Adam the Mage

I think the first forty or so chapters are all very good. They are a little bit vicious but the flaws are not hidden. Every move is quite consistent with an artificial intelligence that has initially gained weak human emotions. But in about forty chapters, where the anti-mage seeks revenge, the whole thing turned into a cliffhanger. It was a blow to the head and I was completely confused. I almost thought the author had changed. I couldn't bear to read more than 30 chapters and I couldn't stop vomiting. I'm quite talkative, and the content may be a little over 100 million points, which is just as much as a paper (The Universe between Fingers. Jpg). The essence is not to find faults, but mainly to vent. I felt speechless while watching it. I almost vented it after I finished typing, but I would feel uncomfortable if I didn't type it out. If you want to watch it, you can watch it as a sketch. If it's serious, please don't pay attention to me. It's up to me. Yes. Looking at Chapter 40 of the Anti-Mage Pursuit, excluding the possibility of a real change of author, I feel that the author suddenly realized that the protagonist was too strong and the speed of becoming stronger was too fast. If this continues, the protagonist will soon start to ignore the peers and start beating up the higher-level mages. Generally speaking, by this time, normal authors (from the fairy grass of Secret Avenue to the hay of some novices) will know that the map has been drained by the protagonist and cannot keep up with the protagonist's needs. It's time to change the map and replace the supporting characters, but the author doesn't know what the reason is. No, I won't change the map, or even the supporting characters. What about adding new supporting characters? No, I won't, I have to catch the original batch. Then there is a problem at this time. The original supporting characters are too weak, and the speed of improving their strength is much slower than that of the protagonist. Although most writers solve this problem by changing a group of supporting characters. So how did the author solve the problem of the protagonist being too fast to catch up and the supporting character being unable to catch up? The choice of our genius author is to weaken the main character! That's right, our genius author's choice was to weaken the protagonist when the protagonist was too strong and the map could not keep up? ! Oh my God, I was shocked when I read this article. I have never seen the version where the protagonist was too strong. It's time for the son to become a younger brother. The most important thing is that this is far from over. If it is just a reduction, the problem is not big. The key is that the author's operation is simply to reduce the protagonist. What should I do if the protagonist is too strong? The question is, how to reduce it? By forcibly abusing the protagonist, how can the protagonist be abused if he is a rational and calm artificial intelligence? Do you understand the artificial intelligence that is still stupid and starts yelling incompetently and furiously when in danger? But even if the protagonist is brainless, the mages will not let the anti-mages harm the protagonist who can lay golden eggs? Then we mages will reduce the IQ of the supporting mages. Although the protagonist who pursues the truth can also bring us the truth, but I just don't care. If I want to put the protagonist in danger, I have to let the anti-mage come in. It's just for fun; I lower the villain's IQ, knowing that he may never come back, but I am a selfish anti-mage. I desperately wanted to avenge my descendants, and I was really going to be caught if I didn't retreat, but I just stubbornly continued to cause trouble for the protagonist, ignoring the enemies behind him. Finally, the author finally got what he wanted, and the protagonist was forcibly tortured. It can be said that all the characters in this paragraph are OOC, and all the plots are completely different. The characters and the characters' behaviors set by the author are completely different. No matter how unreasonable it is, they can force the protagonist to continue his life. When the two incompetent security guards who had the nerve to ask for compensation from the victims finally killed the anti-mage, I thought it was over. But it turned out that the author did not. What followed this paragraph was a long, long psychological confrontation. In summary, this paragraph actually has one problem, that is, it should not exist. You said that you have to cut off the protagonist and force the plot to continue. Isn't it enough? The chapter where the enemy is killed and the protagonist is weakened is almost passable. Originally, the author failed to control the protagonist's strength growth, so he chose to weaken it. Shouldn't this kind of plot to make up for the situation quickly? But the author didn't, so I had to describe in detail how the protagonist was abused, and forced to write this period of the protagonist's abuse that no one wanted to see, and then during this process, the protagonist artificially The setting of intelligence is almost forgotten. After n chapters, I feel like I'm finally tired... The result is that the main character has been replaced for a few years (yes, it's the car accident). Then I can give him a slap in the face again and lie down for a long time so that the supporting characters appointed by the author can grow up. Then when the protagonist finally wakes up from the crisis of killing the guardian mage, which is totally inconsistent with the character and logic, and his strength drops so much that he can finally be on par with the supporting characters, haha, the complete OOC begins. , What about decisive killing, what about deep prestige, it doesn't exist, it doesn't exist, it doesn't exist at all. The protagonist has all kinds of emotions, all kinds of soft handling, all kinds of artificial intelligence, and even forgets things?! I don't see any double-threaded and multi-threaded processing. The artificial intelligence-type thinking is completely lost, and it is directly returned to before liberation. It is not even as good as before liberation, and the character is directly reduced to the negative starting point. The big change was awesome, and it made me dumbfounded and doubtful about life. After a few chapters, I felt that the artificial intelligence had completely disappeared, and the protagonist's various business skills were low and the nobles were too forgetful. The protagonist's prestige was directly reset to zero, so the various unsighted supporting characters began to slap Xiao Xiao in the face again, but unlike the previous article, which was decisive in killing and shocking Xiao Xiao, the protagonist became humane, no matter what, and kept a low profile. After a few chapters. , Around Chapter 70, the protagonist finally officially met the supporting characters appointed by the author. Then it was amazing. The cruelty and indifference of the protagonist in the previous chapter left a psychological shadow on the heroine. When she finally became strong and stood in front of the protagonist, oh, unexpectedly, the protagonist actually started to become humane! Surprised or not, ironic or not, you were just unlucky to meet someone from that period! It's just the protagonist. The protagonist's arrogance and cruelty are all in the past. It's like the bad guys brutally killed you and taught you about the law of the jungle. Now, after all the hardships, you finally stand in front of the bad guys, and the bad guys actually say that eating fast is a good monk. I have put down my butcher knife and become a Buddha. It's so ironic. Haha. 🏻 In addition, the protagonist's wisdom has also faded along with the artificial intelligence, and he just said a few words to attract hatred without any benefit. I was so speechless last time. .

This is a good book, why do so many people hate it? If a robot travels through time, it must find a woman to be a normal robot! Do you have to interact with women to become a robot? Does a mage have to go out and wander around every day, saving the world here and there to be a mage? Does the mage insist on competing with the senior sisters in the academy? Or maybe there are always idiot seniors who fight and kill women! You still have to be a good book if you are a copy streamer of the Academy Auction House's Forest of Warcraft! This book is about mages, not warriors. If you insist on talking about those nondescript mages written in plain English, there is nothing you can do. Warriors are the ones who need to be reckless because warriors rely on fighting to hone themselves, while mages basically research and create a bunch of life-saving and high-damage skill scrolls. I really don't understand the words of those readers who say that the protagonist has no humanity. You actually say that the robot has no humanity. Is the robot human or a robot?

Have you seen The Witcher Journey? If the framework and ideas are completely copied, can this book be passed? What did the editor do?

To let you know that no one reads your novel, I will let my trump account comment 😜

After seeing Chapter 147, the author forced exploration for the plot. You must know that the most basic difference between AI and humans is the coordination of AI. Computers form a network through physical connections. Scheduling, collaboration and data analysis are the most advantageous parts of computers. In the military, computers exist in the command system rather than in combat units. The author forced an artificial intelligence that is not good at command.

One of the best wizard novels I have ever read! The world view is grand and the content is positive. The explanation of the extraordinary system is not ambiguous. The protagonist does not pretend to be a slap in the face. He has real strength and can concentrate on studying magic, instead of grabbing here and grabbing for a more powerful magic! It's not like many wizard-style novels that have a limited number of spell slots (I've always been surprised by this setting. For a group of people who are constantly studying magic and can use the extraordinary power of magic to change the world, there is still such a limit. Manually funny!) The protagonist does not rely on golden fingers to get through! (Although his golden finger is himself) I hate many novels. It's okay for the protagonist to have a golden finger at the beginning, but in the middle and late stages, you still rely entirely on the golden finger. Then what kind of protagonist are you? I can do it! No matter how good the golden finger is, it is still a foreign object. Without your own wisdom, strategy, layout, research, and hard work, you can only be a puppet of your golden finger. This novel is just a novel. As long as it is a few years old, no one will like to read it! I think if the supporting characters in those novels didn't have the halo of intelligence, and if there were people like Adam who devoted themselves to research and kept learning, by the time the protagonist came back and pretended to be a slap in the face, Adam would have been able to beat the protagonist every minute! Finally, I am very happy to come across such a good book this time, "Where the origin comes, we will surely win!" "Wherever the mage's soldiers point their finger, we are invincible!" I came, I saw, I conquered, the conquest never stops, and the exploration never stops. Every time I see this passage, I feel my blood boiling and I get goosebumps! ! ! Thanks to the author!

Maybe my taste has changed after reading too many works by great masters, so I couldn't stand this novel until chapter 37. The setting concept is good, but the rest cannot be complimented. One of the main reasons why I couldn't watch it was that there was a sense of tear between the words and deeds of the characters and the settings, or the writer didn't think carefully about what kind of actions the characters would do if they were set by a certain person. The second is that the non-main characters are too homogeneous, or it is still the routine of "the supporting characters don't understand each other but they all come up to despise the third company and then the protagonist slaps them in the face". It's really uncomfortable to watch this too much. Of course, this is just a family opinion. Maybe there are still many people who like this kind of bad street routine. All in all, I hope this writer can get better and better.

The first fifty or sixty chapters felt pretty good, but when I saw the coma part, it was like I was suddenly fed a mouthful of shit.

This book is great. This is what a mage should be like in my mind. Instead of being funny all day long and pretending to be a slap in the face. There are some dark tendencies, but not for the sake of darkness and perversion. Just deal with things rationally.

I like the character of the protagonist, who is cold and dictatorial, but he is indeed far from artificial intelligence. In the mid-term, I couldn't stand Cybertron anymore. I didn't understand why they had to cooperate. They also created a righteous persona of the mage. It was obvious that they had been writing about the mage only pursuing the truth. "The mage never deceives others." How dare you write such words? Actually, I like it very much. It was ruthless and ruthless in the early stages, and I enjoyed watching it. Although there are still redundant descriptions to supplement the plot, and it doesn't look like artificial intelligence in any way, these can be ignored. It still feels like a pity. It is rare to have no heroine and no virgin. I don't know why it suddenly writes some bloody plots, alas.