Dimensional Code

To be honest, the protagonist of this book gives me the same feeling as a teammate I met in a game of kings. He can win with just one push You have to keep wandering If it weren't for the protagonist's halo, he would have died hundreds or thousands of times←_← The protagonist of this book is definitely one of the few very stupid protagonists in the novel that I have read 😅

I have to say that this is the most daring book I have ever seen. Most Infinite works only write one anime or movie novel in one world, but this book is a world that integrates works with similar world views, such as the integration of Magical Girl Nanoha, Magical Girl Sakura, Magical Girl Madoka, and the world of Illya and Kuro; as well as Danganronpa, Detective Ko Minami, Ace Attorney, the mystery world composed of Kindaichi's Boy's Case Book; and Sword Art Online, Sophie Next Door, Gabriel, My Sister, Passerby Heroine, and the modern daily (game) world of Mr. Eromanga. As for how it is written, you can check it out for yourself. After all, some people like the harem, and some people don't like it, so I won't comment on it in detail, but at least, this kind of writing makes my eyes shine.

After reading the first half, I felt that the writing was okay, but later on I always felt that the author seemed to have a slightly incorrect outlook on things, so I gave up 🙂

I can't help but write a book review. In my mind, it is the best fast-food unlimited flow novel (if you insist on looking for the Nobel Prize in Literature among the starting point time travel novels, it is better to read Les Miserables). In terms of character design, the protagonist is a modern society player with normal self-esteem and a working mindset. Many people say that if the protagonist is too invincible and too mature, there will be no plot to develop, but this book proves that the conflict between the settings of these dungeon worlds and the thinking of modern players with normal self-esteem can unfold countless contents. At the same time, the absolute strength can ensure that the action of transforming the world to adapt to one's own ends successfully. Only some authors with insufficient writing power and experience can adapt the characters to the world. In this way, they can only use meaningless routines and sacrifices to forcefully shape the characters into IPs. As for the dungeon world, starting from the very early Higurashi World, it has been made clear that the protagonist is a chess player and not a chess piece, which is to my liking. When I first read it, I thought it was a regular series of Mugen-ryu. But I realized it later after reading too many Mugen-ryu movies where the original plot was presented and the protagonist was left to be a chess piece. . . Do you really think that readers have not read the original work by using the plot of the original work to cheat the word count? In addition, this book can basically avoid any unreasonable and unrestricted treatment of the original characters in the time-traveling world. Characters like Xiang Shaolong will give reasons, but they are not unlimited help. In the same way, other authors' Infinite Flow novels that abruptly try to win Linghu Chong's favor will only make readers who have no interest in the original characters feel inexplicably licking the dog. The excellent writing method of the main plot is that the contradiction between order and chaos is a major right and wrong, which eliminates countless debates. "Make a choice and bear the consequences" is a methodology that directly targets the target. Even if there is a debate, Sister Cat will give the conclusion on behalf of the reader. Omitting these contents will not interrupt the reader's enjoyment, which reflects the author's preciousness: if the number of words is low, you can use pen and ink to describe the protagonist's pride, the villain's misery and the cat car, but the reader's experience should never be sacrificed. On the contrary, some novice novels and popular "masterpieces" always use a lot of sensational drama and group portrait perspectives to prove the justice of the protagonist (the protagonist in the starting point actually has to prove his justice, have those authors lost their self-confidence?), The real reason is that their protagonists do not have a mature theory and do not have enough power to crush them. So when the characters don't know what they should do, of course the readers will analyze it for them, and relying on one-sided information will lead to accidents when analyzing, so those authors can only use more pen and ink to fill in the holes, the number of words is over the water, but the readers are fooled over and over again and find that it is not interesting. Finally, from the perspective of Shuangwen, I have always believed that emotional catharsis does require water storage, but this accumulated pressure does not necessarily come from the early stage of the work. Sister Cat's refreshing articles can always release more pressure than the plot itself. This allows me to release part of the pressure accumulated from working overtime and socializing in reality during the reading process. This is the practical significance that refreshing articles should have. If a plot you spend time reading every day is painful, then isn't that a double price to pay? If this kind of frustrating plot lasts for a few days, wouldn't it cost several times the price? Agatha Christie's short mysteries are both popular and popular. She never writes too much space for sensationalism and educational significance, because the subject matter of mystery novels does not have an educational function. The smooth flow of her works has no place to insert these embellishments. The most important thing is that the plot itself has enough content to attract readers to read. This is the feeling that Sister Cat's cool articles give me.

Not to mention anything else, I would like to call you the best in terms of driving skills. You wrote it so explicitly that the wheel not only crushed the master's face, but also ran it back and forth several times. It's still there. I admire you. To be honest, the author's writing is good, but the stacker is very uncomfortable to look at╯╰

Reasons for reading this book: Driving skills are good, keep around 100 yards The setting is good Nurture stream accounts for the majority Reason for not reading this book Lolita control is too serious, the harem of pig's feet is almost all lolita, and it may attract police officers Appearance is justice: as long as she is a beautiful girl, she will be saved, no matter right or wrong.

The middle-aged man can't stand it anymore. Maybe it's because the childhood goddess Lux died so lightly that I feel like I can't relax. I'm afraid that the heroine I like will do the same in the future 😭 Am I being a little too pretentious? Please don't spray me 😭

There is a problem with the rhythm of the plot. The protagonist is protected by a golden fleet, dominated by Zerg, and has a group of girls, but ends up running into SAO for adventure? Will you still scheming with ants after becoming an immortal? The gap in this plot is too big. If you force the flow to be infinite, can't your writing skills control the plot?

After all, Kirito has always liked Asuna since they got together. I hope the author will not steal Kirito's wife and please let him go.

I have been reading novels for ten years, and I have read more or less the works of various great gods and gods. There are some novels that I once thought were very good, but now they seem to be just average, with no content and no depth; there are also some writers who were once good, but now their works are getting more and more bad, all relying on the popularity they accumulated in the past. Over the years, I only recognize two authors among the novels I have read: Yanyu Jiangnan and Xibei Mao. I like Yanyu Jiangnan because the characters in Jiangnan novels are particularly vividly drawn. For example, the bastard is vividly portrayed in "Blasphemy", the quicksand and transgender prince in "Sin City", Madeline and the priest in "Demon Hunter's Notes", each of them can leave a deep impression on the readers. There are no phantoms or dragons in his novels. All the characters that appear have flesh and blood cast by the author's emotions and pen. (In sharp contrast is "Coiling Dragon") The reason why I like Xibei Cat is because of Sister Cat's "perspective". One of my favorite swear words is "The butt determines the brain." Depending on your location, you will see things differently. For the same thing and the same handling method, ordinary people curse because it infringes on their own interests, but from the perspective of the superiors, it is indeed reasonable and reasonable. What Sister Cat brings us are angles and positions that we rarely think about. Like the massacre in "Lord of Darkness", what ordinary people in the book will think is "Why is it so unfair? Why can't I get more? Why can the people who followed the city lord first get such good treatment, but I can't get those through hard work?", So they are dissatisfied, marched, and revolted. They will not look at the efforts of those who receive preferential treatment. They just want to pick free peaches, and the final result can only be suppressed. But wouldn't we be dissatisfied when we were in those people's shoes? When we encounter the same thing in real life, are we the same as those insurrectionists? We only see his poor ability and why he lives better than me and has a higher position than me, while ignoring his past contributions? Are we "them"? Like the Kingdom of Light in "Summoning Holy Sword" and the God of Light in "Lost Throne", it is the same. They represent a thinking perspective, which is the thinking perspective of most people. The perspective of the protagonist is that of someone in a superior position or even higher. It seems crazy and cruel, but if you think about it carefully, you will find that it is actually reasonable. This is also the reason why I like Xibei Cat. Her perspective is very good. After reading her book, I often reflect on whether my views on some issues are a little one-sided and extreme, and take the initiative to rethink issues from other perspectives, thereby discovering some things that I never think about at ordinary times, and gain a peaceful mind from it.

It's a very good book, but it's a pity that my favorite character died. Busujima Yako from Academy Apocalypse and the mecha from the mecha world didn't come out. Mecha is a man's romance. If you don't open it, you should at least build a collection.

I'm curious. Is there any book club? If so, let me know o(≧v≦)o

Although it's annoying to see Gundam being demoted to such a low level, my rationality tells me that everyone has their own opinions. Some people like Gundam and some hate Gundam, so I still support it.

One post was swallowed, looking to the sky. It feels like Marvel's strength has been suppressed. But none of the five great gods appeared. Two, the Avengers have not yet gone through Infinity War. Then there is the movie universe, which is not unacceptable. Personal opinion, don't comment if you don't like it.

I'm really looking forward to Black Cat's pretense! It's much better than the previous book. It's this chapter that makes me want to push Sister Cat to the ground and punish her properly.

Sometimes I really want to complain, it can obviously be a crushing game. But he was restrained because he was worried about ruining the main world. Wangtian, isn't it really the latest water law?

I remember the first time I learned about this book, it was in a novel called Zhu Sheng Pagoda or who wrote it (not sure 😎), and the protagonist was Sauron or something (still not sure 🤓). Anyway, at that time, it should be regarded as the author recommending new books to fans, the seniors supporting the juniors, thinking that it was just another hydrology, a young seedling. Unexpectedly, there were more than 2,000 chapters in a blink of an eye, and it was even trending! Surprised😰

I wanted to give up before finishing the free chapter. After the protagonist joined the temple, he didn't get any benefits. Instead, he kept shining and risked his life many times. . . If the protagonist is a good person and does this voluntarily, then forget it. The key is, isn't he joining the temple just to clear his name? You didn't quit early to fight the magic crystal, but you still took the lead in the charge again and again? Anyway, when I looked at it, I felt that the protagonist might as well not go there. The cultists would be victorious wherever the protagonist went. I didn't see anything powerful about the temple. Even if there was, I wouldn't come out to deal with the protagonist. Summary: There is no threat to the temple, there is no benefit to joining, the main character is fucked, and the development is always delayed.

First of all, congratulations, you are the person who asked me to create a post specifically for a certain person. Then let's get to the point: How to write a book review? I think book reviews are a serious matter even in online novels, which means that a reader raises his own perspective to examine the fruits of other people's work and becomes a referee rather than a participant. Therefore, book reviews must be objective, and must be of a level that allows new readers to have a rough understanding of the work after reading your review, and allows the author to intuitively see the opinions of at least some of the readers. Generally speaking, I personally will evaluate a book based on the following points: First: Creativity, whether a book catches people's attention and makes people want to read it at first glance, all depends on whether the book has new ideas. Of course, this is not particularly important. I don't mind even if it is a mature and old routine. After all, creativity in online novels plays a very small role. However, novels with excellent creativity do have a sense of freshness, which makes me tolerate more problems. Second: Logical self-consistency. Although this is ranked second, it is indeed the root cause of the rejection of some books in three chapters. The author's own settings cannot be logically self-consistent, and there are a lot of OOC (out of character). Even if many people can't feel it, there will be all kinds of weird feelings filling the whole text. A simple summary is that it feels awkward, something is wrong, and there is a sense of confusion. To give a simple example: the author sets the world price and gold coins are very valuable, and then the protagonist goes to buy a piece of bread, which costs hundreds of thousands of gold. At this time, it is necessary to complete the settings, such as the world view of the preciousness of bread, otherwise, it will be a drama. Third: Sentences. Since it is a literary work, whether the sentences are smooth is also very important. However, most writers in this article are qualified or even outstanding, but there are indeed problems with the wording of some sentences. Although it doesn't affect your reading, it does make it less enjoyable. Fourth: Plot, especially the plot density of each chapter. I don't know if you have ever felt like this. It's also just watering down. Some authors will arrange some other unimportant plots to fill in the blanks, while some authors just fill in the word count. . . . If there are more of the latter, the enthusiasm for books will disappear. Fifth: Details, how good is the author of a book, and whether he can dig holes, it is basically the details. Most authors will directly put holes in your face. If you forget to fill it in in the end, you will basically be slapped in the face. Some authors' pitfalls are like Schrödinger's cat, which exist in some detailed descriptions. If the author doesn't fill in the details, you won't even know that this is a pitfall. . . . . . . Of course, I won't hide it too deeply, I just need to think about it more, and the author puts up smoke bombs to prevent you from guessing the plot. The above are my standards for judging a book. I suggest you just take a look. After all, everyone has different standards. I don't force you to agree with me. The next step is the real purpose of my post. How to write a book review if you have standards? First, never put a tag at the beginning. It cannot spread your views. It can only make others choose to criticize after taking one look at it. You can make comments in the chapter reviews, but when it comes to the post area, you need to be careful with your words. After all, the people who read the post are not only old readers of this book, but also new people who come to visit. Second, what you say is meaningful. Whether you think the work is good or not, please don't criticize it directly. The sentences should be fluent and listed one by one in a clear manner so that others can intuitively see your point of view. Instead of just putting a label and starting to spray poison. Third, don't answer questions with questions, and don't make nonsense of ancient texts (this is very important, the metaphors of ancient texts are really very irritating if used blindly). I was arguing with you, but you just threw a copy of Gu Wen Guan Zhi in my face. That's not a discussion, that's a hooligan, especially since your comments are empty and boring. I couldn't figure out the key points after reading it for a long time. The whole text is full of dissatisfaction with your own subjective views. Just like a nouveau riche, you are in urgent need of eyeballs to let others know your wealth, and you can't wait to decorate yourself with belongings. My rebuttal to you, but you didn't even grasp the point of my rebuttal and didn't even read my comment. It's really sad. How the hell can I quarrel with such a person. Finally, I hope you can read this article calmly and then learn how to speak from the Chinese teacher. Read more classical Chinese. Classical Chinese is for learning, not for swearing. The wisdom of the ancients lies not in words but in their spirit. Such a vulgar use is really an insult to classical Chinese. The focus of the argument should be the other party's point of view rather than the other party himself. At the end of the article, I apologize to you. I did not do justice to the situation and the person. I refuted you based on my subjective impulse, but I will never take back my views or my remarks. I'm apologizing because I've read through your post many times and I don't think I should be so harsh on you. From a standpoint, we are enemies of opinion. Personally, I hope I will never see you again. A person who labels others as a negative fan when he opens his mouth must have something wrong. He is either stupid or bad. It is better to stay away. Finally, I would like to solemnly clarify one thing: I am not a negative fan of Haomao Lingkong, let alone a fan. He is not qualified.

The author first took the black technology route in the early stage, but he didn't know where to hack, so he returned to the traditional Western fantasy DND. Originally, a good story can be written by adding dnd western fantasy and time travel, but why must it be mixed with Japanese time fantasy? The roots of the two kinds of fantasy are different. I have barely read the selected anime stories, and while reading them I had to check the background of the world after time travel. People in the anime do not have a clear division of power after returning to the main world. In short, they are strong. Since they are so strong, why are they afraid of wolves in the front and tigers in the back? The author has obtained the power of genetic modification of the Zerg and has the ability to survive in the galaxy. With Godzilla's ability to swallow radiation and release it. The protagonist should be invincible on the physical level, and there is also a bloodline like the Time Dragon in DND that can compete with gods. Logically speaking, he should have evolved into a star traveler, but as a result, he is still messing around in a world with low energy latitudes, and his power level is uncoordinated. This book can see the merits of novels such as Wings of Frost and Lord of the White Dragon, but the comic selection is a bit niche, and the black technology system does not significantly improve abilities, except for the occasional appearance. I hope the author will continue to work hard and write better works.

What the hell is written about time ability? Time ability is interrupted by an ordinary mage's body protection magic? ? ? ? What the hell

I have watched several of Sister Cat's previous films (not specifically) I feel like this one is a bit unbearable. The first part was fine, but the further back I went, the less I could stand it. It felt like it was not as good as before. Maybe I have read too many novels, but I always feel that there is something wrong with the power system. Heikati in the Fire Mist Warrior is so awesome in the main world that he is a demigod, but in the Shana World, the Red World Demon King is far inferior to Fang Zheng at that time. Being promoted to the Magical Girl God has no effect, and is not as practical as the original skills. I always feel that the theoretical system is getting more and more crooked. I don't know if it's an illusion. I hope the author can see it.

May I ask how long the soul stone lasts each time? Never saw it.

There is something wrong with Fang Zheng's strength! Sometimes it burns the entire universe without even taking a breath. In the main world... ...

Look to the sky, Transformers are real. Without Yuanshi Tianzun, the Emperor of the Universe and some high technology, there is no way to compare with the insect swarm. Although there is, it is because of the chronology of the Cybertron civilization. But they are silicon-based life forms! Can't some technology be installed on oneself? The blame lies with the screenwriter. Personal opinion, please point out any mistakes.

I like good books, please keep up the good work!

In the beginning, he was still honest, but in the later stage, he let himself go and drove whenever he disagreed

Steel VS flesh and blood, this is war. Transformers and Zerg, no one can get supplements from the other's corpses and seizures. A real flesh and blood mill, a real war of attrition. I think the war between Transformers and Zerg should be more tragic.

Back then, Big Sister (Feiyan) wrote The Amber Sword. Due to the excessive delay in updating, Sister Cat wrote The Summoning Holy Sword. Now, Sister Sister has released a new book, and the protagonist is called Fang Plover. Then Sister Cat has also published a new book, and the protagonist is called Fang Zheng. There must be a huge secret in this.

Um? My whipping corpse comments are gone. . . Long live. . . _(:3∠❀)_