Records of the Wu Clan's Spring and Autumn

It feels like the writing is a bit like a martial arts novel, Romance of the Three Kingdoms, etc. Is this intentional by the author?

I just went to Chengdu for a week some time ago. Cultural relics and historic sites such as the Bronze Standing Man in Sanxingdui, the Bronze Sacred Tree, and the Sun Bird in Jinsha witnessed the mystery of the ancient Shu Kingdom and left a mark on history. I didn't expect to find a novel about the ancient Shu Kingdom when I was searching casually today. This was probably the first novel related to the ancient Shu Kingdom that I encountered at the starting point.

Another book, "I Wasn't a King in the Spring and Autumn Period," has set permissions for fans to speak. After reading a few chapters, I felt so poisonous that I wanted to stop reading it. But the more I thought about it, the more uncomfortable it became, and it poisoned me to death. So I can only complain here. The author has accumulated some knowledge of literature and history, but he doesn't know how to tell stories at all. The protagonist he created is like a mentally ill person, moving his thoughts around with a hammer and a broom. In order to forcefully conform to the development of the plot, one second he is just trying to get a meal ticket, and the next second he directly rises to the realm of striving for the happiness of all mankind. There is no foreshadowing or progression, and the character's inner changes are taken for granted. It makes the protagonist look like a psychopath. It is time to elaborate on the unparalleled description of Machiavellian tactics and scheming, starting with the Spring and Autumn Period writing style. It is necessary to write deeply about the golden part of the two princes' human nature and the strong relationship between themselves and themselves, and to exaggerate the sadness and unwillingness of the death of the two princes in a close and thick way, so as to guide the protagonist to make up his mind and change his mood from soft or calm to ruthless or strong. However, the author is not a good storyteller. The pale and indistinct description makes the plot that could have shown the Spring and Autumn Period, a gentleman, counselor and king's demeanor in this wonderful and magnificent era, become a mess, and the characters are incomprehensible. The plot is set up for the story, and the logic is confusing. It even uses settings that are negligible in fantasy literature to pave the way for historical literature. It gives the reader the impression that a quiet, ladylike beauty suddenly became ferocious-looking and spoke the essence of Chinese culture because she accidentally broke a vase. Then he discovered that a broken vase had killed a terrestrial ant, and he began to frown slightly, transforming into Lin Daiyu's style. Then he realized that he had mistakenly seen that it was not an ant but a spider, and he immediately started laughing maniacally. After the death of the prince, without digging any holes or setting up any foreshadowings, the protagonist becomes ruthless and immediately lets a stranger whom he just met in the world steal the prince's body, and then immediately finds someone who is similar in body shape and appearance to the prince before his death, and who speaks exactly the same voice. Even the civil and military officials who live with him day and night cannot recognize him as a substitute. This stand-in can also cooperate with him to talk freely in the civil and military circles of the Manchu Dynasty, and exudes the danger of an emperor, and then it can be justified by saying that whoever sits in that position will have the aura of an emperor. Isn't this shameless? Brother, you are writing a historical article. Why did the substitute risk his life to pretend to be the emperor for you if he was not a relative? How could a guard wear the emperor's clothes on the bed and start to have the majesty of the emperor when sitting on the throne? Besides, this substitute has never even seen you in person, so he can freely sing and drink according to your plans. The two great nobles and high-ranking officials of the Lu State, who are like giants, are constantly giving psychological hints to coordinate with your performance. Speechless, after reading it, I felt messy in the wind. All the internal organs are poisoned! From the escape of Prince Jin after he calmly died, to the sharpness of occupying a building in the Lu State and the struggle to integrate into the Lu State's court, there are also old-fashioned embarrassments interspersed with the emotional line of the Korean drama heroine who lost her memory in a car accident. The logic is confusing and cannot be justified. For the sake of outline, the characters are beyond recognition. The characters' dialogue and struggle are as fussy as a child's fuss, and the ever-changing expression on the protagonist's face is inexplicable, like a mosquito hitting a cannon! The author must strictly respect realism when writing historical articles. What is the purpose of each person's words and actions, or what is the interest relationship that leads each character to do so? Is it for love, for profit, or for the integrity of the spring and autumn, and the broad road in the heart! After reading it, I thought I was a newbie writing books. Maybe I will be able to tell stories in the future. Click on the author and see that the second book of Goodfellas has already written hundreds of thousands of words. It's still at this level of expression. The whole story is abrupt, contradictory, inexplicable, and does not justify itself. Where it should be soft, the force is too strong, and where it should be strong, it is gentle and drizzle. Simply, speechless!

Good historical articles are written in a mess. Sometimes people from the future travel through time and space, and sometimes they create artificial wormholes. History is not history, science fiction is not science fiction, it is disgusting.

If book friends feel that the author needs you to set up a book friend group, please send a message here, and the author will count the number of people, and the group will be opened when there are 20 people. 😁

The earliest historical line I have read before is Spring and Autumn Period, I am the King. It has gained me a lot of knowledge. I hope the author will write more useful information so that I can become literate.

I've read a few chapters and I think it's pretty good. But can the previous dialogue be changed? After all, it is unusual for modern people to converse in semi-literary Chinese, let alone tomb robbers. Except for dialogue, try to use vernacular when describing other scenes. After all, semi-literary Chinese seems awkward and does not make people feel antique. Some of the descriptions of the protagonist feel a bit pretentious. Although I don't know what kind of protagonist you want to write, readers will never accept a pretentious protagonist. In addition, the protagonist's IQ is not online, so I hope more attention will be paid to it.

The toxic author of this book loves black people so much, it's disgusting

It's really hard to understand that the Sun God's Three-Legged Golden Crow is a foreign Zoroastrian religion. It's just another sell-off.

Maybe book friends will be a little curious about the timeline of the author's work. In order to make it easier for everyone to read, the author will first announce the overall timeline of the story to everyone. The battle between Bashu and Shu (including Yelang) - Magadha's hegemony (Persia/Magadha) - Qin's foreign invasion - Restoring Chu and restoring the country - Struggle between Zhou kings and heirs - Internal strife among the six ministers of Jin - Qi's ambitions (Qi Jin's struggle for hegemony) - Qi Jing The fall of the Duke - Zigong, the strategist - the Battle of Ailing (Battle of the Yellow Sea) - the meeting in Huangchi - the ending of Overlord Fucha - Zhibo's attack on Qi - the battle between the four ministers of Jin (Battle of Jinyang) - the division of the three families into Jin (the end of the divine religion) Of course, this outline is not final yet, and is only the main plot. There are also some plots that are currently being planned and considered, such as "Song's Qian family (merchant)", "Wei Gongzi Kuai Chi", "Nanzi's conspiracy", etc., Including the familiar "Old Master Kong". I am also considering whether to add some plot to him.