
The Green Dragon Living in the Fairy World
活在仙侠世界的绿龙
- Status
- Ongoing
- Length
- 165k Words
- Genre
- Eastern Fantasy
- Audience
- Male
- Subgenre
- Eastern Xuanhuan
- Updated
- 3y ago
- Source
- Qidian
Stats
0Monthly votes
2kRecommends
13Fans
53Chapters
Tags
Synopsis
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The aura of the protagonist is too great!
The halo of the protagonist is too great. The protagonist of the Xianxia world was just born looking for a stutter, and he was involved in a fight between two golden elixir stages. One of the two golden elixir stages lived and died. The surviving one failed to break through and was about to die. He directly accepted the protagonist as his apprentice to pass on the mantle. It just happened that the cheap master was someone else. The last head of an ancient sect from the Great Thousand World who invaded this fairy world directly inherited the sect's inherited treasure - the Jade Slip of Preaching. It contains all the martial arts, magical powers, secret knowledge and miscellaneous knowledge recorded by that sect. It also represents the leader's logo. In the future, he can inherit the sect's connections and luck. After the matter is over, the protagonist returns to the birth cave, opens the Golden Finger Planeswalker Gate, and releases the beacon to be randomly transmitted to the magical world. The princess of the Elf Kingdom just happened to pick it up. The Elf Kingdom is facing a crisis of national subjugation. The Lingbao Jade Slip swallows the Elf God hidden in the blood of the Elf Princess, and gains power to become the God of Killing. The protagonist is sealed into the body and becomes another plug-in. The protagonist released the beacon and was randomly transported to the magical world, and the old green dragon, who was experiencing a life and death crisis in the 19th level of the fast legendary realm, picked it up. In order to survive, he signed a pact with the protagonist and became another thug. Then the protagonist was about to go out for a meal, but encountered a level 4 dragon. The protagonist's aura exploded and drove away the dragon, and also grabbed the dragon ball and took it home. This is a remote sea area, a small island with no resources, a place where low-level monks roam. How could another dragon appear? I just saw this. The protagonist's disaster star physique cannot have a normal initial period of cultivation. Do you know this world of immortals? In the cave, we should first sort out the knowledge of the Green Dragon bloodline and the knowledge on the jade slips of the preaching, see if they can complement each other, and have a basic understanding of the extraordinary system of this extraordinary world; then practice a few magical powers, refine a bunch of magic tools and talismans to keep with you, and first accumulate food. Now it's like someone is chasing the protagonist with a whip, a proper fantasy routine. And after experiencing so many monsters and obtaining treasures, does it take a month in total! When people fight monsters and upgrade, they start from the low-level monks of the same class, accumulate fighting experience, become familiar with the various arts and miscellaneous studies of cultivating immortals, refining magic weapons, refining elixirs, painting talismans, setting up formations, and slowly grow into a true cultivator. The protagonist is the same as Jiang Ziya, he is simply a person of great calamity.
The author is too greedy. If you don't have enough writing skills, don't create a hodgepodge.
The system is very confusing, the supporting characters are competing for the protagonist's role, and there is not much sense of substitution!
No, if the protagonist is the Green Dragon, wouldn't the second chapter of the opening chapter be about asking him to quit? Qingyunzi has too many scenes.
Dare to write so many systems at the same time, awesome
It's 50 chapters, has the protagonist ever practiced seriously? Just a deep sleep of dragon instinct. He keeps doing things, what the hell! It was weak at the beginning, and it's still weak after 50 chapters. In the middle, there were even a few chapters where the main character didn't appear.
If you don't have the writing power, you shouldn't pull such a big egg
It's really too long-winded to make such a big splash at the beginning. The two supporting characters are written the same as the protagonists, but the protagonist is written just like the supporting characters. The protagonist has no sense of existence at all. After two chapters, I don't know the protagonist's name anymore.
It's obviously a very interesting beginning, but it's so fragmented later on. Whether it's the DND part or the Xianxia part, everyone just shakes their head. The various settings are endless. After reading a few Xianxia books or researching the running group, it won't be as fragmented as it is now.
Who is the protagonist here? Why write so many Qingyunzi in the second chapter?
The background settings are so mixed. There are Pangu Kaitian, Laozi riding a bull, xx Taoist from the Mortal Cultivation Story, gods from the DND worldview, Io, etc. The combat power system is messed up.
It should be simpler to just write that the green dragon is in the fairy world
The layout is so grand that it exceeds the author's control ability... The writing method is like a stream of consciousness. If it is not done well, it will be a bit like talking in a dream.
I just finished reading it and it feels like the protagonist's role does not exceed 10 chapters.
For the sake of the introduction, take a look.
If it's a new book for a newcomer, it's actually pretty good, and you can write it if you have ideas. And what was pointed out was not the conventional white and empty space, it was just caused by lack of experience. Only by writing more can we make progress.
How to say it? Author, your book doesn't start well. The cultural differences between the East and the West are very big, and the definitions of dragons are also different. Chinese dragons are mainly composed of snakes and spliced with some characteristics of many animals in nature to create a spiritual culture. Western people are relatively simple. The Western dragon is based on real lizards and bats and the greed of the human heart. That is Western culture. We should respect culture. There are no 369 etc. I see that there are some unqualified people in the comment section who deliberately belittle foreign Western dragons. In fact, this is not necessary. Both cultures are the same. They are all human beings' fantasies about myths. There is no need to deliberately belittle or elevate them. We ourselves all call our spiritual culture arbitrarily, with various names like dragon, loach, or other names. So there is no need to elevate our culture, and it is equal to belittling other cultures, so it's okay and don't despise the culture of other countries. Back to the topic, author, your book is generally very poor. The protagonist's soul is brought by the shuttle door. What about the body? There must be a reason, and there's the protagonist's dragon mother. After all, there is one, and it can be regarded as a plug-in for the protagonist to ensure the safety of the protagonist before he is underage. There is no need to make the protagonist's plug-in too strong, and your arrangement is too deliberate. How can a young dragon, the protagonist of Xianxia World, survive at the beginning? He has no strength and has not yet mastered the inheritance. Author, you should start by letting the protagonist be reborn in the dragon's nest and stay with the dragon mother to ensure safety and growth for a period of time. Wait for the protagonist to grow up over a certain period of time and gain a certain level of strength, and then let the protagonist start the life of a villain in the two worlds. If he doesn't have the strength, then it's not a legal society, and the two worlds seem to have different laws. How to solve the problem of law even if you become the villain of two worlds? Just like a bottle of elixir from the Xianxia world has been affected by the laws in the magic world, but we don't know what the effect will be. Therefore, the protagonist should be in the early stage. The Novice Village is a magical world. After all, there is a dragon mother to rely on. In the early days, safety and security were guaranteed, and it was not a fairy world. Author, if you do this, you might as well let the protagonist communicate with the consciousness of the magical world to start a world war and make war profits. The protagonist who is not stingy in the magical world can also reap benefits. The protagonist is a creature of the magical world after all. The magical world will not target the protagonist. After all, he is a native creature. Except for the soul, which part of the body is not a native creature of the magical world? There is also the failure of the protagonist, I will say it again, too thick and strong. Not long after he was born, he encountered two golden elixirs and started a battle. In the end, one died and the other was already on the verge of death. To designate the protagonist as the heir, I can only say that the author's operation is quite strange. You want to say that both golden elixirs are dead. The protagonist relies on the inheritance in his mind. After searching for the skills of the undead system, let's do a soul search and search for some basic immortal cultivation memory skills and basic alchemy skills. Is this ability still acceptable? Have you never heard of the saying that the hearts of people who are not my race must be different? Moreover, the world the protagonist lives in is the ancient world of immortal cultivation, where ordinary mortals apprentice and learn craftsmanship after rigorous inspection. It's too simple for the protagonist to obtain the immortal cultivation technique casually, and you are too deliberate. And the elf princess happens to be the one who the protagonist meets and kills the elf god to gain the right to kill. In summary, the author, your writing skills are not good? You need to work on this book more. According to the protagonist's growth rate, if you become a big fat man in one bite, aren't you afraid of collapse later? There's not much else to say. These are my thoughts on this book and the comment section. If you don't like it, don't comment. I won't reply. What I said is also true. Why are you belittling other countries' culture? Looking for a sense of superiority?