My Cartoonist Guide

Please support the author. The book is actually good. I quite like the rhythm and have already subscribed to it. However, I would like to make a few suggestions from my personal point of view: 1. So far, the comic that impressed me the most is "Chess Soul". I believe most readers have this feeling. Although I am writing about steel training so far, my impression is far less profound than that of "Chess Soul". The portrayal of "Chess Soul" is more vivid and vivid. It is recommended to write it. Readers can appropriately improve the sense of immersion and description in comics, because many people have not read comics. From another perspective, reading a story alone and listening to others telling stories are two completely different feelings. However, the current description of Steel Refining feels a little awkward. I feel that the author hesitated between detailed and abbreviated writing, resulting in the plot of Steel Refining not being deep enough. In fact, for the novel, it is not a good thing. 2. Let's talk about a few regrettable places. The Beidou Cup movie version should be a big hit. Since it has not been produced in reality, it must be an indelible regret for most readers, so the author should use his ideas more freely in the novel. , Allowing the Beidou Cup to truly appear in the reader's field of vision, and allowing this two-dimensional world to truly collide with the three-dimensional world, but unfortunately, it is not developed here, especially because the rendering and appeal of the movie are stronger. As a reader, I have not seen it, so I just skipped it, which is a pity. 3. It can be regarded as the part about animation. It has less to do with the protagonist, which makes this part of the plot a bit embarrassing. What is related to the protagonist is the selection of the company. For the production of subsequent animations, the protagonist has no role at all. This is probably the same in life, but it is not good to write like this in novels. This is why many people write system flow novels. Therefore, by adding a universal system plug-in, the protagonist becomes omnipotent, making it easier for all parts to be connected with the protagonist and preventing the plot from being awkward. For example, letting the protagonist participate in the selection of voice actors and the production of animation can enhance the sense of participation. For example, in terms of the expression of some pictures, animation is not necessarily better than comics, and this can also be reflected. In fact, there are also realities. For example, in Dragon Ball, the animation is not as good as the manga. There is also Rurouni Kenshin. The animated version of Kenshin is several dimensions worse than the manga. 4. The protagonist's drawing skills are not described in detail. In fact, he was a third-rate cartoonist at the beginning. This is a vague cartoonist grade classification, but it has not been continued in the future, nor has the concept of cartoonist classification been strengthened. The protagonist goes directly to the top level. This is not a big problem, but as a reader, I actually enjoy the plot where the protagonist's drawing skills are loved by others. In the middle, the character design of the senior sister's game is actually very good, but the problem is not developed, and the lack of a protagonist The hard work of creating a character, and the follow-up development after the completion of the character design. Although this plot exists, it can still be summarized. For example, if you add some players' praise for this character, this plot can actually intuitively reflect the protagonist's drawing skills. For example, add a small easter egg to the character, or what awards the game character will win later, or write about the topic of the comic exhibition. Especially at the comic exhibition, this can more intuitively reflect the popularity of the protagonist. Then there is the possibility of giving the protagonist an award for his painting achievements, and arranging lectures. Giving lessons to peers is also a very typical example of attracting readers, for example, Zuo Yuan? To use an analogy. Let's write these first. It's too hard to press the phone. Come on, author.

To be honest, I thought it was interesting at first, so I can look forward to it. However, the setting of the protagonist is too crappy. If you don't have a good plot, your family background is not good, you're not good at cooking, you're too proud and don't want to think of ways to improve your family situation, what kind of person you are. There are a lot of flaws. If you, the author, know how to draw comics, you have to start from the beginning. Why don't you draw comics and be original? The plot can even be said to be cliche. Look at those new books, novels with one or two hundred chapters are better than yours. They are highly toxic, highly toxic. Sorry, I am addicted. Goodbye. Ruaaa~!

I feel that the author is too rigidly focused on China, and my writing style is Japanese style, just like I's Japanese style campus romance comic. It's a bit inconsistent to put the background in China. Comparing the style of District 11 high school and the style of Chinese high school, it is really different. As for the school uniform issue, I can't imagine the heroine of the Japanese comic wearing the Chinese high school uniform. District 11 In fact, it would be less rigid to write the protagonist directly in District 11, whether it is the character name or the costume. Or maybe it's all about an imaginary world anyway, and just set this world up as a unified world without the distinction of countries. Then you can't just write whatever you want about character names, costumes, and daily settings.

They are all comics that I haven't read very well. I feel like the protagonist is one of those bombs that fly out of the air 🤫

When I first read the introduction, I thought it was a novice novel But then I decided to read it because I was short of books The time travel at the beginning was not interesting ... ? Surprisingly good-looking? Looking at the time, it's one o'clock in the morning, I'm not worried anymore... It smells so good! The more you look at the back, the more beautiful it becomes. It can be seen that the author spent a lot of time looking for information before writing, and each word gives people a very real feeling. I compared some other manuscripts, and many of them were copied by novices without thinking. First of all, the protagonist is like a deliberately YY winner in life, who loves to show off and slap one in the face. Don't you feel sore? Aren't you tired? And the opponent never has an IQ, and is written as if it is a slap in the face for a mentally retarded protagonist. There are always a dozen women who fall in love with the protagonist, and the protagonist even opens a harem in a modern setting, instead of being a wealthy son-in-law, a polygamist suitable for the entire privileged class. The sense of violation is overwhelming In contrast, this book is very rigorous, with pretentiousness and slaps in the face, but it is well organized. , The protagonist never pretends to be weak on the surface, but is absolutely strong in reality. The original protagonist does not hope to become a cartoonist by plagiarizing, but is afraid that he will "exhaust his talent" due to the excellence of the plagiarized works, so he works hard to improve himself. The detail of changing the subject and painting style of the chess spirit is also gratifying. He has taken care of other YY-type plagiarism gods and provided readers with a substitute tool. The protagonist finally has normal problems. The publishing house that cooperates with the protagonist is not a junior publishing house that says "I will listen to what the protagonist says" or "If the protagonist asks you to fly, I will fully support you". Instead, it acts for its own interests. As for the competition in comics, you all know that the works I copied should not be ranked first, but the winners and losers are determined based on one chapter of the comics. The fate of each character is affected by the protagonist, but it does not revolve around the protagonist. It feels like in comics, "the characters on the paper seem to be really alive."

It can only be said that this is a book about the comics industry and the ecology of being a cartoonist, rather than a cool article of the literary copycat type. It is similar to Dream Eater, but it is not suitable for readers who like fast pace. It is also the pace chosen by the author. Let's unfold it slowly. Familiar comics have not yet appeared on the shelves, so I gave up first.

After reading a few pictures, I found that there are some problems with the book. The first is the writing. It felt like I was writing an official document and crammed a lot of things into one paragraph. In addition, the mood changes too quickly. It can actually change 6 psychology in 100 words. This is not a scientific research dog doing a stress resistance experiment. Also, most of this book is about daily life, right? It's understandable that I feel uncomfortable, but the soothing feeling of daily life is not created. Why is the pace so fast? One chapter for one thing or one chapter for two things is enough.

In this book, I revisited these comics with the author. I remembered my previous enthusiasm for following these anime. I really liked the updated content of each chapter of the comics written by the author. It felt very immersive. I couldn't help but follow the corresponding anime and read it again. To be honest, I don't really like some literary novels. The works in them are just like tools. You publish them, write down the results in a few chapters, and then go on to the next one. It's just for the sake of fun. Compared to those fast-paced literary novels that slap all kinds of slaps in the face, I personally prefer the slow pace of this one. It's a pity. It would be great if there were more comics. There are also some unreasonable things, but I usually don't like to take them seriously when reading, so I can barely ignore them.

The theme of this book is undoubtedly the cartoonist. Apart from the characters, the focus is nothing more than cartoons. As a protagonist who basically has no choice but to be a copywriter, the number of cartoons in the book is very important. This is for the readers of your book, not for the readers of the protagonist. In the comic industry in the context of another world, some ways should be made for the theme. For example, the comic update speed can be set to be a big touch for everyone, or the protagonist can drive more easily. This is a must, otherwise it will prolong the timeline for no reason, and now the protagonist starts the third comic serialization, which is too slow. There is a reborn father of animation on this site who can refer to it, and an all-around game designer (roughly this name, Aoyama Terui), how to let reality give way to novels

It's really interesting to see the recent plot of the D version. In the past, when it came to manuscripts that traveled through other worlds, they would avoid discussions related to the D version through the extraordinarily strict intellectual property protection system of the other world or the protagonist's golden finger (excellent family background, strong backer, system protection, etc.). Although this seems very cool, sometimes it is still regrettable: As a generation that grew up with the rise of the Internet age, how many readers have not seen the D version in their student days? Later, when I had enough energy, I could support the genuine version through my own efforts. I also understood how much such support means to the author in a society where intellectual property protection has not yet been perfected and a general consensus has been formed. Therefore, it is really emotional to see the author dare to write about the "pain point" that creators basically face, D version, and try to explore the impact of "D version" and "free" on traditional paper media in the Internet age in a realistic context, and how the author survives in the game of multi-party forces and obtains his own legitimate creative income. Although the author said that his income was huge, I subscribed to the official version all the way. I believe in my own vision. Now, the author, you are temporarily at a low point, just like Zuo Yuan, but one day you will usher in your own take-off. After all, "equivalent exchange" is a universal truth~ I gave a reward by the way, the amount is not big, it is considered as a token of my heart 🌹

After finishing Spreading Flowers, it was rare to find a good two-dimensional book. After reading this book, the comics in it were very well described, which made me want to read it, and I really did. Y. S has read part of it before, but then I found the full version, but I haven't read it yet. Qihun has watched the animation, Ganglian has watched the 2009 version and the two theatrical versions, and the theatrical version is not that good. DN watched half of the anime, but I couldn't find a high-definition version and didn't want to watch it. If you are SD, you probably won't read it. I feel like the novel is already well written. As for Steins; Gate and Dream Eaters, which were not mentioned in the novel but were recommended, I have also collected them and plan to read them again when I have time, although I don't know if they will get their turn😎. Thank you to the author for bringing me this book and introducing several good cartoons. I look forward to the author's next book. I will support you✊

It's really too slow, and some of the plots feel too deliberate.

Emm, I read 400 chapters in one go, it seems to suit my taste. The advantage is that the characters are well drawn, and the images of Sister Yan, Bian Wang, Ye Hexu, etc. Are all quite three-dimensional. The overall pacing is pretty good, and the narrative style reminded me of Bakuman King, the Dream Eater. However, there are also problems, such as the Japanese-style communication method that many people criticized at the beginning, but the person and background are Chinese, which will look very awkward. It was okay after I slowly adjusted it later. In the early days, the names of female characters were too uncommon, and even had a Mary Sue feel to them. It was a bit awkward when I changed the names of comic characters, and it felt a bit useless →_→. There are also some small bugs that do not affect the plot. For example, Sister Yan can discuss names with people in Japanese alone in a few months. At least most people can do simple daily communication in a few months. Although it was said later that I passed n2 in one year, to be honest, n2 can only be regarded as the lowest threshold for entering the Chinese group. For example, A VG is regarded as galgame. Strictly speaking, galgame is just a branch with elements of beautiful girls and love. Although the domestic circle is gradually expanding, many people just confuse this. In addition, fandom refers to personal, non-commercial works, and personal journals can actually be regarded as the same concept. Secondary creations are only part of fandoms, and there are many original ones, such as the three wonders of fandoms back then: Dongfang, Higurashi and Fate. Although except for the East, everything became commercialized later. Well, I'm used to it, so these won't actually have any big impact, just treat them as the random thoughts of an old dead man. It's like when I entered the house back then, everyone said the first sound was Loli (this was originally defined based on Lolita). But after Loli Club and Diantu, the whole concept changed. A lot of newcomers didn't recognize it. Now it's only Kangna Platelet and others who are considered Loli. Times are changing, and so are many things. When they are old and old, they are all driven out of the two-spined salamander.

After reading a few chapters, I was really discouraged. The protagonist got a golden finger of all the comic memories from his previous life. As a result, he kept making up some bad stories on his own. I was embarrassed and panicked. I don't know if there will be changes in the future. But if a novel starts with a few poisonous points and forcibly dissuades readers, it will be difficult to attract readers no matter how good the subsequent plot is.

The reason why the last copy of the book was abandoned was because almost half of the book was written. There is a more important point, as you said in your book, cartoonists should just draw cartoons properly and leave other things to the editor. As a result, your copywriter doesn't do the copywriter's work. The first and middle chapters are all about intrigues. What's the use of this plug-in? What I want to see is the merciless crushing of a good work and the proof of "power". Instead of finally succeeding after all the hard work Maybe this is the author's idea, but the subject matter and introduction should attract people's attention. This idea should be mine.

Rubbish novel, I can only say that your novel is just like the original comics in it, which makes me sick to my stomach.

Among the comic novels I have read, I personally feel that the one with the best pacing is (a certain mangaka who is a sophomore). It depicts an evenly matched showdown between cartoonists based on the rhythm of the Dream Eater fandom, rather than a one-man show by the protagonist. It feels good (the manga is so embarrassing). This book also has this trend, a strong showdown rather than a crushing one, a showdown between newcomers, a strong counterattack by veteran cartoonists, and a challenge from the rise of younger cartoonists. It feels much better to watch than a plot that is purely copied from comics and repeated over and over again. The pace of this book is very good, not too fast, and certainly not fast-paced. Don't quickly skip the duels with other cartoonists just for the sake of fun, causing comics to be written out like an assembly line. This is not fun. The plot of the author's micro-original comic is very good. The non-full-text copy adapted from the classic comic will have more plots to describe. As for other online novels, comic adaptations, martial arts novels, movie scripts, etc., There are so many secondary creations that can be described, why do you have to read Japanese comics that repeat the same routine one after another? As for the rest, I don't feel very good about being a supervisor, producer, peripherals, and personal weekly. I just draw comics well and add some daily life at Microsoft. A novel is enough. Don't be too greedy for business. Even after the period when money is urgently needed in the later period, you should not put too much emphasis on the royalties and adaptation fees, and try to be as vague as possible. Secondary creation of comic adaptations and micro-original creations are two good medicines that I personally think can help this type of novel avoid being so boring in the future. As for using daily life to enrich the plot, well, Tokyo Gentleman Story, this book can be said to have surpassed the daily life, and we can learn from it. After reading many such novels, I personally feel that the author should not be disturbed too much and can delete them if it is inconvenient.

Stay away from Song Ren as soon as possible

Those who read comics and write books like novels are all here for copywriting. Who wants to see you write original works?

I am convinced by time travel and originality. Anyway, I am confused. I don't know what you are writing. I have a feeling of nothingness.

It feels like the author is deliberately suppressing the protagonist. Even without the three capsules, the protagonist travels to another world and relies on the settings of the comics in his memory. His ability can reach 70. With the addition of three capsules, the ability is 200. As a result, the author's various operations successfully pushed the protagonist to the line of 50.

The book is very good, but I really struggled with the fact that after the protagonist traveled to a parallel world, he did not copy the work but wanted to be original. It is rare for me to copy a comic that is not that popular now and has never been read by a nerd 😅. This is like a child of a few years old who goes to school, eats and clothes, but insists on making money by himself without using their parents. When you look at this kind of person, you will feel one word: work! It's really boring. If you want to be original, just write a story about working hard on Earth. Writing a story about traveling to a world without Earth comics to draw original comics is simply unreasonable! 😆

The first 10 pictures. Completely meaningless. You have carried all the comic memories from your previous life with you since you time traveled, and you also know that except for Osamu Tezuka, there are no other cartoonists in this world who are the same as your previous life. As a result, you have to create your own debut work. In your previous life, you were a third-rate online writer who doesn't understand comics, but you actually want to create something original. Forget about a clichéd start, after all, pretentiousness and slap in the face are a must at the start. But a good pussy will make you pretend to be stupid. It's so easy to surpass a classic short comic, but I have to create it myself. This is embarrassing to watch.

After reading the beginning, I really don't understand. The original author failed to submit the article, but now the protagonist is cheating. Why don't you carefully prepare a comic and submit it? Instead, he took the original owner's witch and cast it in a random house and waited... What kind of brain circuit is this? You yourself know that witches are not very good, so prepare a new comic and submit it to several major magazines? As a result, I never did anything and just waited...

Why don't the books that write comics write comics well? They have to talk about a lot of other things, and comics account for less than one twentieth.

Why did you set up the comic without the original world in the first place? If you set it up but don't draw it, what's the use? Another thing I don't quite understand is, does the editor have the right to decide the cartoon subject matter of the artist? Let a child who has just turned 18 draw a romantic comic is still a talent

How can I put it this way? I don't think this book will be popular. After all, I want Wen Gong but not Wen Gong. In the end, it is still considered Wen Gong. I didn't subscribe to it and I didn't read the pirated version. But what can I say about the chapters before it was put on the shelves... Emmm It was too boring and hard to swallow, so I left it. I feel that my book review is still pertinent. After all, the sales volume and data can be said to have not fluctuated much.

The biggest feeling after reading this book is that the theme is unclear. From the title and introduction, it is the story of the protagonist's struggle to become a top cartoonist. However, the comic creation process is set in Wenzhaogong, and a large number of perspectives are focused on the commercial process of comics. However, the improvement of the protagonist's abilities is simplified, and the upgrade system fails directly. If you look at Wenzhaogong's consistent theme of coolness, the plot seems very dragging, and the coolness is not enough.

The writing is really flat... Not refreshing at all. This is the first time I have seen such an official document.

I really like reading comics. I don't know how to read comics in the middle and later stages, but the early writing was boring and I was a little discouraged. I didn't stick to it and gave up the book...