Tokyo Police

Preface: This book is actually a harem drama, and the heroines are introduced in the order of their appearance. miki: A capable subordinate with a good appearance. From pure admiration to mixed admiration. In the high-speed train episode, Miki played the most important role. Without Miki, Lin's police career would have been imperfect, monotonous and full of passion. However, rabbits don't eat grass on the edge of their nests, and the relationship between colleagues and subordinates is also the biggest obstacle to the union of Miki and Lin. Jingzi: Perfect appearance, perfect ability. From the development of a simple neighbor to a recommendation to a design forest inspector, most readers in the first half of the book gave Keiko rave reviews. Since becoming Lin's boss, Jingzi has become Lin's protective umbrella, which actually slaps many bad critics. Popularity rises through quarrels. If we were to vote for the heroine with the most impressive impression, Keiko would most likely win. Miko: The heroine label is actually Lin's drinking buddy and close sister. The author doesn't seem to want to make Miko and Lin a couple, so he didn't even design the plot to the point. It is really difficult for such a lubricant character to be called a heroine. If the harem were ranked in order, Miko would probably be the absolute choice at the bottom. Sakurako: Her ability and appearance can compete with Keiko's. It can be said that she and Keiko are the big and small kings in the harem. It's just that compared to Keiko's coercion and inducement towards Lin, Yingzi has been sincerely grateful and deeply admired for Lin from beginning to end. This is why many book friends think Yingzi is suitable as a lover; but I think that Yingzi being a daughter-in-law and Keiko being a lover is the best outcome for Lin. Lina: The favorite of German orthopedic readers, the only sister in the world. She has average looks, perfect martial arts, perfect cooking, long legs and a tanned complexion. I love her. The key is the unrelated sister, Guhehehehe Mingmei: A high school idol, and later a career actress, with perfect appearance and personality, but the biggest problem is that she is too young. The love relationship between Lin and Mingmei is more like a godbrother and a godsister than lovers; and the most important point is that idols or actors cannot make their relationship public, which also leads to Keiko's repeated late arrivals and Sakura's silent stealing. Although Lin Mingmei is good, it's a pity that she is not selling screws here. riho: I have read 70% of this book and I have never seen Riho appear. Author, are you serious about labeling her the heroine? The introduction says they are childhood sweethearts. How the hell is this childhood sweetheart fighting against 6 heaven-born types?

1. The plot has no main line. This is the biggest flaw and the most boring part of reading this book. Apart from the poorly written emotional lines in this book, I didn't find anything that could connect the various volumes. Each volume is a brand new story that has nothing to do with the previous volume, which also means that the emotions the reader established for a character in the previous volume are all abandoned in the next volume. So much so that the author abandoned the main identity background of the protagonist as a reborn person. In this way, the readers accumulated in the previous volume will be abandoned by the next volume. It is understandable that the readers are abandoned one volume after another, and the readers will be less and less as the later volumes come. 2. The protagonist and main supporting characters cannot see growth. Slowly maturing one's mind is considered growth, improving one's position or entering the eyes of a higher-level person is also growth, and one's ability to solve crimes is improving, which is also considered growth. The few years after graduation and entering the society are the years with the greatest growth and change in life. However, after so many volumes, the protagonist is still the same. Even his subordinates, after so many volumes, still only have two. This can be regarded as not having the disadvantages of the main line. If we remove the protagonist's outstanding crime-solving ability, the protagonist is just a nine-to-five office worker waiting to die. The only difference from others is that the protagonist is a time traveler. However, this identity has long been intentionally forgotten by the author. Even if you add a golden finger to solve crimes, he is still just an excellent office worker. The protagonist has no goal, he has no direction to move forward. He is always passively waiting for things to come to him. To use the curse word here to describe it, it is: a toad that only moves when poked. You know, even in a novice novel where you fight monsters and upgrade, we can still see the progress of the protagonist. But even the protagonist of this book's crime-solving ability, which he relies on for a living, does not improve in each volume. 3. Many characters have no personality. There are only two characters in this book that impressed me deeply. One is the inspector. The contrast between the powerful and serious inspector and the ordinary idol nerd is so cute that it won't make people remember it deeply. The other one is Keiko, a female supporting character who hurts the protagonist twice, which is relatively rare in my online writing career. So much so that when I wrote this article to recall the highlight moment of the book, the first thing that came to mind was Chapter 52 of Volume 9, where the protagonist goes to the prison to pick up the detained Keiko, and then shows off his showdown with Keiko. At that moment, Keiko's image became three-dimensional, because she had her own pursuits and would rather use the protagonist's feelings for her for her own goals. The image of the protagonist has also become three-dimensional. He is no longer a crime-solving machine, he can also get angry, and finally looks like a person with his own emotions, rather than a crime-solving machine (of course he becomes a machine later). Other supporting characters, such as sister Reina, girlfriend Akemi, Sakurako, and Miko, all just seem to be wearing a mask (in the recent plot, Sakurako has started to be busy with her own career, and finally has a bit of a human touch). All in all, most of the characters in this novel (including the protagonist) have no personality. Without personality, there is no conflict between personalities. Everyone is polite and respectful to each other, like people who have lived a prosperous, democratic, civilized and harmonious life in advance. Therefore, since the main supporting characters in this book have no conflict with each other, it is not only boring and depressing, but also leads to the fact that the plot of the book is completely driven by the plot of committing/solving crimes. Occasionally, one or two volumes are okay, but after reading too much, I will fall asleep. 4. The plot has no depth and no ups and downs. The lack of depth means that the author only describes the solving of the case, and is almost taboo about the plot other than the solving of the case and the emotional drama. From the time the crime is committed/solved to the final judge's decision in court, the author only wrote the first half. The confrontation between the lawyers in the court in the second half would also be very attractive if written well. How could a police officer who really wanted to put his victims to death in silence not pay attention to what kind of sentence the criminals he captured would receive? But these are not described in this book. Whether it is political struggle or the sentencing of criminals, the author only touches upon it briefly and does not write in depth. The lack of ups and downs in the plot means that it cannot arouse the readers' emotions and make them excited. In the process of solving the case, as the protagonist finds evidence one after another and slowly gets closer to the truth, it will indeed make readers nervous and excited following the plot. But this is not enough. As we all know, pretentiousness is the primary productive force of Chinese online novels. No matter how old a routine you think it is, as long as it can be pretentious, it will definitely attract more readers. In this book, the protagonist has many opportunities to show off, but the protagonist uses none of them. For example, after solving a major case, there should be a celebration session, but this is a good time to review the protagonist's reasoning and let the protagonist show off (a necessary segment in Conan). However, this book does not. After solving the case, the book can't wait to move on to the next case, without even giving the reader a chance to review it. For another example, after solving a case, it should be a good time for the protagonist to enjoy the admiration of others and show off. It is also a necessary plot for the readers to recover from the tension of solving the case. But the author chooses to let bureaucrats attack the protagonist. Of course, the author can explain that this is how Japan treats people with outstanding abilities, which is consistent with reality. But the author cannot let the protagonist endure all these injustices. Of course, the author can explain that Japanese characters are like this, but the background of the protagonist is that of a reborn person who traveled from China. Wouldn't it be more comfortable to rely on the golden finger of his own rebirth and slap those bureaucrats in the face in the end? In summary. The niche subject matter and cultural barriers may be one of the reasons for the poor performance of this book, but I think its lack of the above elements is the main reason why the book is not very popular.

I stayed up late while reading the first half and read the entire book to get two words: garbage!

It's a novel that starts high and goes low. It becomes more and more verbose and the plot is no longer engaging. It's also incomprehensible. I've always been committed to an idiot boss who doesn't want to make progress. I felt annoyed and panicked while reading it.

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words. After seeing the online volume, I gave up chasing. The main reason is that I can't stand the entanglement between the protagonist, Keiko and Akemi. After breaking up with Keiko, he could quickly hook up with Akemi, which suddenly made me feel that the protagonist is a scumbag. Another reason is that the protagonist will automatically adjust his bottom line when facing the Masashi family case. It is really uncomfortable to watch, so I decided to stop here. First of all, the previous cases themselves are very interesting. Whether it is the process of committing the crime or the investigation, at least the cases are interesting enough to make people want to know the truth hidden behind them. In addition, the stories of the people involved in the cases also make people want to understand in depth. This is a story about a police case handling without any superpowers. The first case within a case impressed me deeply. The protagonist mentioned one thing: Don't put sexual harassment at a lower priority or be lazy to deal with it just because it is a minor incident. Maybe the prisoner only needs such a successful case to gain confidence before he commits a more serious sexual assault case. The next innocent victim will be so innocent. It was probably when this point was mentioned that made me identify with the protagonist. In fact, I often focus more on the people involved in the case than on the process of handling the case, for example: The Fairy Queen Train Case Sakurako was really unlucky. Not only did she kill the person who wanted to sexually assault her in self-defense, but was it because the female publicist made money from men that she was prone to such risks? Erika wanted to kill Sakurako because of the management rights, but was she killed just because she gave up the plan because she could not contact her contact person? Don't she have any feelings at all between her and Sakurako? The Case of the Green River Killer Mary and Natalie were just unlucky enough to be stuck on Route 90. Even Mary had a one-year-old child with her. The murderer could not bear to treat them as hunting targets. The life of a single mother is not easy. What kind of man makes Natalie willing to give birth to a child and lead a difficult life? It's really unbearable that Natalie got such a tragic ending The Case of Pretending to Suicide of a Professor Mina was really miserable. Many years ago, she chose to get pregnant and give birth to a child, gave up Ochanomizu Women's University, and foolishly raised her children by cleaning bathhouses for decades. The professor obviously wanted to move back to Tokyo to find Mina after watching Forbidden Love, but ended up dying because of the unscrupulous real estate agent. Doesn't a strong woman like Mina, who is desperate for love, not deserve a happy ending? Let's talk about some unpleasant points: The protagonist will start to adjust his bottom line when he encounters the case of Tadashi. In addition, he must not ignore the minor evils at the beginning. The incident of catching the excluded girl and the stalker celebrity incident also seem to be relatively perfunctory with the minor evils. It feels like it has created an image that people can identify with and then it is slowly replaced by a black personality. There are enough things like this in reality. I just want to see some heroes who shine like the sun in the novel. When handling a case, it is too easy to find key clues through coincidence. For example, when you go to lunch, you just hear the important information that the witness concealed from the police yesterday. This seems to be too deliberate. I think it would be better to have plug-ins or superpowers. For example, the protagonist can You can see through whether the other person is lying, or you can get information from animals. I think it can advance the plot reasonably without any cheats, and put the readers on the same starting point as the protagonist. This is the best mystery novel, but if it is through coincidence, I would rather use cheats, at least it seems reasonable. Personally, I feel that the protagonist's relationship is really bad. I like harem works very much, but I hate the treatment that seems to be very utilitarian, especially starting to attack the next event before the previous event has cooled down. This makes people unable to feel the sincerity of the protagonist. Generally speaking, The better harems I've seen usually involve establishing a bond through unavoidable major events, and then gradually deepening it until they can't let go. But here it seems like everyone's affection for the protagonist is full, and the protagonist is still wandering around feeling sorry for himself, which is uncomfortable. Finally, I think this novel is a pity. If there was no emotional line or Zhengshi incident, but a simple crime-solving novel without plug-ins, it would be much more comfortable. At least I was attracted by the protagonist, the supporting characters, and the people involved in the case, and I also hope that they can have a happy ending.

I have been chasing books since the beginning, and then I always wait until after 11pm to read the updates. The plot of the case is indeed good, and the emotional aspect is quite enjoyable. However, after reading the latest update tonight, I realized that I had finished the book, and I felt a little empty. Offering 1,000 coins and a little kindness, after all, we are still proletarians.

After seeing the Green River Killer part, I didn't want to watch it anymore. Fighting scenes and force feeding. In Japan, even the prisoners can't beat them. In the beautiful country, there are all kinds of cheating operations. And he gave random orders as if he were a superior, and it felt like he didn't have the right to give orders. The following mainly read some book reviews. It feels like a supercharged text similar to The Rising of the Shield Hero. It's a bit of a propaganda to just tolerate and accept pua. Is it because the reasoning of forcing a harem to open is not attractive, so I wrote something about the harem to attract spectators. It's like two novels were published together.

I just read it and saw Chapter 19. I just want to complain that the protagonist is a professional group, Japan's National Category 1A, so he joined the police department as a supplement, and after one year of internship, he became a police department. I don't know if the Shenmu police department is a quasi-professional group or a non-professional group, but seeing the author's "real" words, I think it should be a non-professional group, so he describes Shenmu's ability as very strong. After all, the highest non-professional group is the police department. It is not difficult for a professional group like the protagonist to enter 500 arhats (police and above) in the future, but the protagonist's academic qualifications are indeed a bit too low, and I want to complain about Waseda. Although it is famous, the top schools in Japan should be Kyoda and Tokyo University, followed by Tokyo Institute of Technology, Osaka University, Tohoku University, etc. Waseda still has to go down against these. Finally, I want to ask the author whether he has created an elite group? This is really a bit of a low-level mistake.

This book, although I only saw it near the bombings, I think what he wrote was pretty good. How can I put it this way? It feels very much like Japanese anime. Someone mentioned this in the comments before. I would like to recommend other readers here. It is best to read this book with the mentality and thinking of reading Japanese comics. Don't take it too seriously. Although I don't quite understand why the female assistant sold out her weakness and the male protagonist believed it 😅. Now I think about the dissatisfaction of most readers: it's okay to write this way, but it conflicts with the setting at the beginning that the protagonist is an undercover anti-narcotics agent in the country. It may be much better if the author does not have this setting. Generally speaking, the writing is quite interesting, similar to the style of the first one or two hundred episodes of Conan. Since it is a novel, everyone should not worry about why the protagonist can always solve cases that others have shelved for decades.

The author is great and the writing is beautiful. However, there is something wrong with this plot about You Zuo. No psychiatrist with common sense would diagnose her situation as mania, let alone intermittent. And such self-injurious behavior does not appear in patients with manic episodes. Since I don't know the plot considerations behind it, there are usually two considerations for her situation, one is a mental disorder related to culture, and the other is PTSD, especially witnessing her boyfriend being killed by a curse. Considering the latter is also consistent with the self-harm behavior in the plot

It's a rare starting point book. The first half is exciting and the character relationships are well described, but the second half tends to be dull. It's a pity that the last chapter was completely messed up.

I think this book is quite good. I like both criminal investigation and romance. I think this book is quite clean and the emotional line is a firm recommendation for Xiu Yimingmei!

As long as the rhythm of solving the crime is maintained, it will be a good work even if there is no other content at all. However, the description of office politics and emotional drama completely brought a good work to the end. It is not even as good as Xiaobai's novel. I couldn't even see it on the shelf before running away. The plot is comparable to most American dramas, starting high and going low. The emotional intelligence is not like that of a person who has been undercover in a criminal group for three years. He knew a little bit about office politics before, but in the end he didn't get any credit when he crossed the line and performed meritorious service in law enforcement. The personality is erratic. People who have died once have unstable personalities. Not to mention achieving great enlightenment, at least they must have lived through one life and at least have some ambition in life. Not to mention the trivial issues of why a thirty-year-old would be involved in a case thirty-five years ago, but why would a powerful political family be afraid of you, a small police officer within the system? So what if you know the truth, who dares to spread it for you? How can others suppress such a completely unsubstantiated thing after spreading it? When I was transferred to the Special Search Section, I only had one female subordinate, and the two men in front disappeared? Hey guys, a custom-made double bench? The FBI training was even more outrageous. I was valued in my father's family. Although I didn't have any concerns in my son's family, I didn't want to leave even if I wanted to go back to my son's family and feel wronged as a grandson. When you write an emotional drama, do you really not even describe the person's facial expression? I have read so many chapters, but I don't know anything about the appearance of the protagonist and the three women. If you use some loopholes to treat it as the truth, it can indeed be treated as the truth, so why does Bomber ask the protagonist to buy it? Why don't you hold a press conference to clarify for yourself? It's better to keep it open to the protagonist. As long as your truth is not the truth, I will continue to explode. The solving of the crime at the beginning is really brilliant, but the political drama in the middle falls apart.

Sae Takashima has violated professional ethics. It is a common tactic in the entertainment industry to let the male and female protagonists of a drama have a scandal to increase ratings. However, an agent interferes in private affairs for his own benefit, encourages the person he serves to be at odds with his boyfriend, and adds fuel to the flames. If it were someone with a little more independent opinions, he would have copied him long ago, and he is still serving as a mentor for the future of life? So hypocritical

This volume is one of the most outstanding among recent volumes.

This novel will slowly wear down your patience and experience it for yourself

The protagonist is not incompetent. He is framed and excluded by his boss time and time again. Whenever something goes wrong, he still helps his boss wipe his ass. I can't stand it anymore.

It is easy for criminal-type books to fall into a dark or exciting style and be unable to extricate themselves, which is understandable for entertainment works. But this book takes a different approach and pokes fun at crime and politics in a two-dimensional way, which is unexpectedly relaxing and beautiful. In fact, criminal justice and politics are not boring. History books are much more interesting than stories. This encourages authors to improve their political level, create more selflessly, and not fall into the trap of convention!

The book is good, but the ending is too hasty

The author's emotional line is very well written, and it can be read as a romance novel alone. The author's case line is better, it's the theme. The two are mixed together, and the readers turn a good heroine into all kinds of bad things. This is why, does everyone hate Akemi? It's not annoying. People find various reasons to say that she is not suitable. It's just because the author has a poor grasp of the emotional line and writes it realistically with ups and downs. As a result, the readers are separated. There are some trouble-making readers who want to watch a criminal investigation, which is so stressful and also talks about stressful relationships. Please pass quickly. Oh, although I am busy today, I would like to say one more thing, saying that Sakurako is suitable to be a wife and a heroine. It's all mindless. Let me explain it to everyone. In Japanese society, civil servants and police officers are elites, and their promotion path is predictable. Find a former female publicist, Ginza Mama-san, who has ties to the underworld and has served a prison sentence as his wife, and you can just ask the male lead to cut his account and start training again. I'm really convinced. The brain is a good thing. Riho is a suitable wife, but according to the situation in Japan, more than 95% of Riho's families let the male lead marry into the wife. I guess readers will be outraged again.

I saw it a few days ago (where Keiko was stabbed in the back) and said that the author challenged himself by daring to write such a picture, but it was unimaginable that it would collapse so badly! ! ! ! ! Although the sudden development of relationships in the past was very sudden (the Kamakura duo suddenly confirmed their relationship with Akemi, picked Sakurako out of prison, and let her live at home, which caused conflicts, etc.), The relationships between the characters were in their place, and once the relationship was stable, it was not bad (Miki: Female Underage) The admirers; Sakurako: the admirer of girlfriend A; Miko: the confidant of girlfriend B; Keiko: the ambiguous sister-in-law and boss; Mingmei: the sister-in-law girlfriend) are enough to support a rich emotional plot, and some plots are indeed exciting (the incident of Mingmei's retirement). Then, Lin Xiuyi and Jingzi's sexual intercourse is obviously a violent variable. At the same time, it is also a subversion of the character design (everyone thinks that the rigid and rigid herbivorous Conan will not cheat and will maintain a one-sided and ambiguous plot. Lin Xiuyi did not notice it), but it is okay here. It is even said that this kind of change is possible in reality, and it can still be used in the original If you continue to maintain ambiguity and entanglement within the framework, you can also talk about it easily and clarify each other's feelings (we are all adults, and having sex once does not mean that we must be together; Mingmei is also trying hard to get forgiveness), then the protagonist is still a responsible man. But then, when Keiko was assassinated, I knew that the relationship framework would change a lot, and the calculation of "the hardest to bear the kindness of a beautiful woman" became unclear. It was very troublesome to write and deal with it in this way, and it was even more troublesome to write about this tangled relationship than the facts of the case. At that time, I admired the author's courage. But what Mingmei did next was a bit strange. What was wrong with her? What does she need Keiko to forgive? Can feelings be shared like this? Is it okay to turn a blind eye if you don't fight for your marriage status? Agreed to have a baby? What happens after giving birth? ——If it were me, I would be very grateful to you for saving him, but I still wouldn't share him with you. It's really weird to write like this. I'm not one to say character madonna, but this is so wrong. Author, let me put a mark here to see how you write when you write about children. Also let's see if you want IVF or Lin Xiuyi will do it himself. Dividing Line It's been a long time since I read a book from Qidian. I saw someone saying that I tried drugs or something. I want to complain about this book. Except for the hasty ending where the emotional line collapsed at the end. This book is indeed an excellent Japanese royal mystery novel. I still recommend everyone to take a look.

Keiko, Akemi and Sakurako. Keiko: A strong woman who graduated from a prestigious school and entered the political arena. She squandered Shuichi's favor with several designs. She is currently trying to finish her studies early and return to her country to counterattack. Mingmei: A docile and cute little star who occupies the position of real girlfriend. Although she is young, she is very firm in love. Sakurako: It's hard to imagine that a top graduate from Tokyo University has such a weak legal awareness, giving Shuichi the chance to save her (send him to jail...). A top female publicist, talented and beautiful, and good at dancing. So, who is more suitable to be a wife? Keiko puts her career first and is extremely self-centered. If she doesn't change, there's basically nothing going on. Men generally don't like women who are too ambitious and calculating all day long as their wives. As for Mingmei, she is a singer. This name reminds her of the ending of Macross inexplicably. She has a career as a celebrity, has a busy schedule, can't open her relationship publicly, and the girl is too young and immature. These are the disadvantages that prevent her from becoming a good wife. Unless he quits the entertainment industry early, he is not a good marriage partner. Sakurako, personally thinks she is more suitable for Shuichi. I had previously talked about opening a cafe, so that it would be suitable in terms of age and interests. A first-class way of doing things, with high EQ and IQ, and can be a good helper. The downside is that I have been in prison and I don't know if marrying a civil servant will be an obstacle in Japan.

This book is really good. It is quite rare on the platform of Qidian. The author must have put in the effort and the details are remarkable. The portrayal of Keiko is extremely successful. She expresses the complex inner side of a political woman who not only adheres to political ideas but also longs for love. Although she is not loved by readers, she is very real. The portrayal of the police officer Lin is also very good, with strong reasoning ability, but weak skills (the weak skills are saved by beautiful subordinates every time and stacking Arhats makes me laugh every time), herbivorous personality, and a bit weak-willed. She likes Keiko but can't stand the advantage of being used as a politician's pawn. He is capable of adhering to the bottom line but also compromising appropriately. He is a bit naive and passive emotionally but has a sense of responsibility. He is a very interesting template for a Japanese drama male protagonist. What is interesting is that the setting of the fusion of two lives is very far-fetched and unnecessary in this book. In the completed cases, there is basically no cross-dressing involved. The more advantage it brings, the description of Lin Xiu is abrupt and has no sense of substitution. On the contrary, Lin Xiuyi's past is vividly described and a lot of foreshadowing is laid. I don't know if the author intended this. In my opinion, it may be better to directly set the protagonist as an indigenous. In fact, so far it has been directly Abandoning the setting of time travel is not a problem at all in terms of writing. On the contrary, it will be more reasonable in terms of character design and reading. Of course, without this setting in the starting point, a platform with so many time travels, it would be difficult to attract readers. I guess this is also a helpless compromise by the author. 😅If you have the opportunity to publish a physical book, it would be better if you remove this setting 😜 The design of the plot is quite good. It has the feel of a small unit in a Japanese drama. The presentation style is very good. A lot of effort has been put into the reasoning and setting of the case. It is basically reasonable and has no major bugs. It would be interesting to make it into a Japanese drama if there is a chance. Personally, I feel that the portrayal of women is quite good. Keiko is not popular but she is very plump. Miko Akemi and her sisters are all cute. I hope that the relationship with Akemi will develop smoothly. Don't make the same mistake as the pantaloon screws because of the name 😃 Author, please keep up the good work!

To be honest, Mingmei is really not suitable. Basically, the entertainment industry and the entertainment industry will not be in line with the police. They say that emotional matters have nothing to do with career, and they are just talking. Although they are well-matched, they are old-fashioned, but they also have their reasons. Different concepts developed by different identities, different professions, and different environments can easily cause differences, which can lead to (family) disputes or even destroy relationships. This is not uncommon! For Lin Xiuyi, 1: How about choosing Yingzi? Originally, she was working hard as a woman in public relations. She has her own way of dealing with people. After experiencing murder and being jailed, it can be said that she has looked down on many things! Faced with the identity and work of the male protagonist policeman (Crime Team), it can be said that he can face it with ease! 2: Jingzi, her status is high enough and her abilities are strong enough, but it is unlikely that she will be loved by others. It will be helpful to the male protagonist's career, but their ideas and methods of doing things are in conflict. I am afraid that if they get together, they will have a lot of conflicts. 3 Finally, there is the female police officer under the male protagonist. To be honest, she is really a potential stock. Although she has not yet sprouted, she is worth looking forward to.

The novel is really well written, and both the case investigation and the emotional drama have their own merits, but the latest chapter is really heart-wrenching to read. From the current chapters, it can be seen that the author wants to cover everything and write brilliantly in both aspects, but I don't think that writing brilliantly means writing the emotional drama like a white album. After all, this is not a romance novel, and there is no need to write it so bloody. In addition, can the modal particle "Hey hey" in the article be changed into Chinese? Sometimes I feel that this word cannot accurately express the corresponding meaning, and it requires more words and more effort to understand (it is equivalent to spending twice as much mental energy to watch it). When many animated movies translate such particles, they will change them into easier-to-understand words (such as yes, okay, etc.) According to the sentences and environment at the time. Such modal particles that require extra effort to watch sometimes make me very confused. . . . Sometimes I have a hard time immersing myself in a novel, but when I see this, I feel like I can't read it and feel uncomfortable. I hope the author can see this long review and adopt it

Subscriptions are low recently? Author, you can continue to test the edge of suicide for a few more days. First, you forcefully add scenes to the highly disgusted Keiko to whitewash her, and then you write incomprehensible in the past few days. The protagonist is Mr. Hosokawa, right? The plot is about working hard to save the company, right? This is almost off topic and went to Siberia... In fact, the author wanted to change the subject of the eunuch in disguise and start a new book, right?

The writing is very good But the author really doesn't know how to write books Comparing it with the popular book Crazy Detective, that book actually has nothing good except for the wonderful case writing, and even the reasoning in the case is not as good as this one But why is it so popular while yours has been criticized repeatedly and has average results? It's because your overall structure is a mess. Although the case reasoning and character design are well written, you still have to add a bunch of side plots, such as encountering cases when going out on vacation or accepting private requests to investigate cases. Instead, the plot of your own work is squeezed out as if it is irrelevant. Wouldn't it be great to write about handling cases, setting up departments, and promotions in a serious way, and add some transitional plots in the middle, so that the plot structure of the whole book will be much more comfortable. If you have to write this kind of unambitious image that seems to be outside of your job, then why else would you write about a police officer? Just quit your job and become a private detective

Let me talk about what kind of person I know about Lin Xiuyi from the book. In his previous life, he voluntarily sneaked into a drug gang and became an undercover agent just after graduating from the police station. I don't know what he or his boss thought. A young boy who just graduated from the police academy was qualified and capable to be an undercover agent. After many years of undercover work, the results were not great, and he was discovered by the boss and shot to death in the bathhouse, which is the opening chapter. After time travel, Lin Xiuyi never recalled his experience as an undercover agent, which shows that he did not like that experience or even wanted to think about it, and he did not miss his relatives in his previous life. So it can be boldly speculated that he was an orphan in his previous life, and even his father may have been a detective who died in the mission. This can also explain why he volunteered to replace another policeman with a family background and infiltrate a drug gang just after graduation. After all, for concerned people, being an undercover agent means severing past interpersonal relationships, completely disappearing from relatives, lovers, and friends, not to mention risking his life and being separated forever! After time travel, Lin Xiuyi's criminal investigation and reasoning abilities are actually not particularly good. His overall ability is a little worse than some of the experts in the First Investigation Division. So what is the reason why he can repeatedly achieve extraordinary feats?

To be honest, this book is really well written, but the main character is his younger brother, and it has not worked since the bombing. Keiko dragged the main character into such a big whirlpool, and the main character would forgive her just because she was cute and charming. Later, she lured Kuroda to ask Keiko for help, but when the main character agreed, the main character hesitated. Please, if you help you, you are also helping yourself. Why do you think so much? I really like this book, but I really can't stand it anymore. Come on, author!

The author tried very hard to write a manga-style male protagonist, but ended up writing an indecisive loser! A policeman who has been an undercover criminal gang for many years in his previous life, shouldn't he have a cautious, suspicious and determined character? As a result, when I came to this world, I became a silly, gullible, bloodless, and easily manipulated person. It is extremely disconnected from the previous life setting. If you want to write like this, it would be more reasonable to set your previous life as a college student who loves mystery novels and has never seen the world.