
The Transmigrating Daoist
会穿越的道士
- Status
- Ongoing
- Length
- 684k Words
- Genre
- Cultivation
- Subgenre
- Modern Cultivation
- Updated
- 5y ago
- Source
- Qidian
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In booklists 265
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Reader comments 19
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Qidian will implement a real-name authentication system for authors after Qidian. Authors who have been eunuchs must be tagged. We are also a little bit worried when he opens a new book.
The writing is very good. I like to be devoted to the Tao and have normal three views. Those awesome and stubborn ones are too unrealistic. Cultivation means cultivating the mind. How can there be so many slaps in the face?
I read this book several years ago. I picked it up this time and wanted to read it again. But after reading a few chapters, I couldn't stand it any longer. I couldn't help but feel unhappy. In the first dungeon, the protagonist was still a few days away from being able to build a foundation and refine his magic power in a hundred days. However, a man worshiped Wong Tai Sin and was possessed by a weasel spirit. The protagonist ran to save him alone, but was unable to defeat him at all. In the end, he asked the patriarch to possess him and spent 5 years of his life before killing him. After saving this man, he woke up and started yelling, scolding his wife for cheating, scolding the villagers, and scolding the protagonist. Then his wife inexplicably hit her head on a rock and died. The author here may want to write about the ignorance of the villagers and the helplessness of the protagonist who is too late to save people, but the author's writing power is simply not able to write it, which makes this woman look like a stupid basket to me. Then the woman died and left a son, but the man didn't care. The protagonist begged his two senior brothers, Lin Jiu and Mamadi, to let them adopt the child. The key was that the protagonist lived and ate from his senior brother. His senior brother was also very poor, living on vegetables and tofu every day, and he also had to adopt a child. As a result, Lin Jiu and Mamadi parted ways, and the protagonist soon clapped his hands and returned to the main world. The key is why the author wrote this. Why not write that the protagonist completed a hundred days of foundation building, and then this happened after he gained mana, and then the protagonist could easily defeat it, or kill the weasel spirit in a fierce battle? Do we have to meet him in a few days? So what's the purpose of writing this? If we must let this woman die, we can write that the protagonist has a hard battle with the weasel spirit. The same thing is true when his mana is exhausted and there is no time to stop it. It will have to cost 5 years of his life, right? What is the purpose of writing this, huh? It's just baffling. Then there is the second dungeon, Jingjue Ancient City. The main character's reason for going to the tomb in the first place is outrageous. For the sake of two infant spirits who have never met before, he has to travel thousands of miles to save them. That's okay, just save them. The key is the three people traveling together, Hu Bayi, Wang Kaixuan, and Yingzi. That Wang Kaixuan is just a silly fool, no matter what he says or does. He touches the organs in the tomb with his hands and feet. The key is that the protagonist has watched movies and TV shows and knows what kind of person this Fatty Wang is. He still doesn't know how to watch him and wait until he gets into trouble before he can find a solution. Why, other people's movies and TV dramas rely on this kind of silly supporting characters to promote the plot, and your novel also relies on this kind of silly supporting characters to promote the plot, right? Then I met the owner of the tomb who is a evil corpse. The protagonist himself has a divine general who protects him. He will fight if he can. If he can't beat him, he can still run away, so he asked the three teammates to run quickly. As a result, Hu Bayi said a word, "if you join forces, you will live or die," and Yingzi said, "I have never seen anyone who is not afraid of guns, and the three of them ran back." Now, in order to take care of these three idiots, the protagonist had no choice but to fight. Then, the zombies had copper skin and iron bones, and the bullets did not break their defense. In the end, the protagonist suffered internal injuries before destroying the zombies. I remember that when I was killing the evil corpse, I drew a talisman on the spot. I used three-tenths or so of the mana. Why, you have read the plot, so you don't know how to prepare it early, right? You really deserve the on-site drawing. You know the plot, so you don't prepare anything. You know the plot and you get internal injuries. Thanks to you being the protagonist and having the aura of the protagonist, otherwise you might not all die in the tomb. And the same question, what is the purpose of writing such a silly supporting role? To set off the protagonist's brilliance? Sorry, I just see that the protagonist is just as stupid as the three of them. Anyway, I really can't stand it anymore after seeing this. What the hell is this?
Let me talk about the feeling of this book. The author of this book is worthy of advocating for the maintenance of traditional culture. He is relatively good at Taoist thought, the setting is not bad, and the writing is relatively good. But why does it give people a weird feeling? The protagonist of the whole book is a seeker, and he always makes me feel... He feels that he is not sincere. The protagonist, the cultivator, wants to highlight that he is an orthodox cultivator, but he always has an inexplicable sense of mission. He says that he hates people who are superior when they have some achievements, but his way of doing things is always the same, which seems very weird. The person I hate the most is the way I look like? Especially in the first world, it was okay, but in the second world, it felt a little like a villain. It gave people a very hypocritical and hypocritical feeling. It was especially obvious when returning to the real world, giving people a feeling of nouveau riche. The second point is that the author has always said that he promotes Taoism and admires Taoism, but The important thing about any religion is not the deceptive things of the government, but its thoughts and culture, its philosophy. This is its heritage, but it is not mentioned at all in the article. The article only emphasizes that Taoism is good, but only emphasizes this slogan to give people a sense of pua. Forced preaching only tells you that it is good without saying why. It is very strange. I read this book after hearing recommendations from others that it had a fairy spirit. To be honest, I was a little disappointed. The fairy I recognized should be the kind who are wise and knowledgeable, know the world without being sophisticated, are not surprised when things happen, are transparent, know and do the same, and are the same on the inside and outside, but are not the kind of people who only have magical powers and are forced to show off. Maybe the protagonist changes in the later period and I can't read it. If you have read the full text and what happens to me later, I will decide whether to read it or not! Thanks for the help! 🙂
Are there any similar novels? Let me introduce them. This author writes really well. This is a novel written in 17 years. Looking at the current situation, either the system or the main god, or competing with Yuanshi Tianzun for sainthood, discussing Zen with Buddha, and other similar things, fills the sky with anger.
I read it three years ago. I recently found it on the deleted book list and read it again. Damn, are you a eunuch again? ?
I think it's okay~
I think the plot in Hong Kong is pretty good. It successfully integrates the plots of dozens of ghost movies! When I was a child, I always had a feeling of confusing continuations when watching movies, thinking that these movies are about the same world! In my opinion, the Marvel Universe is low, and Hong Kong clearly had the opportunity to create a zombie ghost movie back then. Of the universe! The protagonist's cultivation is obviously improving all the time. After killing the cat demon and getting a bow and arrow, why did Emperor Huaguang pass on to him the knowledge of the techniques that directly point to the gods~ It's just that the update is too slow. I watched it with the world of movies back then. One wrote action police movies and the other wrote Hong Kong horror movies. It's full of memories. Since you have participated in the out-of-chapter training class, write well!
Can you fix the number of update dates?
This plot in Hong Kong is not as attractive as before, it is messy and complicated. There may be some new plots such as the Netherworld and the Yin-Yang Diagram in the future, but there is little difference between such a long period of foreshadowing and watering down. I came here to improve my abilities and cultivation in preparation for returning to Maoshan. But this time the focus is on the experience on the Hong Kong map, the roles of the people, etc. As the scene gets bigger and bigger, there will be more and more water. After re-updating, the quality dropped seriously!
This update may not be updated until half a year later. Damn it!