Boss Su's opponent has appeared yet, but I think as a heroine, even if she's lucky, she will have to capsize or be defeated. Only through setbacks (including minor setbacks and major setbacks), blows, conclusions, and awakenings can she grow! (For example, the heroine in XX Xiaoyao is also very talented, but she fell to the bottom in a life-threatening conspiracy, and then found a solution on her own and gained growth, which made her like a piece of rough jade that has been carved and becomes even more outstanding) The plot of the novel is divided into beginning, development, climax...//Climax, and ending. But why is there a climax...//Climax? This is precisely because there is a trough as a foil! There is an old saying: "If you often walk on the roadside, your shoes will not get wet.", "Failure is the mother of success." Since Boss Su is gambling and taking risks, there will be times when she loses, and when she makes such a move, she should also think of taking responsibility for her own actions. I think Boss Su is lacking in this aspect. Maybe this is why I always feel that she is not three-dimensional and vivid enough. In other words, Boss Su is too far away from us. Her wealthy background, absurd theater, and her calm reaction when she enters the theater are not what ordinary people have. As a reader, I feel like I am playing the role of a bitch who shouts 666 to the boss instead of substituting myself into the role. On the other hand, if this is how the position of Boss Su is, then after the boss retires, whether he likes playing games or cute pets, this kind of daily personality will immediately shorten the distance between readers and the fantasy position of the head of the federal army, making it closer to life and more civilian-oriented. All in all, maybe I feel that Mr. Su is not very down-to-earth? (So when I watch Mr. Su, I always unconsciously substitute the heroine Su Li in "Quick Time Travel". Maybe it has something to do with the fact that the same surname is Su, which makes it feel weird) Although it is fun to watch all the way, the big book is different and has a new theme. Ying's repertoire can make up for this shortcoming to a certain extent. If you just want to write a cool article, that's not a big problem; but if you want to write a long novel, you can push it all the way to the back. It will feel fresh at the beginning, but once everyone has figured out the routine of the repertoire, it will still feel dull. (For details, please refer to the Goddess of Death series) But if you are not sure that you can write the twists and turns of the trough in a fascinating way and empathize with the readers, then I suggest you not to make changes easily. Even if you maintain the status quo, this is still a good article. The above are some of my small suggestions. You can adopt them as appropriate. I paid special attention to the wording. After all, I am not an author and have never written a novel. I just pointed out these issues from the perspective of a reader. There is some suspicion of talking on paper, so if you think what I said is wrong, you can point it out directly. By the way, I am still a trainee not because I read pirated copies, but because I read them during the three-day free period I received from the home reading challenge (I will resubscribe later)

Personal opinion, don't comment if you don't like it. The author's writing is good, and the plot development is very clear. It is a relatively novel genre among wireless streams. Theatre of the Absurd - Absurdity is evident in every story, and the ending is unexpected and unpredictable. Theatre of the Absurd - The theater is not very obvious because except for the first Doll House, other stories are not very obvious about the performance and characters And in terms of human nature, we do not see the obvious evil and good of human nature In the author's setting, this is a place where it is easy to lose one's life, but I don't see many people receiving box lunches, and everyone seems to not encounter any life or death crisis. Finally, what does the heroine do in real life? It seems to be in a company, but does she open her own company or does she work in a family business? In short, this is a great book, looking forward to it. (It seems that my first time writing a book review was not very good!)

It's too short, I'd better stock up on 100W and then take a look.

The characters are represented through various descriptions, which is the basic requirement of the novel. They are not directly stated from the perspective of God like the narrator. Have the images of supporting characters and NPCs been set? I often feel confused when watching it. The initial image of the character and the subsequent language or facial expressions and psychological activities seem to be contradictory. There are also some words, such as the psychological activities of the characters, which can be more refined. Don't talk about it over and over again, which will lower the overall impression. Nice setting.

Ahhhhhhhhhh I don't know how to express my love This book will definitely become a hit! ! ! The last book I had this premonition about was "Doomsday Paradise" I just wrote The last time it was "High Energy Ahead" I became a long-time fan of the author when he became popular heheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheheji. He. In short, I am looking forward to it every day The author must not be cheated, wuwuwuqwq There are many people who like you! ❤️

The author's setting is very novel in Infinite Flow. I really like the first story. However, I think the author of this kind of story should refer to other infinite streams instead of upgrade stories for his writing ideas... Upgrade stories only need to be mindless and cool, as long as the aura of the protagonist with incredible luck is enough. However, in this kind of dungeon story, regardless of whether it is a male channel or a female channel, everyone will see the protagonist's cool actions. Although the author writes well and has good writing style, he is somewhat weaker than other authors in this regard. And the author wanted to add the aspect of multi-player PVP competition in his article, but he couldn't write the feeling of conspiracy. Moreover, this also affected the refreshing feeling of the upgrade article, which gave people a naked feeling of all the staff subduing their wits to set off the heroine. Take "Sea Monster" as an example. Throughout the whole process, I only saw the heroine following the plot, relying on some abilities to avoid assassinations, and then cultivating the body to gain abilities. The setting is that supporting characters and protagonists will have the same opportunities, and the theater is fair to everyone. However, I didn't see this... I only saw a bunch of unconvinced psychological descriptions of Yun Luo... After clearing the level, the clown said that the heroine thought of things that others didn't think of, and used the props properly, but Yun Luo also thought of this. Isn't it because she doesn't have many props and is not skilled? There is a feeling of forced failure. Her psychological description in the front is that her father thought this theater was suitable for her so he allowed her to come. Later, the heroine commented that this theater was not suitable for her... Which is a bit misleading. And regarding Yun Luo's failure in the theater, the female researcher said that it was because she couldn't steal the chicken. The heroine was very happy, and it really had a bad impression. The team members ignored the defeat and forcibly failed, and even tried to suppress her... The key point is that this push and shove was not due to the heroine's superior ability. If Yun Luo gets the position of the heroine, I think she will follow the heroine's route to pass the level. With the blessing of the protagonist's halo, the confrontation is really weak. The author can write more about the background of the heroine, and explain why she is so invincible. In a wealthy family, she has two brothers who love her, and the family harmony does not require her to take the lead. How did she get her strong and decisive character. Written less about supporting the supporting characters, giving people a sense of condescension and contempt for the supporting characters. Coupled with the fact that he always wants to criticize his teammates for their ulterior motives, it feels like everyone is criticizing them like crazy. It's natural for the heroine to want to be first. Others want to be first because they don't deal with the heroine. Failure later is a welcome feeling. All kinds of second-generation characters with experience, tools and abilities make people think they are newcomers. No matter how the author exaggerates their power, the final ending is a story in which the heroine relies on the halo of the protagonist to stand out among a bunch of short people. Also, the theater is fair to everyone. This was not seen in the shark chapter. As soon as the heroine entered, the theater character Axiang helped unconditionally. Although they had only known each other for a few days, Axiang helped the heroine more than anyone else, and was even willing to take risks for the heroine. All relevant plot clues and information were found by Axiang for the heroine, while others had to use their treasures and abilities to win the favor of the theater character. I skipped the scene where the sisters were fighting. The problem I felt at the beginning was clearly the father who was biased and cold-hearted. I thought the author would go against the routine and write this unrealistic scene of sisters fighting. But in the end, it was still the same old routine, and the author was confused at the beginning. It's full of flavor and strikes first, giving people the feeling of a green tea fight. It deviates from the heroine's previous boss style, and the npc sister feels to me that it's just because her father has a mental problem and went on the wrong path. Why must I defeat a novice to make the heroine appear powerful? I don't object to the brainless fun, but I don't like the fact that the protagonist clearly relies on the protagonist's halo and the NPC that provides high-end props to get the first place, but it is said that the protagonist relies on saucy manipulation, and is smarter than other people whose appearance background is written in a glitzy way, and gets the first place based on strength. The author should choose between "Goldfinger's brainless coolness" and "saucy operation". It would be better for "Goldfinger's brainless coolness" to write a single-player script, and the heroine of Axiang Gang will not look so strange. You need both, and the combination will affect the perception. In summary, I still think the first story is more exciting, and the supporting characters don't seem too brainless. They basically thought of everything the heroine thought of. The difference is that there was no heroine who was at a disadvantage at the beginning. I haven't read the paid ones later. If the author's plot is good, just treat it as my suggestion and didn't write it.

I hope there is no cp. There is no difference between having a male protagonist in the extra story and suddenly having a male protagonist appear at the end... Wait and see for now and come back when it is finished.

I feel that the author of this book will abandon it and does not take good care of his work. I see that there will be a chapter that will be updated in a month... Looking at the article, it is still far from the end, so I choose to abandon it. If you don't fill the holes, you are just playing around.

After talking about resuming the update, the person has disappeared for three years😅😅😅Next door Green River will at least be serialized for a long time without updating, and some coins will be refunded. The starting point is a scam, and it is a pure birth.

Wooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooong

Is there no CP (｡･ω･｡)ﾉ♡,

It's been a whole year Sister, you are my only sister Can you just say something No more

Alas, I never thought that one day I would die

I hope the absurd part can be expressed in more than 100 million points

Still alive? Say something, I'm always worried

Help🆘Does the author's wife have a public social platform like Weibo? Looking at the frequency of recent updates, I'm a little afraid to get involved qaq

The book is really a good book! Unstable updateability and low volume are the biggest hindrances! ! ! ! The author takes a look at his 6k words daily update qvq and gives you a monthly pass for more updates

I've been fattening up for a long time, and I'm so afraid of this update frequency 😢

The smiling and somewhat sinister young lady

It's been three years, when will you come back?